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Click here to subscribeTen cased & uncased slot cars, mid 20th C onwards, to include 6 x Scalextric examples (Triang A.C.Cobra, Triang R/E Offenhauser, cased C.282 Green Motorcyle Combination (one missing helmet), cased C.281 Red Motorcycle Combination, C.129 March 771 (in blank case), C.122 Mini 1275 GT); together with a boxed Scalextric A/212 Star And Finish Banner, 2 x hand controllers, and a quantity of track. (slot cars show varying levels of surface wear) (2 boxes)
A VERY LARGE ARCHAIC JADE AXE BLADE, YUENeolithic Period/Shang DynastyThe rectangular blade tapering towards the pierced handle and flaring slightly towards the cutting edge, the dark green stone with mottled white and caramel inclusions and calcified areas. 34.3cm (13 1/2in) long.Footnotes:新石器時代/商 玉鉞Provenance: Roger Keverne Ltd., London.A British private collectionPublished, Illustrated and Exhibited： Roger Keverne Ltd., Summer Exhibition, London, 2006, no.79來源：倫敦古董商 Roger Keverne Ltd.英國私人收藏展覽著錄：Roger Keverne Ltd.，《夏季展覽》，倫敦，2006年，編號79Following the invention of bronze, blades and daggers were added to the repertoire of ceremonial utensils and made in more refined materials such as jade. Ceremonial blades must have been deemed rather important, as demonstrated by the sheer quantity and quality discovered in the tomb of Fu Hao, a consort of King Wu Ding (r. 1324-1266 BC), of the Shang dynasty. See J.Rawson, Chinese Jade. From the Neolithic to the Qing, London, 1995, pp.40-41.Compare with a related green jade blade, Neolithic period/Shang dynasty, which was sold at Bonhams Paris, 25 October 2022, lot 1.For further information on this lot please visit Bonhams.com
A YELLOW JADE CEREMONIAL BLADE, YUENeolithic Period, 3rd millennium BCThe rectangular blade tapering towards the pierced handle to the upper section, flaring slightly towards the cutting edge, the stone of pale greenish-yellow tone with russet patches. 18cm (7 1/8in) long. Footnotes:新石器时期，公元前三千年 玉鉞Provenance: Roger Keverne Ltd., LondonA British private collectionPublished, Illustrated and Exhibited: Roger Keverne Ltd., Winter Exhibition, London, 2002, no.84來源：倫敦古董商Roger Keverne Ltd.英國私人收藏展覽著錄：R. Keverne，《冬季展覽》，2002年，倫敦，編號84See a related jade axe-blade, Neolithic period, in the collection of the National Museum of History, Taipei, illustrated by J.Johnston and Chan Lai Pik, 5,000 Years of Chinese Jade, Taipei, 2011, no.9; and another example in the Illustrated Catalogue of Ancient Jade Artefacts in the National Palace Museum, Taipei, 1982, no.23.Compare with a related jade blade, Neolithic period, which was sold at Bonhams London, 7 June 2021, lot 422.For further information on this lot please visit Bonhams.com
A collection of gold jewellery to include a 22ct gold band, size R, weight approx 2.3gms, an 18ct gold bracelet, three 18ct gold chains including snake, box and rope, along with a 18ct wite gold snake link chain, various lengths, combined total gross weight approx 17.7gms Further details: all links present and intact, slight wear/kinks to snake chain 18w, clasps working, wear and tear commensurate with age
After Robert Dodd, engraved by Henry PincottThe Blood Red Knight or The Fatal Bridgeengraving, 39 x 46cm, glazed and framed (slipped in mount) plate read: "Representation of one of the Scenes in the grand Equestrian and Pedestrian Spectacle called The Blood Red Knight, or the Fatal Bridge, as now performing with unbounded applause at the Royal Amphitheatre, Astley's Westminster Bridge", with production detail: "H. Pincott delt.", "R. Dodd pinxt." and publication line: "Published May 1810 by R.Dodd, Charing Cross, for I. Astley Esqr."
A MIXED GROUP OF SILVER FLATWARE, WILLIAM IV AND LATER including an Irish silver table fork, maker's mark I.B (possibly James Brady), Dublin 1836, Fiddle pattern, engraved with crest, retailed by James R Neill; two Irish silver dessert forks, one with maker's mark I.B (possibly James Brady), Dublin 1839, the other by Christopher Cummins (junior), Dublin 1844, both Fiddle pattern, engraved with crest, retailed by James R Neill; three late Victorian silver dessert spoons, by James Dixon & Sons Ltd, Sheffield 1898, Old English pattern, engraved with crest; etc. (8) Table fork 20.9cm long, 13.3 troy ounces grossMarks clear and well struck throughout. Light surface marks and scratches commensurate with age and use.
A MIXED GROUP OF SILVER ITEMS, VICTORIAN AND LATER including a set of six commemorative George V teaspoons, five by R Bond & Co, Sheffield 1934 and one by Northern Goldsmiths Co, London 1934, the terminals with the 'GR' cypher, engraved AD 1910-35; a pair of napkin rings by Cornelius Desormeaux Sanders & James Francis Hollings (Frank) Shepherd, Birmingham 1892, with beaded and crenelated rims, the engine-turned sides with rectangular cartouches each engraved 'W' (or 'M'); etc. (Qty) Teaspoons 10.5cm long, weighable silver 5.5 troy ounces gross
RENÉ LALIQUE (FRENCH, 1860-1945), A 'RENONCULES' VASE, DESIGNED 1930 opalescent, frosted and blue stained glass, stencilled R. LALIQUE FRANCE mark. 14cm highA few tiny scratches. In generally very good condition. Because of the difficulty in determining whether an item of glass has been repolished, reference is only made to visible chips and cracks. No mention is made of repolishing, severe or otherwise.
A PAIR OF ELIZABETH II SILVER GOBLETS maker R A F, London 1971, the straight sided bowls with a central girdle of bark effect, gilded to interior, each raised on a straight stem issuing from a flat circular foot. (2) 15.2cm high, 11.1 troy ounces grossGood condition overall, wear and tear commensurate with age, clear marks, evidence of gilding to interior
RENÉ LALIQUE (FRENCH, 1860-1945), A 'BEAUVAIS' VASE, DESIGNED 1931 clear and frosted glass with blue staining, stencilled R. LALIQUE FRANCE mark. 19cm highIn generally very good condition. Because of the difficulty in determining whether an item of glass has been repolished, reference is only made to visible chips and cracks. No mention is made of repolishing, severe or otherwise.
The Beatles - A factory sample stickered first pressing of the 1963 release Please, Please Me - (45-R 4983) - RED Parlophone label and 'Made in GB' with original Parlophone company sleeve - Matrix / Runout 7XCE 17217 and 7XCE 17218 - with sticker 'property of the Changi Broadcasting Service' to the reverse, together with Please, Please Me/Ask Me Why - 45-R 4983 - stickered Factory Sample - black label - Matrix / Runout 7XCE 17218/7XCE 17217 - with Parlophone sleeve, Please, Please Me - Japanese release - Odeon – OR-1024, and The Beatles' Hits - GEP 8880. (4)
A World War One Military Medal for awarded to 435096 Pte H George RAMC, three First World War pairs to 22305 Pte F Bulger OXF & BUCKS L.I, 72437 GNR,R,Wright R.A, 1722 PTE G.H Wright Hunts,CYC,RN with bronze death plaque a brass Queen Mary Christmas 1914 tin and an enamelled sporting medal for the Lozells Harriers. (10)
The Beatles - A factory sample stickered first pressing of the 1963 release Please, Please Me - (45-R 4983) - red Parlophone label and 'Made in GB' - lacking sleeve - Matrix/Runout 7XCE 17217 and 7XCE 17218, together with a 1963 Please, Please Me/Ask Me Why - factory sample stickered third pressing - in Parlophone company sleeve, together with a factory sample stickered pressing of the 1963 release Please, Please Me - (45-R 4983), and Love Me Do/P.S. I Love You - Original UK release on Parlophone 1962 - (45-R 4949) - Red/Silver Labels without 'Made In Great Britain' text. (4)
JACOBEAN'S WALK, CLIFFORD'S INN, AN ETCHING BY R M C LEEPER ALONG WITH TWO OTHERS etching on paper, signedMounted, framed and under glass.Label verso: James Connell & Sons, Fine Art Dealers, Glasgow, the two others depicting The New Chirch.... Amsterdam, and an architectural piece after Fourdrinier (3) etching size 28cm x 19cm
Group of six wooden duck decoys. One with a sticker from The Company Store in Marina Del Ray, California. One from Wildfowler Decoys in Babylon, New York. One signed by Leo Koppy. Two from R. Negaard from Park Rapids, Minnesota; signed along the underside. One signed by D. Wentler, dated 1982, and stamped from The Wooden Bird Factory.Height ranges from 3 1/2 in to 5 1/4 in; width ranges from 8 1/2 in to 11 1/4 in; depth ranges from 2 1/2 in to 5 in.Condition: All ducks are slightly discolored from age. All have light wear throughout including light scratches and wear to the underside. There are a few ducks with light accretions along the body. The Leo Koppy duck has four round felt pads affixed along the underside.
R. LeRoy Turner (American, 1905-1957). Watercolor and graphite on paper titled "Mural Study - Mining (Right Panel) - Two Harbors High School - Two Harbors, Minnesota," depicting a study for a WPA mural for the Two Harbors High School along the north shore of Lake Superior, ca. 1939. A copy of Turner's typewritten two panel mural plan is affixed along the verso. Among other teaching positions at the University of Minnesota, the St. Paul School of Art, the Walker Art Center, and Hamline University, Turner was an art instructor at Jo Lutz Rollins' "Stillwater Art Colony" from 1938 to 1950.Sight; height: 16 1/2 in x width: 23 in. Framed; height: 25 in x width: 31 in.Condition: There are no visible major losses, tears, or restorations when inspected under UV light. There is an area of possible water exposure along the lower edge; though due to the nature of the painting being executed in watercolors this may be original to the artistic process. There are 11 minute holes throughout the work, most visible in the beige areas of the work. Light wear to the frame; framed under TruView glass; not inspected out of frame.
Donald R. Biehn (American, 1942-2022). Oil on board painting titled "Minneapolis Stone Arch Bridge" depicting the University of Minnesota power plant and the Stone Arch Bridge on the Mississippi River. Signed along the lower left.Unframed; height: 9 1/4 in x width: 12 in. Framed; height: 15 1/4 in x width: 18 1/4 in.Condition: The painting has no losses, tears, or restorations when inspected under UV light. Along the right edge there is a strip of slight discoloration where the painting has been unevenly exposed to light. Some wear along the verso of the board that does not affect the recto. Some light wear to the frame.
Group of three hand carved and painted wooden duck decoys and models. One wood drake duck marked "Handpainted R. Neegard, Park Rapids, MN" along the underside. One wood duck drake marked "Leo & Aurelia Hoen" along the underside. One Northern Pintail duck with a small metal tag around one leg reading "Pacific Flyway Edition, Anas Acuta, 046-050" and stamped illegibly along the underside.Height ranges from 6 in to 14 3/4 in; width ranges from 11 1/2 in to 18 3/4 in; depth ranges from 5 in to 11 1/2 in.Condition: The ducks are free from chips, cracks, losses, or restorations. The paint on all has faded somewhat or yellowed. Wear throughout consistent with age and display. Dirt and dust collected along the underside.
Ring mit Aquamarin18 kt Gelbgold. Ringschultern und der bombierte ovale Ringkopf mit floral ziseliertem Relief, gefasst mit einem ovalen facettierten Aquamarin (ca. 1,32 ct). Gestempelt: Feingehalt 750, MZ "R" (Sütterlin) im Hexagon. Ringkopf 1,5 x 1,2 cm. RW 52,5. Gewicht 5,01 g.Ludwig Riffelmacher, Berlin, um 1925-30.
Paar Chandelier-Ohrringe mit Saphiren18 kt Gelbgold. Clipbrisuren in C-Form mit dreisträngigem Gehänge, gefasst mit 64 Diamanten im Brillantschliff (zus. ca. 1,90 ct; G/H, vs) und 18 runden facettierten Multicolor-Saphiren in Pink- und Gelbtönen (zus. ca. 7,60 ct). Gestempelt: Feingehalt 750, "Bulgari", "Made in Italy", nummeriert 4675, bez. "L" für left und "R" für right. H 5,7 cm. Gesamtgewicht 36,62 g.Bulgari, Rom, um 2000.
Helen M. Turner (British, 1937-2023)A sea of gulls, Prestwick signed 'HELEN TURNER' (lower right)oil on canvas77 x 86cm (30 5/16 x 33 7/8in).Footnotes:ProvenanceWith T. & R. Annan & Sons Ltd., Glasgow.Private collection, UK.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Helen M. Turner (British, 1937-2023)Willow pattern with poppies signed 'HELEN TURNER' (lower right)oil on canvas76 x 86cm (29 15/16 x 33 7/8in).Footnotes:ProvenanceWith T. & R. Annan & Sons Ltd., Glasgow.Private collection, UK.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
James M. Robert Greenlees (British, 1820-1894)Linlithgow Palace signed and dated 'R. Greenlees/1856' (lower right)oil on canvas66 x 112cm (26 x 44 1/8in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
George Houston RSA RSW RGI (British, 1869-1947)Turnberry Bay and lighthouse signed 'GEORGE HOUSTON' (lower left)oil on canvas71 x 91.8cm (27 15/16 x 36 1/8in).Footnotes:ProvenanceWith T. & R. Annan & Sons Ltd., Glasgow.Private collection.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Museale KaffeekanneSilber. Auf eingezogenem Fuß solider birnförmiger Korpus mit Konsolausguss; der Holzhenkel mit einem silbernen Profilband und Ziernieten. Die Wandung mit geraden Faltenzügen; der aufgewölbte Scharnierdeckel entsprechend, mit einem kleinen Eichelknauf als Bekrönung. Schauseitig eine vakante Gravurreserve. Marken: MZ Carlo Borromeo Minutto (Turin 1737 - 1765, Donaver Nr. 176), zweites MZ Paolo Aquilina (Malta ab 1739, Donaver Nr. 2846), Malteser Guardeinmarke R, eine andere, wohl Turiner Marke überschlagend. H 30 cm, Gewicht 1.397 g.Turin/Malta, Carlo Borromeo Minutto und Paolo Aquilina, um 1740.LiteraturZu Aquilina vgl. auch Denaro, The Goldsmiths of Malta and their marks, Florenz 1972, S. 128, 166. Zum gemeinsamen Erscheinen von italienischen und Malteser Marken vgl. Jimmy Farrugia, Antique Maltese Domestic Silver, Valetta 1992.
Paar Schneeballvasen mit VögelnPorzellan, farbiger Aufglasurdekor. Blaumarke Schwerter (eine Marke mit Schliffstrich), ein purpurnes R und weitere Malerzeichen, gepresste Modellnummer 2780, Bossierernummern. Minimale Chips an einigen Blüten und den Schnabelspitzen, ein restaurierter Chip an einem Schwanz. H 16,5 cm.Meissen, Ende 19. Jh.ProvenienzDeutsche Privatsammlung.
JEAN BESNARD (1889-1958)Pot à tabacCréation circa 1935/1936Signé 'Jean Besnard', en céramique émaillée, décor à la moletteH: 21cm.(8 1/4in.) x L: 14cm (5 1/2in.).A signed tobacco pot in enamelled ceramic by Jean Besnard designed circa 1935/1936.Footnotes:Provenance:Collection particulière, FranceBibliographie:A-R. Hardy & P. Wilson, Jean Besnard, Pottier modern, éd. des Robaresses, Paris, 2021. Notre modèle p. 198This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
FRANÇOIS-XAVIER LALANNE (1927-2008)'Carpe d'Or'Création en 1987Édition Artcurial, signée, monogrammée, cachet de l'éditeur et numérotée '156/250'Résine dorée à la feuilleH: 30cm.(11 13/16in.); L: 56cm.(22 1/16in.); P: 8cm.(3 1/8in.).A 'Carpe d'Or' in gilded resin by François-Xavier Lalanne, edited by Artcurial, signed, stamped and numbered, designed in 1987Footnotes:Bibliographie:R. Rosenblum, Les Lalanne, Ed. skira, Genève, 1991. Modèle similaire reproduit p.45D. Marchesseau, Les Lalanne, Paris, 1998. Modèle similaire reproduit p.8A. Dannatt, François-Xavier & Claude Lalanne : in the Domain of Dreams, New York, 2018. Modèle similaire reproduit p.152This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
JEAN BESNARD (1889-1958)Important vase ovoïde à fin colCréation circa 1928/1929Monogrammé 'JB France', en céramique émaillée granitéeH: 32,5cm.(12 5/8in.) x L: 21cm (8 1/4in.).An important monogrammed vase in enamelled ceramic by Jean Besnard designed circa 1928/1929.Footnotes:Provenance:Collection particulière, FranceBibliographie:A-R. Hardy & P. Wilson, Jean Besnard, Pottier modern, éd. des Robaresses, Paris, 2021. Notre modèle p. 101This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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