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Lot 786
ISLE OF JURA SPECIAL ISLAND EDITION Single Island malt whisky, distilled 27.1.99, bottled 18.5.06. Bottle No.155 of 500 from Cask No.5000. Autographed by W. Tate. 70cl, 58.4% volume, in carton. ISLE OF JURA 13 YEAR OLD Single Island malt whisky, distilled 17th February 1992, bottled 20.5.05. Bottle No.117 of 300 from Cask No.671. 70cl, 56.6% volume. ISLE OF JURA 15 YEAR OLD Single Island malt whisky, distilled 22 March 1989, bottled 3.6.04. Bottle N0.148 of 850. Autographed by W. Tate, R. Paterson & W. Cochrane. 70cl, 57.7% volume. ISLE OF JURA CRINAN CLASSIC BOAT FESTIVAL Single Island malt whisky, distilled 18th Jan. 1999, bottled 1-5-07. Bottle No.56 of 400 from Cask No.24. 70cl, 52.1% volume, in carton. 4 bottles Very good.
Lot 337
A group of silver items, including a two handled bowl, London 1905 by Mappin & Webb, a vesta case and a set of six coffee spoons, together with a plated bronze circular brooch decorated in relief with a medieval lady, detailed `R. Cochet`, a silver and enamel moose brooch and a carved shell cameo.
Lot 1011
13 glass reference books to include two Geoffrey W Beard "Nineteenth Century Cameo Glass", J R Vavras "500 Years of Glass Making", Grover "Art Glass Nouveau", Keith Middlemass "Antique Coloured Glass", E M Elville "The Collectors Dictionary of Glass", Jockelson Sulphides "The Art of Cameo Incrustation", Garner "Glass 1900 Galle, Tiffany, Lalique", Revi "Nineteenth Century Glass", Manley "Decorative Victorian Glass", Hajdamach "British Glass 1800-1914", Warren "Irish Glass" and Haliday "Stained Glass as an Art"
Lot 1074
A John Walsh Walsh Leaf vase designed by Clyne Farquharson, the flaring cylindrical vase with polished design, on applied foot, a pink flashed vase, possibly Val St Lambert and a lamp base, leaf vase 20cm. high Literature Roger Dodsworth British Glass Between The Wars, Dudley Leisure Services, page 68 catalogue numbers 118 and 121 for this shape and design illustrated Charles R Hajdamach 20th Century British Glass Antique Collectors` Club page 165 plate 344 for the original design for this vase.
![[ADDISON, STEELE, and others.] The Spectator. London: J. and R. Tonson and S. Draper, 1753. 8 vols., 12mo (169 x 93mm.) Engra](http://lot-images.atgmedia.com/SR/10123/2887940/3048-2013103145246_468x382.jpg)
Lot 3048
[ADDISON, STEELE, and others.] The Spectator. London: J. and R. Tonson and S. Draper, 1753. 8 vols., 12mo (169 x 93mm.) Engraved frontispieces, engraved title pages. (Some browning or spotting.) Near contemporary speckled calf (scuffed, spines darkened). Provenance: Sarah Cooke (signatures to front-free endpapers).
Lot 3222
CERAMIC REFERENCE. – Charles R. BEARD. A Catalogue of the Collection of Martinware formed by Mr. Frederick John Nettlefold. London: privately printed for the owner by Waterlow & Sons Limited, 1936. Large 4to (372 x 275mm.) Plates, some mounted and colour. (Occasional soiling.) Original cloth (head and foot of spine chipped). Provenance: ex public library (occasional ink stamps and labels). – And twelve others on ceramics (13).
Lot 35
(Vue optique) - France : 2 vues rehaussées (1 imprimée à Londres). Sous vitres, passe-partout et cadres. Est. : 120/ 150 € "A Particular View of Paris comprehending ye Louvre [...]. Vue particulièriede Paris, Prise du Pont Royal regardant vers le Pont Neuf". London, R. Sayer & P. Brookes, s.d. Gravé par R. Parr d`après Rigaud.— "La Cascade de Saint Cloud". Paris, Daumont, s.d.
Lot 69
Art contemporain : 57 estampes (dont 4 tirages signés sur Japon et 12 doubles). (Anvers, Kunst van Heden; Art contemporain, 1906 [- 1924]). Eaux-fortes ou pointes sèches, quelques lithographies, formats variés, feuilles de 50 x 35 cm à 55 x43 cm (12 estampes avec piqûres ou faibles mouill.). En feuilles, sous chemises (2) et fardes cartonnées (5). Est. : 300/ 400 € A. Baertsoen (5 dont 1 double), R. Baseleer (1), A. Delaunois (3 dont 1 sur Japon, signée, et 1 double), M. Grommaire (1), V. Hageman (12 dont 1 sur Japon, signée, et 5 doubles), M. Jefferys (1), F. Jespers (1), P. Joostens (1), E. Laermans (3 dont 1 double), K. Mertens (3 dont 1 double), A. Oleffe (4 dont 1 double), V. Prax (1), A. Rassenfosse (2 dont 1 sur Japon, signée), J. Smits (4 dont 1 sur Japon, signée, et 1 double), W. Vaes (3 dont 1 double), E. Van Mieghem (1), etc. Joint (ens. 71 estampes et 1 dessin) : 14 sujets couleurs par Rassenfosse de la suite "Trente croquis en couleurs pour Les Fleurs du mal de Ch. Baudelaire" (Paris, Dorbon-Ainé, s.d.). Envoi autographe signé de l`artiste à Sam Meyer "avec les compliments d`un compatriote. Paris, 27 avril 1931".— DUPUIS, Albert.- (La Forêt), 1972. Dessin original, plume, pinceau et lavis d`encre bistre sur fond jaune, sur papier, 33 x 25 cm à vue, monté sous passe-partout.
Lot 74
(Ensor) - Dossier relatif à la toile de James Ensor "Squelettes se chauffant" : assurances pour diverses expositions et manoeuvres d`achat et vente entre 1942 à 1952. Joint : 12 catalogues, 2 affiches, 1 photo d`Ensor et 2 de la toile. Archives manuscrites ou dactylographiées, la plupart en ff. volants, 4 cm de haut + catalogues. Est. : 500/ 600 € Peinte en 1889, la toile de 60 x 75 cm, est achetée l`année suivante par le Vicomte Vincent de Lantsheere pour 800 frs. Au début des années 1940, la Vicomtesse la vend 50.000 frs au baron Gendebien qui double ainsi la Baronne Lambert. Gendebien la garde 10 ans en sa possession et ne cessera de la prêter. Les archives concernent uniquement les demandes d`exposition, les assurances et le transport de la toile, les invitations aux expositions, des copies d`articles relatif à la toile, des coupures de presse, les catalogues d`exposition, quelques affiches, etc. relatifs aux expositions suivantes : Peinture belge (Brux., 1942), Giroux (1945, avec demande dès 1944), Art belge (Amst. et Berne, 1946), James Ensor (Londres, BM, 1946, avec lettres du désaccord de Langui), Art vivant (Brux., Giroux, 1947), Ensor (Paris via Giroux, 1948), Art belge (Buenos Aires, 1948), Ensor (Charleroi, 1949), Gloires belges (Ostende, 1949), Biennale (Venise, 1950), Ensor (Anvers, 1951), Ensor (Boston, 1951). Contient aussi une demande de reproduction pour un ouvrage sur Ensor (maison Malvaux, 1942). Les dernières lettres concernent la vente du tableau pour 16.000 dollars (800.300 frcs belges), via le libraire Paul van der Perre, à Anne Burnett Windsohr, une Américaine qui avait été à l`exposition de Boston en juillet 1952. La toile passera ensuite dans les mains de plusieurs de ses héritiers. Elle est actuellement conserveé au Kimbell Art Museum à Fort Worth au Texas. Joint : (A) CATALOGUES d`exposition : Art belge. Stockholm, Lil Jevalchs Konsthal, 1927.— J.E. Paris, Jeu de Paume, 1932.— Peinture Belge, sous le patronage de la Croix rouge de Belgique. Brux., 1942 (+ 3 invitations, 2 pour le Baron R. Gendebien + 2 brochures).— J.E. Brux., Giroux, 1945.— 7 Belgische schilders. Amst., Stedelijk museum, 1945.— Sept peintres belges. Berne, Kunsthalle Bern, 1946.— J.E. Londres, Tate Gallery at the National Gallery, 1946 (en double + 1 invitation).— J.E. Paris, Galerie du Siècle, 1948 (?).— Exposicion de arte Belga contemporaneo. Buenos Aires, Museo Nacional de Bellas Artes, 1948.— J.E. Ostende, Musée communal, 1949.— J.E. Anvers, Musée Royal des Beaux-Arts, 1951.— J.E. N.Y., Mus. of Modern Art, 1951.— (B) AFFICHES : J.E. Charleroi, Cercle artistique et littéraire de Charleroi, 1921.— J.E. Londres, Tate Gallery at the National Gallery, [1946] (en double).— (C) PHOTOS & autres : Pierre d`Otreppe.- Photo en couleurs de J.E. âgé tenant des masques, 16,5 x 22,5 cm.— 3 clichés de la toile dont 1 négatif.— Programme de l`Exécution intégrale du ballet "La Gamme d`Amour", Brux., Giroux, s.d.— Faire-part de décès de la vicomtesse de Lantsheere, 1951. ¶ Archives of the Baron Gendebien, previous owner of Ensor`s painting "Skeletons Warming Themselves" (now in a Museum in Texas), and archives of the selling in 1952 to Anne Burnett Windsohr.
Lot 135
(Afrique centrale, Congo) - Économie : 11 ouvrages, formats et rel. div. (lég. us.), 19e-20e s. Est. : 100/ 120 € Dont : Compagnie du chemin de fer du Bas-Congo au Katanga. 1906-1956. (Brux., Weissenbruch), s.d., in-4° broché.— COPPIETERS, D.; VAN ACKERE, J.- Le régime minier du Congo belge. Leipzig, Brockhaus; Paris, Larose & L. Tenin, 1911, in-8° demi-toile à coins.— MONTI, R.; ANTHOINE, R.- Manuel d`exploitation des gisements aurifères au Congo belge. Liège, Desoer, 1927, in-8° demi-veau.— Union minière du Haut-Katanga. (Brux., Weissenbruch), 1954, in-4° broché.
Lot 138
(Afrique centrale, Congo) - Institut Royal Colonial Belge. Commission d`histoire du Congo. Koninklijk Belgisch Koloniaal Instituut. Commissie vor de geschiedenis van Kongo [- Académie Royale des Sciences d`Outre-Mer. Commission d`histoire. Koninklijke Academie voor Overzeese Wetenschappen. Commissie voor de geschiedenis]. Bruxelles, Institut Royal Colonial Belge, Académie Royale des Sciences d`Outre-Mer, 1953 [- 1974]. 121 vol. in-8° brochés (vol. très lég. brunis, qqs rouss., tache sur le plat sup. du num. 19). Est. : 100/ 120 € Extraits du Bulletin (num. 16 à 118, qqs doubles + 5 vol. non numérotés, soit 112 vol.).— Bulletin des séances, t. XXIV (5).— Catalogues des publications (3).— Suite des Mémoires (1). Par : J. Stengers, R.-J. Cornet, L. Guebels, J.M. Jadot, M. Walraet, Th. Heyse, etc.
![(Philologie) - BUDÉ, Guillaume.- Commentarii linguae graecae [...]. Indice latino, & graeco, locupletiore, & diligent](http://lot-images.atgmedia.com/SR/16519/2879059/288-201391617355_468x382.jpg)
Lot 288
(Philologie) - BUDÉ, Guillaume.- Commentarii linguae graecae [...]. Indice latino, & graeco, locupletiore, & diligentiore multo. Basliae [Bâle, Johann Bebel], 1530. In-f° : [56] pp.-1424 columns, [2] pp. (waterstains +/- browned all over the edges, last O4 [blank] lacking). Contemporary binding : calf on wooden boards fully covered with blind tools, blind tooled ribbed spine, one (of 2) metallic clasp (joints split, big lacks of leather on the spine, turn ins lacking, blunt corners, dampstain on the upper side, fore-edge titled). Est. : 400/ 500 € Certainly one of Budé`s most famous works (1st ed. : 1529). The great French humanist Budé (1467-1540), one of the most learned Graecist, had planned to compose a large Greek dictionnary. He succed with this work considered as quite perfect. These are notes collected for a lexicon requested by Erasmus and later abandonned by Budé. The thousands of lexicographical notes in Greek and Latin intended for young scholars who wanted to learn Greek were finally edited by the Belgian humanist Josse Bade in 1529. It became in fact the founding-stone of Estienne`s famous Thesaurus. The dedication to François the 1st of France is in Greek typography. The woodcut printer`s mark on title-page depicts a man prisoner under a big paving stone in a palm tree and has been attributed to Hans Holbein the Younger and carved by his brother Ambroise. no. Adam B-3094; no. Machiels B-1056. ▲ Provenance : "R. Feschl I.C.A.S.Co 1566" (handwritten mention) i.e. Remigius [Rémy] Faesch or Fesch (Bâle 1595-1667), art historian and collector whom Cabinet of curiosities has been bequeathed to Basel in 1823; "Accepi à Remigio bibliopego pro libris aliis A. 1661" (id.); Johan Hehrlich (id.); Museum Rem. Faesch Basel (stamp and sold to a private person when given as legacy to the Basle University); Jules Peeters (modern ex-libris). Joint (together 2 books) : TERENTIUS, Publius Afer.- Comoedia a Phil. Melanchton restitutae, eiusdem que scholiis illustratae [...]. Moguntiae, (per Joannem Schoeffer), 1528, in-8° contemporary calf (broken binding, boards detached, book split and soiled). ¶ Un des plus célèbres ouvrages du philologue humaniste Budé destiné à l`apprentissage du grec. Ex. de la bibliothèque de Rémy Faesch, célèbre collectionneur d`art suisse et contemporain de Budé. Rel. sur ais de bois de l`époque.
Lot 295
(Religion, Bible) - Biblia Sacra Hebraice, Chaldaice, Graece, & Latine. Antverpiae, Christoph. Plantinus excud., [1568 [- 1573]]. 40 parts in 8 vol. in-f° : [95 engraved title and 2 front. incl.]-[1 bl.]-743-[1 bl.], [10 front. incl.]-720 [i.e. 743]-[1], 213-[2]-[1 bl.], [2]-1/83-[1 bl.], [28], 73/679-[1 bl.], 130-[2 bl.], [4 front. incl.]-919-[1 bl.], 141-[1]-[2 bl.], [16 front incl.]-499 [i.e. 501]-[3 bl.], 566-[1]-[1 bl.], [2]-24, 382-[2], 54/1 [printed according to Oriental tradition]-[1]-[1 bl.], [2]-59/1 [id.]-[1], [4]-12/1 [id.], 197/1 [id.]-[1]-[2 bl.], [24/1 id.], 141/1 [printed according to Hebrew tradition]-[3], [8]-191-[1 bl.], [8]-147/1 [id.]-[1 bl.], 186/1 [id.]-[2 bl.], 114/1 [id.]-[1]-[1 bl.], 166/1 [id.]-[1]-[1 bl.], 24, 122-[6], 26-[2], 19-[1 bl.], 13-[3], 7-[1], 10-[6], 16, 7-[1 ill.], 8, 22-[1]-[1 bl.], [60], 31/1 [printed according to Oriental tradition]-[1], [8], [12],11-[1 bl.], 33-[2]-[1 bl.] pp.; 15 plates (some lvs or plates yellowed or browned, some weakened due to exhibiting, dampstains mostly in the margins, some marginal tears without loss, some marginal holes, some corners lacking, multiple errors in pagination, some mould spots, rare handwritten notes, last quire of the preliminary lvs [i.e. pp. 97-108] missing in vol. I, half-title remounted, marginal tears in first lvs repaired, first lvs of quire "i" unbound and break after quire "h" [1 lf. unbound] in vol. I, break after quire "Aa" [p. 565 partly unbound] in vol. IV, title-page of vol. VII underlaid with tears repaired, 1 tear without loss in its design to the browned world map browned, "Candido lectori" in vol. VIII missing). Modern binding : full natural pigskin blind stamped with Renaissance-like pattern, boards with frames of fillets forming lozenges and fleurons in the crossings, ribbed spine with fillets, gilt edges (some joints partly split, spine of vol. I and vol. IV partly broken, turns ins and edges slighlty damaged or faded, some small traces of use, tear at the upper fly leaf in vol. V, traces of tape on the boards of vol. VIII). Est. : 30.000/ 40.000 € First edition of Plantin`s Polyglot known as the Antwerp or the Royal Polyglot. The text of the Old (vol. I-IV) and of the New Testament (vol. V) is disposed as follows : on the left pages the text in Hebrew with the Latin Vulgata translation by Saint Hieronymus and underneath the Chaldaic (i.e. Aramaic) paraphrase in Hebrew type, on the right pages the text in Greek with the Latin translation and underneath the Latin translation of the Chaldaic paraphrase. Vol. VI-VIII consist in the "Apparatus" which is a series of treatises, dictionaries (Greek, Hebrew, Syriac), grammars and text-editions. Our "Apparatus", with a mix of versions A and B of the treatises (cfr Voet), contain some variants compared to the "Ordo librorum" bound in volume I : the "Hebraicorum bibliorum Veteris Testamenti Latina interpretatione" and the "Novum Testamentum Graece" are inverted in vol. VII,- the "Communes et familiares Hebraicae linguae idiotismi" is not bound at the end of vol. VII but at the beginning of vol. VIII,- the "Candido lectori. Guid. Fabr. Bod. in titulorum totius Novi Testamenti Syriaci" is missing but as Voet says "in some copies a treatise may even have been dropped". Our copy, with wide margins and entirely ruled, is illustrated with : vol. I : the engraved title by Petrus A. Merica or Van der Heyden, the allegory of the "Pietas Regia" (i.e. Philip II) also by the same at the back of the engraved title and the "Allegory of the Authority of the Pentateuch".— Vol. II : the frontispiece by Jean Wiericx figuring the crossing of the Jordan by the people of Israel.— Vol. IV : the frontispiece of the workers in the vineyard of the Lord.— Vol. V : the frontispiece with the "Baptism of the Christ".— Vol. VIII (15 illustrations instead of 16 as our copy has the version B of the "Tubalcain" in which the representation of a "sicla" has been dropped) : the world map on double page in version B (without the typographical text "Orbis tabula. Ben Aria Montano auctor" on the recto of the world map), the map of Chanaan, the map of the "Terra Israel", the "Arca Noe", 5 plates of the Tabernacle, one plate figuring the camp of Israel, one of the ground-plan of the Temple Jerusalem and 2 other plates representing parts of it, the full-page figuring a Hebrew Great-Priest and the plan of Jerusalem on double pages. Furthermore, there are four typographical titles in an architectural frame comprised in the pagination ("Pentateuch", "Prophetae", "Hagiographoi Sancti" and "Prophetae posteriores"). Plantin`s Polyglot Bible in five languages (Latin, Greek, Hebrew, Chaldaic or Aramaic and Syriac) "may considered to be the largest typographical enterprise of the 16th Century" (cfr Voet) and is a fantastic technical, philological, scientific and exegatical prouesse. Plantin took as a model the "Complutesian" or "Ximenes" Polyglot of Alcalá de Henares (1514-1517, 6 vol.) but "with many corrections, addition of the Syriac text and numerous treatises in the "Apparatus" (cfr idem). Benedictus Arias Montanus (1527-1598), one of the most learned Oriental scholars who accompanied the Bishop of Segovia to the Council of Trent and chaplain of Philip II, "was the leading force of the gigantesc enterprise" (cfr idem). He was assisted by Plantin`s son-in-law, Franciscus Raphelengius and by Guido and Nicolaus Fabricius Boderianus. Most of the treatises in the "Apparatus" are written by Arias Montanus, R. Raphelengius and G. Boderianus but the scholars Andreas Masius, Guilelmus Canterus and the Cardinal Sirlet made also contributions. Plantin`s proof-readers Cornelis Kilianus, Theodoor Kemp and Antoon Spitaels as well as the theologians of Leuven University Augustinus Hunnaeus, Joannes Harlemius and Cornelius Reyneri Goudanus supported this major project printed at 1.213 copies, financed and encouraged by Philip II. no. Voet I-644; no. Darlow & Moule 1422; no. Shirley 125. ▲ Provenance : Seminary of Rouen (handwritten mention). ¶ Édition originale de la Bible Polyglotte de Plantin, patronée par Philippe II et menée sous la direction de son chapelain, Benito Arias Montanus. Ex. à grandes marges, entièrement serti de filets à la plume d`encre rouge, illustré d`un titre gravé au volume I, de plusieurs frontispices, de 15 pl. dont la célèbre mappemonde, d`une pleine page figurant un Grand-Prêtre juif et de titres dans des décors architecturaux. Gigantesque prouesse technique, philologique, exégétique and scientifique pour son époque. Pleine peau de truie naturelle moderne avec un décor dans le style Renaissance (dernier cahier des ff. prélim. du vol. I et "Candide lectori" au vol. VIII manquants, qqs pp. ou pl. lég. brunies ou jaunies -certaines rel. plus fortement-, qqs déch., le plus souvent marginales, parfois restaurées, déch. dans la carte du monde sans manque, qqs lég. us. aux dos...).
![(Emblemata) - JANSEN, Antoni; van VEEN, Otto.- Zinnebeelden, getrokken uit Horatius Flaccus [...] met bygedichten, op nieuws](http://lot-images.atgmedia.com/SR/16519/2879059/320-2013916173659_468x382.jpg)
Lot 320
(Emblemata) - JANSEN, Antoni; van VEEN, Otto.- Zinnebeelden, getrokken uit Horatius Flaccus [...] met bygedichten, op nieuws gerijmt, door Antoni Jansen van Tergoes. Amsteldam, Justus Dankerts, 1683. In-4° : [8]-205-[2] pp. (licht gebruind, sporadische roestvlekjes, breuk na katern B, katern R gedeeltelijk ontbonden, 2 fig. gedeeltelijk ingekleurd, niet-geïdentificeerd stempeltje op titel). Eigentijdse Hollandse spitselband : perkament, titel in pen op effen rug (licht vervuilde band, hs notitie en catalografische nota op schutblad). Est. : 250/ 300 € Eerste uitgave van Jansen`s bewerking naar Horatius, elk met een gegraveerd Latijns motto en Latijnse, Nederlandse en Franse verzen. Geïllustreerd met 103 emblematische koperfiguren naar Otto Vaenius (Leiden 1557-1629 Brussel). De oorspronkelijke Latijnse versie met van Veen`s illustraties verscheen in 1607 bij Hieronymus Verdussen. no. Landwehr 383; no. Praz 382; no. Emblem Books in Leiden 268. ▲ Herkomst : Gaietanus Quergus (modern ex-libris). ¶ Édition originale de cette version par Jansen d`après Horace avec des pièces de vers en latin, néerlandais et français. Illustrée de 103 cuivres emblématiques d`après Vaenius. Plein vélin de l`ép. (lég. bruni, qqs pet. rouss., cassure à la fin du cahier B, cahier R partiel. dérelié, 2 cuivres en partie rehaussés, rel. défraîchie).
![(Bible) - The Holy Bible [...]. London, Bonham Norton and John Bill, 1629. 2 parts en 1 vol. in-4° : [10 engr. title incl.]-](http://lot-images.atgmedia.com/SR/16519/2879059/342-2013916173810_468x382.jpg)
Lot 342
(Bible) - The Holy Bible [...]. London, Bonham Norton and John Bill, 1629. 2 parts en 1 vol. in-4° : [10 engr. title incl.]-[429], [121] lvs (lf. A and map lacking, copy +/- browned, foxing, margin of Ooo6 cut off, some marginal tears, some marginal dampstains, handwritten provenance crossed off at the back of New Testament`s title-page). Contemporary binding : full brown morocco fully gilt decorated, boards with tiny flower tool infill, an oval centerpiece design incorporating acanthus leaves and flowers (initials I R either side of the centerpiece) and large blocked corner-pieces, surrounded by several roll-stamps (florals, leaves or with pearls), flat spine covered with symetrical gilt fleurons, gilt and gauffered edges (upper board detached, ties lacking, one of the tail-edges split lengthwise). Est. : 500/ 600 € Reprint of the King James Bible, English translation for the English churches begun in 1604 and finished in 1611, preceded by an almanach for 50 years containing the fest days and a "Table for the shining of the Moon". The Old and the New Testaments are both opening on the same engraved title-page figuring the Evangelists, the twelve tribes of Israel in their heraldic symbols, the twelve Apostles, the Holy Spirit and the Lamb of God. The text is display in two columns and is illustrated with some ornamental initial letters. no. Darlow & Moule 325 (copy ending at Gggg2 like ours); no. not in Macclesfield nor The Wardington library. Bound with, same condition : The CL. Psalmes of David, in Scottish meter : after the forme that they are used to bee sung in the Kirke of Scotland. Edinburgh, printed by the Heires of Andro Hart, 1625, [48] lvs. Engraved title-page. Binding elaborately gilt decorated, typical of the English bindings from 1600-1620 for, among others, religious works. ▲ Provenance : I R (initials on the upper board). ¶ Réimpression de la Bible du roi Jacques Ier, faite pour l`usage dans des églises anglicanes. Avec deux titres gravés représentant les 12 tribus d`Israël, les évangélistes, les apôtres, l`agneau mystique et le Saint-Esprit. Relié avec les psaumes de David en métrique écossaise (f. A et carte manquants, +/- bruni, mors sup. dérelié).
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297887 item(s)/page