We found 297887 price guide item(s) matching your search
There are 297887 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
297887 item(s)/page
Lot 1816
Leica R4 35mm SLR camera, serial number 1662117, circa 1984, with Leitz Elmarit-R 1:2.8/35 lens, serial number 3108452, circa 1981, with Leica cap, data back and motor drive R, serial number 95273 and instruction booklet with boxes for the camera body, lens, handle and motor drive, all but handle box with matching serial numbers
Lot 23
Approximately seventy five 7" singles, mostly 1960s Garage Rock / R & B / Rock 'n' Roll / Beat including The Pirates My Babe / Castin My Spell (HMV POP 1250), John Mayall Crocodile Walk (Decca F.12120), Jimi Hendrix, The Beatles, The Who, The Kinks, Chuck Berry, eight Pye International R & B Series, Kenny Lynch on HMV, Jet Harris, The Rolling Stones etc
Lot 341
Four hallmarked silver fobs for North Gloucestershire Rugby Football Combination Cup and Gloucestershire Athletics circa 1920/1930s, two named to R Gladwin, Gordon League, together with a silver vesta. R Gladwin played for England and by repute his shirt and cap are on display at Gordon League RFC
Lot 88
Collection of seven Reggae / Ska 7" singles and sixteen Soul / Northern Soul singles / Reggae including Cosmo One God (Blue Beat 45/BB/244), The Royals Save Mamma (Blue Beat 45/BB/259), Winston Francis / Jackie Mittoo (Bamboo Bam 48), Augustus Pablo Still Yet (Ackee 134), Aces, Prince Buster etc. Soul R & B with Booker T (RE-K1367), Otis Redding I Can't Get No Satisfaction, Frankie Valli The Night, Gladys Knight Just Walk in my Shoes
Lot 77
A John Rose Coalport 'Animal Service' dessert ice pail or fruit cooler, circa 1800-1805, dark blue ground with simple gilt, painted with a circular panel of a Striped Hyena, opposed by a further roundel of a gentleman watering his horse before a large country estate, likely taken from one of the smaller engravings interspersed throughout the pages, of Bewick's Quadrupeds, complete with original liner and a cover further painted with game birds in flight and winged insects, unmarked and untitled, 26cm high See Bewick, Thomas, Ralph Beilby, 1800. A General History of Quadrupeds : The Figures Engraved on Wood. Newcastle upon Tyne, S. Hodgson, R. Beilby, & T. Bewick. See footnote for further details. Footnote:The animal painting, from which this service takes its title, is inspired by Thomas Bewick's A History of Quadrupeds, published in 1800. The Bewick Society states that the extent of the original service is unknown, but it likely would have comprised a centre dish, a selection of side dishes, tureens, plates and perhaps a pair of ice pails. (1) The scope of potential inspiration was enormous, with over 200 different woodcut engravings. The most extensive known offering of pieces reached the market in 1970, including a 'Polar Bear' centre dish and 'Hartebeest' lozenge dish, all of which was secured for the nation with the V&A Purchase Grant Fund and are now on display at the Shrewsbury Museum and Art Gallery. Further plates have cropped up sporadically throughout the years.The principal decorator is not definitively known, although they were almost certainly from London and working outside the factory. Roger Edmundson, however, has proposed Charles Muss (1779-1824) as at least one of the painters of this service, of which the pieces sometimes vary in style and are perhaps by more than one hand. The reasoning for this attribution includes known pieces of this service illustrated in Messenger's Coalport book and displayed at the Shrewsbury Museum and Art Gallery to exhibit aspects of Muss's technical work. For example, the 'Tigers' stripes are carefully drawn, predominantly with two fine lines and shading alongside visible outlines to some of the legs. For this, Edmundson suggests, 'Muss probably decorated some or all of the animals'. (2) Charles Muss' father was the son of an Italian artist, Beneficio, who came to London in or around 1778. Beneficio set up as a drawing master in Newcastle-upon-Tyne when Charles was eleven years old; therefore, it is likely that Charles worked under his father's instruction. Charles exhibited several works after moving to London, including Dunkeld Castle at the Royal Academy in 1800. He later produced an enamelled plaque with a named and dated view of the Coalport China Works in 1804. After several years' break, during which time his daughter was born, he again exhibited seven further works at the Royal Academy between 1817 and 1823. He produced enamels on glass and copper, including portraits and works after old master subjects. His work extended to stained glass works, with known examples of these being Eaton Hall in Cheshire and St. Bride's Church in London, among others. References: (1) Edmundson, Roger, Charles Muss, his Painting of the Coalport Works and Decoration on Porcelain (Northern Ceramic Society, Journal 33, Volume 17) (2) Newland, Barry, The Coalport Animal Service (Cherryburn Times - Journal of the Bewick Society, Volume 6, Number 9, 2016) (3) Messenger, Michael, 1995, Coalport 1795-1926 (Antique Collectors Club, Suffolk, 1995) Condition:Main body of pail - Good condition with no damages or repairs. Rings well when tapped. Some minor wear to the gilding on the handles and around the rim.Pail liner - Good condition with no damages or repairs. Heavier wear to the gilt. Some scratches to the interior of the bowl. Rings well when tapped. Cover - Good condition with no damages or repairs. Some glaze crazing visible to the top and underside.
Lot 85
A Coalport 'Animal Service' dessert plate, circa 1805The Cougar, the dark-blue ground flanked by gilt stylised foliage, the centre painted with the animal in a grassy landscape, dark blue ground with border gilding of a sparser type, untitled, 22.4cm diameter"The Cougar - Inhabits the continent of America, and is called by some the Puma, or American Lion; but differs so much from that noble animal, as not to admit of any comparison .... It is fierce and ravenous in the extreme, and will swim rivers to attack cattle even in their inclosures - In North America, its fury seems to be subdued by the rigours of the clime, for it will from a Dog in company with its master, and take shelter by running up a tree." Bewick, Thomas, Ralph Beilby, 1800. A General History of Quadrupeds : The Figures Engraved on Wood. Newcastle upon Tyne, S. Hodgson, R. Beilby, & T. Bewick.Condition:Good condition with no damages or repairs. Some gilding wear to the rim.
Lot 83
A John Rose Coalport 'Animal Service' dessert plate, circa 1805'The Jackal', the dark-blue ground flanked by gilt stylised foliage, the centre painted with the animal in a grassy landscape, untitled, dark blue ground with border gilding of a sparser type, 22.5cm diameterNotes: This is a slightly different design to the preceding lots, with smaller animals in landscapes which leave part of the centre roundel blank and a much simpler gilt external border. This second style is untitled to the reverse and the animals' direction is mirrored to that of the book and the preceding service. This style forms one of at least three services using the same source of inspiration. The third style was sold as a complete service at Christie's in 2003 and featured the animal painting with a rich gilt border. For further information see the footnote.The Jackal "...although it is the most numerous of all the wild animals of the East, there is scarcely any one left known in Europe, or more confusedly described by historians. They very in size. Those of the warmest climates are said to be the largest. They are of a reddish-brown colour.-- The smaller Jackal is about the size of a Fox, and its colour is a bright-yellow ... Jackals go in packs of forty or fifty, and hunt like hounds in full cry from evening till morning. They destroy the poultry, attack the flocks: They roam through the villages and gardens, and carry off everything they eat: They enter stables, yards, and outhouses, and devour skins, and every thing that is made of leather; such as harnessing, boots, shoes, etc. Nothing can escape their rapacity. They will ransack the repositories of the dead, and greedily devour the most putrid bodies; for which reason, in those countries where they abound, the inhabitants are obliged to make graves of a great depth, and secure them with spines, to prevent the Jackals from raking up the earth ...' Bewick, Thomas, Ralph Beilby, 1800. A General History of Quadrupeds : The Figures Engraved on Wood. Newcastle upon Tyne, S. Hodgson, R. Beilby, & T. Bewick.Condition:Good condition with no cracks, chips, damages or repairs. Some wear to gilt dentil rim.
Lot 81
A John Rose Coalport 'Animal Service' dessert side dish, circa 1800-05of shell form with a single handle, painted with a circular panel of 'The Ban Dog', dark-blue ground flanked by gilt stylised foliage, titled in red script to the reverse, 20cm wideThe 'Ban Dog' - "In a variety of this fierce tribe, not often to be seen at present. It is lighter, smaller, more active and vigilant than the Mastiff, but not so powerful; its nose is smaller, and possesses in some degree, the scent of the Hound; its hair is rougher, and generally of a yellowish-grey; streaked with shades of a black or brown colour. It does not, invariably, like the preceding kinds, attack its adversary in front, but frequently seizes cattle by the flank. It attacks with eagerness, and its bite is keen and dangerous'. - Bewick, Thomas, Ralph Beilby, 1800. A General History of Quadrupeds : The Figures Engraved on Wood. Newcastle upon Tyne, S. Hodgson, R. Beilby, & T. Bewick.Provenance:Earle E. Vandekar paper label to reverse.Condition:Good condition with no damages or repairs, though there is some crazing to the glaze.
Lot 78
A Coalport 'Animal Service' coffee can and saucer, circa 1800-1805, painted with a 'Squirrel' (red)' to the coffee can and 'The Phalanger' (Cuscuses) to the saucer, titled in red to the bases, coffee cup 6.5cm diameter and 6cm high, saucer 14cm Note: This offers an interesting addition to what was historically known as a dessert service until the publication of Roger Edmundson and Kate Cadman's article on Charles Muss, Part 2 (Northern Ceramic Society), which includes several coffee cans and saucers held in private collection. It must also be noted that some other pieces do exist using the same source inspiration but with entirely different borders and overall grounds, including a 'Hyena' campagna vase with stylised purple scrolling and puce ground in Shrewsbury Museum and Art Gallery (SHYMS: C/2565). For further information, see the footnote section. See also Bewick, Thomas, Ralph Beilby, 1800. A General History of Quadrupeds : The Figures Engraved on Wood. Newcastle upon Tyne, S. Hodgson, R. Beilby, & T. Bewick. Provenance:Private collection, purchased in London. Footnote:The animal painting, from which this service takes its title, is inspired by Thomas Bewick's A History of Quadrupeds, published in 1800. The Bewick Society states that the extent of the original service is unknown, but it likely would have comprised a centre dish, a selection of side dishes, tureens, plates and perhaps a pair of ice pails. (1) The scope of potential inspiration was enormous, with over 200 different woodcut engravings. The most extensive known offering of pieces reached the market in 1970, including a 'Polar Bear' centre dish and 'Hartebeest' lozenge dish, all of which was secured for the nation with the V&A Purchase Grant Fund and are now on display at the Shrewsbury Museum and Art Gallery. Further plates have cropped up sporadically throughout the years.The principal decorator is not definitively known, although they were almost certainly from London and working outside the factory. Roger Edmundson, however, has proposed Charles Muss (1779-1824) as at least one of the painters of this service, of which the pieces sometimes vary in style and are perhaps by more than one hand. The reasoning for this attribution includes known pieces of this service illustrated in Messenger's Coalport book and displayed at the Shrewsbury Museum and Art Gallery to exhibit aspects of Muss's technical work. For example, the 'Tigers' stripes are carefully drawn, predominantly with two fine lines and shading alongside visible outlines to some of the legs. For this, Edmundson suggests, 'Muss probably decorated some or all of the animals'. (2) Charles Muss' father was the son of an Italian artist, Beneficio, who came to London in or around 1778. Beneficio set up as a drawing master in Newcastle-upon-Tyne when Charles was eleven years old; therefore, it is likely that Charles worked under his father's instruction. Charles exhibited several works after moving to London, including Dunkeld Castle at the Royal Academy in 1800. He later produced an enamelled plaque with a named and dated view of the Coalport China Works in 1804. After several years' break, during which time his daughter was born, he again exhibited seven further works at the Royal Academy between 1817 and 1823. He produced enamels on glass and copper, including portraits and works after old master subjects. His work extended to stained glass works, with known examples of these being Eaton Hall in Cheshire and St. Bride's Church in London, among others. References: (1) Edmundson, Roger, Charles Muss, his Painting of the Coalport Works and Decoration on Porcelain (Northern Ceramic Society, Journal 33, Volume 17) (2) Newland, Barry, The Coalport Animal Service (Cherryburn Times - Journal of the Bewick Society, Volume 6, Number 9, 2016) (3) Messenger, Michael, 1995, Coalport 1795-1926 (Antique Collectors Club, Suffulk, 1995) Condition:5mm long hairline to rim of saucer. The Phalanger has a scratch through one foot and a small portion of the green landscape and belly. This piece also has some slight wear to the internal gilt ring. The coffee can is good condition with no damages or repairs. There is some expected handling wear to the gilding on the handle and the upper rim.
Lot 80
A John Rose Coalport 'Animal Service' dessert service plate, circa 1805'The Squirrel', dark-blue ground flanked by gilt stylised foliage, painted with a circular panel of the animal in a landscape, titled in iron red to the base, 21cm diameterSee Bewick, Thomas, Ralph Beilby, 1800. A General History of Quadrupeds : The Figures Engraved on Wood. Newcastle upon Tyne, S. Hodgson, R. Beilby, & T. Bewick.Condition:Good condition with no damages or repairs. Some crazing to the glaze.
Lot 82
A John Rose Coalport 'Animal Service' dessert serving dish, circa 1800-05 of lobed oval form, painted with a circular panel of 'The Fallow Deer', dark-blue ground flanked by gilt stylised foliage, titled in red script to the reverse, 27.2cm wideFallow Deer '...their rutting season arrives fifteen days or three weeks after that of the Stag. The males then bellow frequently, but with a low and interrupted voice. They are not so furious at this season as the stag, nor exhaust themselves by any uncommon ardour. They never leave their pasture in quest of the females, but generally fight with each other, till one buck becomes master of the field. They associate in herds, which sometimes divide in two parties, and maintain obstinate battles of the possession of some part of the park : Each party has its leader, which is always the oldest and strongest of the flock..." Bewick, Thomas, Ralph Beilby, 1800. A General History of Quadrupeds : The Figures Engraved on Wood. Newcastle upon Tyne, S. Hodgson, R. Beilby, & T. Bewick. Provenance:Earle E. Vandekar paper label to the reverse. Condition:Good condition with no damages or repairs, though there is some crazing to the glaze.
Lot 84
A John Rose Coalport 'Animal Service' dessert plate, circa 1805The Mongoose Lemur, the dark-blue ground flanked by gilt stylised foliage, the centre painted with the animal in a grassy landscape, untitled, dark blue ground with border gilding of a sparser type, 22.2cm diameter (gilding worn)"The Mongoose is nearly the same size as the Ring-tailed Macauco. Its fur is fine, soft, and woolly, of a deep brownish colour; the eyes are of a beautiful orange colour, surrounded with black, the ears are short; cheeks white; end of the nose black; the tail very long; and covered with hair of the same sort and colour of the body; its hands and feet are naked; and of a dusty colour, its nails, except one upon the inner toe of each hind foot are flat..." Bewick, Thomas, Ralph Beilby, 1800. A General History of Quadrupeds : The Figures Engraved on Wood. Newcastle upon Tyne, S. Hodgson, R. Beilby, & T. Bewick.Condition:Some heavy wear to the gilding. No damages or repairs.
Lot 79
A Coalport 'Animal Service' dessert sauce tureen and cover, circa 1800-05of oval form with twin handles, painted with four differing oval vignettes including three of dogs, the cover titled 'The comforter' and 'The turnspit', the tureen base with 'The Lesser Dormouse' and 'The fox hound', titled in iron red script to the underside of the cover, 18cm handle to handleSee Bewick, Thomas, Ralph Beilby, 1800. A General History of Quadrupeds : The Figures Engraved on Wood. Newcastle upon Tyne, S. Hodgson, R. Beilby, & T. Bewick.Provenance:Previously sold at Christies, lot 56, 8th December 2005.Condition:Cover and base are both in good condition with no damages or repairs. The gilding remains in good order with very little, if any, rubbing.
Lot 299
Commodore 64 and 128 games, including Batman The Cape Crusader, Platoon, After Burner, RoboCop, Leaderboard, Par Four Golf, Sensible Soccer, Zork 2 The Wizard of Frobozz, Zork 3 The Dungeon Master, Polar Piere, 19 Part 1 Bootcamp, Ocean Battlestations, Konami Arcade Collection, R Type, Project Stealth Fighter, Last Ninja 2, etc. (1 box)
Lot 168
Railway related books, including Bradshaw's July 1922 Railway Guide, Forgotten Railways volume 2 The East Midlands, The Four Great Railways by Michael R Bonavia, Railway Junction Diagrams, Lasting Locomotives of Spain and Portugal, Narrow Gauge Railways of Portugal, Great Nothern Locomotive Engines, etc. (1 shelf)
Lot 140
Album of black & white photographic postcards depicting military groups / figures including Machine Gun sub section No 2 Group R M Battalion Shanhai, Northants Regt, possible members of Grimsby Chums / Lincolnshire Regt, The Derby Devils, pictures taken of naval / army personnel by Grimsby photographer J J Payne, R Cox of Ripon & F J Seaman of Doncaster etc.
Lot 39
Coalport porcelain cabinet plate, painted with fruit against a mossy bank, signed F H Chivers, royal blue and tooled gilt border, circa.1910, diameter 27cm; and a pair of Copeland china cabinet plates, painted with marine scenes, by E R A Michelson, 1906 and 1908, tooled gilt outlines, with marine motifs, diameter 23cm.Qty: 3
Lot 151
General Service Medal with 'Palestine 1945-48' clasp engraved to EC. 13630 PTE. K. SAMOKOMBO, A. P. C. British Army General Service Medal with clasp for Cyprus named to 23418264 PTE. P. J. CARR, OXF & BUCKS. ERII Korean War Medal impressed to T/22548394 DVR. R. WALKER, R. A. S. C. Together with UN Korea War Medal. King George V India General Service Medal named to '1404119 W. O. CL. 2. A. MC. CUBBING, R. A.' with Waziristan 1921-24 bar. A Queen Elizabeth II Campaign medal with Northern Ireland bar and miniature, awarded to 24319262 TPR. R. P. COLVIN, 15/19H.
Lot 141
GVR For Bravery In The Field medal awarded to 388109 SJT. C. W. Garraway, 2/2 N'BN, F. A. R. A. M. C. T.F., WWI Trio named to 1458 SGT. C. W. Garraway, RAMC., Special Constabulary to SGT Charles Garraway and a WWII medal. Silver cigarette case engraved to Sgt Garraway by the Bishop Auckland Branch for Conspicuous Bravery on the Field of Battle 1918. Silver St. Johns medallion with bars and two Passed by Censor postcards relating to Garraway.
Lot 144
General Service 1918-62 Medal (QEII), 1 clasp, Malaya, awarded to '1922703 CPL. R. W. Wealleans RAF., Campaign Service Medal with 'Northern Ireland' Clasp engraved to SGT. R. W. Wealleans (M1922703) RAF and QE11 Long Service Good Conduct Medal to M 1922703 SGT. R. W. Wealleans, RAF. Together with paperwork and patch.
Lot 208
A Gallé yellow faience model of a seated smiling cat, c.1885, with applied glass eyes, decorated in blue with heart and teardrop motifs on a yellow ground, Gallé Reinemer mark with the cross of Lorraine between G and R to his rear left foot, 33cm high Typical white and biscuit patches to the tin glaze in manufacture. The right ear has a noticeable chip to the upper edge and its left ear has some glaze losses around the edge. There are also small glaze losses to the tip of the cats nose, to the shoulder of its left front leg and to the side of its rear left foot. The rear left foot has also been broken off and re-glued with some splinter losses around the area, otherwise in reasonable condition. It is genuine GalléPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 269
An R. Lalique Poissons opalescent glass dish, etched mark R. Lalique France, 29.5cm diameter Occasional minor scuffs and scratches to the glass, in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 268
An R. Lalique Ondines opalescent glass dish, moulded mark and engraved mark Lalique, 27.2cm diameter Some occasional scratches to the surface, tiny bubble inclusions in places, reasonable opalescence to the figures, otherwise in good condition with no restoration, chips or cracks detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 124
Late 18th Continental School Portrait of a seated lady wearing a black dress, lace ruff and feathered headdressoil on canvas25 x 21cm Oil on canvas showing some undulation, paint a little dirty with a number of small dent marks namely just to the left of her face and near 8 o'clock, slight stretcher marks showing otherwise looks a little dirty with some fine but stable craquelure in places, housed in a late 19th century gilt gesso frame which has some small losses, old restorer's label for R. Dumont-Smith verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 270
A R. Lalique Quatre Perruches opalescent glass strut timepiece, moulded mark R Lalique, 11.2cm high A little grubby so would benefit from a clean, appears to be the original movement, the dial slightly grubby again, the movement initially goes but we cannot guarantee that it is fully working, otherwise in good conditionPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 697
YORKSHIRE, Esk Fishery Association (Est. 1864), engraved oval uniface cupro-nickel Visitor’s Ticket, No. 13, 49 x 31mm, 10.43g. Very fine £50-£70 --- Provenance: R. Law Collection, DNW Auction 127, 8-9 December 2014, lot 3121 (part) [from S.H. Monks June 2012]; G.M. Percival Collection. The Esk Fisheries Association has rights over 16 miles of the river Esk, running from near the village of Lealholm to Sleights; the Esk empties into the sea at Whitby. XRF analysis of the metal shows 60% copper, 20% nickel and 18% zinc, with other trace elements
Lot 492
17th Century Tokens, WARWICKSHIRE, Rugby, Luke Barrow, Farthing, 0.77g/3h (N 5344, this piece; BW. 126); William Boys, Halfpenny, 1669, 1.70g/9h (N –; BW. 127); William Chelsey, Farthing, 1.29g/12h (N 5345, this piece; BW. 128); Abraham Harper, Farthing, 0.96g/3h (N 5346, this piece; BW. 129) [4]. N 5346 part weak otherwise good fine, others generally fair, BW. 127 rare £60-£80 --- Provenance: M. Bridgewater Collection, Noonans Auction 272, 26 April 2023, lot 329, additionally: N 5344 Norweb Collection [from Baldwin], SNC March 1997 (1294), N 5345 and *5346 R.A. Nott Collection, Norweb Collection, bt Spink July 1996, BW. 127 bt R. Pratt April 1994
Loading...-
297887 item(s)/page