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A quantity of books on folklore, anthropology and customs to include, 'Legends of Icelandic Magicians', Jacqueline Simpson (ed and trans), Cambridge, for the Folklore Society, 1975, 'The Journey to the Other World' and 'Symbols of Power', H R E Davidson (ed), Cambridge, for the Folklore Society, 'Cambridgeshire Customs and Folklore', Enid Porter, 1969, 'Peasant Customs and Savage Myths, Selections from the British Folklorists', two volumes, Richard M Dorson (ed), 1968, 'Witchcraft in Tudor and Stuart England: A Regional and Comparative Study', Alan Macfarlane, 1970, 'The Werewolf', Montague Summers, New York, 1966, 'Phallos: A Symbol and its History in the Male World', Thorkil Vanggaard, 1972, 'Mimekor Yisrael: Classic Jewish Folktales', three volumes, Emanuel Bin-Gorion (ed), Indiana University Press, Bloomington and London, 1976 etc.
Two Thomas Russell silver full hunter fob watches, the first set with Roman numerals and marked Thomas Russell & Son 82006, with subsidiary seconds dial, the other set with Roman numerals and subsidiary seconds dial (missing hand) marked to dial T R Russell, 16 church Street Liverpool, and a double Albert silver fob chain, approx 40cm (3). CONDITION REPORT The second watch has significant scratches to the back
Bachmann, Heljan & Hornby Green Diesel Engines (5) Bachmann, Heljan & Hornby Green Diesel Engines: 32-059 Class 42 Warship D818 "Glory", 32 - 112 Class 08 shunter. Heljan Class 52 "Western Express" D1037, Hornby (China) R 2471a Class 37 D6700, R2509a, Class 121 'Bubble Car' all in British Railway Green Livery All boxed and in original condition (5)
A seven stone diamond ring, the central stone approx. 0.63 carats, surround by six stones approx. 0.47 carats each, gross estimated weight approx. 3.45 carats, hallmarked 18ct gold band, gross weight 6.3g, size R. Condition - diamonds appear extremely vibrant and colourless, a few tiny inclusions visible with 10x loupe only.
Silver Salver presented to Lt. B.T. Wood R.E., (T) on the occasion of his marriage by the officers of 54(EA) Divisional Engineers, 21st. Sept. 1935 - hallmarked R&B Sheffield, 1933. Weight 15oz (approx.) (Lt. Peard Thornton Wood during WW2 became a Captain (Temporary Major) & won an M.C. AND A D.S.O. - comes with some research
Volta Alessandro. Collezione dell'opere... Tomo I. Parte I [- Tomo III]. Firenze, Guglielmo Piatti, 1816. Tre tomi in cinque parti, qui legati in 5 volumi in-8° (mm 210x142). Tomo I. Due parti: I. [10], XII, 277, [3] pagine (Variante B descritta in Opac SBN con Indice della materie a c. 18/4r). Ritratto calcografico dell'Autore in antiporta inciso da R. Morghen su disegno di Sabatelli ed Ermini. II tavole calcografiche numerate ripiegate in fine. II. 485, [3] pagine (Variante B descritta in Opac SBN e comprendente 485 pagine numerate). [1] tavola calcografica ripiegata in fine numerata in cifre romane III. Tomo II. Due parti: I. [2], XXVI, 268, [4] pagine. II. 302, [4] pagine (Variante B descritta in Opac SBN con errata a c. χ1r). II tavole calcografiche numerate ripiegate in fine. Tomo III. X, [2], 387, [3] (di 5, manca c. 25/4 contenente l'errata) pagine. II tavole calcografiche numerate ripiegate in fine. In barbe, intonso. Qualche fioritura e traccia di polvere. Brossura editoriale omogenea, con titoli a stampa su etichetta cartacea ai dorsi. Piccoli strappi ai bordi dei piatti, qualche alone e segno di sporco. Ai dorsi segnatura tardo ottocentesca vergata su tassello cartaceo. Prima edizione collettiva delle opere del comasco Alessandro Volta (1745-1827), curata - mentre lo scienziato era ancora in vita - dal collega fiorentino Vincenzo Antinori (1792-1865). Gamba, 2689. 5 parts divided into 3 Tomes, bound here in 5 volumes, 8° (210x142 mm). Tome I. Two parts: I. [10], XII, 277, [3] pages (Issue B, as described in Opac SBN, containing the Indice della materie on fol. 18/4r). Frontespiece with copper engraved portrait of the Author, by R. Morghen after Sabatelli and Ermini. II folding copper engraved plates. II. 485, [3] pages (Issue B, as described in Opac SBN,, including 485 numbered pages). [1] folding copper engraved plate, numbered III. Tome II. Two parts: I. [2], XXVI, 268, [4] pages. II. 302, [4] pages (Issue B,as described in Opac SBN, containing the errata on fol. χ1r). II folding copper engraved plates. Tome III. X, [2], 387, [3] (of 5, lacking fol. 25/4 with errata) pages. II folding copper engraved plates. Uncut. Foxing, a bit dusted. Publisher's wrappers, spines with printed title on paper labels. Small tears to the covers, a few spotting and soiling. Late 19th-century shelfmark inked on paper label to the spines.First collected edition of the works by Alessandro Volta (1745-1827), edited - while the scientist from Como was still alive - by his Florentine colleague Vincenzo Antinori (1792-1865). Gamba, 2689.
Bifolium from a large Lectionary, in Latin, decorated manuscript on parchment [Germany (Rhineland, probably Cologne), first half of the twelfth century] Bifolium, with one very large initial ‘R’ (opening the title ‘Requiem’), 125mm. high, formed from two coiled dragons in green and soft brown with detailed wings, one with a fleshy spade-shaped tail, the lower part of the initial with swirling acanthus foliage, all on pale green, sky blue and red grounds (the last with penwork picking out white tendrils), the remainder of the word in dark brown capitals with red dots, another large initial, 65mm. high, in squat white vine foliage perhaps intertwined with a serpent (removal of border cutting away the beast’s head), on green and vivid blue grounds, three other large red initials with delicate foliate tendrils, other initials and rubrics in red, double column, 31 lines in a fine German Romanesque bookhand, musical neumes arranged above smaller script, small original split in margin of vellum, recovered from a bookbinding and hence one vertical border trimmed away, some small stains and holes, with damage to left-hand side of largest initial, total size 370mm. by 485mm. The dragons here with their detailed wings are close to other examples from the Rhineland (cf. those in a copy of Ambroise, Hexameron, mid-twelfth century, Cologne, now in the cathedral archive there, their MS. 31: Glaube und Wissen im Mittelalter, 1998, no. 31, p. 192 with facing illustration), and the foliage in tight circular scrolls finds parallels in works from the same area in the first half of the century (ibid. no. 35, pp. 204-07). Interestingly, the prayer adjacent to the initial has been marked up by the original scribe in tiny script above the main line with alternative endings for crucial words so that supplicants could correctly identify themselves in the male, female or plural forms, suggesting use of the book in a dual monastic community of men and women.

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