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84 infantry collar badges, including Queens, several types, Buffs, P Alexandra’s KSOB WM, Worcester, E Surrey, D of Wellington’s, Border, Hampshire brass and WM, R Sussex brass and WM, KOYLI (early “King’s Own” and “King’s Light Infantry” types), Middlesex, N Staffs 1895 patt, Wilts, A&S, etc. Generally GC (few fastenings AF)
14 Irish collar badges: officer’s silver plated Irish harp and gilt silver plated R Inniskilling Fus; OR’s R Inniskilling Fus pair sideways brass, single sideways bi metal, upright brass and bi metal; 2 part R I Fus sideways (2), pair R Dublin Fus; a Vic bi-metal R Fus collar or sidecap. GC. (15)
40 infantry cap badges, including Grenadier Gds (4), R Fus, Suffolk (slide missing), E Yorks, Bedford, Beds & Herts, Leicester, RW Fus, DCLI, Hampshire, Notts & Derby, RM, KRRC, Manchester 1st patt (slide missing), N Staffs (3, 2 slides missing), DLI, etc. Average GC (few AF or slides missing)
25 different infantry cap badges, including Cheshire both patts, Gloucester with brass and bi-metal back badges, E Surrey large and small, DCLI, Border, R Sussex, Hampshire and R Hampshire, Dorset and Dorsetshire, Welch (slide missing), S. Lancs large and small, Ox & Bucks WM and blackened, etc., GC
A post 1902 RN officer’s sword, straight fullered blade 31”, by Gieves etched with crowned fouled anchor and R Arms within roped oak wreath frosted panels, regulation gilt hilt incorporating crowned fouled anchor, turn down inner portion, which locks to scabbard, engraved with owner’s name “G Knight Greig”, lion’s head pommel and backstrap, wirebound white fishskin grip, with blue and gilt knot in its gilt mounted black leather scabbard. Near VGC retaining original gilt and much original blade finish (speckles and stains to tip of blade) Plate 5
A WWI officer’s 1897 pattern sword of The R Engineers, straight fullered blade 32½”, by Wilkinson no 44731 (1914) on backstrap, etched with crowned R Arms, winged lightning and “Royal Engineers”, within scrolled floral and foliate panels, and officer’s initials “KJL”, regulation plated hilt incorporating crowned GVR cypher, diced backstrap, wirebound fishskin grip, in its plated scabbard, with FS scabbard in leather case with initials “KJL”. GC, the hilt and scabbard plating generally good (a few small patches of heavy rust pitting to blade) Plate 5 Note: The sword of K J Lee, commissioned 17.7.14, served throughout WWI. Capt 3.11.17, awarded MC
† A good .65” Tower New Land Pattern flintlock holster pistol, 15” overall, barrel 9” with Tower proofs, the lock stamped with crowned GR and Tower and very small “R & RS”, dark walnut fullstock with clear 1800 Ordnance storekeeper’s mark, regulation brass mounts, swivel ramrod. GWO & Clean Condition (split in fore end) Plate 19
A 6 shot 160 bore Cooper’s Patent self cocking ring trigger underhammer percussion pepperbox revolver, 7¼” overall, barrels 3”, B’ham proved, rounded frame engraved with scrolls and “J R Cooper, Patentee”, bag shaped butt with plain walnut grips. GC (action requires attention, some pitting to frame). Plate 9
A 5 shot 120 bore Adams Model 1851 self cocking percussion revolver with “Improved Frame”, 9½” overall, barrel 4¼” engraved “Deane, Adams & Deane, 30 King William St, London Bridge”, London proved, the frame engraved “Adams’ Patent No 13,292”(R), the cylinder also engraved “No 13292R”, the frame also stamped “D.A. & D 120”, chequered walnut butt with no butt cap. WO & GC, retaining some original finish overall (trigger guard lightly bent, small patches of moderate pitting) Plate 10
A 5 shot 54 bore Tranter self cocking double trigger percussion revolver based on Adams Model 1851 frame, 11” overall, barrel 6½” engraved “Deane, Adams & Deane, (Makers to H R H Prince Albert), 30 King William St, London Bridge”, and with 2nd type Tranter rammer fixed by a screw, London proved, the frame engraved with scrolls and “Adams’s Patent No 6277R” the cylinder also engraved “No 6277R” (faint), chequered walnut butt with steel cap and trap. WO & GC (rather worn overall, some restoration). Plate 10
A 5 shot .32” RF Hopkins & Allen “Mountain Eagle” SA revolver, 6¾” overall, octagonal barrel 2¾” marked “Pat March 28.1871”, the top strap marked “G W T & R Mountain Eagle”, number 8489, with sheath trigger and birds head butt with chequered brown hard rubber grips. WO & GC (replated over light pitting) Plate 17
Plastic friction-drive toys: Telsada (Empire Made) 730A Vanden Plas Austin Princess 4 Litre R with Caravan, E with G box; Telsada Model J0009 Morris Mini Cooper S, VG with F box; Clifford (Hong Kong) No.626 Porsche 904, VG with G box; Telsada No.25034 Pickfords Removal Van, G with F box. (4)
A cased pair of Art Deco quaichs R E Stone, London 1934, also with signature mark, the shallow bowls with lightly hammered finish and twin stepped triangular lugs, in fitted Wilson and Sharp of Edinburgh case; together with a pair of `quaich` bon bon dishes with pierced borders to bowls and lugs, in fitted case (2) RE Stone examples 13cm wide across lugs
Perth- a pair of Scottish provincial berry spoons engraved and retailed by R MacGregor Perth, by GS, London 1797, the silver gilt tablespoons with engraved borders and cartouche, the bowls with foliate designs withing similar border, in original fitted case inscribed to interior MacGregor Jeweller Perth, by special appointment`
Military and Scottish football interest; a WW1 pair to 127228 PTE W S STEWART Machine Gun Corp, together with Regular Army Certificate of Service, and discharge papers etc; A WW1 pair and silver wound badge to 2156 PTE J MYLES R SCOT; a WW1 death plaque to John Stuart, in card case of issue; together with a small group of cigarette cards, a WW2 war medal, a Korean Army flag (qty)
R. Metcalf. Plan and Elevation of London Bridge in its present state, 2nd of July 1799. Engraving. 61 x 250cm (24 x 98 1/2 in). c.1799. With five plates of the Report from the Select Commitee upon the Improvement of the Port of London, engravings, each c.36 x 55cm (14 x 21 3/4), 1800-1803 (6)
A small collection of desk items and associated objects, to include a pierced gilt metal mounted moulded glass inkwell and associated pierced gilt metal twin handled tray, a solid malachite ash tray, a gilt tooled leather mounted pen box, two magnifying glasses, a crocodile skin instrument case, a pot lid of F & R Pratt type, titled ‘THE ROOM IN WHICH SHAKESPEARE W.. .... 1564, STRATFORD ON AVON’, together with a portrait miniature of a bulldog in a moulded ebonised frame, three ivory letter openers, a glove stretcher and a pair of bone mounted boot pulls, all late 19th or early 20th century
* Tomkin (William Stephen, 1861-1940). Off Grays on the Thames, 1914, watercolour, signed and dated in lower right corner, 15 x 29cm (6 x 11.5ins), mounted, framed and glazed, together with, Beatty (R.), Ship beached at low tide, 1875, watercolour, signed and dated in lower left corner, 15.5 x 27.5cm (6 x 10.5ins), mounted, framed and glazed (2)
* Thornton (R., late 19th/early 20th c.). Portrait of a gentlemen in Bavarian costume, late 19th or early 20th c. oval oil on card, 21.5 x 16.5cm (8.5 x 6.5ins), in later 19th c. velvet-lined frame, with moulded gilt decorative border of acorns and leaves, glazed, together with another similar oil on wood panel of a Bavarian gentleman smoking a pipe, 21.5 x 16.5cm (8.5 x 6.5ins), gilt frame (2)
* Austin (Robert Sargent, 1895-1973). [Daisies], etching, signed and limited 66/75 in pencil below image, 10.5 x 13.5cms (4 x 5.25ins), together with, untitled image of a female wood cutter, etching, etched initials of, R S A below image, signed in pencil in lower margin, 16 x 11.5cms (6.25 x 4.5ins). Robert Sargent Austin taught engraving at the Royal College of Art from 1927 to 1944 and was a member of the Royal Watercolour Society, The Royal Society of Etchers and The Royal Academy. (3)
A Minton trio, circa 1810, in pattern 499, with floral and gilt band above a gilt brick design, comprising; ring handled coffee can, 6cm high, a bute shaped tea cup 6cm high and a saucer 14cm diameter, blue enamel marks, an H & R Daniel trio in pattern 4365, decorated with summer flowers against a lemon yellow ground and raised on flower head feet, comprising tea cup, coffee cup and saucer, and a Coalport trio, pattern 4065, comprising an Adelaide shape tea cup, coffee cup and saucer, and a Royal Worcester Kempsey pattern coffee can and saucer and a two handled breakfast bowl and saucer (13)
A Grainger Lee & Co, Worcester part tea service, circa 1830, each piece decorated with blue and gilt panels enclosing sprays and sprigs of flowers in polychrome enamels, below acanthus cast rims, gilt painted pattern number `145x`, comprising; tea pot (repaired spout) 17cm high, cover and stand 20cm diameter, two handled sucrier and cover, 14cm high, pedestal milk jug (crazed), 10cm high, a slop bowl (repaired) 17.5cm diameter, sandwich plate, 24cm diameter, ten saucers (some at fault), eleven teacups (some at fault) and six coffee cups (33) See M. Berthoud and R Maskell, A Directory of British Teapots, page 286, plate 1711, for a very similar shape teapot attributed to Grainger, Worcester.
An early Victorian oak and mahogany eight day longcase clock, the 13½ inch arched painted dial indistinctly signed `R Green, ****`, with centred date aperture and subsidiary seconds dial within a ring of Roman numerals, the spandrels depicting lion, tiger, cheetah and panther under a lion to the arch, with rolling eyes, the hood with swan-neck pediment over an arched hood door with baluster front corner hood pilasters, over a lozenge inlaid short trunk door and box base on splay bracket feet, 228cm high
A Victorian provincial fiddle pattern sugar spoon with typical shovel bowl, maker James & Josiah Williams, Exeter, 1857, also another sugar spoon maker T.S probably Thomas Salter, Exeter, 1872, a Victorian fiddle pattern cream or small sauce ladle by W.R.Sobey, Exeter, 1838, a fiddle pattern preserve spoon by James & Josiah Williams, Exeter, 1854, a pair of fiddle pattern sugar tongs maker ES, Exeter, 1854, two fiddle pattern mustard spoons, maker W R Sobey and J Stone, Exeter 1836, 1846, and an Old English pattern teaspoon, maker Joseph Hicks, Exeter, 1784, total weight 5.75ozs.
Attributed to John Theodore Heins Sr. (1697-1756) Portrait of John Harvey Esq of Ipswich, in a feigned oval, oil on canvas, Inscribed A I ‘32 lower left, Inscribed top left to right JOHN HARVEY ESQR OF ISWICH, EL’T SON OF J.HARVEY ESQR OF BEECHAM WELL, NORFOLK, BORN 1699 DIED 1750, MARRIED MARGARET DAU’R OF JOHN HUNT ESQR, WORLINGTON, NORFOLK, 73 x 62 cm (28.75 x 24.5 in) John Harvey (1699-1750) was the son of John Harvey (1666-1742) and his first wife Ann Statham (c.1668-c.1706) John Harvey was listed in ‘Norfolk Families’ as being a linen draper in London. John Harvey (1666-1742) was thought to be the founder of the Norwich dynasty, being originally born in Beachamwell. He was a worsted weaver and admitted as a Freeman of the city in 1695. In 1710 he was voted the ‘Merchant of St Clements’. He started the family tradition of being appointed to great office being Sheriff in 1720, an Alderman in 1722 and Mayor in 1727. A full length portrait of the sitter can be found in Prince Frederick Duleep Singh, Portraits in Norfolk Houses, Vol. 2, pg. 104 as property of Col. J. R. Harvey of Windover, Burlesdon, Hants.

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297887 item(s)/page