Family group: Four: Stoker Petty Officer H. R. J. Prankard, Royal Navy 1914-15 Star (303375, H. R. J. Prankard, S.P.O., R.N.); British War and Victory Medals (303375 [sic]. H. R. J. Prankard. S.P.O. R.N.) ‘2’ is first digit on BWM; Royal Navy L.S. & G.C., G.V.R., 2nd issue, fixed suspension (303375. H. R. J. Pankard [sic], S.P.O. H.M.S. Malaya.) contact marks, nearly very fine Nine: Chief Petty Officer Steward H. W. Prankard, Royal Navy 1939-45 Star; Atlantic Star; Africa Star; Burma Star; Italy Star; Korea 1950-53, 1st issue (P/LX22275 H. W. Prankard. P.O. Std. R.N.); U.N. Korea 1950-54, unnamed as issued; Royal Navy L.S. & G.C., E.II.R., 2nd issue (LX.22275. H. W. Prankard. C.P.O. Std. H.M.S. Adamant.) generally very fine or better Three: Staff Sergeant H. W. Prankard, Royal Engineers General Service 1962-2007, 1 clasp, Northern Ireland (24233766 Spr. H. W. Prankard RE); U.N. Medal, on UNFICYP ribbon; Army L.S. & G.C., E.II.R., 2nd issue, Regular Army (24233766 SSGT H. W. Prankard RE) generally very fine (16) £300-£400 --- Henry Robert Joseph Prankard was born in Chatham, Kent in April 1880.
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Three: Second Lieutenant E. R. Moore, Royal Air Force, late Royal Engineers, who was wounded during the Battle of Hamel when he was forced to crash land following engine failure on 4 July 1918 1914-15 Star (1669. Spr. E. Moore, R.E.); British War and Victory Medals (2. Lieut. E. R. Moore. R.A.F.) polished, the Star good fine, the pair nearly very fine (3) £140-£180 --- Eric Raymond Moore was born on 15 March 1889 and attested for the Royal Engineers, serving during the Great War on the Western Front from 23 December 1914. He was commissioned Second Lieutenant on the General List on 27 February 1918, and transferred to the Royal Air Force on its formation on 1 April 1918. He was wounded during the Battle of Hamel on 4 July 1918, when he was forced to crash land following engine failure. He relinquished his commission on account of ill-health contracted on active service on 9 July 1919, and retained the rank of Second Lieutenant. Sold with copied research.
AFTER ADAM BUCK (1759-1833) RIDE ON PICKABACK MY DARLING; RIDE ON A HORSE TO BANBURY CROSS; FIRST STEPS IN LIFE; STEP BY STEP OR THE PROGRESS OF HUMAN LIFE; COME, - ALL ALONE! Five, stipple engravings with hand colouring, by Cooper and Freeman, published by R. Ackermann, 1809 24 x 29cm approx or smaller (5) ++ Thunderflies; some foxing; some light-staining
•AN INTERESTING FOLIO OF MODERN ART POSTERS for exhibitions by Richard Diebenkorn, Noel Forster (3 of the same one), Lucian Freud, Max Gill (?), Gunther Haese, David Hockney, R. B. Kitaj, Henri Matisse, Ian McKeever, Victor Pasmore, Pablo Picasso, Mark Rothko, Andy Warhol, and others, 1970-1982, various sizes (23) ++ Good condition throughout; minimal handling creases; the majority very fresh
AFTER WILLIAM HAMILTON, RA (1751-1801) JEU DE LA SAVATTE; LA MAIN CHAUDE A pair, coloured stipple engravings by Laindor de Toulouze [sic], published in Paris Each 24 x 30cm.; with `Fishermen`, coloured stipple engraving by J. R. Smith after G. Morland, published by Smith, 1799, 33.5 x 42.5cm. (3) ++ The Hamilton pair with creasing and foxing; the Morland with some damages and discolouration; each in verre eglomise mounts and gilt frames
AFTER SUSAN L. CRAWFORD "Bustino", study of horse with Queen Mother in foreground, limited edition print 1/500 signed by the artist bearing handwritten letter verso inscribed "The Royal Lodge for dearest Hester with much affection from Elizabeth R and Bustino" on embossed ER with coronet paper and bearing the Tryon Gallery Ltd label - frame 37.5 cm x 43 cm and letter verso 21 cm x 15 cm
BEYER-PEACOCK & CO MANCHESTER; GENERAL DIMENSIONS OF ENGINES AND TENDERS 3A, a unique stock book listing extensive details of possibly 343 engines and various tenders, with 69 pages of engines detailing their stock numbers, progressive numbers, name of railway, gauge, cylinder, wheel and boiler details and much more besides, 60 of the pages of engines include 218 black and white photographs of engines, (p1-60 are illustrated with photographs, 61-69 without – all but two pages with extensive details of five engines), with 9 pages of tenders (p71-78 listing details of 90 tenders). The class and type of engines listed include Compound, Crane, Superheater, Phoenix Superheater, Schmidt Superheater, Robinson Superheater and Ljungstram, Classes 11b 12, 12a, 15a; FT, K, L, N, R, S, T, U and V class; BI, EC, ECI, GA, GB, GC, GD, GE, GG, GK, GL, NG/G, NI, S2 and SG2, class; 9th, 10th, 13th, 14th and 16th class; 50, 120, 306, 380 and 3008 class. The names of some of the railway companies supplies include, Great Central, Imperial Railways of Japan, Rippon Railway, B Ayres Great Southern Railway, Midland, Great Northern, Dutch State Railway, Leopoldina Railway, New South Wales Government Railway, Mogyana, Queensland Government Railway, Welshpool & Llanfair, Argentine Great West Railway, Hokkaidu Railway, Australian Agricultural Co, Cape Government Railway, Peking Syndicate, United Railway of Havana, Isle of Man, Central Uruguay Railway, Tasmanian Government Railway, Silverton Tramways, Bengal – Nepal Railway, Cambrian, Bergslagernas, Belfast & County Down, South Manchuria, East Java Tramways etc, all in one stock book, undated (1).PROVENANCE: The Mr Adrian Bedson collection of railway items from Beyer-Peacock & Co, Manchester. Mr Bedson collected a large archive of documents, books, photographs, technical drawings, casting patterns and other items when Beyer-Peacock, a locomotive manufacturer based in Gorton, Greater Manchester, ceased trading in 1966.Additional InformationThe book with general age wear, scuffs and rubbing throughout the binding. The front gutter is open with the gathering of the whole book visible. The pages are grubby at the edges and with wear along the paper edges. General browning and with undulation to the pages.
A GROUP OF ELEVEN DECORATIONS AND MEDALS AS AWARDED TO C M R SCHWERDT ROYAL NAVYComprising; the C.V.O., cased, the C.B.E. Mily, cased, The 1914-15 Star, The 1914-18 British War Medal and The 1914-19 Victory Medal to Lieut C.M.R.Schwerdt R.N., with M.I.D. spray, The 1939-45 Defence Medal, The War Medal, The 1911 Coronation Medal, The 1935 Silver Jubilee Medal, The 1937 Coronation Medal and The Norwegian King Haakon VII enameled Freedom Cross, detailed 1945 J Tostrup 925 S, court mounted as originally worn.Together with a mounted group of eleven corresponding dress miniature awards, also mounted court style as originally worn and a named medallion awarded for foreign languages 1913. Also a book 'With The Fleet' by Filson Young
THREE 9CT GOLD AND GEM SET RINGS (3)Comprising; a 9ct gold, sapphire and diamond ring, in a twistover design, ring size O and a half, London 1990, a 9ct gold, marquise shaped sapphire and diamond ring, designed as a spray and a 9ct gold and red gem set ring, Chester 1913, ring size R, combined gross weight 6.2 gms.Condition Report: All rings would benefit from cleaning. Sapphire and diamond ring: Overall good condition, diamonds look to be fairly clear.Spray ring: Good condition, ring size M Red gem ring: A bit of wear to the table facet edges of the principle red gem. The shank has been sized upwards in the past. Hallmark is clear.
A SCOTTISH OAK LONGCASE CLOCK19th CenturyWith silvered engraved dial, inscribed ‘R. Warden Aberdeen’, Roman hours and Arabic minutes, twin train movement, pendulum and weights, 44cm wide, 25cm deep, 206cm highCondition reportThe case: with architectural hood, replaced glass to front and sides.Replaced handle. Crossbanding and moulding to the door, which is slightly bowed and currently locked, no key. Repair to the top hinge.Various other scuffs, shrinkage and general wear as to be expected with use and age. The dial: general tarnishing, scuffs and general signs of wear commensurate with use and age. The movement: will need to be inspected, no guarantee of it’s working order. Two weights, two winding keys and a pendulum with the lot
* Carducho (Vicente, 1576-1638). Holy Family with Saint Catherine, Mary Magdalen and Saint Luke, circa 1630-1638, pen and black ink and brown wash on laid paper, laid down on somewhat rough canvas and retouched with oil, with inscription '2 R ... 14' and small red printed collector's mark of Charles Gasc (Lugt 542) to lower margin, inscription by Charles Gasc to canvas verso in brown ink: 'Cano (Alonzo Alexis) ne a Grenade le 19 Mars 1601 mort le 3 Octobre 1667, élève de Pacheco a Seville, de J. del Castillo et de Herrera. Dessin achete 10,20 a Seville en 1859. H=0m25 L=0m19.6 C. Gasc', additional late 19th century French printed label to verso of frame, giving the artist as:'Murillo (Esteban). Elève de Velazquez. Sainte Famille. Belle esquisse sur toile, qui a ete reproduite en grand', another collector's mark printed in black to lower edge of the frame verso of an anchor and caduceus within a circle, 26 x 21 cm (10 1/4 x 8 1/4 ins), gilt frameQty: (1)NOTESProvenance: Charles Gasc (circa 1818-after 1869), French collector of Old Master drawings, in collaboration with his brother Paul-Emile Gasc. Purchased in Seville in 1859 (see annotation to verso of the canvas); possibly sold Paris, Delbergue, 17 January 1865 (151 lots); Christie's London, Old Master and 19th Century Drawings, 3 July 2007, lot 74. Comparable, in composition, the present work is included in the catalogue raisonnaisé of Vicente Carducho: Chenel & Rebollo (2015), 60.3. Composition handling and physiognomy, to Carducho's drawing of The Holy Family with Saints (Chenel & Rebollo, Vicente Carducho, Dibujos, Catalogo razonado, 60.1) now in the Prado, which was made in preparation for a painting now in an English private collection (A.E. Pérez Sánchez and L. Boubli, Dessins Espagnols, Maîtres des XVIe et XVIIe siècles, Paris, Louvre, 1991, number 27). Literature: Chenel & Rebollo, Vicente Carducho, Dibujos, Catalogo razonado, CEEH/National Library of Spain, 2015, 60.3. See Laurence Lhinares, The Brothers Paul-Emile and Charles Gasc As Collector of Drawings, Master Drawings, volume 52, number 1, 2014, pages 95-110 for further information on Charles Gasc.
* Circle of Thomas Gainsborough (1727-1788). Landscape with a Hermit, pencil and brown wash on 18th century laid paper, sheet size 320 x 237mm (123/5 x 93/8 ins), cream card window mountQty: (1)NOTESProvenance: C. R. Rudolf Collection, with pencil annotations by C. Rudolf to mount, '?Cotman, Mullaly. I still adhere to the view that the drawing is by Gainsborough. C R.' and 'c. f. plate 396 John Hayes, The Drawings of Gainsborough for a landscape by Thomas Barker 1769-1847'. Carl Robert Rudolf (circa 1884-1974), dental surgeon and collector of Old Master drawings. A large number of Italian, French and Spanish drawings from his collection were sold by Sotheby's, London in 1977.
* Underwood (Thomas Richard, 1772-1835). Landscape in North Wales, pen, ink and grey wash on wove paper, inscribed in pencil to verso in an early hand T. R. Underwood, 142 x 200mm (55/8 x 77/8 ins), modern cream card window mount, together with another similar landscape in grey wash attributed to Thomas Underwood, depicting a mountain landscape with cattle and figures on a path in the foreground, on laid paper, similar size, plus a profile portrait of Thomas Richard Underwood in pencil, attributed to George Dance junior (1741-1825), inscribed in pencil below the image with the sitter's surname, lower right corner torn away and repaired, 215 x 150mm, and Harding (James Duffield, 1797-1863). The Gardens of the Villa Doria Pamphili, two fine pencil studies on pale cream wove paper, one inscribed by the artist in pencil with location to centre of lower margin, both hinge-mounted on modern cream card mounting card, each with typewritten exhibition label to lower margin, sheet size 168 x 242mm (65/8 x 91/2 ins) and similarQty: (5)
* Howitt (William, Samual, circa 1765 -1822). Portraits of Hunting dogs, circa 1790, seven pen and black ink studies on laid paper, with Britannia watermark, (one with a smaller circular watermark of a crown and initials G R), three signed with initials to the collar of the dog, each inscribed (presumably by the artist) in brown ink to verso with the individual dog's name (Smoker, Spring, Jowler, Tyger, Carlow, Lion and Rockwood), five with circular outer border in black ink, the largest sheet measuring 135 x 234mm (53/8 x 91/4 ins), the smallest 102 mm diameter (4ins)Qty: (7)
ARR * Dunlop (Ronald Ossory, 1894-1973). Kingston Bridge, oil on canvas, signed lower right, 51 x 41 cm, framed with label of Brook Street Art Gallery, 14 Brook Street, New Bond Street, W.1, to verso (55 x 65 cm)Qty: (1)NOTESProvenance: Brook Street Gallery (with their label to verso); Private Collection, Lincolnshire, England. Dunlop's first one man show was held at the Redfern Gallery in 1928, and an exhibition of 'colour sketches' by Dunlop was held at the Brook Street Gallery in 1936: 'Exhibition of colour sketches by R. O. Dunlop', Brook Street Art Galleries, 14, Brook Street, London, 3rd-17th June, 1936. The present work may possibly be the one exhibited at the Royal Academy Summer Exhibition of 1946, under the title Yachting at Kingston on Thames (Royal Academy Catalogue of 1946, number 121).
* Attributed to Sir William Beechey (1753-1839). Portrait of Sir David Wilkie, R. A., black chalk with traces of white chalk on wove paper, unsigned, a few marks, laid down on later plain backing paper 53.5 x 42.5 cm (21 x 16 3/4 ins), framed and glazed (66.5 x 53cm), with typewritten title label to verso, a Christie's red printed receipt label dated 31/1/99, and further printed labels for the Cyril & Shirley Fry auction sale at Chiswick Auctions, 9 July 2021 (part of lot 98)Qty: (1)
* Attributed to Biagio Pupini (circa 1496-circa 1575). Nymph pouring water from an urn aided by putti, after Giulio Romano (1499-1546), pen and brown ink, brown wash with lead white and white chalk on pale blue paper, or 'carta azzurra', with a further composition to verso of the Madonna and Child with infant Saint John, brush and brown wash, and lead white and chalk, inscribed in an early hand to recto lower right in brown ink: R. Urbino, and with collector's mark (Lugt 2092) to lower right corner of Sir Peter Lely (1618-1680), some minor marks to sheet edges, sheet size 270 x 397 mm (10 5/8 x 15 5/8 ins), together with the lower edge only (23 x 287 mm) of an old (17th century) laid paper mount for the present work, with double rule border and inscription 'Raffaello d'Urbino' to centre and 'iv 3' towards right corner in brown ink, and 'Biaggio' in a later hand in dark brown ink to the leftQty: (1)NOTESProvenance: Sir Peter Lely (1618-1680), court painter to Charles II of England (Lugt 2092); Private collection, Wiltshire, England. Lely was one of the first great collectors of art in Britain, amassing an important collection that included 10,000 prints and drawings and nearly 600 paintings. The present work is a copy after the painted ceiling caisson, or sunken panel, in the Sala di Amore e Psiche at the Palazzo del Te in Mantua, Italy, by Giulio Romano (1499-1546), depicting a nymph pouring water from an urn aided by putti, completed in 1528. Biagio Pupini is mentioned only incidentally by Vasari in his life of Bartolomeo Ramenghi (called Bagnacavallo, 1484-1542), with whom he worked in Bologna. Pupini also worked alongside Girolamo da Carpi in 1537 on the frescoes of the Sala delle Vigne at the d’Este villa of Belriguardo, outside Ferrara. Malvasia's biography of the artist in his Pitture di Bologna (1686) lists several paintings by Pupini, almost all of which are lost or destroyed. As a consequence it is Pupini's distinctive drawings, often on prepared or coloured paper and employing extensive white heightening, which reflect the influence of both Raphael and Polidoro da Caravaggio, Parmigianino and Girolamo da Carpi. Pupini is known to have drawn numerous copies after the antique masters, as well as Raphael and his followers. The only major Renaissance artist who was a native of Rome, Giulio Romano was Raphael's chief pupil and assistant and later one of the outstanding figures of Mannerist art and architecture. Giulio began working for Raphael around 1515, when he was still very young; after the master's death in 1520 he became his main artistic executor, completing a number of his unfinished works.
R MACKENZIE; watercolour, 'Welsh Saga', 17 x 54cm, framed and glazed. (D)Additional InformationThe image is good, the frame with minimal wear and knocks.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
RENÉ LALIQUE (1860-1945); a globular frosted glass vase decorated in the 'Druide' pattern, signed R Lalique France to the underside, height 17cm.Additional InformationLight scratches to the underside, pinhead nicks to both rims. There is a chip to one of the relief balls, otherwise good conation.
Three boxes of reference and other books to include: George Borrows 'Wild Wales' (1955 edition), David Attenborough's 'The Life of Birds', 'A New Dictionary of Birds' edited by A. Lansborough Thompson (second impression 1965), 'World War II' by Ivor Matanle, 'The Impressionists' illustrated volume , 'The Encyclopedia of Shells' Kenneth R Wye, 'Audubon's Quadrupeds of North American', 'The Francis Jones Treasury of Historic Carmarthen', 'A Lost Garden in Time' by Penny David, First edition ex library copy of 'The Pictorial Encyclopedia of Birds' (1967) etc. (B.P. 21 + VAT)
Martin Hall for Gordon RussellSideboard, model no. R.456, from 'The Marwood Room' series, designed 1972, produced 1973Brazilian rosewood, Brazilian rosewood-veneered wood.84.3 x 213.5 x 45.5 cm Produced by Gordon Russell, Worcester, United Kingdom. Number 78 from an edition of 200. Together with a copy of original invoice and correspondence.Footnotes:ProvenanceGordon Russell, Broadway, Worcestershire, 1973Acquired from the aboveThence by descent to the present ownerLiteratureRay Leigh, Advance the Product: Gordon Russell Furniture, A Continuing Adventure 1946-1986, Worcestershire, 2015, p. 66 Gordon Russell Design Museum, https://www.gordonrusselldesignmuseum.org/archive/marwood-dining-table-in-rio-rosewood, (accessed September 2021) Bonhams wishes to thank Verity Elson, Director of the Gordon Russell Design Museum for her kind assistance with cataloguing the present lot.This lot is subject to the following lot symbols: TP YTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
George III (1760-1820), Pre-1816 issues, One previous owner from new: Proof Twopence, 1797 (late Soho), in gilt-copper, edge plain, 57.10g/6h (BMC 1067 [KT 2]; Selig 1262; S 3776). Tiny rim nick by r of georgius, otherwise brilliant and virtually mint state, rare £1,500-£2,000 --- Provenance: S. Birchall Collection, DNW Auction 86, 16-17 June 2010, lot 827. The cataloguer is indebted to Mr M.J. Martin for his advice and opinion on the following group of 65 coins, the products of the Soho mint and Taylor’s workshop. Those with a keen interest in the series are urged to study Mr Martin’s survey, ‘Collecting Soho Patterns and Proofs’ (SNC July 2009, pp.107-18) which not only includes a very valuable list of varieties not recorded by C.W. Peck, but also offers useful pointers to distinguishing between minor variations, both of design and of finish, and rarity ratings of specimens in commerce
![George III (1760-1820), Pre-1816 issues, Proof Twopence, 1797 (late Soho), in copper, edge plain, 55.85g/6h (BMC 1069 [KT 2];](https://cdn.globalauctionplatform.com/dbbbf6ac-4ad4-4778-a384-ad9e00debbd0/187702c5-3380-4860-9c59-ad9e00e0fe40/468x382.jpg)
Victoria (1837-1901), Restrike Pattern Penny, 1860, by J. Moore for E. Shorthouse, in copper, type 3, in bronzed-copper, laureate bust left, rev. Britannia seated to right on rock within inner beaded circle, one penny above, date below, edge plain, 9.65g/12h (F 853; BMC 2126; Magnay 288, this coin). Characteristic group of rust spots on neck polished out, small spot by Britannia’s left shoulder, otherwise brilliant and practically as struck, rare £500-£600 --- Provenance: D.E. Magnay Collection, DNW Auction 39, 3 February 1999, lot 288; L. Bamford Collection, DNW Auction 70, 20 June 2006, lot 191; bt R. Ingram
![Victoria (1837-1901), Pattern Penny, 1860 [struck c. 1887], unsigned [probably by L.C. Lauer for ‘A. Weyl’], in copper, young](https://cdn.globalauctionplatform.com/dbbbf6ac-4ad4-4778-a384-ad9e00debbd0/8d0350b5-7065-4382-84a1-ad9e00dfd351/468x382.jpg)
Victoria (1837-1901), Pattern Penny, 1860 [struck c. 1887], unsigned [probably by L.C. Lauer for ‘A. Weyl’], in copper, young head left, rev. cruciform shields with roses, thistle and shamrock in angles, united kingdom and greater britain around, one penny below, edge plain, 12.19g/12h (Pearce, BNJ 2011, p.194, this coin; F 874, this coin; BMC 2145, this coin). Tiny metal fault on neck and a spot below r of victoria, otherwise brilliant with attractive rainbow patina, perhaps the only known specimen £1,500-£2,000 --- Provenance: J.G. Murdoch Collection, Part III, Sotheby Auction, 15-19 March 1904, lot 675 (part); E. Roberts Collection, Glendining Auction, 15 December 1993, lot 258; Colin Cooke FPL June 1994 (709); C. Adams Collection, Spink Auction 164, 23 July 2003, lot 194; SNC August 2004 (MC 2167); L. Bamford Collection, DNW Auction 70, 20 June 2006, lot 194; London Coins Auction 122 (Bracknell), 6-7 September 2008, lot 1739
![Victoria (1837-1901), Halfpence (2), 1841, 1843, 1854 (BMC 1524, 1527, 1542; S 3949) [3]. Last extremely fine, others good ve](https://cdn.globalauctionplatform.com/dbbbf6ac-4ad4-4778-a384-ad9e00debbd0/b03b9387-8e8f-4c9a-92f1-ad9e00dfb81c/468x382.jpg)
Victoria (1837-1901), Halfpence (2), 1841, 1843, 1854 (BMC 1524, 1527, 1542; S 3949) [3]. Last extremely fine, others good very fine and better, but second and third with spots on obverse £90-£120 --- Provenance: First bt R. Lobel; second London Coins Auction 129 (Bracknell), 6-7 August 2010, lot 1535; third Baldwin Auction 60, 5-6 May 2009, lot 995 (part)
George V (1910-1936), Penny, 1926, type 2 (F 195; BMC 2265; S 4054). Extremely fine, obverse with considerable original colour, rare [slabbed CGS AU 75] £1,500-£2,000 --- Provenance: R. Harris Collection, London Coins Auction 124, 28 February 2009, lot 839; London Coins Auction 127 (Bracknell), 6-7 December 2009, lot 2082
![George III (1760-1820), Pre-1816 issues, Pennies (4), all 1797, wreaths with 10 leaves, signed k ·: (3) (BMC 1132 [KP 21]; S](https://cdn.globalauctionplatform.com/dbbbf6ac-4ad4-4778-a384-ad9e00debbd0/06f20b6b-0944-46cd-a312-ad9e00e0e961/468x382.jpg)
George III (1760-1820), Pre-1816 issues, Pennies (4), all 1797, wreaths with 10 leaves, signed k ·: (3) (BMC 1132 [KP 21]; S 3777), signed k, no punctuation, 28.21g [4]. Last good fine, others very fine and better but one [28.37g] with extensive flan crack £200-£300 --- Provenance: 28.87g bt R. Ingram; 28.54g Spink Auction 204, 24 June 2010, lot 319; 28.37g St James’s Auction 12, 6 November 2009, lot 549
George III (1760-1820), Pre-1816 issues, Restrike Pattern Penny, 1797, by W.J. Taylor after C.H. Küchler, in bronzed-copper, small laureate bust right, small letters and wreath inscribed m b on rim, rev. Britannia seated left on globe, date in exergue, small letters and wreath inscribed soho on rim, edge plain, 28.97g/6h (BMC 1135 [R 49]; Selig 1291; cf. DNW 147, 434). File marks on reverse rim [in the die], spot on cheek and trifling metal fault by u of georgius, otherwise virtually as struck, extremely rare £2,000-£2,600 --- Provenance: M.R. Boulton, and by descent; Davissons Mailbid Sale 20, 12 February 2004 (155); DNW Auction 93, 26 September 2011, lot 1678; DNW Auction 99, 14 March 2012, lot 483
George III (1760-1820), Pre-1816 issues, Restrike Pattern Penny, 1797, by W.J. Taylor after C.H. Küchler, in bronzed-copper, small laureate bust right, small letters, rev. Britannia seated on rock, small letters, edge plain, 28.12g/6h (BMC 1136a [R 51]; Selig –). Reverse die exhibiting much rust, line-flaw through 9 of date, some spotting on reverse rim at 4 o’clock, otherwise virtually as struck, very rare £700-£900 --- Provenance: CNG Triton XIII Auction (New York), 5-6 January 2010, lot 2089, recté BMC 1136a; DNW Auction 93, 26 September 2011, lot 1679
George III (1760-1820), Pre-1816 issues, Restrike Pattern Penny, 1797, by W.J. Taylor after C.H. Küchler, in bronzed-copper, large undraped bust right, 10 leaves in wreath, small letters, rev. Britannia seated left, small letters, edge plain, 30.29g/6h (BMC 1138 [R 52]; Selig 1292). Virtually as struck, extremely rare £700-£900 --- Provenance: Goldberg Auction (Beverly Hills), 21-2 September 2005, lot 3384; DNW Auction 93, 26 September 2011, lot 1680
George III (1760-1820), Pre-1816 issues, Restrike Proof Penny, 1797, in bronzed-copper, 10 leaves in wreath, edge plain, 28.21g/6h (Martin, SNC 2009, p.117, listed as BMC 1148A [R 56]; cf. Selig 1295). Minor staining on reverse, otherwise brilliant and virtually as struck, very rare; not recorded by Peck in bronzed-copper £500-£600 --- Provenance: Spink Auction 191, 28 November 2007, lot 287
George III (1760-1820), Pre-1816 issues, Restrike Pattern Halfpenny, 1788, by W.J. Taylor after J.-P. Droz, in bronzed-copper, laureate bust right, eagle’s head below, rev. Britannia seated left on globe, scroll pattern border to robe, edge plain, 14.94g/12h (BMC 1003 [R 18]; Selig 1348). Virtually as struck, rare £400-£500 --- Provenance: C.F. Chirico Jr Collection, Bowers & Merena Auction (Baltimore), 28 February-1 March 2008, lot 5418 [subsequently described in error as BMC 937, slabbed in NGC holder and graded PF65 BN]; D. Wallis Collection, DNW Auction 83, 30 September 2009, lot 3087
George III (1760-1820), Pre-1816 issues, Restrike Pattern Halfpenny, 1788, by W.J. Taylor after J.P. Droz, in bronzed-copper, laureate bust right, eagle’s head below, rev. Britannia seated left, scroll pattern border to robe, edge plain, 13.86g/12h (BMC 1005 [R 19]; Selig 1350). Virtually as struck, rare £400-£500 --- Provenance: St James’s Auction 11, 8 May 2009, lot 202
George III (1760-1820), Pre-1816 issues, A 1788 Pattern Halfpenny in gold: Restrike Pattern Halfpenny, 1788, by W.J. Taylor after J.-P. Droz, in gold, from an altered Bermuda Penny die, laureate bust right with mass of hair curls under truncation, diamond stops, x in rex double-cut, rev. Britannia seated left, spear in right hand and left arm resting on shield, scroll pattern border to robe, rudder and palm in exergue, edge plain, 23.58g/12h (BMC – [dies of R 23]; WR – Selig –). Trifling marks in fields, otherwise brilliant, a spectacular coin of the highest rarity £20,000-£26,000 --- Provenance: J.G. Murdoch Collection, Part III, 15-19 March 1904, lot 221 (part); E. Roberts Collection, Plymouth Auction Rooms (Plymouth), 18 April 2008, lot 14. Although C.W. Peck did not record any gold restrike halfpence of 1788, he would have been aware of the descriptions of the pieces in Murdoch collection (lots 219ff), doubtless the source for his comment ‘Restrikes R 20 to R 25 very probably exist also in gold’ (BMC, p.255)
George III (1760-1820), Pre-1816 issues, Restrike Pattern Halfpenny, undated, by W.J. Taylor after J.-P. Droz, in bronzed-copper, laureate bust right, eagle’s head below, no lightning shafts and other detail partially repolished, rust less pronounced below g of georgius, rev. nude Britannia seated left on globe, crude paddle behind, edge plain, 14.67g/12h (BMC – [dies of R 14]; Selig –; cf. DNW 134, 900 for similar die-state). Old graze in field in front of portrait and a brushmark by Britannia’s right leg, otherwise brilliant and virtually as struck, extremely rare; not listed by Peck in bronzed-copper £1,200-£1,500 --- Provenance: St James’s Auction 12, 5-6 November 2009, lot 551, recté BMC –
George III (1760-1820), Pre-1816 issues, Restrike Pattern Halfpenny, 1797, by W.J. Taylor after C.H. Küchler, in bronzed-copper, laureate bust right, 2 berries in wreath, rev. Britannia seated left, ship with 2 stays from foremast to bowsprit, edge plain, 13.49g/6h (BMC 1161 [R 58]; Selig –). About extremely fine, rare £180-£220 --- Provenance: DNW Auction 158, 24-5 April 2019, lot 388
George III (1760-1820), Pre-1816 issues, Pattern Halfpenny, 1799 (early Soho), by C.H. Küchler, in copper, laureate bust right, k · on truncation, rev. Britannia seated left, normal triangle of dots on rock, edge obliquely grained, 6h (BMC 1235 [KH 16]; Selig 1389). Extremely fine, rare £240-£300 --- Provenance: Bt R. Ingram
George III (1760-1820), Pre-1816 issues, Restrike Pattern mule Halfpenny, 1799, by W.J. Taylor after C.H. Küchler, in copper, laureate bust right, rev. Britannia seated left, edge plain, 11.36g/6h (BMC 1254 [R 77]; Selig –). Characteristic die flaw on obverse, extremely fine and extremely rare; very few specimens known £500-£600 --- Provenance: DNW Auction 145, 13-14 March 2018, lot 311
George III (1760-1820), Pre-1816 issues, Restrike Pattern Halfpenny, 1799, by W.J. Taylor after C.H. Küchler, in gilt-copper, large crowned bust right, script k · on truncation, rev. Britannia seated left, normal triangle of dots on rock, edge plain, 13.20g/6h (BMC 1257 [R 78], this piece; Selig –). Trifling specks on reverse, otherwise brilliant and virtually as struck, the reverse surface concave, extremely rare; very few specimens known £600-£800 --- Provenance: Baldwin vault; Baldwin Auction 60, 5-6 May 2009, lot 889
George III (1760-1820), Pre-1816 issues, Restrike Pattern Halfpenny, 1799, by W.J. Taylor after C.H. Küchler, in bronzed-copper, large crowned bust right, script k · on truncation, rev. Britannia seated left, normal triangle of dots on rock, edge plain, 13.48g/6h (BMC 1258 [R 78]; Selig 1394). Brilliant and virtually as struck, rare £400-£500 --- Provenance: St James’s Auction 10, 6-7 November 2008, lot 877, recté BMC 1258
George III (1760-1820), Pre-1816 issues, A 1799 Pattern Halfpenny in gold: Restrike Pattern Halfpenny, 1799, by W.J. Taylor after C.H. Küchler, in gold, laureate bust right, k · on truncation, rev. Britannia seated left, thin raised rim around shield, ship without gunports, date figures re-cut, edge plain, 20.35g/12h (BMC – [dies of R 79]; WR –; Selig –). Trifling marks in fields, otherwise brilliant and virtually as struck, of the highest rarity £15,000-£20,000 --- Provenance: J.G. Murdoch Collection, Part III, 15-19 March 1904, lot 236 (part); E. Roberts Collection, Plymouth Auction Rooms (Plymouth), 18 April 2008, lot 20. Although C.W. Peck did not record any gold restrike halfpence of 1799, he would have been aware of the descriptions of the pieces in Murdoch collection (lots 234-6), doubtless the source for his footnote 2, BMC p.342
George III (1760-1820), Pre-1816 issues, Restrike Pattern Halfpenny, 1799, by W.J. Taylor, in bronzed-copper, laureate bust right, k · on truncation, rev. Britannia seated left, thin raised rim around shield, ship without gunports, date figures re-cut, edge plain, 12.36g/6h (BMC 1260 [R 79]; cf. Selig 1397). Brilliant mint state £400-£500
George III (1760-1820), Pre-1816 issues, Restrike Pattern Farthing, 1797, by W.J. Taylor after C.H. Küchler, in gilt-copper, laureate bust right, 3 berries in wreath, lowest with stem, rev. Britannia seated left, ship with 3 stays, edge plain, 6.92g/6h (Cooke 335-6; BMC 1193 [R 69]; Selig –). Very light rubbing in fields, otherwise brilliant and virtually as struck, very rare £700-£900 --- Provenance: St James’s Auction 10, 6-7 November 2008, lot 872, recté BMC 1193
George III (1760-1820), Pre-1816 issues, Restrike Pattern Farthing, 1797, by W.J. Taylor after C.H. Küchler, in silver, laureate bust right, 3 berries in wreath, lowest without stem, rev. Britannia seated left, ship without stays, edge plain, 6.92g/6h (Cooke 339, this coin; BMC 1197 [R 70]; Selig 1416). Scratched in fields both sides, otherwise virtually as struck and toned, extremely rare £1,200-£1,500 --- Provenance: C.D. Cooke Collection FPL May 2006 (339) [acquired December 1984]; bt Colin Cooke
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