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Click here to subscribeAn Armand & Marseille (Germany) bisque head and ball jointed painted composition bodied doll, the bisque head with weighted sleeping blue glass eyes, painted features including feathered brown eyebrows and fine eyelashes, open mouth revealing upper teeth, brown wig on pate, impressed marks 'MADE IN GERMANY, ARMAND MARSEILLE, 560a, A.2M., D.R.M. R.232_1', 43cm high
A reproduction bisque head and painted composition bodied novelty character doll/artist doll, as the German character Moritz from Max and Moritz, the bisque head with side glancing inset fixed blue glass eyes, painted features including brown eyebrows, brown wig, impressed marks 'RENE MCKINNEY, K (star) R, 123, 1976', 27cm high; together with a Max Und Moritz illustrated children's book (2)
A Simon & Halbig/Kämmer & Reinhardt (Germany) bisque head and ball jointed painted composition bodied doll, the bisque head with weighted sleeping brown glass eyes, painted features including feathered brown eyebrows, fine eyelashes and red lips, open mouth revealing upper teeth, blonde wig on pate, pierced ears, impressed marks 'S&H, K&R, 70', 71cm high
A Theodore Recknagel (Germany) bisque head and painted composition bodied doll, the bisque head with weighted sleeping brown glass eyes, painted features including brown eyebrows and fine eyelashes, open mouth revealing small upper teeth, brown wig on pate, impressed marks '24 GERMANY, R 14/0 A', 23cm high
GEORGE IV SILVER VINAIGRETTE & A SNUFF BOX, BIRMINGHAM 1816, SAMUEL PEMBERTON & 1827, MAKER'S MARK T S, respectively, the vinaigrette with part engine turned decoration, fruit and vine embossed border to the lid with central gold colour vacant cartouche, gilt interior, grille now lacking, further interior marks include a crown flanked by the letters 'A R' and the words 'Bolt Head' and 'Prawl Point', 4 x 3.25cms, the snuff box having ribbed detail to the top bottom and sides, the edges with floriate detail in relief, the rectangular top cartouche with presentation inscription, semi-rubbed, possibly worded 'A C Jeffrey- Surgeon of Liverpool- From an Attached Friend 1829', interior gilding part worn, 8.5 x 5.5cms, 4.5ozt gross
PRESENTATION SILVER NOVELTIES & OTHER COLLECTABLES, 3+2 respectively, to include a pair of silver gilt and enamel keys, Birmingham 1909, Fattorini & Sons Ltd, both having shield-type crest with a dragon in red enamel below a castellated crown, the shields inscribed verso 'Trinity Hall, Acre Fair, Opened by William Thomas Esq, June 25th 1910', the other similarly worded to Mrs William Thomas, 11cms L, silver regimental crest card holder, London 1952, Wakely & Wheeler, presentation inscription under reads 'Presented to 319 (West Lancs) Battalion W.R.A.C. (TA) by Captain R H Williams (January 1949-July 1952)', 5.5cms across, 4cms H, 4.4ozt weighable, along with a pair of antique brass candle snuffers and a gilt tooled leather pop stud tray, initialled to the centre 'RKHW', 17.5cms max. W
BOXED TRIANG RAILWAYS OO TRAIN SET, with Princess Elizabeth locomotive and tender, 2 x carriages and controller, boxed Triang Railways OO rolling stock R.212, R.216, R.344, R.12, R.349, R.677, R.634, R.751 Co-Co type 3 diesel, another Princess Elizabeth locomotive and tender, 4 x carriages and other items
GURKHA RELATED & OTHER JEWELLERY IN 9CT GOLD AND OTHER METALS, to include a 9ct gold tie pin in the form of a mortar and pestle pharmacy emblem, 3.75cms L, 2.6g; pair of unmarked and untested yellow metal Gurkha knife cufflinks, 6.8g, E R Gurkha Transport Regiment circular badge brooch in unmarked white metal, 2.5cms diam., and an unmarked white metal brooch in the form of a kukri knife in sheath, 6cms L
VAN DE REEM, C. R. (Maler des 20. Jh.), Gemälde: "Blumenstillleben", Öl auf Sperrholz, unten rechts signiert "C. R. de Reem". Stillleben u. a. mit Narzissen, Tulpen, Federmohn, Rosen und Iris, gemalt nach Vorbildern des "Gouden eeuw", des Goldenen Zeitalters in der niederländischen Kunst des 17. Jh.; Platte ca. 61 x 51 cm; mit Rahmen H. 76,5 x B. 66 cm. (Guter Zustand; Rahmen mit leichten Gebrauchsspuren).
Full title: Belgian school: Four landscapes, various techniques, 19th/20th C.Description:Work: 40,5 x 32,5 cm (Monogrammed TB, oil on canvas, attributed to Theodore Baron, 1840-1899) Frame: 55,8 x 47 cmWork: 40 x 30 cm (R. De Saegher, pastel on paper, attributed to Rodolphe De Saegher, 1871-1941) Frame: 48 x 38 cmWork: ca. 34 x 34 cm (Luc Vande Perre (?), watercolour on paper) Frame: 52 x 52 cmWork: ca. 28 x 20 cm (Vlaminck, oil on paper) Frame: 60 x 47,8 cm
Full title: Francois Descerpz: 'Recueil de la diversite des habit...', Paris, Richard Breton, 1567Description:8vo.: 125-[1] pp. 119 woodcuts. Full title: Recueil de la diversite des habits, qui sont de present en usage, tant es pays d'Europe, Asie, Affrique et Isles sauuages, Le tout fait apres le naturel. Third edition, with the Breton imprint, of this rare costume book. Breton's first edition of 1562 is cited by Colas as THE FIRST KNOWN WORK ON COSTUME. The costume figures are so inspired with imaginative life and visual humor and vitality as to immediately recall the illustrated Pantagruel once ascribed to Rabelais, printed in 1565 by the same printer. Colas maintains that François Descerpz, whose name appears in the dedication to Henri de Bourbon, is the author of the descriptive verses. The woodcuts show figures in costume, printed one to a page and with descriptive verses below. "Among the more remarkable subjects may be the Scots and the Brazilians. Another reference to America is with Le Singe Debout (found near Peru). There are also three grotesque figures resembling those in the Songes Drolatiques de Pantagruel, which was published also by R. Breton in 1565" (Fairfax Murray). According to Borba de Moraes, the "The plates of the Brazilian man and woman are of the greatest importance for the history of Brazilian iconography. They are one of the first likenesses of the Brazilian Indian, and are evidently very faithful" (Borba de Moraes II:259). Ref.: - Brunet IV:1147; Colas II, 2496; Fairfax Murray French 478; Mortimer French 453; Hiler p. 233; Lipperheide Aa5.
WWII Multi signed Dambusters Signed John Pettitt Colour Print titled Tribute To 617 Squadron Past and Present signatures include Sir Harold Martin, Sir Leonard Cheshire, David Shannon, J.B. Tait, G.F Hawke, R S D Kearns, Tony Iveson an P J Day,. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Cpt Fl Lt R. Miller RAF and F/O A.C Curtis RAF signed FDC PM 50th Anniversary of the George Cross 24 Sept 90 British Forces 2490 Postal services. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Christoph Ruckhäberle (Pfaffenhofen 1972 – lebt in Leipzig). Kopf. 2009Wachskreide auf Papier. 69,8 × 50 cm (27 ½ × 19 ⅝ in.). Unten mittig monogrammiert und datiert (gekratzt): R. 09. Rückseitig mit Bleistift signiert und datiert: RUCKHÄBERLE 09.[3060]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Vorder- und rückseitig mit Atelierspuren. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Rückseitig in den Blattecken und an den Blatträndern jeweils mittig mit Papierklebeband auf den Unterkarton montiert bzw. mit Papierklebestreifenresten.Wir berechnen auf den Hammerpreis 32% Aufgeld.
A Great War, May 1917, Third Battle of the Scarpe casualty pair of medals and Memorial Plaque to the 9th (County of London) Battalion (Queen Victoria’s Rifles), British War and Victory medals, “6862 PTE. J.G. JOYCE 9-LOND R.”, bronze Memorial Plaque, “JOHN GEORGE JOYCE” 39 year old John George Joyce, a Cellarman from Battersea, London, served in France from 31st December 1916 with the 9th Battalion London Regiment. Renumbered as 393109, he was killed in action serving with the battalion during the attack on Cavalry Farm on 3rd May 1917. Sadly, his body as never recovered, and he is remembered on the Arras Memorial
A Great War pair of medals to the 23rd (County of London) Battalion the London Regiment, British War and Victory medals, “3605 PTE. C.E. HOLLIS 23-LOND R.” Chas Ernest Hollis served in France from 14th August 1916 to 4th April 1918. He is only entitled to the pair of medals for his war service. Also served with number 701069.
TONY BARTL ( CZECH 1912-1998) ARR- LADIES WITH CHILDREN, OIL ON WOOD PANEL. SIGNED L/R 58 X 42 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
K. GLENISTER. (20TH CENTURY) - HIDDEN WATERS- IMPRESSIONIST, OIL ON BOARD. SIGNED AND DATED '45. U/R. CHELSEA ART GALLERY LABEL VERSO. 48 X 60cm Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
20TH CENTURY ENGLISH SCHOOL, STUDY OF A BRITISH OR AUSTRALIAN COUNTY CLASS NAVAL BATTLE CRUISER IN HIGH SEAS, SIGNED INDISTINCTLY L/R. OIL ON CANVAS LAID ON BOARD.75 X 50 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
E. DESBOROUGH ( 20TH CENTURY) "GARDEN REGALIA" A STUDY OF IRISES. OIL ON BOARD, SIGNED L/R AND TITLED VERSO..50 X 65 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
CHARLOTTE HALLIDAY (B.1935) ARR. LONDONS SOUTH BANK , INK AND WASH, SIGNED L/R. 22 X 15 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
WILLIAM H. HOWE ( AMERICAN 1928-2009) ARR. BUTTERFLIES- MOTH BEAUTIES FROM SAN ANDREAS, TUXTLA, VERACRUZ NEW MEXICO- ACRYLIC ON CANVAS BOARD. SIGNED L/R AND TITLED AND INSCRIBED VERSO. 26 X 34 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
HILDA CHANCELLOR-POPE (1913-1976) ARR. "A CITY", WATERCOLOUR. SIGNED L/R AND TITLED TO LABEL VERSO. 38 X 30 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
DUTCH SCHOOL ( 20TH CENTURY) A TAVERN INTERIOR SCENE. SIGNED INDISTINCTLY L/R. OIL ON BOARD. 48 X 38cm Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
RODNEY DIGGENS (B.1937) ARR. PITT STOP, REFUELLING THE ALFA ROMEO. OIL ON CANVAS. SIGNED L/R. 50 X 40 cm Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
EGIS- (20TH CENTURY) ARR. STUDY OF A FRENCH BULLDOG- ACRYLIC ON CANVAS, SIGNED L/R. 81 X 81 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
WILLIAM (BILL) YARDLEY. (20TH CENTURY) EWE WITH HER LAMBS ON STRAW. WATERCOLOUR. SIGNED L/R. 25 X 27 cm TOGETHER WITH A SIGNED LTD EDITION PRINT BY THE SAME HAND. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
HORVATH SAILVIN (20TH/21ST CENTURY) ARR. GIRL RECLINING. OIL ON CANVAS, SIGNED L/R. 40 X 30 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
WILKINSON. (20TH CENTURY) ARR. ABSTRACT FORMS. ACRYLIC ON CANVAS. SIGNED L/R. 71 X 71 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
T. KET. ( 19TH CENTURY) FARMYARD WITH CATTLE AND SHEEP. WATERCOLOUR. SIGNED INDISTINCTLY L/R. 56.5 X 39.5cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
JOSEPH MORRIS HENDERSON (1864-1936) . AUTUMN LANDSCAPE.OIL ON CANVAS SIGNED L/R. 59 X 45 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
ARTHUR HOGG (19TH/ 20TH CENTURY) PAYING RESPECTS. PASTEL ON PAPER. SIGNED U/R. 21 X 37 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
JEAN SOLOMBRE ( B. 1948) ARR. " LE JARDIN...??" COLOUR ETCHING. SIGNED L/R AND TITLED INDISTINCTLY . LTD EDITION No..33/100. 40 X 40 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
20TH CENTURY SCHOOL. A ROCKY SEA SHORE. IMPASTO OIL ON BOARD, SIGNED INDISTINCTLY L/R. 48 X 16 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
CHARLES DURANTY (1918-2006) ARR. SOON THE SUMMER WOULD BE OVER. WATERCOLOUR, SIGNED L/R AND TITLED VERSO. 48 X 20 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
IVY T. ATTWELL (1895-1985) A MOUNTIANOUS VALLEY. OIL ON BOARD. SIGNED L/R. 74 X 59 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
****** WATSON ( EARLY 20TH CENTURY) LOW SUN THROUGH THE FARM YARD GATE IN WINTER. OIL ON ROBERSON & CO CANVAS. SIGNED INDISTINCTLY L/R. 40 X 30 cm. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
MANCHESTER UNITED BUSBY BABES MUNICH SEASON AUTOGRAPHS X 31 During the 1957-58 Munich season a total of 31 players turned out for Manchester United that season, this is a complete set of all 31 players autographs. Includes Peter Jones who only ever played one game for united and several others that only played a small amount of games. J Berry, J Blanchflower, S Brannon, R Byrne, B Charlton, E Colman, R Cope, S Crowther, A Dawson, J Docherty, D Edwards, B Foulkes, D Gaskell, F Goodwin, I Greaves, H Gregg, B Harrop, T Heron, P Jones, W McGuinness, K Morgan, M Pearson, D Pegg, A Scanlon, E Taylor, T Taylor, D Violett, C Webster, L Whelan, R Wood, M Jones,
Ca. 600 AD.A long Migration period iron sword formed by the forge-welding process, comprising a lentoid-section parallel-sided blade with a broad tapering tip. A rectangular lower guard of inset garnet cloison set in a stepped pattern. The long hilt at the mid-section is decorated with a gold circular plaque set with spiraling garnets and the hilt is finished with a small gold pommel with a central inset. At the time of the fall of the Roman Empire, other cultures began to evolve, grow and eventually prosper and their culture and art thrived. The Merovingians (476-750 AD) were one such group and they are traditionally reckoned as the "first race" of the kings of France. Size: L:1050mm / W:105mm ; 785g Provenance: Formerly in a collection of a European collector; previously in a Belgian collection of Mr. R. Bogaert, 1970s-1990s.
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