A mixed lot of WWI medals comprising a pair awarded to 2395 DVR J WOLFENDEN RA, two Victory medals inscribed 73039 PTE R OSBORNE L POOL R and 1433 GNR L W HUTTON RA, three 1914-15 stars inscribed 194 PTE F BOOTH ASC, 51174 SPR R E ATKINSON RE and 11376 PTE A HANSON E LAN R, a British War medal awarded to 120364 2 AM R J GLOVER RFC, a Mercantile Marine medal inscribed FREDERICK G COX, a Dutch King Albert medal, a French Combattant cross and a peace medal inscribed PAX VICTORIS EUROPEAN WAR 1914-1919
We found 297893 price guide item(s) matching your search
There are 297893 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
297893 item(s)/page
CAR MASCOT COLLECTORS BOOKS X 4 VOLUMES - James R Colwill & Bruce Stewart - The Automotive Mascot Purpose Form And Function complete set of four volumes, hardback format, Artanana Publishing, volumes 1 & 2 First Limited Editions 2014 signed by Colwill "To Neil with best wishes", volume 3 First Limited Edition 2015, volume 4 First Limited Edition 2016.
A gents yellow metal heavy square shaped signet ring, featuring a centre cross section set with nine single cut diamonds, within a border of thirty-two single cut diamonds, with blue enamel shoulders each with cross detail, diamond diameters each approx 1.2mm, total weight estimated as 0.20 carats, finger size R, gross weight 11.3g, stamped and tested as 14ctCondition report: Requires a good clean.All diamonds complete.Enamel good.Gold good with fine scuffs only.
A yellow and white metal diamond three stone ring, the graduated round brilliant cut diamonds in claw settings, centre diamond dimensions approx 4.6 x 2.6mm, weight estimated as 0.33 carats, two outer diamond dimensions approx 4.05 x 2.45mm and 4.15 x 2.45mm, total weight estimated as 0.49 carats, assessed mounted collectively colour L to M and clarity SI1 to SI2, finger size R, gross weight 2.7g, stamped and tested as 18ct and platCondition report: One outer diamond with minute chip to edge, not visible to naked eye and would polish out.All stones clean, no significant inclusions.
An 18ct yellow gold Gypsy set diamond ring, featuring a fancy light yellow Old Mine cut diamond, diamond dimensions approx 5.5 x 5.0 x 3.1mm, weight estimated as 0.66 carats, assessed mounted as fancy light yellow SI1 to SI2, finger size R, gross weight 4.1g, partial hallmark for 18ct, sponsor L and S, in original boxCondition report: Diamond with minor scratches and abrasions.Marks good.Band is scratched and scuffed - requires a polish but not heavily worn.
A yellow metal open face keywind fob watch, having a round gilded Roman dial, case dia.32mm, attached to a 9ct yellow gold round belcher link guard chain, with three sections of two trombone and faceted bead links and a swivel clasp, chain length 760mm, width 3.3mm, gross weight 40.4g, fob watch stamped and tested as 14ct, chain with partial hallmark for 9ct, sponsor R and PCondition report: We are unable to check if working as the key is missing.Minor dents to case.Watch weight 22.6g, chain weight 17.6g.Chain condition very good.
An 18ct yellow and white gold, sapphire and diamond seven stone half-hoop eternity ring, featuring four round faceted sapphires and three round brilliant cut diamonds in claw settings, sapphire dimensions each approx 3.5 x 2.0mm, total weight estimated as 0.80 carats, diamond dimensions each approx 3.5 x 2.1mm, total weight estimated as 0.45 carats, finger size R, gross weight 5.6g, hallmarked 18ct, London 1997, sponsor EF
A large Steiff bear on wheels circa 1910, with dark blonde mohair, black boot button eyes, pronounced muzzle, black stitched nose, mouth and claws, humped back, tail, on all fours with felt pads attached to metal frame with spoked metal wheels and pull cord growl —28in. (71cm.) long (small holes in muzzle, top of head and mid back, play-wear along back and top of head, the rest in good condition, dusty); and a blue velvet sporting cap embroidered with three fish and R, possibly for Kingston upon Thames
Cambridgeshire.- Costumes of the Members of the University of Cambridge (The), 44 hand-coloured engraved costumes on 23 pages, folding concertina style, contemporary ink inscription to corner of title, folding into original cloth folder, faded, London and Cambridge, Sherwood, Gilbert & Piper, [c.1842] § [Harraden (R.)] A Guide through the University of Cambridge, a New Edition, half-title, folding engraved plan, 3pp. advertisements at end, contemporary ink inscription to front free endpaper, cutting mounted on pastedown, original boards, uncut, Cambridge, 1814 § Brief History of Christ's Hospital (A), fifth edition, half-title with inscriptions, hand-coloured title-vignette of blue-coat boy, engraved frontispiece and 2 plates, a few stains, with additional earlier engraving of Christ-Church Hospital tipped in at beginning, original pictorial boards printed in blue, uncut, 1830 § Descriptive Guide to the...Royal Pavilion at Brighton, hand-coloured frontispiece and 4 plates, original printed wrappers, Brighton, 1851, all a little rubbed; and 2 others, 8vo et infra (6)
Australia.- Tetley (Captain Joseph Swabey, Colonial naval officer and artist, 1778-1828), attributed to. Album of 12 drawings of Australian Aborigines, possibly after an original set of drawings once owned by George Charles Jenner (active 1805-1822), watercolours with brush and ink on 'Buttanshaw' wove paper, two sheets watermarked with date '1804', each album leaf approx. 218 x 170 mm. (8 ½ x 6 ¾ in), minor surface dirt, with bookplate of William Rashleigh tipped in from previous album, and Rashleigh ink inscription to first watercolour that reads: 'Natives of Australia/ by Capt. Tetley taken on the spot/ Wm. R.', half calf with blue cloth boards, spine gilt, sm. 4to, [c. 1806]. Provenance:William Rashleigh (1777-1855);Possibly the Rashleigh Family auction, of Menabilly, nr. Fowey, Cornwall, [c.1940s]; Anonymous sale;James Stevens Cox; then by descentLiterature:Stevens Cox, J., editor, 'Australian Aborigines drawn from life/ by Captain Tetley, c. 1805', Toucan Press, 1977⁂ An important early document showing Australian Aborigines engaged in traditional pursuits.Captain Tetley was first lieutenant under Captain Joseph Short on board HMS Porpoise, the ship that brought Governor William Bligh to Sydney in August 1806; following a disagreement with Captain Scott, Tetley eventually left Sydney in 1807.Two other albums with duplicate examples of the watercolours found in the present Rashleigh album are known. Both are held in the Mitchell Library, New South Wales [see DGB 10 and PXB 513]. Of these two albums one bears the signature of George Charles Jenner, who was once thought to be the artist, but now more likely only a previous owner [PXB 513]. The Mitchell Library has suggested that the watercolours in this set are the "originals", which were drawn from life at Botany Bay as stated on the inside back cover. As such the present album likely consists of contemporary duplicates, possibly by Tetley himself; a practice common at the time in order to produce a "fair copy" record. There are some minor differences between the sets that uphold this suggestion, including a total lack of under-drawing, but most notable is the addition of drapery covering the exposed genitalia of several of the Aborigines, which is found only in the Rashleigh copy.
Palude (Petrus de) Sermones Thesauri novi de sanctis, collation: a-b6 c-q8.6 r-t6 v8 x-z6 A-O8.6 P-Q6, double column, 264 ff., 53 lines and headline, c1 with an initial R in blues on a gold ground within a red frame and with large floral decoration in green, red and blue with 5 bezants to lower margin, initials in red, b6 and Q6 blank, later ink marginalia, a1 red ink numbers to verso, c1 small hole to upper corner, partially removing an ink stamp, some staining and spotting, 16th century panelled blind-stamped calf over wooden boards, spine in compartments, remains of metal clasps, head of spine and corners worn, rubbed and scuffed, folio (278 x 188m.), Strasbourg, Martin Flach, 1488.⁂ The French Dominican Petrus de Palude was appointed titular patriarch of Jerusalem in 1329. In the same year he travelled to Egypt to negotiate the deliverance of the Holy Land. The sultan was immovable. Literature: BMC I 149; BSB-Ink S-332; Goff P513; GW M41806.
Victorian Travel Letters.- Murray (Cecil, of The Grange, Old Windsor, son of Sir Charles Augustus Murray, Sir Charles Augustus, diplomatist and author, 1806-95, died by drinking poison at sea, 1866-96) c. 50 Autograph Letters signed "Cecil" to his mother Edith Murray, a few incomplete, together c. 300pp., 8vo, from on board Yacht Nerine, London, Paris, Algiers, Seville, Corfu and elsewhere, [1886-94], on a variety of subjects including: sea sickness, asking for money, visiting various destinations etc., "You would have laughed our last day at Algiers to see Dallimore; Pulton & myself careering over the hills and far away on Arab steeds - D[allimore] clutching the mane tight whenever we put on full speed", some ff. excised, all with folds, slight browning, ink inscription by Edith Murray leaving the volume to her sister after her death, bound in contemporary morocco, gilt, spine faded, by R. Ingalton Drake.
Shaw (George Bernard, playwright and polemicist, 1856-1950) Corrected proofs of three plays as part of a collected edition, "Geneva"; "Cymbeline Refinished"; "In Good King Charles's Golden Days", all stamped "First Proof", printed proofs, "Geneva" with long correction by Shaw and with date corrections in all three by GBS, slightly browned, unbound, 8vo, 1948; ALs from Shaw to R. & R. Clark publisher's, making a correction, "On p. 163 of the Preface to Getting Married, line 2, the word "avoid" should be "make". Please correct plate accordingly. It has taken 20 years to discover this glaring error. I wonder do people ever really read my prefaces! GBS", 10th April 1929, v.s., v.d. (4).
[Moffett (Peter)] A commentarie vpon the whole booke of the Prouerbs of Salomon. The second time perused, much enlarged, and newly published for the ædification of the Church of God, A1 blank except for signature mark 'A', title with woodcut printer's device, woodcut head- and tail-pieces and decorative initials, woodcut circular ornament beneath colophon, 2I8 and final f. blank, contemporary ink marginalia and underlining at start, A1 with loss to upper corner and a repaired tear, V1 lower corner torn, just touching a printed side-note, occasional spotting, contemporary limp vellum, yapp edges, soiled, [STC 18246], 8vo, Printed by R[obert]. R[obinson]. for Robert Dexter, 1596.⁂ Provenance: William Herbert, ?3rd Earl of Pembroke, 1580-1630, Chancellor of the University of Oxford, founder of Pembroke College, Oxford, and dedicatee of Shakespeare's First Folio (ink signature to upper corner of title).Saleroom notice: The ownership inscription is that of William Herbert bibliographer (1718-1795), not the Earl of Pembroke.
Law.- Coke (Sir Edward) The Second Part of the Institutes of the Lawes of England, first edition, mostly black letter, engraved portrait frontispiece, title within architectural woodcut border, woodcut initials, head- and tail-pieces, burn hole to 2S1 with loss to a couple of letters but a clean copy generally, contemporary calf, gilt arms of Thomas Coningsby to covers, spine ends chipped, corners bumped, joints cracked, rubbed and scuffed, [Wing C4948], folio, M. Flesher, and R. Young, for E.D.R.M.W.L., and D.P., 1642.
H[obbes] (T[homas]) The history of the civil wars of England· From the year 1640, to 1660. By T.H., first edition, with initial blank, occasional spotting, lightly browned, contemporary mottled calf, gilt, rebacked, corners worn, covers rubbed, [Wing H2239], 8vo, no printer, 1679.⁂ Provenance: Richard Frewin (1681-1761), English physician and professor of history (ink signature 'R. Frewin' to initial blank).
Rugby School.- Arnold (Thomas, headmaster and historian, 1795-1842) Autograph Letter signed to R. Bright Esq., in Bristol, 3pp. and address panel, sm. 4to, Rugby, 23rd March 1838, reporting on the behaviour of his son, "Your son went over to Donchurch on Friday last with four or five others in a hired carriage to see a great Steeple Chase... they went with Horns, and behaved on the Road in a way that was not very gentlemanly, shouting... they might have been... drinking... they met a Gentleman of the Neighbourhood who is particularly obnoxious to the Boys, - and they gave him an effusive Shout... He complained to me of the Insult... the Gentleman in Question is a hot tempered Man, and dislikes the School... owing to various old Disputes about their fishing... It is a very awkward Situation for me...", small tear where opened affecting two words, folds, slightly browned.⁂ "It is a very awkward Situation for me." - Thomas Arnold.
Sports.- H[owlett] (R[obert]) The school of recreation: or, The gentlemans tutor, to those most ingenious exercises of hunting. Racing. Hawking. Riding. Cock-fighting. Fowling. Fishing. Shooting. Bowling. Tennis. Ringing. Billiards, first edition, engraved frontispiece, advertisement f. at end, woodcut head-piece and decorative initial, frontispiece worn at fore-edge with loss, preliminaries little chipped, a few small wormholes / trace to upper outer margins, affecting some page numbers and the odd letter, closely trimmed at head, just touching the odd headline, some creasing and soiling, lightly browned, disbound, [Schwerdt I, p.225; Thacher p.451; W&S p.110; Wing H3194], 12mo, printed for H. Rodes, next door to the Bear-Tavern near Bride-Lane in Fleet-Street, 1684. sold not subject to return. ⁂ 'a scarce and comprehensive booklet on a great variety of British sports' (Schwerdt). The section on tennis includes a poem 'The Tennis-Court'. Also included are billiards, bell-ringing, bowling, racing and angling. Provenance: 'Samuel Baker bought this book by Bedlam Wall Morefields November ye 24 1736'.
?Woman writer.- Novel.- [Herberts (Mary)] The adventures of Proteus, &c. A sett of novels, never before publish'd, first edition, sigs Q & R erratic with a leaf or more seemingly removed after Q1, but with catchwords matching and pagination continuous, other pagination errors as ESTC, foxing, large printed label for Blagden's Circulating Library to front pastedown, numbering the volume 1249, contemporary mottled calf, gilt, spine in compartments, upper joint split, but holding, spine ends and corners worn, lacking spine label, rubbed and scuffed, 8vo, printed for Tho. Combes, James Lacy, and John Clarke, 1727.⁂ Scarce only novel by this ?woman writer. ESTC suggests Herberts is a pseudonym and records only eight copies, of which only two in UK (BL and Chawton). A second edition and a Dublin edition were also published, both rare, with ESTC recording one and two copies, respectively.
Double fore-edge paintings.- Hay (William) Deformity: an essay, third edition, lacking ?half-title and a final ?blank f., printed for R. and J. Dodsley, 1755 bound with Hay (William) Mount Caburn. A Poem, manuscript fair copy, 46pp., [early 19th century], contemporary red morocco, richly gilt, rebacked, preserving original backstrip in compartments, rubbed and marked, with two fore-edge paintings beneath the gilt of Oxford and a river view with the Tower of London, 8vo (197 x 119mm.)
Tolkien (J. R. R.).- Printed programme for the New College School, Oxford, production of The Hobbit, adapted by Humphrey Carpenter with music by Paul Drayton, 4pp., illustrations, with map by Drayton to final p., signed by Tolkien, Carpenter and Drayon on upper cover, additionally signed by 9 members of the case, hole punch rings to margins, the dragon coloured by hand, [Hammond pp.23-24], 1967 § Carpenter (Humphrey) "The Hobbit". A Play for Children and Adults, typescript, several markings and underlinings along with a few drawings relating to the production in a young hand, original programme loosely inserted, the sheets hole-punched at inner margins with ring fasteners in contemporary limp boards with related drawings to upper cover, extremities a little worn, 1967; with a contemporary vinyl recording of the play, 4to (3)⁂ A rare signed playbill for the second theatrical adaptation of The Hobbit.The first production of The Hobbit was performed at St. Margaret's School, Edinburgh for teachers and parents in 1953. This second production was a larger affair, performed over three nights, with the author in attendance on the final night. The play was adapted by Humphrey Carpenter and music composed by the school music teacher Paul Drayton (who also drew the map for the lower cover). Signed copies of the book were raffled off each night, Tolkien also signed copies of the programme for the performers.
Newton (Sir Isaac) Opticks: or, A Treatise of the Reflexions, Refractions, Inflexions and Colours of Light, 3 parts in 1, first edition, presentation copy to Nicolas Fatio de Duillier and with his ink and pencil annotations, title printed in red and black, 19 folding engraved plates, paper flaw to part 1 p.98 with some distortion to 2 lines of text and letters supplied in ink by the printer, a couple of other printing flaws probably features of the earliest copies to come off the press, contemporary panelled calf, rubbed, joints split but firm, spine ends slightly chipped, corners worn, lacking spine label, preserved in modern silk-lined green morocco drop-back box by Shepherds, [Babson p.66; Gray 174; Wallis 174], 4to, Printed for Sam. Smith and Benj. Walford, Printers to the Royal Society, 1704.⁂ Highly important association copy, received by Fatio, Newton's close friend and collaborator, five days before Newton himself presented a copy to the Royal Society. The earliest known presentation copy of the only book Newton prepared for publication and saw through the press himself.Inscribed at the top of the front pastedown in Fatio's hand: 'Ex Dono Autoris Clarissimi: Londini, Februarii undecimo, 1703/4. Nicolaus Facius.' Fatio also used the Latin form of his name in an inscription recording presentation by Newton in his copy of the third edition of the Principia (1726).The date of presentation is of particular interest. The Opticks builds on work that Newton carried out as early as the mid-1660s and later presented in his earliest lectures as Lucasian Professor in Cambridge. His first publications in the journal of the Royal Society, the Philosophical Transactions, were on the nature of light. For much of the 1670s, he engaged in critical correspondence with English and Continental virtuosi about his findings. As he stated in the 'Advertisement' at the beginning of the published Opticks, he began to prepare a more complete work on light in about 1675. He returned to the idea of publishing this work only after the appearance of the Principia (which contained one section on optical mechanics) in 1687 had won him international fame. The manuscript was largely prepared in the period 1687-8 and 1691-2. The Scottish mathematician and Oxford Professor of Astronomy, David Gregory, saw an incomplete text when he visited Newton in Cambridge in May 1694. Newton delayed finishing the book, however, and decided to print it only in 1702 or 1703. The book was going through the press in December 1703. On 16 February 1704, Newton presented the completed book to the Royal Society, of which he had been President since 30 November 1703. The copy on offer was presented to Fatio five days earlier.Nicolas Fatio de Duillier (1664-1753) was a Swiss mathematician and natural philosopher. Educated at the Academy of Geneva, Fatio worked with Giovanni Domenico Cassini at the Royal Observatory in Paris in the early 1680s. He first came to England in 1687 and became a Fellow of the Royal Society on 2 May 1688. After the Revolution of 1688, Fatio was the most important intermediary between Newton and Huygens. Fatio regarded himself (with some justification) as being among the very few mathematicians internationally who were equipped to handle the new calculus and as being in the forefront of scientists who were trying to explain the action of gravity, the force which played such an important role in the physical explanations provided by the Principia. In the early 1690s, Fatio emerged as the likeliest person to produce a revised edition of the Principia and discussed corrections to the work with Newton, to whose manuscripts he also had access. At this time, he was one of Newton's closest confidants. The two men regularly exchanged letters (several of which remain unpublished) and Fatio advised Newton in particular about the purchase of alchemical works in French. For much of 1693, Newton and Fatio collaborated on alchemical experiments, with Fatio conveying information derived from practitioners with whom he associated in the London Huguenot community. According to William R. Newman, who has recently produced a definitive account of the alchemical collaboration of Newton and Fatio, Newton was 'testing the ability of a vitriol to "ferment" respectively with salts of lead, tin, and copper' and fermenting iron, copper, and lead with metallic quicksilver. Exhaustion from long hours tending the furnace involved in these experiments may well have caused Newton's famous breakdown, which he discussed in letters to Samuel Pepys and John Locke in autumn 1693. Newman's work demonstrates that Fatio's involvement with Newton reflected shared intellectual concerns with 'chymistry, the transformation of materials, and the production of remedies.' These interests remained vital despite Newton's illness, which cannot now be attributed to any falling out with Fatio. Fatio found new employment as a tutor in 1694, which required him to be away from London; he travelled to the Netherlands with his pupil in 1697-8, and returned to Geneva between 1699 and 1701. Nevertheless, he remained a regular participant in conversations among Newton and his disciples: his interest in the renewed editing of the Principia and in Newton's other projects was taken for granted.In London in 1698, Fatio set to work seeing two compositions of his own through the press: an English treatise on the exploitation of the angle of the sun's rays in gardening (Fruit Walls Improved) and a Latin pamphlet on the geometrical investigation of the line of quickest descent (Lineae brevissimi descensus), a work notable for its author's attempt to reassert a position among the front rank of European mathematicians. As such Fatio was critical of the behaviour of Johann Bernoulli and his associates for the nature of the challenge problem which they had issued in 1696, and which Newton had answered with a correct solution for the line of quickest descent. Newton had presented his work anonymously in the Philosophical Transactions (January 1697), but gave no hint about the method he had followed. He presented a construction of the solution-curve (a cycloid).Behind Bernoulli's challenge lurked Gottfried Wilhelm Leibniz, whom Fatio accused of having ignored Newton's priority in the invention of the calculus in his publications about this mathematical tool. At the heart of the dispute lay a broader intellectual problem that many Continental mathematicians had in accepting Newton's subordination of his method of fluxions to traditional geometrical arguments and their consequent belief that Newton had not properly mastered the intricacies of the new analysis that Leibniz had developed. On such a reading, no other mathematician in England except Newton was worthy of consideration (Fatio included). Fatio's pamphlet also treated the problem of the solid of least resistance, which Newton had solved in Book II of the Principia (1687). He wished to show that, …
Birds.- Lilford (Thomas Littleton Powys, Baron) Coloured Figures of the Birds of the British Isles, 7 vol., list of subscribers, photogravure portrait frontispiece, 421 chromolothographed or hand-coloured lithographed plates, mainly after Archibald Thorburn and J. G. Keulemans, plates and pages numbered in pencil by hand, occasional spotting and faint off-setting, bookplates, contemporary half-morocco by R. W. Porter, faded spines, 8vo, 1885-97.
Darwin (Charles), Admiral Robert Fitzroy & Captain Philip Parker King. Narrative of the Surveying Voyages of His Majesty's Ships Adventure and Beagle, between the Years 1826 and 1836, Describing their Examination of the Southern Shores of South America, and the Beagle's Circumnavigation of the Globe, 3 vol. in 4 (including Appendix to vol. 2), first edition, vol. 3 a late issue with pages i-iv cancels and new title-page, 9 folding engraved maps by J. Gardner and J. and C. Walker, 47 etched plates after P. King, A. Earle, C. Martens, R. Fitzroy and others, 24pp. ads at end of vol. iii dated August 1839, original cloth, neatly recased, retaining original backstrips (but with these rather bubbled and creased), corners repaired, some rubbing and marking to covers, [Freeman 11; Hill 1, pp104-105; Norman 584; Sabin 37826], 8vo, 1839.⁂ Darwin's first published work and his most-widely read, the account of the voyage that would lead to his publishing On the Origin of Species. The first volume contains King's account of the expedition in the Adventure made between 1826 and 1830, which surveyed the coasts of Patagonia and Tierra del Fuego. The second volume (and its appendix volume) describes the narrative of the Beagle's second voyage under Capt. Fitzroy made between 1831 and 1836 to South America, the Galapagos Islands, Tahiti, New Zealand, Australia, and other islands and countries. 'The five years of the voyage were the most important event in Darwin's intellectual life and in the history of biological science. Darwin sailed with no formal scientific training. He returned a hard-headed man of science, knowing the importance of evidence, almost convinced that species had not always been as they were since the creation but had undergone change... The experiences of his five years... and what they led to, built up into a process of epoch-making importance in the history of thought' (DSB).Provenance: Edward John Payne (bookplate to pastedowns); University College, Oxford (library plate with cancel stamp in two vol.).
Trianon Press.- Blake (William) America: A Prophecy, number X of 20 deluxe copies with a set of progressive plates, from an edition limited to 526, with additional plates showing the progressive stages in the stencil work, colour collotype proofs and an original guide-sheet and stencil bound at end, original dark blue morocco, t.e.g., marbled board slip-case, a fine copy, 1963; Jerusalem: The Emanation of the Giant Albion, number 35 of 500 copies, from an edition limited to 558, original tan morocco-backed marbled boards, marbled board slip-case, 1974; Visions of the Daughters of Albion, letter R of 26 deluxe copies with a set of progressive plates, this marked "special publisher's copy", from an edition limited to 446, with a set of hand-coloured plates showing progressive stages, colour collotype proofs and an original guide-sheet and stencil at end, original terracotta morocco, t.e.g., original marbled board slip-case, 1959; Visions of the Daughters of Albion, number 341 of 446 copies, original terracotta morocco-backed marbled boards, t.e.g., original marbled board slip-case, 1959; The Book of Ahania, number 216 of 808 copies, original black morocco-backed marbled boards, t.e.g., marbled board slip-case, 1973, leather book-label of Haven O'More, collotype plates hand-coloured through stencil, fine copies, Trianon Press, folio & 4to (5)
Crawhall (Joseph) Old Aunt Elspa's ABC, first edition, hand-coloured woodcut illustrations by the author throughout, 3pp. advertisements at end, original wrappers with hand-coloured woodcut vignettes, with 1858 1d red postage stamp pasted onto easel on verso, [1884] § Rossetti (Christina) Sing-Song. A Nursery Rhyme Book, first edition, wood-engraved frontispiece and illustrations by Arthur Hughes, advertisement leaf at end, original pictorial red cloth, a little soiled, 1872 § Greenaway (Kate) Language of Flowers, first edition, wood-engraved illustrations printed in colours by Edmund Evans, original cream boards, gilt, pale olive endpapers, spine and edges a little rubbed and soiled, [Schuster 107-1f], George Routlede & Sons, [1884], the last two with light spotting at beginning and end, a little rubbed; and 6 others, children's, including 5 by Hilaire Belloc in generally fine condition, 4to & 8vo (9)⁂ "Aunt Elspa" was a family term of endearment for Crawhall's daughter Elspeth. Crawhall himself is pictured at letter R for Rumpus, Rage, Racket & Riot, being chased by a termagant queen.
Darton, publishers.- R. (R.) The Good Boy's Soliloquy; containing his Parents' Instructions relative to his Disposition and Manners, first edition, 16 oval engraved plates, small ink spot to upper edge of frontispiece, one leaf slightly frayed at edges, original wood-engraved pictorial buff wrappers, upper cover with scene of encampment, lower with girl chasing a cat in a farmyard, upper cover with contemporary ink inscription "Henry G.G. Ludlove July 31 1813", very slightly rubbed, [Darton H1282 (1)], 16mo, W.Darton, Jun., 1811.⁂ Rare. WorldCat lists only 2 copies, both in North America (Universities of Columbia, NY and Alberta, Canada). Darton adds another rebound copy in the Pierpont Morgan Library and states that the Columbia copy is imperfect. There are no copies in British libraries, the earliest edition in the British Library is that of the second edition of 1813. "A tongue-in-cheek call to virtue, cataloguing all the things a good boy should not do, the illusns [sic] showing him in the act of doing them". Darton

-
297893 item(s)/page