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Lot 1
An Edwardian Arts and Crafts oak sideboard the mirror back with integral shelf inset two circular enamel plaques and a similar heart shape plaque the projecting central cushion shape drawer between two open spaces above a pair of fielded panel doors between a pair of cupboard doors carved stylized flower heads and tendrils all fitted Art Nouveau brass handles and back plates the back board stamped R 2152 over 113 173cm x 166cm x 58cm
Lot 1
A R™rstrand pottery majolica pedestal stand, moulded in high relief in the baroque style with female mask heads and acanthus volutes above tapering column with grotesques, leaves and flowers above a stepped plinth base with stiff leaf and boss borders, in a palette in blues, greens and greys, printed mark, 45’ high.
Lot 1
AFTER GEORGE MORLAND (1763-1804) THE EFFECTS OF EXTRAVAGANCE AND IDLENESS; THE HARD BARGAIN; SMUGGLERS; THE FARMER'S STABLE; THE THATCHER; FISHERMEN; THE FIRST OF SEPTEMBER - MORNING; EVENING or THE SPORTSMAN'S RETURN Eight, mezzotints, engraved by W. Ward, J. Ward and J. Grozer, published by T. Simpson, J. L. Cartwright, J. R. Smith, J. Ward, James Linnell and J. Grozer, 1793-1806 59 x 48cm. or 45.5 x 60.5cm. approx. (8) ++ Images generally satisfactory; all with some damp marks, foxing or wear in margins; The Thatcher with retouched tears in margins; First of September trimmed on three sides
Lot 1
Bennett (Reginald A R) Marine Aquaria, Their Construction Arrangement and Management, 1889, illus, dec cloth; Jones (Thomas Rymer) The Aquarian Naturalist, 1858, illus, cloth; Hibberd (Shirley) The Book of The Aquarium 1760, illus, cloth; Hints For The Formation of A Fresh-Water Aquarium, illus, gilt dec cloth; Taylor (J E) The Aquarium Its' Inhabitants Structure and Management, 1876, illus, gilt dec cloth; Wood (Rev J G) The Fresh & Salt-Water Aquarium, illus, cloth; and Hibberd (Shirley) Rustic Adornments For Homes of Taste, 1856, illus, gilt dec cloth (7)
Lot 1
A SIAMESE SILVER GILT STAND of two tiers, each tier in the form of a lotus flower, raised upon a twelve sided base, decorated all over with floral and geometric designs, 28cm. high * A gift from the King of Siam (Thailand) to Admiral R. S. D. Cuming on the occasion of his marriage to Henrietta Florence Gibson Craig in 1897 at Riccarton. The King attended the wedding.
Lot 1
FIDDLE PATTERN comprising four table spoons, two by Charles Lias 1842-1843 and two by J. Brady, Dublin 1804; nine dessert forks by W. R. Smily 1842, by George Adams 1846 and by William Eley 1825 and 1838; a table fork by Samuel Hayne and Dudley Carter 1845; a dessert spoon, 1809; a sauce ladle by W. R. Smily 1842; nine teaspoons 1812-1835; and three condiment spoons, 1813, 1823 and 1830, 35.75oz (28)
Lot 1
SYNTAX IMITATION. The Grand Master, or Adventures of Qui HI? Thomas Tegg, 1816. Hand coloured title and 25 plates by Rowlandson (lacks 2 plates and frontispiece) - [D'OYLY, Sir CHARLES.] Tom Raw, The Griffin. R. Ackermann, 1828. 24 hand coloured plates (lacks one plate, one torn, some spotting). 8vo., cont half calf. (2)
Lot 1
BARTLETT, W.H. The History of the American Revolution. New York, n.d. (c. 1883). Engraved portrait and plates - HUBBACK, THEODORE R. To Far Western Alaska for Big Game, 1929. Maps and other illustrations - THE RED INDIAN. Currier & Ives prints No 2. London and New York 1931. 4to., d.w., tipped in colour plates. With 9 others on American Indians etc. including one signed by "Grey Owl". Mostly 8vo., orig. cloth. (12)
Lot 1
DORSET. A collection of 10 18th c. engraved maps, by T. Badeslade, 1742; R. Dodsley & J. Cowley, 1744; S. Simpson, 1746; T. Osborne, 1748; E. Bowen, 1749; T. Kitchin & T. Jefferies, 1749; J. Rocque, 1753; H. Moll, 1753; J. Gibson, 1759; E. Bowen & B. Martin, c. 1760. Mostly hand coloured in outline. (10)
Lot 1
CAESAR, CAIUS JULIUS. Commentarii. Milan, Phillippus Lavagna, 1478. Folio, old vellum, bookplate of William Horatio Crawford, Lakelands, Cork. 151 leaves (lacking fol. 132 blank), 42 lines, rubricated throughout. 5 line inscription in Latin on final leaf, reading in translation, "This book was bought by Lord Henry (H)eddet(r) the 27th Abbot of the church of the Blessed Mary for (?) the chapel of All the Saints in the year of our lord 1480. [space] This book belongs to the church of the Blessed Mary and (?) the chapel of All the Saints of the Cistercian Order and Diocese of Tournai in Flanders". The cathedral in Tournai is dedicated to the Virgin Mary, so it is assumed this is the church meant. Hain 4216; Proctor 5861; British Library catalogue IB. 26152. With pencil note on verso of lower cover "Collated & perfect for B. Quaritch, WR Knox Jan 10/68".
Lot 1
KIPLING, RUDYARD. The Absent-minded Beggar. c. 1899. Folding 4pp poem printed on silk with portrait and plate by R. Caton Woodville, (some external staining). With statement on reverse "This souvenir is presented by Mrs. Langtry on the occasion of the 100th performance of The "Degenerates" at the Garrick Theatre..." She contributed £100 for the benefit of the wives and children of the reservists fighting in South Africa. (a variant of Martindell 80).
Lot 1
KIPLING, RUDYARD, and W. HEATH ROBINSON, illus. A Song of The English. n.d. (c. 1909). Tipped in colour plates - FLETCHER, C.R.L. and R. KIPLING. A History of England. Oxford and London, 1911. Colour plates by Henry Ford. With Animal Stories. 1932. Illus. by Stuart Tresilian. 4to., orig. cloth (3)
Lot 1
ROSS, ALEXANDER. Pamsebeia: Or, A View of all Religions in the World. Fourth Edition, Printed for John Williams, 1672. 8vo., cont. calf (spine worn). Engraved portrait frontispiece and portraits in the text (Ddd3 torn and crudely repaired, Eeei & 2 with defect affecting printed marginalia). Wing R 1975 Sold not subject to return.
Lot 1
*Smart (Douglas Ion, R. E., 1879-1970). 'Distant Tewkesbury', watercolour, signed and inscribed in pencil to reverse, approx. 190 x 295 mm, mounted, together with thirty-two other various landscape studies and sketches in watercolour, crayon, pencil, ink, etc., mostly views in Britain and France, including Chateau Gaillard, Croyland, Stamford, Pembrokeshire, Fécamp, Weybridge, Granville, Corfe, Caister, Vitré, Richmond (Yorkshire), Orange, etc., mostly signed or initialled, approx. 270 x 390 mm and smaller Douglas Ion Smart (1879-1970) was born in Hammersmith, the son of an artist, and taught by Sir Frank Short. He exhibited regularly, including over seventy works at The Royal Academy. (33)
Lot 1
*Old Master prints & engravings. Dunkarton (Robert, 1744-1811?). Mary, Queen of Scots and Henry Stuart, Lord Darnley, pub. Samuel Woodburn, 1816, fine uncol. mezzotint by Dunkarton after Elstracke (1570-c.1625), trimmed to margins, approx. 300 x 235 mm, together with other 18th and early 19th c. engravings and mezzotints, including Raphael's Mistress, by Thomas Chambars, after Earlom, after Raphael, pub. Boydell, November 2nd 1765, Noli Me Tangere, by Nicolas Tardieu after Titian, Children Spouting Comedy, mezzotint by C. H. Hodges after R. M. Paye, pub. J. R. Smith, August 29th 1786, The Storm, by W. Ward after G. Morland, pub. J. R. Smith, August 30 1796, Love in Bondage, mezzotint by Earlom after Reni, pub. Boydell, 1767, plus two hand-col. engs. after Pietro Cortona by Gerardin & Bloemart, pub. Giacomo Giovanni de Rossi entitled Eodem Poculo Masinissa fidei in Romanos, libertati Sophonisba litavit, & Hostium corpora Scipio Ferro vincere voluit, Animos continenta vincere maluit, probably late 18th or early 19th c. reprints, image size approx. 220 x 310 mm, wide margins to each, Hogarth-style frames, glazed (14)
Lot 1
*Smart (Douglas Ion, R. E., 1879-1970). A collection of thirty various etchings, mostly landscapes, coastal scenes, etc., including views of Stamford, Abingdon, Toledo Bridge, Tewkesbury, Chepstow, Manresa, Cirencester, Swansea, Wivenhoe, Veere, Papal Palace Avignon, etc., mostly signed and inscribed, approx. 250 x 355 mm and smaller (30)
Lot 1
*Gear (William, R. A., 1915-97). 'Dark Landscape', August 1967, acrylic on paper, signed and dated '67, approx. 540 x 760 mm (21.25 x 30 ins), framed and glazed Provenance: From the estate of the artist. This work was exhibited at the Exhibition of Works by William Gear at Karl & Faber in Munich, 1988-89. See illustration inside rear cover of this catalogue. (1)
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297887 item(s)/page