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Lot 532
A COLLECTION OF ASSORTED MEDALS: British War and Mercantile Marine Medal (William E. Jackson), Territorial Decoration B.V.R.... Victory Medals (137186 bnr. R.E.G. Coggan R.A.; 28261 pte A. Herbert Dorset R; 24571 Pte Pte b. Clark Dorset R; 4483 Cpl. L.H. Shutler Dorset. R), South African Victory Medal (Pte L. Jones 11th S.A.I.). Volunteer Force Long Service Medal V.R. Voluntary Medical Service Medal with extra clasp, unnamed, with eight assorted military medals
Lot 282
A range of cups and saucers etc with a Bishop and Stonier (Bisto) cup and saucer, plus a Moore Bros. cup and saucer, plus a Rigo Venezia cup and saucer (real Italian lace overlay), plus a John Yates cup and saucer, plus a Coalport cup and saucer with rare Pembroke handle, plus a H & R Daniels cup and saucer.
![CHESELDEN, W. Anatomy of the Human Body by W. Cheselden. Printed for C. Hitch & R. Dodsley [London, 1756]. Leather bound.](https://cdn.globalauctionplatform.com/e286ce2a-e31e-411a-9462-b14600f0f336/419eb4cd-30d8-4d38-9194-b181011b2c71/468x382.jpg)
Lot 13
Rudolf Helmut Sauter, German/British 1895–1977 - Coronation, 1953; ink and gouache on paper, signed, titled and dated lower right 'R. H. Sauter Corontion 1953', 51.6 x 36.8 cm (ARR) Provenance: the Descendants of Sidney and Stella Churchill (1862-1921 and 1883-1954) and Ruth Plant (1912-1988)
Lot 71
Dame Ethel Walker DBE ARA, British 1861-1951 - Study for 'The Four Seasons, Decor n.4'; watercolour and ink on collaged paper, 49.5 x 44 cm Provenance: possibly with Lefevre Gallery, London (blank gallery label attached to the reverse of the frame); Fairlie Harmer (1876–1945); Phillips, Tuesday 22nd November 1969, Lot 186; R. Knight, purchased from the above (according to the invoice and inscription on the reverse of the frame); private collection Exhibited: Empire Art Loan Collections Society, London, no.190 (according to the label attached to the reverse)Note: Fairlie Harmer was a friend and neighbour of Ethel Walker in Chelsea. There are a number of works by the artist in UK public collections including Walker Art Gallery, Liverpool, Manchester Art Gallery and the Ashmolean, Oxford. The present work is a study for a mural, or 'decoration' as the artist titled them, 'The Four Seasons' now in the collection of Abbot Hall, Kendal. Many of these Walker's decorations feature mythological or allegorical figures, such as the and evoke a female utopia, similar to the imagery of her French contemporary, Marie Laurencin. There are letters in the Tate Archive to Grace English regarding the loan of what is possibly this work for a touring exhibition to Australia and New Zealand, 'British Watercolours 1914-1953'. Tate Britain recently had several of these decorations on display until March 2024, including one of her largest paintings, 'Decoration: The Excursion of Nausicaa, 1920', and 'The Zone of Hate, 1914-15'.
Lot 25
Sir Robin Philipson RA PRSA RSW RGI, Scottish 1916-1992 - Odalisque and Black Figure, c.1960s; on paper, signed lower right 'R. Philipson' and inscribed with artist's details and title to label attached to the reverse of the frame, 19 x 19 cm (ARR) Provenance: with Roland, Browse & Delbanco, London (label attached to the reverse of the frame); with Anthony Hepworth Fine Art, Bath (label attached to the reverse of the frame); the Descendants of Sidney and Stella Churchill (1862-1921 and 1883-1954) and Ruth Plant (1912-1988)
Lot 189
Basil Rákóczi, British/French 1908-1979 - Beach Huts; ink and watercolour on paper, signed lower right 'Rakoczi', 24.5 x 35 cm (ARR) Provenance: the Estate of the Artist Note: Rákóczi founded the Modernist group, The White Stag Group, along with his partner, Kenneth Hall. Influenced by Surrealism and founded in London, they moved to Ireland in 1940. Gaining Irish members including Nano Reid and Norah McGuiness, their work focusing on psychological states and esoteric myth and symbols. Instrumental to Hall's artistic career and his first solo exhibition was the dealer Lucy Wertheim. Wertheim also promoted Barbara Hepworth, Christopher Wood, Frances Hodgkins and Henry Moore. An exhibition of her legacy 'A Life in Art & Reuniting the Twenties Group' has recently been on display at Towner Eastbourne, UK, including works by both Hall and Rákóczi.
Lot 1432
A quantity of predominantly GB and some all world coins, including a large quantity of 1937 farthings, a large collection of pennies, half crowns, commemoratives, a cased set comprising half crown, shilling, penny, two shilling, one shilling, half penny, farthing, threepence and sixpence etc, also a 1901 South Africa Medal awarded to Sergeant R. Hitchcock, 59th Coy, 15th Imp. Yeo.Condition Report: Medal is complete with suspender and 4 clasps.
Lot 380
A George II mahogany pillar-and-claw table, c.1725-1740, with a circular top above a birdcage action and turned gun-barrel column, on a shaped tripod base,86cm diameter74cm highProvenance: The Collection of the late Rosemary and Theo Cutting.Illustrated: Adam Bowett, 'Early Georgian Furniture, 1715-1740', pl.5:86, p.247.
Lot 279
A Regency mahogany mantel clock, the enamelled dial with Roman numerals, slim hands and a watch key winding hole, with a printed label inside inscribed 'R Fletchers Portable Alarum' and 'Sold by R Fletcher Eastgate', striking on a bell, with an inscribed back plate 'Alarum dial and Wind Alarum', and raised on turned bun feet, 20cm wide 12cm deep 30cm highProvenance: The David Morris Collection.Condition ReportGeneral surface wear, knocks and minor repairs to the case. The case with heavier wear and craquelure. No keys present and we are unable to guarantee full and complete working order of them movement and would recommend inspection by a professional. The hing of the bezel appears ill-fitting with a vacant hold beneath, indicating that it may be a replacement.
Lot 285
A Victorian presentation coromandel desk stand, by William Gibbs Rogers, the enamelled dial inscribed 'James Hux, 20 Down Street, Piccadilly' with Roman numerals, with silver bezels and backplate inscribed 'Time fleets Eternity is at hand A Memorial of grateful Attachment from H.A.B. died at Clifton 21st Octr 1852', and three further inscriptions to the back and inside of the backplate, maker's mark for Charles Watts, London 1837, the dial mounted in a carved column, with deeply carved swags and surmounted with a bird, mounted with a pair of silver-mounted inkwells, maker's marks for R & S Garrard & Co., London 1852, with a pen well, the base stamped 'W. G. Rogers', 34cm wide 15cm deep34cm highProvenance: The David Morris Collection.James Hux is recorded in 'Watchmakers and Clockmakers of the World, Volume 2', by Brian Loomes, as working in London 1851-1863.William Gibbs Rogers (1792-1875) earned his reputation as an expert wood-carver, working in and imitating the style of Grinling Gibbons (1648-1721). He exhibited at the 1851 Great Exhibition, where his carvings are described as 'studies from original fragments by Grinling Gibbons' ('The Crystal Palace Exhibition, Illustrated Catalogue', facsimile ed., New York, 1970, p.9).Rogers was patronised by Queen Victoria, who granted him a Civil List pension for his contribution to the revival of the standard of ornamental wood-carving. He was awarded an important Royal Commission, 'as they consider him as the best person qualified to be entrusted with those parts of the woodwork of the House of Lords in which great richness and delicacy of execution are required'.
Lot 456
A Leitz Leica R3 Electronic SLR Camera, black, made in Portugal, serial no 1461890, 1977-78, shutter working, meter responsive, camera responsive in auto, self timer working, body G, with Leitz Canada 50mm f/2 Summicron-R lens, 3rd CAM, serial no 2890485, barrel G, light paint wear, elements G-VG, Tamron 28-200mm f/3.8-5.6 lens, with L/R adapter, E60 13381, UVa filter, ERC and matching serial number camera body maker's box
Lot 492
Leica Books and Publications, including Leica M Photography by Brian Bower, My Life with the Leica by Walther Benser, Leica Systems 2000/2001, Leica R Series Cameras (2) by Brian Long, Leica Hand Book 2002/2003, Leica Views of Brand Culture, Leica guides, Handbooks, brochures, pamphlets and other publications
Lot 65
A Robot IIa Camera, tall spring, serial no C 116076, spring drive working, shutter working, body F, some surface oxidation to mount plate, would benefit from a clean, R/9/58 painted on back, TP/R/3/67 to base, with Schneider Kreuznack 30mm f/3.5 Xenagon & 75mm f/3.8 Tele Xenar lens, marked with military broad arrow, barrel F, elements P
![Thomas Bewick (1753 - 1828) - The Setting Sun Public House by John Spendthrift, s.l., s.n., n.d. [1820], proof?, margin with](https://cdn.globalauctionplatform.com/1f016535-4db4-45d5-bf20-b181011266ae/fc6d4af8-7570-45b5-8b1a-b18400b1dc47/468x382.jpg)
Lot 1013
Thomas Bewick (1753 - 1828) - The Setting Sun Public House by John Spendthrift, s.l., s.n., n.d. [1820], proof?, margin with contemporary manuscript inscription, wood engraving, 10 x 14cm A Hogarthian satire designed by Bewick for use in The Genteel Sabbath Breaker (1820), a tract by the Rev. Robert Tweddell, defending the sanctity of the Sabbath, and in which the effects of liquor are demonstrated in the most straightforward way. The latter temperance movement point illustrated here with obvious parallels to Hogarth's Gin Lane (1751). Provenance: 1) 'Designed and engraved by the celebrated Bewick, for a tract by the Revd. R: Tweddell '; contemporary ink MS inscription to margin. 2) The Reverend Benjamin Arthur Marshall, incumbent of St. Cuthbert's Church, Carlisle (1853-1874); 2pp ALS to verso, dated The Parsonage, Carlisle, 18 Sep 1873, presenting the 'sketch ', to a R.S. Ferguson. A well-margined sheet. Toned in places, the margin with a soiled fingerprint.
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297893 item(s)/page