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Lot 292
Deckelvase mit Trichterwinden und DahlienPorzellan, fliederfarbener und schwarzer Aufglasurfond, farbiger Aufglasurdekor, Mattvergoldung. Modell wohl 6616, "Gefäß". Deckel zugehörig. Blaumarke Zepter, rote Reichsapfelmarke, schwarzes Eisernes Kreuz, Jahresbuchstabe R, weitere Press- und Malerzeichen. Deckelknauf wieder angefügt. Mit Deckel H 30,6 cm.Berlin, KPM, die Ausformung 1917, der Dekor 1918.ProvenienzBerliner Privatsammlung.LiteraturDas Modell mit der Nummer 6616 bei v. Treskow, Die Jugendstil-Porzellane der KPM. Bestandskatalog der Königlichen Porzellan-Manufaktur Berlin 1896 – 1914, München 1971, S. 290.
Lot 281
Vase mit BlumenbouquetsPorzellan, Aufglasurfondfelder in hellem Apricot und Seladon, farbiger Aufglasurdekor, Mattvergoldung und Reliefgold. Modell 2152, "Blumenflasche". Auf beiden Seiten durch reliefierte Goldranken verbundene Gebinde von Kirschblüten, Stiefmütterchen, Veilchen und kleineren Sommerblumen. Blaumarke Zepter, rote Reichsapfelmarke, Jahresbuchstabe L, Presszeichen "12" und "O", goldene "47" und purpurnes "r.". H 16 cm.Berlin, KPM, das Modell von 1858, die Ausformung 1911.ProvenienzBerliner Privatsammlung.LiteraturVgl. das Modell bei Dietz, Blühende Zeit der KPM, Die Weichmalerei auf Berliner Porzellan, Petersberg 2013, Nr. V 40, S. 178 f.
Lot 280
Vase mit galantem PaarPorzellan, Aufglasurfondfelder in hellem Purpur, Seladon und Apfelgrün, farbiger Aufglasurdekor, Mattvergoldung und Reliefgold. Modell 2152, "Blumenflasche". Auf beiden Seiten goldgerahmte Reserven, mit einem fein gemalten Paar in einer Landschaft und einem duftigen Bouquet von Sommerblumen. Blaumarke Zepter (Schliffstrich), rote Reichsapfelmarke, diverse Presszeichen und farbige Malerzeichen ("4.", "R", "63" und "33.."), schwarze 1230. H 16 cm.Berlin, KPM, das Modell, 1858, die Ausformung um 1900.ProvenienzBerliner Privatsammlung.LiteraturVgl. das Modell bei Dietz, Blühende Zeit der KPM, Die Weichmalerei auf Berliner Porzellan, Petersberg 2013, V 40, S. 178 f.
Lot 5
Incredibly rare Victorian buckle ring, stamped and tested 15ct, with foliate engraved pattern and engraved with the initials F.C. and the year 1882. A hidden compartment under the articulated buckle itself opens to reveal a pair of clasped hands - making this a hidden "fede" ring, a symbol of friendship, love or betrothal. The fede beneath has been tested with KEE gold tester and is assessed as a higher grade of gold, above 22ct, suggestive of an earlier piece being encapsulated within a Victorian casing. The buckle is a symbol of sentimental, binding love between the wearer and the giver. Gross weight 7.4 grams. Size R.
Lot 657
Ettore Sottsass, Vistosi, Moceniga Rovine VaseEttore SottsassVetreria Vistosi, Murano1977Vase Moceniga aus der Serie Rovine. 1977. Gelbes und schwarz-violettes Glas. H. 20,7 cm, D. 23,5 cm. Am Boden bezeichnet: E.SOTTSASS 19/250 VISTOSI 77. Aus einer Edition von 250 Exemplaren aus der Serie Rovine, für die Sottsass zehn Modelle für Vistosi entwarf. Hier das Stück mit der Nummer 19.Literatur: R. Barovier Mentasti, Vetro Veneziano 1890-1990, Venedig 1992, S. 30.
Lot 677
Ron Arad, Vitra, limited Lounge Chair Bad Tempered ChairRon AradVitra, Weil am RheinDesign 2002Limitierter Sessel Modell Bad Tempered Chair. Entwurf 2002, in Produktion bis 2009. Kohlefaser (Carbon) Flügelschrauben aus Metall. 83 x 112 x 75 cm. Rückseitig mit Metallplakette 'Bad Tempered Chair, R. Arad, 27/1000 vitra' bezeichnet. Bei diesem Exemplar handelt es sich um die Nummer 27 von einer angestrebten Auflage von 1000 Exemplaren. Die Produktion wurde 2009 eingestellt. Vermutlich wurden bis zu diesem Zeitpunkt nur um die 200 Exemplare gebaut.
Lot 673
Ron Arad, Standing Desk Model LecternRon AradDesign 1993Lesepult Modell Lectern. Entwurf 1993. Patiniertes Stahlblech. 128 x 64 x 60 cm. Am Rand bezeichnet ' R. A. Associates 93 (oder 98)'.Literatur: AVR GmbH & Creative Inneneinrichter GmbH (Hrsg.), TECTA Planen + Einrichten Katalog, Düsseldorf 1995, Abb. S. 93, 94.
Lot 436
Curt Fischer, Ronneberger & Fischer, Midgard Scissor Wall LampCurt FischerIndustriewerk Auma Ronneberger & FischerDeign 1920sMidgard Scherenleuchte / Wandleuchte. Entwurf 1920er Jahre. Braungrau lackiertes und vernickeltes Metall. L. max. 107, B. 16,5 cm. Mehrfach bezeichnet mit Midgard Signet und D. R. G. M.
Lot 462
L. Mies van der Rohe, Bigla, Armchair Model R 171Ludwig Mies van der RoheBigla, Biglen bei BernDesign 1927, production perhaps 1930sFreischwinger Armlehnstuhl Modell R 171 Federnder Sessel. Entwurf 1927, Ausführung wohl 1930er Jahre. Verchromtes Stahlrohr, schwarzer Stoff, schwarz lackiertes Holz. 80 x 56 x 82 cm.
Lot 6577
By and after Thomas Daniell R A (British 1749-1840) and William Daniell (British 1769-1837): 'A Minar at Gour' (Ancient Capital of Bengal), aquatint with hand-colouring, plate 23 from the fifth edition of 'Oriental Scenery' called 'Antiquities of India' pub. 1808, 59cm x 43cm Provenance: 3rd Earl of Feversham
Lot 6578
By and after Thomas Daniell R A (British 1749-1840) and William Daniell (British 1769-1837): 'A Pavillion Belonging to an Hindoo Temple', aquatint with hand-colouring, plate 21 from the fifth edition of 'Oriental Scenery' called 'Antiquities of India' pub. 1808, 59cm x 43cm Provenance: 3rd Earl of Feversham
Lot 6580
By and after Thomas Daniell R A (British 1749-1840) and William Daniell (British 1769-1837): 'View Near Bangalore' close to the Gangadhareshvara Temple, aquatint with hand-colouring, plate 17 from the fifth edition of 'Oriental Scenery' called 'Antiquities of India' pub. 1808, 42cm x 60cm Provenance: 3rd Earl of Feversham
Lot 6581
By and after Thomas Daniell R A (British 1749-1840) and William Daniell (British 1769-1837): 'The Entrance of an Excavated Hindoo Temple at Mavalipuram' on the coast of Coromandel, aquatint with hand-colouring, plate 2 from the fifth edition of 'Oriental Scenery' called 'Antiquities of India' pub. 1799, 42cm x 59cm Provenance: 3rd Earl of Feversham
Lot 6582
By and after Thomas Daniell R A (British 1749-1840) and William Daniell (British 1769-1837): 'Entrance to a Hindoo Temple near Bangalore', aquatint with hand-colouring, plate 18 from the fifth edition of 'Oriental Scenery' called 'Antiquities of India' pub. 1808, 42cm x 60cm Provenance: 3rd Earl of Feversham
Lot 113
Diamant-Brosche. 18 kt. WG, gest. Diamant-Besatz insges. ca. 3,60 - 3,75 ct. Weiß(H) - Getönt(R).vvs-P.: der Altschliff-Diam. ca. 1 - 1,05 ct. Getönt(P).si-P. (leicht unrund, ca. Dm. 6,2 - 6,5 mm, H. 3.85 mm, kl. Chip) mit 11 Brill., 11 Diam.-Baguettes und 7 Diam.-Navettes zus. ca. 2,60 - 2,70 ct. 21 x 39 mm, Gew. ca. 7 g. - A Diamond Brooch. 18 ct. white gold, marked. Diamond setting all together approx. 3,60 - 3,70 ct. White(H)-Tinted(R ).vvs-P.: the old cut diam. approx. 1 - 1,05 ct. Tinted(P).si-P. (slightly unround approx. diameter 6,2 - 6,5 mm, h. 3,85 mm, small chip) with 11 round brillant cut diam., 11 diam. in baguette cut and 7 navette diam. in total approx. 2,60 - 2,70 ct. 21 x 39 mm, weight approx. 7 g. -
Lot 498
Natasha Bedingfield Signed 10x8 Colour Photograph. Bedingfield Released Her Debut Album, Unwritten, In 2004, Which Contained Primarily Up-Tempo Pop Songs And Was Influenced By R and B Music. It Enjoyed International Success With More Than 2.3 Million Copies S. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 109
Maisto - Bburago - Tomy - 9 x items including 6 x unboxed cars, 2 x boxed R/C Helicopters and a boxed Tomy AFX Midnight Marathon set. Includes two 1:18 scale Dodge Viper models, a Syma S107G Helicopter, a Star Wars Trilogy on VHS and other items. The loose models show signs of play use and appear Fair to Good, the boxed items appear Mint in Fair to Good boxes. (This does not constitute a guarantee) (2)
Lot 121
Matchbox - Yesteryear - 41 x boxed models including # YS-16 Scammell 100 ton truck trailer with G&R Class 4 2-4-0 locomotive, # Y-8 1945 MG TC in red with tan hood, # Y-2 1914 Prince Henry Vauxhall in red with cream seats and other similar models. All the vehicles appear Mint in mostly Good boxes with some storage wear. (This does not constitute a guarantee)
Lot 170
Corgi - Hauliers Of Renown - 2 x boxed limited edition trucks, a MAN TGA Crane trailer & palletised load in Evans Transport livery number 638 of only 1100 produced # CC13426 and a Scania R Fridge Trailer in Richard King Transport livery number 741 of only 1100 produced. Both models appear Mint with mirrors and certificates in Good boxes with storage wear. (This does not constitute a guarantee) (2)
Lot 172
Corgi - Hauliers Of Renown - 2 x limited edition trucks, a Scania R Fridge Trailer in Hayton Coulthard of Dumfries & Galloway number 1246 of only 1500 produced # CC13727 and a Scania R livestock transporter in Valley Transport livery number 833 of only 1050 produced # CC13730. Both models appear Mint with mirrors and certificates in Very Good boxes with storage marks. (This does not constitute a guarantee) (2)
Lot 141
Ceremonial costume accessory. Feather art. Lichiwayus Chakana. Aymara people, Bolivia Department of La Paz. 1750-1800. 21 x 66,5 cm.This delicate piece of feather art is part of a festive attire from the Bolivian Andes used during the Viceroyalty period and which is still in force until modern times. This “Chakana” is part of the attire of a ritual dance called “Lichiwayus” associated with the call of the snow before starting to work the land. The moisture produced by thawing penetrates the soil and eases the work of the plough. Due to the brittle nature of the material, most of the surviving feather mosaics are fairly modern creations, but archaeological excavations of high-altitude burial sites with little annual rainfall uncovered well-preserved centuries-old feathers as in the case of the specimen here. The Museum of Archeology and Anthropology at the University of Pennsylvania, the Israel Museum in Jerusalem, the Bowers Museum in California, and the Robert Institute of Archaeology. S. Peabody preserve Chakanas and body attire dating from the 18th and 19th centuries to the 20th century. Among the inventoried works, those of the National Museum of Ethnography and Folklore of Bolivia also stand out. The iconography represented by zoomorphic forms of lions and snakes dates back to colonial times where they appear on coats of arms assigned to noble families descended from the Incas. We could be talking about heraldic emblems with which certain families were identified. This type of Lichiwayus Chakanas is made with 17 flat wooden slats placed horizontally and joined by strings that go through perforations in the upper and middle part of each of the slats. The raw materials identified are feathers, wood, animal fibre and cotton, while the plumage normally used in this type of work varies, using the following bird species; White Heron, Amazon Parrot, Purple-throated Cotinga, Collared Aurora, Blue-Yellow Macaw and Red Macaw. Guaman Poma de Ayala describes in his work Nueva Crónica y buen gobierno (New Chronicle and Good Government) the role and interaction of birds with human beings, highlighting the birds of the Andean region that were used as tribute payment to the Inca (...) while young people from twelve to eighteen years old took care of the herds of llamas or alpacas, 'they caught the birds called auchiua, yutu, quiuyo, tacami, auas, with ties or garters for entertainment and cut up the meat, and the feathers they kept for trading with the Incas, the “capac apocuna” and captains. Some time ago they had trained (between the ages of nine and twelve) in catching little birds... which they call polished birds, quinte, uaychau, chayna, urpay, and other birds that exist; The meat was made into “charqui petaquillas” and the feathers were kept for “pluma” and “cunpi de pluma” and other gallantries of the Inca, heads and captains of the Aucamayoc Cuna…” (Millones and Schaedel, 1980: 61-65). In the work Arte Plumario en el Altiplano Paceño: Historia, danza y técnicas de los plumajes en las comunidades Aymara del departamento de la Paz, Bolivia (Featherwork art in the Altiplano Paceño: History, dance and plumage techniques in the Aymara communities of the department of La Paz, Bolivia), they explain that the description of South American fauna, and in some cases of the flora, was a task that some explorers, soldiers, civil servants and religious carried out in response to the request for information from the authorities, eager to learn about and make the most of the advantages offered by the new continent. In the descriptions made by chroniclers and travellers about the animals that inhabited the new continent, they made much of whether they lived in water, either lakes, rivers or seas, were land animals or those of the air. In these various scenarios, birds are the only animals that could be found in the three environments —water, land, and sky—, and from this, be recognized as messengers of the divine and have certain supernatural characteristics. In this regard, Andrés Gutiérrez Usillos mentioned that “birds are usually associated with the sacred, since the ability to fly and ascend to the heavens is only possessed by divinities. The bird can be an incarnation of divinity or an epiphany, that is, the vehicle through which the gods manifest themselves, a messenger between the gods and human beings” (Gutiérrez Usillos, 2002: 313). Bibliography:BETANCOURT Carla Jaimes. EL PODER DE LAS PLUMAS Colección de arte plumario del Museo Nacional de Etnografía y Folklore, según la cadena de producción. Museo Nacional de Etnografía y Folklore Fundación Cultural del Banco Central de Bolivia La Paz, Bolivia. 2015 GISBERT, Teresa. 2008. El paraíso de los pájaros parlantes: la imagen del otro en la cultura andina. 3ra ed. La Paz: Plural Editores. GISBERT, Teresa. 2008. Iconografía y mitos indígenas en el arte. 4th ed. (Ed.) Editorial Gisbert y Cia. La Paz. GISBERT, Teresa, Silvia ARZE y Martha CAJÍAS. 2008. Arte textil y mundo andino. La Paz: Gisbert y Cía. GUTIÉRREZ Usillos, Andrés. 2002. Dioses, símbolos y alimentación en los Andes: interrelación hombre-fauna en el Ecuador prehispánico. (Ed.) Ediciones Abya Yala. Quito. GUAMÁN Poma de Ayala, Felipe. [1615]1980. El Primer Nueva Coronica y Buen Gobierno. 21st century. Mexico. MILLONES, Luis y R. P. SCHAEDEL. 1980. Plumas para el sol: comentarios a un documento sobre cazadores y cotos de zada en el antiguo Peru. Boletín del Instituto Francés de Estudios Andinos 9 (1-2):59-88. VILLAROEL Salguerio Gloria, GUERREROS Burgoa Johnny and MUJICA Angulo Richard. Bolivia, La Paz, 2015. La Rebelión de los objetos. Museo Nacional de Etnografía y Folklore. Reunión Anual de Etnología, 29. Bolivia. (Anales de la Reunión Anual de Etnología) This lot already has a permit for exportation as a cultural asset.
Lot 220
Irving (Washington) Rip Van Winkle, illustrated by Arthur Rackham, tipped-in frontispiece and 50 plates, captioned tissue-guards, spotting, original decorative cloth, gilt, slight bumping to spine extremities, 1905 § Hale (Kathleen) Orlando the Marmalade Cat; a Camping Holiday, illustrations, original pictorial boards, a little rubbed, chipping and small loss to spine, n.d. § Milne (A. A.), H. Fraser-Simson and E. H. Shepard, Teddy Bear and other songs from "When We Were Young", first edition, illustrations, scattered faint spotting, original cloth-backed boards, slight bumping to spine extremities, dust-jacket, light finger-soiling, slight chipping to corners and extremities, 1926 § Upton (Bertha) & Florence K. Upton The Golliwogg's Polar Adventures, illustrations, original cloth-backed boards, a little rubbed, 1903; and 10 others illustrated included 16 works by R. Caldecott bound in 2 vol., v.s. (14)
Lot 231
NO RESERVE Architecture.- Garner (Thomas) The Domestic Architecture of England during the Tudor Period, 2 vol., half-titles, one torn in half and neatly repaired, plates and illustrations, list of subscribers, ex-library with usual labels, modern half-calf, slight bumping to corners, 1911 § [Brandon (R. & J.)] An Analysis of Gothick Architecture, 2 vol., 157 engraved plates, spotting, contemporary half-morocco, a little rubbed, 1847; folio & 4to (4).
![Caricatures.- Knight (Charles) Comic Readings [and] Tragic Readings, after R. Boyle, stipple-engravings with hand-colouring,](https://cdn.globalauctionplatform.com/5df4e191-e94a-4c6d-8d14-ae8200c642eb/0a012e46-a062-4769-9d13-ae8200efc93d/468x382.jpg)
Lot 235
Caricatures.- Knight (Charles) Comic Readings [and] Tragic Readings, after R. Boyle, stipple-engravings with hand-colouring, on Whatman wove paper, each sheet approx. 465 x 560 mm (18 1/4 x 22 in), trimmed to or just within the platemark, repaired tears at edges, some handling creases, surface dirt and browning, unframed, 1791 (2)
Lot 45
Ear, Nose & Throat.- Soemmering (Samuel Thomas) Icones organorum humanorum olfactus, first edition in Latin, 5 engraved plates, each with version in outline making total of 9 (2 smaller engravings to final plate), title lightly spotted, old library stamp neatly obscured with slip pasted over, modern calf-backed boards, Frankfurt, 1810 Watt (John James) Anatomico-Chirurgical Views of the Nose, Mouth, Larynx, & Fauces, first edition, list of subscribers, 4 stipple-engraved plates by Hopwood after T.Baxter, each with additional version in outline (total 8), foxed, ex-library copy with small stamp to verso of title, library cloth, 1809 § Trew (C.J.) De vasis linguae salivalibus atque sanguiferis epistola, only edition, 4 engraved plates, 2 hand-coloured, one folding, contemporary boards, rebacked, Nuremberg, J.E.Adelbulner, [1734] § Fletcher (R.) Medico-Chirurgical Notes and Illustrations, presentation copy from the author to the oto-laryngologist James Yearsley, 4 lithographed plates, one hand-coloured, errata slip, some staining, ex-library copy with stamps, original cloth-backed boards, 1811 § Huxham (John) A Dissertation on the malignant, Ulcerous Sore-Throat, first edition, contemporary calf, rebacked, 1757, the last three rubbed; and c.15 others on the ear, nose and throat, v.s. (c.20)⁂ The third item (Trew) describes the anatomy and circulation of blood supply to the tongue and mouth.
Lot 65
Ophthalmology.- Warner (Joseph) A Description of the Human Eye, first edition, half-title, final advertisement leaf, 2 engraved plates on folding sheet, trimmed, modern calf-backed marbled boards, for Lockyer Davis, 1773 § Gataker (Thomas) An Account of the Structure of the Eye, first edition, a little spotted and soiled, modern half calf, for R. & J.Dodsley, 1761; and another, 8vo (3)
Lot 80
NO RESERVE Astronomy.- Coining the word 'Gyroscope'.- Foucault (Léon) Sur les phénomènes d'orientation des corps tournant entrainés par un axe fixe à la surface de la Terre, in Compte Rendu des séances de l'Académie des Science, Vol. 35 (July-December), pp.424-427, library stamp to lower margin of p.425 ; and 3 others by Foucault on the movement of the Earth in the same vol., general half-title, a few library ink stamps, some foxing and staining, lightly browned, later cloth-backed marbled boards, double red leather labels to spine, head of spine and joints little frayed, but holding firm, rubbed, 4to, Paris, Bachelier, 1852.⁂ Foucault came to know of Walter R. Johnson's rotating disc device through the mathematician Pierre-Simon Laplace. He used it in 1852 in an experiment involving the rotation of the Earth, and gave it its modern name of 'Gyroscope'.
Lot 9
NO RESERVE Sporting.- Burgess (J. T.) Angling and How to Angle, revised by R. B. Marston, half-title, portrait frontispiece, illustrations, contemporary ink ownership inscription to front free endpaper, very occasional annotation in ink and pencil, some cracking at gutter, light foxing to first and last few leaves, original pictorial cloth, gilt, very lightly rubbed, spine a little sunned with ends bumped, 1895; and c.115 others, sporting and natural history, v.s. (c.115)
![Binding.- [Allestree (Richard)] The Gentleman's Calling, by R. Norton for Robert Pawlet, 1677, bound before, The Ladies Calli](https://cdn.globalauctionplatform.com/5df4e191-e94a-4c6d-8d14-ae8200c642eb/a1fae3ee-91ce-4ecf-952c-ae8200f011ea/468x382.jpg)
Lot 121
Binding.- [Allestree (Richard)] The Gentleman's Calling, by R. Norton for Robert Pawlet, 1677, bound before, The Ladies Calling, Oxford, 1676, engraved frontispieces, scattered faint spotting, previous owner's ink signature to blank, contemporary gilt-panelled red morocco, spine gilt in compartments, g.e., a little rubbed, slight bumping to corners and extremities, [Wing A1126 & A1144], 8vo, together 2 works bound as 1 vol.
Lot 124
NO RESERVE Law.- Law Quibbles: Or, a Treatise of the Evasions, Tricks, Turns and Quibbles, commonly used in the Profession of the Law..., fourth edition, with the Essay on the Amendment and Reduction of the Laws of England bound after final advertisement leaf (rather than at beginning), faded contemporary ink ownership inscription to front free endpaper, another to head of title dated 1742, occasional underlining and annotation in a contemporary hand, some light foxing, hinges cracked, contemporary panelled calf, rubbed, joints split but covers holding firm, the Savoy, E. and R. Nutt & others, 1736; and 2 others, 18th century law, 8vo (3)
![Bindings.- Eliot (George) The Works of ..., 13 vol. only (of 21), standard edition, modern half-calf, gilt, [c.1890] § Dicken](https://cdn.globalauctionplatform.com/5df4e191-e94a-4c6d-8d14-ae8200c642eb/42b85683-08e0-43ee-9a9d-ae8200f09f6d/468x382.jpg)
Lot 178
NO RESERVE Mellini (G. L., editor) The Grimani Breviary, colour plates, some heightened in gilt, slipcase, 1972 § Longnon (J.) and R. Cazelles, editors. Les Très Riches Heures du Duc de Berry, colour plates, some heightened in gilt, slipcase, 1969 § Byrne (Muriel St. Claire, editor) The Lisle Letters, 6 vol., University of Chicago Press, 1981, original cloth; and c.70 others, English literature and history, v.s. (c.80)
Lot 8103
Victorian and later jewellery including gold enamel and hairwork mourning brooch, silver enamel filigree brooch, large Indian scent ring, garnet brooches, gold-plated Albert chain, silver pocket watch, silver-gilt bangle, gold cameo ring, etcCondition Report:Mourning brooch tests 11ct approx 2.9gm, cameo ring approx 6gm, 9ct gold none stone set links approx 1.1gm size Q-R, fob watch movement not currently working, glass loose from dial, silver scent ring approx 67.3gm
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297893 item(s)/page