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Lot 401
Reggae / Ska / Roots 35 original UK and Jamaican pressing 7” singles artists included: The Pioneers, Bob Markey & The Wailers, Max Romeo, Shorty Perry, The Teen Queens, Ezz Reco & The Launchers, Ruddy & Sketto, Brent Dowe And The Gaytones, Ken Parker, Derrick Morgan, The Vikings, Roy C, Desmond Dekker, Ansel Collins, The Music Specialists, Pat Kelly, In Crowd, The Maroons, Wilfred Jackie Edwards, Justin Hinds & The Dominoes, Eric Donaldson, Peter Tosh and many many more on labels such as: Trojan, Island, Camel, Grape, R&B Records, Supreme, Attack, Duke Reid, Techniques, Pama, Pyramid, Gas, Cactus, Harry J., High Note, Weed Beat, and others. Condition varies throughout.
Lot 315
Two WW1 campaign medals and two WW2 campaign miniatures:1. the British War Medal to F.28229 C.E. MANDER A.C.1 R.N.A.S. (Aircraftman Charles Edward Mander (b. 1880), Royal Naval Air Service).2. the 1914-15 Star to 2453 PTE. S. MANDER 20-LOND. R. (Samuel Mander (b. 1893), bought out of the Rough Riders, enlisted with the 20th Battallion London Regiment 2.9.14, served in France from 09.03.15, gunshot wound to right arm 10.06.15, discharged 10.08.16 (gastritis).3. 1939-1945 War Medal and the Defence Medal, contemporary miniatures mounted for wear.
Lot 323
An 1827 Pattern Royal Navy officer's sword and scabbard: the shagreen handle with sword-knot and the hinged locking guard engraved 'R. Wake R.N.', the ricasso engraved 'Gieves Ltd - London, Portsmouth and Devonport', engraved with foliate scrolling. Complete with suede slip and leather sleeve. Condition: Surface corrosion to the chape, otherwise very good. Provenance: By descent through the Benson family. Roger Wake (1918-1988) was the second son of Maj.-Gen. Sir Hereward Wake (1876-1963) and Margaret Benson (1876-1963). (The Wake family claim direct descent from Hereward the Wake, defender of the Fens against the Normans.) Please note - bladed weapons will not be sold or released to persons under the age of 18
Lot 36
A pair of late 19th century German porcelain three-light figural candelabra: 1. a boy treading grapes, another raising a cup and climbing out of the hollow of a tree trunk, and a third figure seated on a leopard skin. 2. three cherubic-style figures, one lying drunk on the ground.Each with applied flowerheads and fruiting vine in high relief, blue painted 'R' mark to underside. (26 cm high x 25 cm wide)
Lot 392
A white metal and enamel senior officers Metropolitan Police cap badge, with King George VI crown to the top.2 lugs to the reverse, and marked ‘Firmin London’.Plus a small copper key fob, engraved ‘R.Stockdale Met Police Warrant No 122080, a WW2 era photograph of R Stockdale in uniform, a WW1 Royal Engineers cap badge, marked ‘Smith & Wright ltd B’ham’ to the slider, and an anodised Queens crown RAF badge.5 items.Condition: good with only limited service wear.
Lot 62
A selection of British WW1 singles medals.To include: A 1914-15 star named to 1233 Pte John Davies of the 4th Yorkshire Regiment.He’s also entitled to the BWM and Victory medal.A BWM named to 1307 Thomas Wilkinson Royal Artillery.He’s also entitled to the 1914-15 star and victory medal.A Victory medal named to 9011 Pte Norman R. Mills, Manchester Regiment, later Liverpool Regiment.He is also entitled to the 1914-15 star and BWM.A BWM named to J.21609 T.J.Morris A.B. Royal Navy.A BWM named to 40721 George H Twigg West Yorkshire Regiment.A 1914-15 star named to 36575 Driver Harry Ellis RFA.He is also entitled to the BWM and Victory medal.A Mercentile Marine Medal named to Henry Hobman (born 1883).7 items.Condition: all generally good.2 of the medals have missing ribbons, but those that do have ribbons are original to the medals.
Lot 212
An interesting collection of Victorian through to WW2 items of Militaria, all relating to two families.To include: 2 scarce 19th century army pay books with leather covers.One named to Richard Mordecai, who enlisted with the Royal Artillery on October 17th 1894, aged 16 years and 2 months.The other is named to a Thomas Mordecai, who enlisted with the Royal Artillery on March 6th 1863 aged 19 years and 2 months (this is father and son).You can faintly see Thomas’ name inked on to the leather cover.Included with the first paybook is also a WW1 period photograph of Richard Mordecai, he is dressed in civilian clothes, but appears to be at an army camp.Online records show that there was a Richard Mordecai who enlisted on July 17th 1918 aged 40 years 11 months, in the Army Pay Corps, so this may explain this photograph.Plus, a WW1 BWM and Victory medal named to 1277 GNR J R Soulsby Royal Artillery (this is confirmed as his full entitlement).It’s likely that GNR Soulsby also served during WW2 on the home front, as there is also a Defence Medal and 2 sterling ARP lapel badges.There is also a 2nd type (1949-1952) George VI Special Constabulary Long Service Medal, named to James C. Saddleton, 2 x 1902 base metal Edward VII coronation medals, a bronze 1935 jubilee medal for the Borough of Tynemouth, an Edward VIII base metal coronation medal, and a Robert Raikes Sunday school medal.14 items total.Condition: varies across items.The leather covered pay books are worn to the used pages, and the paper has become brittle in place and broken away.There is still enough information available in each to discern who they belonged to.The medals are all good, as are the badges.
Lot 58
2 WW1 single medals.To include: a Victory Medal and Scroll named to 10560 Pte George R Syrett Welsh Regiment.This medal includes some research indicating that Pte Syrett was ‘Missing Presumed Dead’ during the Battle of Loos on 26/09/1915, and part of the original card medal box.Plus a BWM named to 26038 Pte Thomas Brophy 9th Dublin Fusiliers.Research included with this medal indicates that Pte Brophy is also entitled to the Victory Medal.He was also admitted to Hardwicke Hospital on November 2nd 1918 suffering from Shell Shock.Condition: the medals are in good condition.The memorial scroll is mostly complete, but is torn and taped together in several places to the reverse.
Lot 352
A WW2 German gas mask with tin, plus a NATO bullet belt.Cylindrical and ribbed carry tin with original paint.Painted with the number ‘367’ to the edge, and officially dated 1938 to the inside of the lid along with a makers mark DMB.The gas mask is marked ‘Juni 44’ to the respirator, plus ‘h r 42’ to the mask.The green fabric strap to the mask appears to be faintly marked ‘APR 63M.Plus, a belt of NATO L2A2 bullets.Condition: generally good.The carry tin has paint loss from normal service wear, plus a couple of shallow dents.The mask has some paint loss in places and some very minor corrosion.The rubber parts are in good order and don’t display any signs of perishing.One of the eye pieces has a small hole and a small crack.The bullet belt is in good used condition.
Lot 176
GROUPE DE LIVRES ET CATALOGUES SUR LES ARTS SAMOURAÏA GROUP OF BOOKS AND CATALOGUES ON SAMURAI ARTSComprising: Armes Japonaises dans les Collections privées françaises (Japanese Armour in French Private Collections), Paris, Galerie Robert Burawoy, 1977; Armes, Armures et Objets d'art du Japon, Paris, Galerie Jean-Christophe Charbonnier, 2009; Armure Japonaise: Rencontre avec une pièce exceptionnelle, Paris, Galerie Jean-Christophe Charbonnier, 2009; Burawoy, Robert, Le Petit Hara: dictionnaire des artistes japonais de montures de sabre, Bulletin of Association Franco-Japonaise No.31, Paris, Assocation Franco-Japonaise, 1991; Elisseeff, Danielle, and Vadime Elisseeff, L'art de L'ancien Japon, Paris, Citadelles, 1980; Gony, Daniel, Introduction à l'étude du Sabre Traditionnel Japonais, Paris, Éditions Histoire et Documents, 1996; L'art Guerrier du Japon: Samourai, Art 4 Patrimoin du monde, Paris, Établissement public pour l'aménagement de la région de la Défense, EPAD, 1987; Musée Sandelin, L'art Japonais des tsuba et netsuke, Saint-Omer, 1991; Galerie Espace 4, Les animaux articules chez les forgerons japonais, 27th anniversary pamphlet, Paris, 1999; SYZ Ltd, Masterpieces from the Randolph B. Caldwell Collection: Japanese sword fittings: [an exhibition held at SYZ Ltd., London, Nov. 14-15, 1994], London, 1994; Miyamoto, Musashi, Le Livre des 5 anneaux ou l'art de vaincre, trans. Marie Tadie, Paris, Pierre Belfond, 1982; Ricketts, Howard, Splendeur des Armes Orientales, exhibition catalogue, Paris, Établissement public pour l'aménagement de la région de la Défense, EPAD, ACTE-EXPO, Galerie Art 4, 1988; Shogun: L'art de vivre des Tokugawa, Nagoya, Tokugawa Art Museum, 1984 (second edition); SYZ Ltd, The Henry D. Rosin Collection of Japanese Sword Fittings, London, 1993; Turnbull, Stephen R., Les Samourais: Les Seigneurs japonais de la guerre, trans. Jean-Pierre Gahide, Paris, Bordas, 1983. (15).Footnotes:侍美術関連書籍、カタログ 15点This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 70
NETSUKE EN BOIS REPRÉSENTANT UN NIOAttribué à Sansho, XIXe siècleA WOOD NETSUKE OF A NIO (BUDDHIST GUARDIAN DEITY)Attributed to Sansho, 19th centuryThe guardian's face with a fierce expression, flame-like veins emanating from his forehead and beside his nostrils, his lips puckered in an almost humorous manner; signed on the reverse along the horizontal bar with a kao. 3.9cm (1½in) high.Footnotes:木彫根付 仁王 銘「（花押）」 19世紀Provenance:A French private collection.Purchased at Jean-Louis Picard, Paris, 26 May 1994, lot 49.For a somewhat similar example attributed to Sansho with the same kao, see Barry Davies Oriental Art, NC, no.74. Four finely carved mask netsuke of different subjects with the same kao are illustrated by R. Bushell, NM, pls.200, 235, 259, 260 and the kao on pp.193-194.For further information on this lot please visit Bonhams.com
Lot 15
NETSUKE EN BOIS REPRÉSENTANT UN ONI TENANT UNE CORDE EN MÉTALXVIIIe siècleA WOOD NETSUKE OF AN ONI (DEMON) HOLDING A METAL CORD18th centuryThe oni modelled in a half-squatting and running action, scooting forward with his bent legs, wearing a fundoshi with a tiger pelt, his hands at his left side and behind gripping a later silvered-metal cord, the oni's hands forming the himotoshi; unsigned. 4.9cm (1 15/16in) high.Footnotes:木彫根付 鬼 無銘 18世紀Provenance:Purchased from Rolf Schmoll, December 1995.Exhibited and Published:NS19, p.65, no.109.Similar examples (without the metal cord) are published by R. Bandini, IAN, p.25, no.24 and Sydney L. Moss, JNSA, no.22. For another similar example attributed to Gessen from the W. G. Bosshard Collection, see Barry Davies Oriental Art, WGB, no.88.For further information on this lot please visit Bonhams.com
Lot 160
GROUPE D'OUVRAGES DE RÉFÉRENCE SUR LES NETSUKE PAR FREDERICK MEINERTZHAGENA GROUP OF NETSUKE REFERENCE BOOKS BY FREDERICK MEINERTZHAGENComprising: Meinertzhagen, Frederick, The Meinertzhagen Card Index on Netsuke in the Archives of the British Museum, New York, Alan R. Liss Inc., 1986, complete set of 2 volumes; Meinertzhagen, Frederick, The Art of the Netsuke Carver, Hollywood, Fl., Kurstin-Schneider, 1975 (first published 1956). (3).Footnotes:フレデリック・マイナーツハーゲン著 根付関連書籍 3点This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 49
NETSUKE EN BOIS REPRÉSENTANT FUTENPar Unjudo-in Shidemaru, fin du XVIIIe siècleA WOOD NETSUKE OF FUTENBy Unjudoin Shidemaru, late 18th centuryFuten the God of Wind emerging from a long conical cloud of vapour, baring his teeth in an open grin, revealing a loose ball within, the eyes inlaid; signed Shidemaru. 9.6cm (3¾in) high.Footnotes:木彫根付 風天 銘「幣丸」 18世紀後期Provenance:Purchased from Bernard Fournier, December 1985.Exhibited and Published:NS19, p.61, no.94.Only a handful of very similar (but not identical) versions of this very rare netsuke are known. Over the years, the readings of their signatures have ranged from (Shu)memaru to Hidemaru, Heimaru, and Heigan, but we prefer to attribute the carving to Shidemaru, a more plausible interpretation since shide and maru are kun-yomi (Japanese readings) of the characters in the name as listed in Soken Kisho, vol.7, p.13. Our reading is consistent with the opinion of Nori Watanabe, former president of the Nihon Netsuke Kenkyukai (Japan Netsuke Society), who concluded that Shumemaru, as given in Soken Kisho, was most likely a corrupted form of Shidemaru.The aforementioned variants including a similar example signed Heihi, are recorded by G. Lazarnick, NIA, pp.454-455 and F. Meinertzhagen, MCI, p.132. Another example, catalogued as by Unjudo Shumemaru, is published by Mikhail V. Uspensky, Netsuke in the Collection of the State Hermitage, Saint Petersburg, Slavia Art Books, 1994, p.199. For another identified as by Shumemaru accompanied by an in-depth discussion of the signature reading and artist, see Sydney L. Moss, MRMT, no.10 (also illustrated on the front cover). For one last example, see R. Bushell, NFU, p.225, no.750.For further information on this lot please visit Bonhams.com
Lot 37
CHRISTOPHER RICHARD WYNNE NEVINSON ARA (BRITISH 1889-1946) PUSSYWILLOWsigned and dated C.R.W. NEVINSON / 1936 lower rightoil on canvas 46 x 35cm; 18 x 13 3/4in57 x 46.5cm; 22 1/2 x 18 1/4in (framed)Property from Deceased EstateExhibited: London, Barbizon House, Flower Paintings by C.R.W Nevinson, 1936Rare amongst Nevinson’s oeuvre, flower studies such as this began to appear in the artist’s exhibitions from 1926 onwards. The present painting appeared among 20 other such works in a 1936 solo exhibition at Barbizon House, London titled Flower Paintings by C. R. W. Nevinson. According to notes from a previous owner, the exhibition featured in a write-up in The Times, which highlighted two works Catkins and Pussywillows (the present work) as of 'exceptional quality.' Much of Nevinson’s inspiration was from his wife, Kathleen, who was a professional gardener and Fellow of the Royal Horticultural Society. In fact, she was the author of the preface to the 1936 exhibition catalogue and stated that 'many of the arrangements in nature were designed with my co-operation.'
Lot 23
PAUL SANDBY RA (BRITISH CIRCA 1725-1809) WINDSOR FROM SNOW HILLpen and grey ink and watercolour on laid paper watermarked with the Strasburg Lily; a pencil drawing of a landscape - verso11.5 x 24.7cm; 4 1/2 x 9 3/4in30.5 x 43cm; 12 x 16 7/8in (framed)(2)Property from an EstateProvenance:Private collection, U.S.A. (until 1993)Thomas Agnew & Sons, London Nigel Jacques (purchased from the above circa 1993) Windsor Castle and the surrounding area was a favourite subject for Sandby throughout his career. In 1765 his brother Thomas was appointed Deputy Ranger of Windsor Great Park and took up residence in the Deputy Ranger's House (now Royal Lodge) in about 1770. Paul Sandby regularly visited his brother and his family at Windsor, especially after 1782, when Paul's son Thomas Paul married his cousin, Thomas's daughter Harriot.Offered together with a view of Tivoli by Richard Cooper Junior (British 1740-1820), signed R Cooper del lower right, pencil, pen and brown ink and grey wash over pencil on laid paper, oval 29.5 x 24cm; 11 5/8 x 9 1/2in; 44.5 x 51.5cm; 17 1/2 x 20 1/4in (framed); Provenance: Guy Peppiatt Fine Art Ltd
Lot 40
ALBERT RUTHERSTON (BRITISH 1881-1953) BILLY-SUR-ALLIERsigned Albert Rutherston 05 lower rightoil on canvas54.5 x 74cm; 21 1/2 x 29 1/4in74 x 92cm; 29 1/4 x 36 1/4in (framed) Property from the Artist’s FamilyProvenance:Capt. R. Gordon-Canning (purchased at the Leicster Galleries in 1953) Exhibited: London, Leicester Galleries (Ernest Brown & Phillips), Albert Rothenstein, 1953, no. 17Albert Rutherston (born Rothenstein), was the younger brother of better known painter William Rothenstein (see lots 34 & 35). He joined the Slade School of Art in its late 19th century heyday, when Fred Brown was professor, assisted by Henry Tonks, Philip Wilson Steer and Walter Russell. Aged just sixteen, he was the youngest student by far, but he soon fell in with a gilded set of artists, befriending Augustus John (see lots 38 & 39) and William Orpen. His elder brother kept a watchful eye over his considerably younger sibling, and dubbed the trio the 'Three Musketeers'. John, Orpen and Albert first holidayed together in France in the summer of 1899, staying in Vattetot, along the Normandy coast from Etretat, where they were joined by William and the older painter Charles Conder. The following summer Albert was in Dieppe where he met Walter Sickert with Max Beerbohm. In 1904 he visited Billy-sur-Allier near Clermont-Ferrand on a painting trip with Spencer Gore, returning with Gore the following year when he completed the present oil. Rothenstein painted the town from the east beneath a threatening sky, its defensive fortress dominating the surrounding landscape. In the years that followed Albert thrived at the very heart of the avantgarde. Living at 8 Fitzroy Street in Bloomsbury, he shared a space at 19 Fitzroy Street with Sickert, brother William, Spencer Gore, Harold Gilman and Walter Russell. There they held open days to show their work on Saturday afternoons. The combined aim, as Sickert recounted, was 'to create a Salon d'automne milieu in London'. Other artists soon joined, among them Augustus John, Wyndham Lewis and J.D. Innes, and their Saturday afternoons attracted the interest of a wide range of cultural luminaries, among them Hugh Lane, Ottoline Morrell and Jacques Emile-Blanche.ARR may apply
Lot 73
TWO SILVER SUGAR BOWLSa George III shaped rectangular two handled bowl, London 1808, mark of R. & S. Hennell, with repousse chased and engraved foliate decoration, on ball feet; together with a George III plain shaped rectangular two handled bowl, London 1809, mark of Robert Makepeace, with neo-classical style banding and raised on ball feet (18.4 troy ozs). (2)
Lot 345
Walton (Izaak) The Compleat Angler or The Contemplative Man's recreation, a facsimile reprint of the 1653 first edition, Adam and Charles Black, London, together with Guy (Joseph) Elements of Astronomy, familiarly explaining the general phaenomena of the heavenly bodies, fold-out frontispiece of the solar system, printed for Baldwin, Craddock and Joy, 1821, Stonehenge, Manual of British Rural Sports, Routledge, Warne and Routledge, London, 1863, Nicol (Walter) The Villa-Garden Directory or Monthly index of work to be done in town and villa gardens, shrubberies and parterres, Archibald Constable and Co, Edinburgh, 1823, Emmanuel (Harry) Diamonds and Precious Stones, their history, value and distinguishing characteristics, John Camden, London, 1867, Norton (F.C) A popular handbook of useful and interesting information for beginners in the elementary study of Assyriology, published by the author, Sussex, 1908, Baty (Richard) A Friend In Need: or the Complete Art of Swimming, Printed for the editor, Hutton Watson, Carlisle Parsons (Rev.B) Anti-Bacchus: An Essay on the Crimes, Diseases and other evils connected with the use of intoxicating drinks, published by Jon Snow, London, Nicolas (Nicholas) Testamenta Vestusta: Being Illustrations from Wills, of Manners, Customs &c. As well as of the descents and possessions of Many Distinguished Families, Nichols and Son, London, 1826, Hervey (James) Meditations and contemplations, two volumes in one, Cookes Edition, Printed for C. Cooke, London, Broadbent (Thomas Biggin) The Folly of Vice and The Wisdom of Virtue, represented in two discourses, second edition, Printed for R. Hunter, London, 1818, Woodward (G.M) An Essay on the Art of Ingeniously Tormenting, a new edition, fold-out coloured illustration to frontispiece, printed for Thomas Tegg, London, 1809, Bacon (Francis) Essays; or Counsels civil and moral, the colours of good and evil, and apophthegms, Seeley, Jackson and Halliday, London,1872 and Foxes Book of Martyrs, being an authentic account of the sufferings and triumphant deaths of the Primitve Protestant Martyrs, Milner and Company, London
Lot 190
AFTER JAMES POLLARD THE NORTHAMPTON GRAND STEEPLE-CHASEAquatints with hand-colouring, by Henry Pyall (Siltzer p.221; Snelgrove, Pollard 136), 1833, published by Thomas Maclean.37.5 x 45.5cm (14¾ x 17¾ in.) and smaller (7)A set of six with a small key plate dedicated to the Gentleman of the Pytchley Hunt Races. It is a reproduction of plate 1, but lists the horses, riders and colours. Provenance:Sale, The Norman R. Bobbins Collection of Equestrian and British Sporting Prints, Dreweatts, Newbury, 20th April 2011, lot 1060 (where purchased by the present owner)
Lot 188
AFTER JAMES POLLARDGOODWOOD; AND ASCOT RACES Aquatints printed in colour and finished by hand. The first by C. Pyall and the second by H. Pyall (Siltzer p.221; Snelgrove, Pollard 20), 1834, published by Thomas Maclean, also Paris and V. Morlot 44 x 63cm (17¼ x 24¾ in.) (2)The first shows the Goodwood Cup of 1833, won by Rubini. The second shows the Ascot Gold Cup of 1834 won by Glaucus. Provenance:Sale, The Norman R. Bobbins Collection of Equestrian and British Sporting Prints, Dreweatts, Newbury, 20th April 2011, lot 1032, part lot (where purchased by the present owner)
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