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A WWI period padded embroidered RAF pilot’s wings; 2 WVS brass shoulder titles with brooch pins and WTS in rectangle with lugs; 4 pairs “Rhodesia” shoulder titles; a KC RAF officers beret badge; 10 large and 10 small flat chromed R Aux A F buttons; 2 County of Middlesex presentation medallions Silver Jubilee 1935; sundry badges, buttons, insignia, etc. Generally GC
6 cap/glengarry badges: Suffolk (2), WM E Suffolk Police (similar to infantry but with R Arms in Garter to centre), RA large and small, Liverpool Scottish (1706, lugs missing); pair T/RFA/London titles with backing plates; an enamelled “silver” Geo VI tie pin; sundry other badges and buttons; 2 161st Ind. Inf Brigade black on red arm patches, single GHQ MELF., etc. GC
A green baize lined fitted oak case for an Adams percussion revolver, with trade label of R Adams, 76 King William Street, London, Patentee of the Revolver, “also of the New Breech Loader”, containing Adams marked double cavity 54 bore bronze mould (slightly battered), nipple key with pricker, pewter oil bottle, Joyce cap tin, copper flask, and turnscrew. Basically GC (some wear to case, lid escutcheon missing)
A 5 shot 48 bore Adams type self cocking percussion revolver, 11” overall, barrel 6” engraved “R. Watmough, 13 Blackfriars Street, Manchester”; B’ham proved; with double line engraved frame, rammer on left of barrel, and deeply chequered walnut grips. GWO & C, retaining some original blued finish overall. Plate 30 .
A 16 bore flintlock pistol by R Ashmore (Wednesbury, Staffs), c 1820, 11” overall, octagonal twist barrel 6”; trade quality lock with unbridled frizzen, the plate stamped “R Ashmore-Warranted”; walnut fullstock, the rounded butt with “plaid” type chequering; steel mounts, the trigger guard with pineapple finial; with a horn tipped ramrod. GWO & basically GC (some wear, the mounts pitted). .
A cased 5 shot 54 bore Adams Model 1851 self cocking percussion revolver, barrel 6¾” engraved “Deane Adams & Deane, 30 King William St, London Bridge”; London proved; frame engraved with scrolls and “Adams Patent No 10627.R”, the cylinder similarly numbered; with chequered walnut butt and engraved steel butt cap. Good Working Order and Condition (reblued overall); in its green baize lined fitted oak case with maker’s trade label, containing copper flask (dented, spring missing), Adams marked double cavity mould (sprue cutter pitted), nipple key with pricker, cleaning rod, and key to case. Plate 19
A cased 5 shot 54 bore Adams Model 1851 self cocking percussion revolver, barrel 6¼” engraved “Deane, Adams & Deane, 30 King William St, London Bridge”, frame engraved with scrolls and “Adams’ Patent No 7370.R”, cylinder similarly numbered.Good Working Order and Condition (lightly refinished, the cylinder has been slightly pitted and cleaned, butt cap lightly pitted); in its green baize lined fitted oak case, with trade label of Deane, Adams & Deane, containing Adams marked double cavity bronze bullet mould; Dixon flask retaining all original finish, brass mounted wooden cleaning rod, pewter oil bottle, and Joyce cap tin. Plate 19
A cased 5 shot 54 bore Beaumont Adams double action percussion revolver, barrel 6” engraved “Deane Adams & Deane, 30 King William St, London Bridge”; London proved; frame engraved “B810” over “Adams’ Patent No 16,811 R”, cylinder similarly numbered; with Adams 1854 rammer on left of frame, chequered walnut butt and plain steel butt cap. Good Working Order and Condition, frame and barrel retaining much original blued finish (other parts dull),in its green baize lined fitted oak case, containing copper flask (no spring), double cavity brass mould (slightly worn), cleaning rod, pewter oil bottle, reproduction turn screw, and key to case. Plate 20
The orders, decorations and medals of Major General Henry Robinson Swinburn, covering WWI service through to WWII and the desperate attempt to evacuate and save the British 51st Highland Division at St Valery en Caux from being captured in the face of Rommel’s 7th Panzer Division. The group comprises: C.B; O.B.E. Military 2nd type, M.C. George V issue, post First World war, ( un-named as issued); British War Medal (Lieut H R Swinburn), India General Service 1908, with clasp Afghanistan N.W.F. 1919 (Lieut H.R. Swinburn 1-15 Sikhs); G.S.M. 1918, 2 clasps Iraq, Kurdistan (Lieut H R Swinburn), 1939-45 star, France and Germany star, Defence, War Medal with M.I.D. emblem (un-named as issued). All professionally mounted court style. Average Very Fine The citations for the above awards as follows: CB Colonel (Acting Major General) Henry Robinson Swinburn, MC (London Gazette 12th June 1947 Birthday honours); OBE 2nd type, as Lieutenant Colonel, 17th Dogra Regiment, Indian Army (London Gazette 11th October 1945 “in recognition of gallant and distinguished services in the field”), the recommendation as follows: ”Lt Col Swinburn was captured at St Valery in June 1940. Throughout his imprisonment he took a keen and active interest in all Intelligence, Escaping and Security work, acting as Chief co-ordinating officer for Major General Fortune. Included in this work was the frequent communication of vital information to the War Office by secret means. Lt Col Swinburn has been highly praised by three colleagues who had knowledge of the work he had undertaken. Major General Fortune has also commended him as one of the most outstanding Intelligence workers in German camps”. Whilst in captivity Swinburn was a major part of an organised system allowing coded messages to be sent directly to, and received from, MI9, he was mentioned in despatches (London Gazette March 1946), and awarded the OBE (London Gazette October 1945). MC (London Gazette 19th December 1922 to Lt Henry Robinson Swinburn, 15th Sikhs, I.A.) 1 of only 9 MCs awarded in 1922 and the only issued for Kurdistan - citation reads “During the retirement at Rania Plain on the 1st September, 1922, when the rear guard platoon of his regiment was hard pressed, he reinforced them with the only other platoon available, and charged the enemy with the bayonet, inflicting heavy casualties, and improving the situation generally. He was wounded shortly after, but continued to encourage his men. Lieutenant Swinburn commanded his company with marked success, resource and energy under difficult circumstances”. Sold with the awards are two cuttings books covering 1940-41 relating to the progress of the War including scraps for St Valery : one unidentified news cutting states “Heroic Fighting by the Highland Division”.. June 7th, it was learnt that hostile tanks had broken through the French on the British right and were making for Rouen, then our base for supplies. Arrangements were therefore made to procure supplies from Havre, and on June 8th the division fell back to the River Bethune, which enters the sea at Dieppe, this line being occupied soon after daylight on June 9.That day provided the division with its first respite for a long period. As retreat in the direction of Rouen was now out of the question, it was arranged to evacuate the whole French IX Corps, of which the Highland Division formed part, from Havre. One brigade group was dispatched to hold a covering position round the port. Then came the tragedy which has already been reported. German movement northward from Rouen cut off the division from Havre and made it necessary to attempt an evacuation from Saint-Valery. But during June 11th German assaults on the perimeter established round the little port, supported by dive bombers, though repulsed in the British sector, broke through that of the French. As is now well known, fog prevented the Navy from giving its wonted aid to the cornered troops, and except for a handful who managed to escape to Veules-les-Roses, this portion of the Allied force was captured..” another cutting records “An hour later there was heavy bombing, and many parts of the town began to blaze fiercely. Then to my surprise I heard heavy machine gun fire, and the British troops began to rush up the streets with fixed bayonets“; these books also include telegrams received by Mrs Swinburn advising that her husband is reported missing, a second reports Lieutenant Colonel H.R. Swinburn last seen fit well and unwounded as Prisoner of War 15th June.. An August 13th telegram states “Very glad received postcard from Henry Swinburn who is well and prisoner number1253 at Oflag VII C/H”; in January 1942 he was sent to Oflag IX A/H.camp. Included also in this lot: “The Legendary 51st 1940-1990” a booklet which “commemorates the 50th anniversary of the event. It illustrates the Division’s history prior to 1940 and deals, too, with the story of the reborn Division which avenged its predecessor and liberated St Valery in 1944”; cufflinks bearing the Sikh Regimental device and also of chakram (Indian throwing weapon) design; a 2nd Royal Battalion The Sikh Regiment programme for The Trooping of the Colour in celebration of the Centenary of the Battalion, Bombay 1946 and few other items of ephemera. Plate 3 Note: Born 8th May 1897, Swinburn entered the War in 1916 with the 1/4th Border Regiment as Sergeant, before taking a commission , 2nd Lieut June 1918; transferred to Indian Army in 1918 with the Royal Ludhiana Sikhs; at Staff College Quetta 1929-30; GSO II, GHQ India, 1932-36; Bt Major 1934; posts as Staff College instructors from 1937-1938 until Chief Instructor School of Military Intelligence 1939-40, Bt Lieutenant Colonel 1939. Served with the British Expeditionary Force France 1940, and was captured at St Valery with the 51st Highland Division in June 1940, He became Director of Morale, India in 1945; promoted Temp Major General in 1946; served as Deputy Mil Sec GHQ India 1946 becoming Military Secretary GHQ India 1946-7; he retired in 1948; Counsellor, UK High Commission in India 1948-49 and Schools Liaison Officer 1952-60. Died 27.1.1981.
H G WELLS, SUBJECT. A COLLECTION OF BIOGRAPHIES AND STUDIES ON ASPECTS OF WELLS' LIFE AND WRITINGS TOGETHER WITH EDITIONS OF HIS WORKS, WELLS' BIBLIOGRAPHIES (SEVERAL COPIES, HIS CONNECTIONS/FRIENDSHIPS WITH GISSING. R WEST & OTHERS, AND UNPUBLISHED DISSERTATION ON "TONO-BUNGAY" (IN ITALIAN) 1996, SCRAPBOOK OF POSTCARDS AND PRESS CUTTINGS ABOUT WELLS, TWO SHELVES
Judy Boyes, by and after, Four limited edition prints signed in pencilSlater's Bridge, Little Langdale 62/850; Buttermere 188/750; Tarn Hows in Winter 428/500; Reflections on The Derwent 175/850; John R. Henderson, Fly Fishing, watercolour, monogrammed and dated 96; Devon Cottage, watercolour, monogrammed and dated 98; Regatta, acrylic on board, monogrammed and dated 98 (7)
Books - various reference books including Fountain Pens of the World, Andreas Lambrou, Classic Pens; Pocket Watches 19th & 20th Century, Alan Shenton, Antique Collectors Club; English Domestic Clocks, Herbert Cescinsky & Malcolm R. Webster, Spring Books; Chats on Old Pewter, H.J.L.J. Masse, T.Fisher Unwin, London, 1911; The Clockmakers of Cumberland, John B. Penford; One Hundred Years of Keymaking; Famous Diamonds, Ian Balfour etc.(4 boxes)
Darwin (Charles). The Power of Movement in Plants, 1st edition, 1st issue, London: John Murray, 1880, half-title, 32 pp. advertisements dated May 1878, wood-engraved illustrations and diagrams throughout, small marginal stain to p. 101, brown coated endpapers, front inner hinge cracked but firm, original cloth, spine darkened, a few marks to covers, lower outer corners showing, 8vo (Qty: 1)NOTESTHE DAVID WILSON LIBRARY OF NATURAL HISTORY PART I Provenance: Richard Irwin Lynch (1850-1924), horticulturalist and botanist (gift inscription, 'R. Irwin Lynch, from W. Hill[...], Dec 1880' to half-title). An excellent association copy. Lynch and Darwin maintained a productive correspondence on plant movement in 1877-8, when Lynch was a foreman at Kew, and Lynch is mentioned twice in Darwin's text in relation to his work on Pachira aquatica and sleep movements of Averrhoa (at pages 95 and 330). In December 1878 Darwin wrote Lynch a letter of recommendation for the position of curator of the Cambridge University Botanic Garden, to which he was appointed the following year. Lynch is remembered as 'an exceptional horticulturist, one of the greatest and most influential of this period. His professional life was distinguished by his transformation of Cambridge University Botanic Garden and the reputation he created for the garden, his rare ability to combine horticulture with botanical science, [and] the contributions he made in hybridization and genetics' (ODNB). Freeman 1325. 'The first edition was published on November 6, 1880, and it is recorded that 1,500 copies were sold at Murray's autumn sale' (Freeman).
Godman (Frederick Du Cane). A Monograph of the Petrels (Order Tubinares), 2 volumes, 1st edition, London: Witherby & Co., 1907-10, half-title, title-pages in red and black, 106 hand-coloured lithographic plates mainly by J. G. Keulemans, many heightened in gum arabic, all with tissue-guards and mounted on linen stubs, text-leaves toned, light spotting to preliminaries, a few other text-leaves and margins of plates 96, 100 and 102, small faint stain in image of plate 87, plate 95 slightly short, original wrappers bound in, bookplates (Jorge Casares), top edges gilt, others untrimmed, contemporary red crushed half morocco gilt, 4to (32.6 x 24.6 cm) (Qty: 2)NOTESTHE DAVID WILSON LIBRARY OF NATURAL HISTORY PART I Anker 163; Mullens & Swann p. 234; Nissen IVB 356; Wood p. 361; Zimmer p. 248. Number 204 of 225 copies only. The work was in fact begun by Osbert Salvin, and completed after his death by Godman in collaboration with R. Bowdler Sharpe.
Kennedy (Alexander W. M. Clark). The Birds of Berkshire and Buckinghamshire, 1st edition, Eton: Ingalton and Drake, 1868, 4 hand-coloured albumen prints mounted on card, tissue-guards, half-title discarded, bookplate of George Oakley Fisher (1859-1933), collector, contemporary half morocco, 8vo (17.6 x 11.8 cm), together with: Garner (Robert), The Natural History of the County of Stafford [-Supplement to the Natural History of the County of Stafford], 2 parts in 1 volume, 1st edition, London: John Van Voorst, 1844-60, engraved frontispiece, etched plate, 7 lithographic plates, hand-coloured folding map, extra-illustrated with engraved plates mainly from The Beauties of England and Wales, half-title discarded, frontispiece spotted and offset, light spotting to other plates, short split to one fold of map, contemporary marbled boards, rebacked retaining original roan cornerpieces, 8vo (21.5 x 13.2 cm), Macpherson (Hugh Alexander, & William Duckworth), The Birds of Cumberland critically studied, including some Notes on the Birds of Westmorland, 1st edition, Carlisle: Chas. Thurnam & Sons, 1886, hand-coloured lithographic frontispiece by J. G. Keulemans, folding colour map, top edge gilt, contemporary dark green crushed half morocco gilt by Morrell, 8vo (21.5 x 13.4 cm), Bucknill (John A.), The Birds of Surrey, 1st edition, London: R. H. Porter, 1900, half-title, 6 photogravure plates, folding map, contemporary dark green crushed half morocco gilt by Morrell, 8vo (21.9 x 13.3 cm), Babington (Churchill), The Birds of Suffolk [caption-title], [?Bury St Edmunds, 1883-4], extracted from the Proceedings of the Suffolk Institute of Archaeology and Natural History, pp. 277-557, 7 halftone plates, lithographic map hand-coloured in outline, with descriptive text-leaf (unpaginated), interleaved throughout, ownership inscription, bookplate and annotations of Thomas Tindal Methold (1838-1902) of Hepworth Hall, Suffolk, contemporary half morocco, 8vo (21.6 x 13.6 cm), and 4 similar works, 19th-century county faunas or avifaunas, leather-bound, 8vo (Qty: 9)NOTESTHE DAVID WILSON LIBRARY OF NATURAL HISTORY PART I Gernsheim 436 (Kennedy); Mullens & Swann pp. 326 (Kennedy), 226 (Garner), 374 (Machperson), 105 (Bucknill), 33 (Babington). Kennedy's work was the first ornithology book to be illustrated with photographs.
Morris (Beverley R.). British Game Birds and Wildfowl, London: Groombridge and Sons, 1864, iv + 252 pp., 60 hand-coloured wood-engraved plates, text-leaves toned, variable spotting, modern tissue-guards, top edge gilt, contemporary red half morocco gilt, rubbed, short split to joint-ends, 4to (31 x 24.5 cm) (Qty: 1)NOTESTHE DAVID WILSON LIBRARY OF NATURAL HISTORY PART I Wood p. 472 ('this well-illustrated book'); Anker 345, Freeman 2667, Mullens & Swann p. 414, Nissen IVB 644, Zimmer p. 442 for other printings. First edition, later issue. The first edition appeared in 1855, a second in 1873, and a fifth by 1897.
Morton (John). The Natural History of Northampton-shire; with some Account of the Antiquities. To which is annex'd a Transcript of Doomsday-Book so fas as it relates to that County, 1st edition, London: R. Knaplock and R. Wilkin, 1712, p. iv with pasted errata slip, engraved folding map by John Harris, 14 engraved plates, damp-staining to first few leaves, map browned, plates slightly spotted, contemporary panelled calf, rebacked, recornered and relined, gilt arms of Beriah Botfield to sides,rubbed and scuffed, wear to extremities, folio (35.1 x 21.9 cm), together with: Leigh (Charles), The Natural History of Lancashire, Cheshire and the Peak, in Derbyshire: with an Account of the British, Phoenician, Armenian, Gr. and Rom. Antiquities in those Parts, 1st edition, Oxford: for the author, 1700, engraved portrait frontispiece, 2 engraved plates showing coats of arms, double-page engraved map coloured in outline, 22 other engraved plates, variable damp-staining chiefly to margins, affecting images in several plates, frontispiece trimmed and mounted, neatly repaired closed tears in map and plates 8 and 14 touching image in map and skirting plate-mark in plate, plate 11 trimmed to image along fore edge and with extensive repaired tear through image, plate 12 with chip in fore margin repaired verso and fraying along bottom edge, plate 17 with partial loss of image and fore margin extended, plates 18-19 frayed along fore edges, marginal repairs to title-page and text-leaves X2 and 3C1, Postscript leaf following Book III frayed, contemporary marginalia in brown ink, modern half roan, folio (35.2 x 21.9 cm) (Qty: 2)NOTESTHE DAVID WILSON LIBRARY OF NATURAL HISTORY PART I Provenance (Morton): Beriah Botfield (1807-1863), antiquary, industrialist and bibliophile (armorial binding; see University of Toronto, 'British Armorial Bindings', stamp 2, online). ESTC T147393 & R20833; Freeman 2693 & 2211; Upcott pp. 1003-5 & 455-7; Wing L975 (Leigh).
Muirhead (George). The Birds of Berwickshire, 2 volumes, 1st edition, large-paper issue, Edinburgh: David Douglas, 1889-95, half-titles, 10 wood-engraved or etched plates, 2 plans, folding map, wood-engraved vignettes to title-pages and throughout the text, vignettes and 5 of the plates hand-coloured by the artist, top edges gilt, others untrimmed, modern red crushed half morocco, 4to (25.4 x 16.5 cm), number 76 of 100 copies, this copy hand-coloured by the artist John Blair, and inscribed by him 'These reproductions were coloured by me, John Blair' on the limitation page and volume 2 half-title, together with: Lilford (Thomas Littleton Powys, 4th Baron), Notes on the Birds of Northamptonshire and Neighbourhood, 2 volumes, 1st edition, London: R. H. Porter, 1895, half-titles, frontispiece, 24 photogravure plates after Archibald Thorburn, 43 wood-engraved plates after G. E. Lodge, linen-backed folding map, light spotting to outer leaves and a few plates including map, top edges gilt, others untrimmed, modern red crushed half morocco, 4to (28.2 x 21.5 cm), Wallis (John), The Natural History and Antiquities of Northumberland, 2 volumes, 1st edition, London: for the author, 1769, signatures A4 pi2 a-c4 B-3K4, chi2 B-4E4 4F1, contemporary ownership inscriptions effaced from title-page, a few small worm-tracks towards rear of volume 1, closed tear in volume 1 3K3, 19th-century half calf, one label perished, 4to (26.4 x 20 cm), Hartert (Ernst, & Francis C. R. Jourdain), The Birds of Buckinghamshire and the Tring Reservoirs, (Reprinted from Novitates Zoologicae, Vol. XXVII.), Tring: Hazell, Watson & Viney Ld., 1920, 2 halftone plates, original wrappers bound in, another offprint (K. Price, The Birds of Buckinghamshire, from Records of Bucks, Vol. XV, Part 1, 1947) laid in, 20th-century quarter calf, folio (28.2 x 19 cm) (Qty: 7)NOTESTHE DAVID WILSON LIBRARY OF NATURAL HISTORY PART I Freeman 3873 (Wallis); Mullens & Swann pp. 426 (Muirhead), 355 (Lilford). In the octavo issue of Lilford's work Lodge's illustrations are printed in the letterpress rather than as separate plates.
Poynting (Frank). Eggs of British Birds, with an Account of their Breeding-Habits. Limicolae, 1st edition, London: R. H. Porter, 1895-6, 54 chromolithographic plates, all on linen guards, variable spotting and damp-staining, original wrappers bound in at rear, top edge gilt, others untrimmed, contemporary maroon half morocco gilt, 4to (29 x 21.5 cm), together with 3 publisher's prospectuses (2 versions for the present work, and 1 for Dresser's Eggs of British Birds), and 2 autograph letters signed, one from Poynting to an unknown recipient, 31 June 1896 ('My publisher is collecting favourable reviews ...'), one from publisher R. H. Porter to customer Rev. George Nicholson, 4 February 1897 ('The price of the book now is £5 net, unbound:- but as you are an old client, I will let you have one at the subscription price ...') (Qty: 1)NOTESTHE DAVID WILSON LIBRARY OF NATURAL HISTORY PART I Provenance: Collingwood Lindsay Wood (1830-1906), of Freeland, Perthshire, with bookplate. Anker 406; Freeman 3069; Mullens & Swann p. 479 ('authoritative and beautifully executed'); Nissen IVB 741; Fine Bird Books p. 132; Wood p. 523; Zimmer p. 495. One of 250 copies only according to the accompanying publisher's prospectus. 'The work is renowned for its reliability, which also distinguishes the beautiful plates' (Anker). The first part, on Limicolae, was all that was published owing to Poynting's death in 1897.
Seebohm (Henry). A History of British Birds, with Coloured Illustrations of their Eggs, 4 volumes, 1st edition, London: for the author by R. H. Porter and Dulau & Co., 1883-5, 68 chromolithographic plates mounted on linen guards, original wrappers for parts 1 and 2 bound in at rear of volume 1, top edges gilt, contemporary green half morocco, spines lettered in gilt, armorial device (bishop's mitre with dove) gilt to foot (see note), spines toned, sides rubbed, 8vo (24.9 x 15 cm), together with: Hewitson (William C.), Coloured Illustrations of the Eggs of British Birds, with Descriptions of their Nests and Nidification, 2 volumes, 3rd edition, London: John van Voorst, 1866, half-titles, 149 hand-coloured lithographic plates, neat repair in volume 1 text-leaf S8, contemporary green half morocco gilt, slightly rubbed, 8vo (21.2 x 13 cm), Yarrell (William), A History of British Birds, 4 volumes, 4th edition (revised and enlarged by Alfred Newton [-Howard Saunders]), London: John van Voorst, 1871-85, half-titles, errata slips to volumes 1, 3 and 4, wood-engravings throughout, all edges gilt, contemporary green half morocco gilt by E. Worrall of Birmingham, 8vo (21.2 x 13 cm) (Qty: 10)NOTESTHE DAVID WILSON LIBRARY OF NATURAL HISTORY PART I Provenance (Seebohm): Hanbury Barclay (1836-1909; engraved bookplates, armorial binding). Freeman 3343, 1659, 4177; Mullens & Swann pp. 517, 294, 671; Nissen IVB 851 (Seebohm), 442 (Hewitson); Wood pp. 561, 386, 639; Zimmer pp. 568, 303, 699-700. The third edition of Hewitson's work is considered the best. The fourth edition of Yarrell's work contains 'much extra material, with a number of new illustrations' (Wood).
Shelley (George Ernest). A Handbook to the Birds of Egypt, 1st edition, London: John Van Voorst, 1872, 14 hand-coloured lithographic plates after J. G. Keulemans, partly unopened, top edge gilt, contemporary dark green crushed half morocco for Hatchards, spine sunned to tan, 8vo (25 x 15.3 cm), together with: Baker (E. C. Stuart), The Indian Ducks and their Allies, 1st edition, London: R. H. Porter, 1908, half-title, additional pictorial title-page, 30 chromolithographic plates after Keulemans, Grönvold and others, top edge gilt, others untrimmed, original half morocco, spine sunned, front joint slightly cracked at head, large 8vo (26.6 x 17 cm), Gätke (Heinrich), Heligoland as an Ornithological Observatory. The Result of Fifty Years' Experience, 1st edition in English, Edinburgh: David Douglas, 1895, halftone plate, photogravure portrait frontispiece, halftone plate, contemporary gift inscription 'Lilford, from Sandhurst, 1910' to frontispiece recto, top edge gilt, modern green crushed half morocco with gilt vignette from original cloth binding mounted to front board, 8vo (24.5 x 15 cm), and 3 others, 20th-century ornithology, leather bindings, 8vo (Qty: 6)NOTESTHE DAVID WILSON LIBRARY OF NATURAL HISTORY PART I Anker 469 (Shelley); Nissen IVB 872 (Shelley), 65 (Baker); Wood pp. 566 (Shelley: 'this excellent work'), 219 (Baker), 352 (Gätke: 'an important and well-known contribution'); Zimmer pp. 588 (Shelley), 236 (Gätke). Baker's work is one of 1,200 copies only.
Smith (Alfred Charles). The Birds of Wiltshire, 1st edition, London: for the author by R. H. Porter, 1887, contemporary ownership inscription to title-page, laid-in autograph letter signed from the author (single bifolium), edges untrimmed, modern red quarter morocco gilt, 8vo (22 x 13 cm), together with: Christy (Miller), The Birds of Essex: a Contribution to the Natural History of the County, 1st edition, Chelmsford: Edmund Durrant & Co., 1890, lithographic frontispiece, 2 lithographic plans, 6 pp. advertisements, modern red quarter morocco gilt, 8vo (20.9 x 13 cm), Macpherson (Hugh Alexander), A Vertebrate Fauna of Lakeland, 1st edition, Edinburgh: David Douglas, 1892, half-title, 2 hand-coloured lithographic plates (one signed by J. G. Keulemans), 6 sepia-tinted etched plates, folding map, 20 pp. advertisements, half-title soiled and with 2 ink-stamps, occasional spotting, short closed tear to map touching frame, top edge gilt, modern green quarter morocco gilt, 8vo (23 x 13.4 cm), Ticehurst (Norman F.), A History of the Birds of Kent, 1st edition, London: Witherby & Co., 1909, half-title, 24 halftone plates, folding lithographic map, inscribed 'F.[?] Whitaker, with the writer's kind regards' on the initial blank, ownership inscription to title-page, partly unopened, top edge gilt, others untrimmed, modern blue quarter morocco gilt, 8vo (22 x 15 cm), Ticehurst (Claud), A History of the Birds of Suffolk, 1st edition, London: Gurney and Jackson, 1932, half-title, 18 halftone plates, folding map (neatly repaired), laid-in autograph letter signed from the author to 'My dear Forbes' (probably H. F. Witherby), lacking 2 pp. advertisements, the 4 pp. insert on swan markings noted in some copies, and possibly a list of illustrations (2 pp. at front), modern blue quarter morocco gilt, 8vo (22.6 x 13.8 cm), and 4 others, county avifaunas, leather bindings, 8vo (Qty: 9)NOTESTHE DAVID WILSON LIBRARY OF NATURAL HISTORY PART I Mullens & Swann pp. 545 (Smith), 129 (Christy), 375 (Macpherson), 584 (Claud Ticehurst).
Whitaker (Joseph Isaac Spadafora). The Birds of Tunisia, being a History of the Birds found in the Regency of Tunis, 2 volumes, 1st edition, London: R. H. Porter, 1905, half-titles, photogravure frontispiece to each volume, 2 halftone plates, 15 hand-coloured lithographic plates after Henrik Grönvold, 2 folding maps, volume 1 half-title and title-page spotted, top edges gilt, others untrimmed, original dark green half morocco (ink-stamp 'Bound by R. H. Porter' to front free endpapers), volume 2 spine sunned to tan, large 8vo (26.2 x 16.4 cm) (Qty: 2)NOTESTHE DAVID WILSON LIBRARY OF NATURAL HISTORY PART I Provenance: 1) Edmund Ward Oliver (bookplates), probably the solicitor and landowner (c.1838-1917) who was landlord of Joseph Conrad when the author lived at Capel House, Kent; 2) R. A. W. Reynolds (bookplate). Anker 525; Nissen IVB 983; Wood p. 624 ('this meritorious work'); Zimmer p. 671. Out-of-series copy from the edition of 250.
Wolley (John). Ootheca Wolleyana: an Illustrated Catalogue of the Collection of Birds' Eggs begun by the late John Wolley, and continued with additions by the editor Alfred Newton, 4 parts in 2 volumes, 1st edition, London: [John van Voorst-] R. H. Porter, 1864-1907, photogravure portrait frontispiece, 21 chromolithographic plates of bird eggs after J. T. Balcomb or H. Grönvold numbered I-XXI, 16 further lithographic plates (tinted, chromolithographic or uncoloured) depicting birds, nests and landscapes lettered A-P, folding colour map of Lapland, separate list of plates to part 1, original front wrappers for each part bound in at rear, medial blank to volume 2 (between pp. vi and 1) discarded, frontispiece faintly offset, variable spotting to plates I-IX and A-I in volume 1, a few leaves unopened, top edges gilt, contemporary tan half calf, volume 1 spine rolled, large 8vo (25.1 x 15 cm) (Qty: 2)NOTESTHE DAVID WILSON LIBRARY OF NATURAL HISTORY PART I Provenance: Christopher Thomas Dalgety FRGS (1907-1980), ornithologist (bookplates). Anker 541; Freeman 2817; Mullens & Swann p. 661; Nissen IVB 1014; Wood p. 633 ('This famous work'); Zimmer pp. 691-2.
Wyatt (Claude W.). British Birds: being Coloured Illustrations of all the Species of Passerine Birds Resident in the British Isles, with Some Notes in Reference to their Plumage, 2 volumes in 1, 1st edition, London: William Wesley & Son, 1894-9, 67 hand-coloured lithographic plates, some heightened in gum arabic, all plates and text-leaves mounted on guards, top edge gilt, near-contemporary red crushed half morocco, gilt spine, faint cockling and soiling to linen sides, 4to (32.1 x 26.5 cm) (Qty: 1)NOTESTHE DAVID WILSON LIBRARY OF NATURAL HISTORY PART I Fine Bird Books p. 158; Freeman 4170; Mullens & Swann pp. 666-7; Nissen IVB 1027; Wood p. 638 ('fine hand-colored plates'); Zimmer p. 694. A very good copy of 'the best "working" book of [bird] illustrations: the artists having avoided the too common fault of over-colouring the birds figured' (Mullens & Swann); the colourists were the daughters of R. Bowdler Sharpe, with whom Wyatt produced A Monograph of the Hirundinidae (1899). The second volume also depicts resident and migrant Picariae, Striges, Accipitres and Columbae.
* Stock (C. R., later 19th century). Off to the Meet, From Scent to View, The Finish of the Run & Homewards, Arthur Ackermann, 1889, the set of four aquatints after E. A. S. Douglas with contemporary hand colouring, some dust soiling, slight marginal staining, each approximately 260 x 660 mm, uniformly framed and glazed in contemporary stained wood with gilt slip, Arthur Ackermann & Son Gallery labels to verso of frames, together with another duplicate set but these trimmed to image with the titles on an ivorine plaque attached to base of frames, each approximately 215 x 630 mm, uniformly mounted, framed and glazed, plus Stewart (F. A.). Hunting scenes, circa 1935, three untitled colour photo-lithographs, two with a black and white remarque, all signed below image by artist in pencil, each approximately 240 x 610 mm, framed and glazed (Qty: 11)
* Mezzotint Drolls . The Elopement or a Tripp to Scotland, R. Sayer & J. B. Bennett, 5th Decemr.1777, hand coloured mezzotint, trimmed to image with some marginal fraying and slight loss to lower right corner, slight creasing, laid on later paper, 350 x 250 mm, together with Carington Bowles (publisher). A Master Parson with a Good Living [and] A Journeyman Parson with a Bare Existence, circa 1780, pair of mezzotint drolls with contemporary hand colouring, trimmed to image, each with margins strengthened on verso and laid on linen, slight creasing, each approximately 305 x 250 mm, with Laurie & Whittle (publishers). The Little Old Woman and her Eggs, 26th Decr. 1795, mezzotint with contemporary hand colouring, five lines of verse below image, thread margins with some fraying and chipping, lower margin strengthened, some staining, 335 x 240 mm, plus Laurie & Whittle (publishers). An Allegorical Representation of Her most Excellent Majesty Queen Charlotte Crown'd with Laurel by Britannia surrounded by Charity, Industry & Commerce, Sepr. 1794, mezzotint with crude contemporary hand colouring, with the verses of 'Rule Britannia' below image, small margins, slight staining, 350 x 250 mm, with another seven similar drolls, various sizes and condition (Qty: 12)
* Cartoons and Caricatures. A mixed collection of approximately 75 caricatures, mostly 19th century, engraved, etched and lithographic caricatures, including examples by or after Bunbury, Dighton, W. Holland (publisher), Bickham, J. Kay, Caldwell, Bretherton, A. Sharpe, J. Doyle, R. McLean (publisher), S. W. Fores (publisher), Darley, Laurie & Whittle (publishers), R. Seymour, Marks, Hedges, Sayer and Heath, various sizes and condition (Qty: approx. 75)
Murdoch (John) . Seventeenth-century English Miniatures in the collection of the Victoria and Albert Museum, 1997, numerous colour and black & white illustrations, original cloth in dust jacket & slipcase, covers lightly rubbed to head & foot, 4to, together with: R eynolds (Graham) , The Sixteenth and Seventeenth-century Miniatures in the collection of Her Majesty The Queen, 1999, numerous colour illustrations, original cloth in dust jacket, spine lightly rubbed to foot, large 8vo, and other miniatures & portrait reference, mostly original cloth, some in dust jackets, 8vo/folio (Qty: 20)
Abbey (J. R.) . Travel in Aquatint and Lithography 1770-1860, 2 volumes, reprinted, Life in England in Aquatint and Lithography 1770-1860, reprinted, Scenery of Great Britain and Ireland in Aquatint and Lithography 1770-160, reprinted, Alan Wofsy Fine Arts, San Francisco, all 1991, numerous colour & monochrome illustrations, all in publishers original cloth in dust jackets, minor rubbing to head & foot of covers, large 8vo, together with: Lewis (C. T. Courtney) , George Baxter the picture printer, 1924, 16 colour & 64 monochrome plates, book plate to front pastedown, front hinges reinforced with white tape, some marginal toning throughout, top edge gilt, publishers original red cloth, boards & spine lightly rubbed to head, 8vo, limited edition 631/1000 and Holloway (Merlyn), Steel Engravings in Nineteenth Century British Topographical Books, Holland Press, 1977, original cloth in dust jacket, 8vo, plus other modern print reference & bibliography, including An Annotated Bibliography of Asian Big Game Hunting Books, 1780-1980,2003, ...of African Big Game Hunting Books, 1785-1950, 2 volumes, by Kenneth P. Czech, Land's Edge Press, Minnesota, 1999, Sotheby's & Christie's auction catalogues, mostly original cloth, some in dust jackets, 8vo/folio (Qty: 39)
Jazz & Blues. Large collection of approximately 800 vintage jazz & blues magazines, including "Living Blues" magazine, unbroken run of 52 issues from Spring 1970 (issue 1) to Summer/Autumn 1982 (issue 53) plus five later issues, "Jazz Monthly" magazine, near unbroken run of 51 monthly issues from April 1965 to July 1970, "Jazz & Blues" magazine (incorporating Jazz Monthly), broken run of 30 issues from April 1971 (issue 1) to December 1973 (Vol. 3, issue 9), "Jazz Journal" magazine, broken run of 152 monthly issues from March 1963 to August 1978, "Storyville" magazine, broken run of 138 bi-monthly issues from October 1965 (issue 1) to March 1995 (issue 161) with first 78 issues unbroken, "Pickin' The Blues" magazine, broken run of 24 monthly issues from February 1982 (issue 2) to June 1984 (issue 25), "Jazz Beat" magazine, unbroken run of 22 monthly issues from March 1965 (Vol. 2, issue 3) to December 1966 (Vol. 3, issue 12), "Rhythm" magazine, broken run of 14 issues from October 1931 (Vol. V, No 50) to May 1938 (Vol. XII, No 128), "Roll Street Journal" magazine, broken run of 14 quarterly issues from May 1983 (issue 4) to Winter 1987/88 (issue 22), "Down Beat" magazine, broken run of 45 bi-weekly issues from 13th February 1964 (Vol. 31, No 4) to 11th November 1971 (Vol. 38, No 19), "Blues & Rhythm, The Gospel Truth" magazine, broken run of 172 monthly issues from July 1984 (issue 1) to August 2014 (issue 291) with unbroken runs from 1-43 and 46-68, "Black Music" magazine, 24 monthly issues from December 1973 to February 1977 including issues 1-19, 21-23, 37 and 39, "Juke Blues" magazine, 61 issues from July 1985 to late 2012 including issues 1-22, 24-50, 52-56, 59, 62-64 and 68-72, "Blues World" magazine, edited by Bob Groom in Knutsford (UK), issues 15, 21 and 22 from 1967/1968, plus some copies of Jazz UK magazine, Jazzwise magazine, the Summer 1969 issue of BMI magazine, Chess R&B Discography (March 1984) and Chess Blues Discography (November 1983) (Qty: approx. 800)
* Blues & Jazz. Collection of rare original 45rpm blues and jazz singles, including Champion Jack Dupree (Barrelhouse Woman / Under Your Hood), Decca F12611, original 1967 pressing with dark blue 4-prong Decca label and orange Decca sleeve, matrices DR-40233-T1-1C / DR-40241-T1-1C, near mint condition, Jimmy Powell and the New Dimension (Sugar Babe, Part 1 / Part 2), Decca DL 25345, rare German pressing, red Decca label, matrices 45-CPDR-29003 1XU / 45-CPDR-29004 1XU, very good condition, original sleeve, Otis Spann (Stirs Me Up / Keep Your Hand Out Of My Pocket), Decca F11972, original 1964 pressing with dark blue 4-prong Decca label and blue Decca sleeve, matrices DRF-33244-T1-1C / DRF-33250-T1-1C, near mint condition, Savoy Brown (Train To Nowhere / Tolling Bells), Decca F12843, original 1968 pressing with dark blue 4-prong Decca label and blue Decca sleeve, matrices DR-43729-T2-1C / DR-43730-T1-1C, Savoy Brown Blues Band (Taste and Try, Before You Buy / Someday People), Decca F12702, original 1967 pressing with dark blue 4-prong Decca label and blue Decca sleeve, matrices DR-41451-T1-1C / DR-41452-T1-1C, near mint condition, Jacques Loussier (Theme From Tu Seras Terriblement Gentille / Ballet Photo Rouge), rare promotional copy, Decca F12920, original 1969 pressing with dark blue 4-prong Decca label and orange Decca sleeve, matrices 4D-69M-1016-1C / 4D-69M-1015-1C, near mint condition, Jacques Loussier (Air On A G String / Prelude No 16), Decca F22383, original 1966 pressing with dark blue Decca label and orange Decca sleeve, matrices XDRF-37824-T1-1C / XDRF-37825-T1-2C (Qty: 7)NOTESJimmy Powell was a British soul and rhythm and blues singer. His first record, a cover version of Buster Brown's US rhythm and blues hit "Sugar Babe", with guitar by Big Jim Sullivan and produced by Chris Blackwell, was released by Decca in 1962. It did not chart, and nor did two subsequent singles on Decca, but the record was a groundbreaking attempt at a proper R&B style on a British recording and helped pave the way for what was coming. In 1963, Powell moved to London and started visiting the Marquee Club, where British musicians such as Alexis Korner and Cyril Davies performed. His new manager, Malcolm Nixon, auditioned groups to act as his backing band, and offered the role to the Dimensions who were a London-based group formed in 1962 by guitarist Gary Leport, bassist Louis Cennamo, guitarist Peter Mariosa and drummer Brian "Chick" Kattenhorn. In 1963 they added rhythm guitarist Mike Webb and singer and harmonica player Rod Stewart. Leport and Stewart were old school friends, and had played together previously in a north London band, the Raiders, who (without Stewart) subsequently became the instrumental group the Moontrekkers and recorded with Joe Meek. With Jimmy Powell joining them as lead singer in 1963, the group changed their name to Jimmy Powell and The 5 Dimensions.
* Blues / Jazz / R&B / Soul. Collection of approximately 220 singles / 45rpm records, mainly blues, jazz, soul and R&B from the 1960s, including promotional records by Gene Vincent, Mike Bloomfield and Al Cooper, Charlie Gracie, Clara Ward, Little Peggie March, Taj Mahal, The Delfonics, The Ian Campbell Group, Carl Perkins, Johnny Rivers, Jimmy Witherspoon and Freddie King, together with singles from artists such as Junior Parker, Sidney Bechet, Big Bill Broonzy, George Thorogood & The Destroyers, Elias and His Zig-Zag Jive Flutes, Albert King, Aretha Franklin, Crow, McKinney's Cotton Pickers, King Oliver, Charles Mann, Cy Tucker, Jimmy Hughes, Woody Herman & His Woodchoppers, Percy Sledge, Willie Mabon, Sarah Vaughan, The Young-Holt Trio, George Lewis, Chuck Jackson & Maxine Brown, Calvin Leavy, Jimmy Reed, Clarence Williams Washboard Band, Ella Fitzgerald, Elmore James, Chris Barber, Curtis Lee, Rosetta Howard, The Drifters, Lee Dorsey, Solomon King, Lowell Fulsom, O.V. Wright, Gladys Knight & The Pips, Shorty Long, The Temptations, Archie Bell & The Drells, Larry Davis, Toussaint McCall, Al King, Nappy Brown, Rufus Thomas, Kenny Ball & His Jazzmen, Roberta Flack, Mr Acker Bilk, Mound City Blue Blowers, The Simon Park Orchestra, Charlie Parker, Tony Bennett, Count Basie, Louisiana Red, G.L. Crockett, Birdlegs & Pauline, Joe Turner, Brook Benton, Craig Douglas, Ray Campi, Stan Getz, Russ Russell, Joe Simon, David Ackles, Inez Foxx, Buck Owens, Lonnie Mack, Clarence Carter, Johnnie Allan, Roy "C", Roscoe Shelton, Eclection, Ace Cannon and His Alto Sax, The Corsairs, Ma Rainey, Dizzy Gillespie, The Roberto Mann Singers, Bobby Powell, The Ron-Dels, Billie Boy Arnold, Little Walter, Sonny Boy Williamson, Marlena Shaw, The Carter Brothers, Junior Wells, The Fantastic Johnny C, Terry Lightfoot's New Orleans Jazzmen, Edison Lighthouse, Howard Tate, Sugar Pie De Santo, Carla Thomas, The Consolers, Cal Tjader, Carole King, Tommy McLain, Jimmy McCracklin, The Impressions, Z.Z. Hill, Wilbert Harrison, Huey 'Piano' Smith, The Herd, Wallace Brothers, Josh White, Rosco and Marc Gordon, Stefan Grossman, Magic Slim & The Teardrops, Buddy Holly, Chick Willis, Red Nichols, Janis Ian, Alvin Cash & The Registers, Art Tatum, Paul Gonsalves, Junie Cobb's Hometown Band, Clarence 'Frogman' Henry, Savoy Brown, Bobby Bennett, The Stokes, Erma Franklin, Marilyn Strothcamp, Ann Peebles, Aaron Neville, Johnny and The Hurricanes, Ray Charles, Bobby Harden, Louis Armstrong, Duke Ellington, The James Cotton Blues Band and many others, most of them in plain or original sleeves, approximately 40 of them without sleeves. (Qty: Approx. 220)
* Blues / R&B / Soul / Jazz. Collection of approximately 100 blues, R&B, soul and jazz vinyl records / LP's, including Norma Tanega "I Don't Think It Will Hurt If You Smile" (RCA Victor SF 8217), "When Girls Do It, An Anthology of Blues Recorded During The Fifties & Sixties" (2-LP, Red Lightnin RL006), Big Bill Broonzy "Blues et Gospel, No 3" (French pressing, Bel Air 331011), "The Blues of Sonny Boy Williamson" (Storyville 671170), Sunnyland Slim "Slim's Got His Thing Goin' On" (Liberty LBS 83237E) and other quality recordings by artists such as John Lee Hooker, Walter Davis, San Antonio Ballbuster, Clarence Gatemouth Brown, Ella Fitzgerald, Muddy Waters, Howlin' Wolf, Little Walter, Sonny Boy Williams, Jimmy Reed, Memphis Slim, The Jug Bands, Chuck Berry, Tampa Red, Big Maceo, Jimmy Blythe, Meade Lux Lewis, Cripple Clarence Lofton, Roosevelt Sykes, Will Ezell, Carl Perkins, Rufus Thomas, Carla Thomas, Jimmy Cotton, Homesick James, Otis Spann, Washboard Sam, Lightnin' Hopkins, Leadbelly, Eddie Lang, Joe Venuti, The Dells, Woody Herman, The Dell Vikings, Ray Charles, The Ravens, Lew Stone, Jimmy Whitherspoon, Nellie Lutcher, B.B. King, Lavern Baker, Linda Hopkins, Harry James, Lionel Hampton, Lowell Fulson, John Littlejohn, Buddy Guy, Juke Boy Bonner, Ashton Savoy, Big Chenier, Hop Wilson, Jay Stutes, Booker T. & The MG's, Dewey Terry, Trixie Smith, Archibald, Bo Diddley, 'Precious' Clarence Turner, Kokomo Arnold and many others (Qty: approx. 100)
* Blues / R&B / Soul / Jazz. Collection of 30 rare EP's by blues, R&B, soul and jazz artists, all with original sleeves, including Bobby Freeman "S.W.I.M. / C'Mon And Swim / That Little Old Heartbreaker" (rare French pressing from 1964, Autumn Records / Vogue EPL 8283), Chuck Berry "I Got A Booking / Dear Dad / I Want To Be Your Driver / St. Louis Blues" (Chess CRE 6012, black label), Muddy Waters "The Real Folk Blues Vol. 4" (Chess CRE 6022, black label), Roosevelt Sykes "Back To The Blues" (Delmark DJB 2), Elder Charles Beck "RCA Victor Race Series Vol. 5" (RCX-7176), Doctor Clayton "RCA Victor Race Series Vol. 6" (RCX-7177), Les Swingle Sisters "Jazz Sebastien Bach No. 1" (Philips BE 12557), Sonny Boy Williamson "Help Me" (Chess CRE 6001, black label), Buddy Guy "Crazy Music" (Chess CRE 6004, black label), John Lee Hooker "Walkin' The Boogie" (Chess CRE 6007, black label), "The Journey" (Chess CRE 6014, black label) and "Sings The Blues" (French pressing, Visadisc VI 275), Lightnin' Hopkins "This Is The Blues" (Brunswick 10351) and 2 others, Sonny Terry & Brownie McGhee "R and B from S and B" (Topic TOP 121), "More R and B from S and B" (Topic TOP 124) and "Face In The Crowd / Beautiful City / Dirty Mistreater / Big Wide World" (Ember EMB EP 4562), Ella Fitzgerald "Ella Sings Pal Joey" (HMV 7EG8327), Anna King "Back To Soul" (Philips BE 12584), "Original Rhythm and Blues Hits" featuring Ray Charles, Jimmy McCracklin, Jesse Belvin, Linda Hayes, Johnny Moore and The Blazers (Ember EMB EP 4522), Des Ballets Africains De Keita Fodeba "Melodie Tam-Tam" (French pressing, Vogue EPL 7255), Negro Spirituals Vol.1 / Vol.3 / Vol.5 (Vogue EPV 1106, EPL 7283 and EPL 7538), Leadbelly "How Long Blues / Good Morning Blues / Goodnight Irene / Ain't You Glad" (Storyville SEP 337) and "Noted Rider / Big Fat Woman / Burrow Love And Go / Bring Me Li'l Water Silvy / July Ann Johnson / Whoe Back Buck" (French pressing, JOC 45 FS 514), Alexis Korner presents "Kings Of The Blues" Vol. 1 & 2 (RCA RCX-202 and RCX-203) and George Chisholm and His Jazzers "Crazy Party Time (And All That Jazz!)" (Parlophone GEP 8820) (Qty: 30)
* Blues / R&B. Collection of 17 original blues / R&B singles and EP's by Cyril Davies, Chuck Berry, Bo Diddley, Muddy Waters and Howlin' Wolf on the Pye International record label (R&B Series), all with original split circle red & yellow labels, some with original sleeves, EP catalogue numbers include NEP 44036, NEP 44017, NEP 44010, NEP 44025, NEP 44029, NEP 44031, NEP 44019, NEP 44022 and NEP 44012, catalogue numbers for singles are 7N25269, 7N25244, 7N25228, 7N25242, 7N25218, 7N25243, 7N25227 and 7N25235. (Qty: 17)
* Blues / R&B. Collection of 17 original 45rpm blues / R&B singles on the Sue Records label, all with yellow & red labels, including Elmore James (Knocking At Your Door, WI-392), original Sue sleeve, John Lee Hooker (I'm In The Mood, WI-361), original Sue sleeve, The Jaybirds (Somebody Help Me, WI-4013), original Sue sleeve, Tim Whitsett (Macks By The Tracks, WI-318), Homesick James (Crossroads, WI-319), The Baron (Is A Blue Bird Blue, WI-398), Barbara George (Send For Me, WI-316), Gladys Knight & The Pips (Letter Full of Tears, WI-394), Frankie Ford (Sea Cruise, WI-366), Don & Dewey (Soul Motion, WI-4032), The Pleasures (Music City, WI-357), Little Milton (Early In The Morning, WI-4021), Freddie King (Driving Sideways, WI-349), Elmore James (It Hurts Me Too, WI-383), Bobby Parker (Watch Your Step, WI-340), Elmore James (I Need You, WI-4007) and Ike and Tina Turner (Please, Please, Please, WI-376). (Qty: 17)
* Blues / R&B. Collection of 28 original 45rpm blues / R&B singles on Blue Horizon Records, most in original blue or red sleeves, including 12 promotional records such as Champion Jack Dupree (Ba' La Fouche / I Haven't Done No One No Harm), Cat Nos 57-3152 and 57-3140 respectively from 1969 & 1968, Duster Bennett & His House Band (Bright Lights, Big City) , Cat No 57-3154 from 1969, Bacon Fat (Nobody But You), Cat No S 57-3171 from 1970, Top Topham (Christmas Cracker), Cat No 57-3167 from 1969, Jellybread (Comment), Cat No 57-3169 from 1970, Earl Hooker (Boogie Don't Blot), Cat No 57-3166 from 1969, Buster Brown (Sugar Babe), Cat No 57-3147 from 1968, Chicken Shack (Sad Clown / When The Train Comes Back / Maudie), Cat Nos S 57-3176, 57-3146 and 57-3168 respectively, Arthur K. Adams (She Drives Me Out Of My Mind), Cat No 57-3136) from 1967, together with non-promotional records such as Christine Perfect of Fleetwood Mac fame (When You Say), B.B. King (The Woman I Love & Everyday I Have The Blues), Otis Spann with Fleetwood Mac (Walkin'), Garfield Love (Next Time You See Me), Juke Boy Bonner (Runnin' Shoes), Fleetwood Mac (Albatross & Black Magic Woman), Eddie Boyd with Peter Green's Fleetwood Mac (The Big Boat), Jellybread (Chairman Mao's Boogaloo), Chicken Shack (I'd Rather Go Blind & Worried About My Woman & Tears in the Wind) and Duster Bennett (It's A Man Down There & Raining In My Heart & I'm Gonna Wind Up Ending Up ...) (Qty: 28)
* Blues / R&B. Collection of 33 blues / R&B 45rpm singles on the Chess, Checker & Cadet record labels, including Betty James (I Like The Way You Walk / Salt In Your Coffee), Chess 1970, DJ copy (promo), Jackie & Tut (10-2 Double Plus / Hawaiian Punch), Chess 2008, DJ Copy (Promo), Ko Ko Taylor (Wang Dang Doodle / Blues Heaven), Chess CRS 8035, The Dells (There Is / Show Me), Cadet 5590, Muddy Waters (I Got A Rich Man's Woman / My Dog Can't Bark), Chess CRS 8019, Little Milton (Grits Ain't Groceries / I Can't Quit You Baby), Checker 1212, Jackie Ross (Everything But Love, Selfish One), Chess 1903, Howlin' Wolf (I Walked From Dallas / Don't Laugh At Me), Chess 1945, together with other records by artists such as Tommy Tucker, Fontella Bass & Bobby McClure, Little Walter, Laura Lee, Eddy Jacobs, Ty Hunter, Etta James, Eddie Fontaine, Sister Soul & The Lucy Rodgers Singers, Sugar Pie De Santo, Little Milton, Howlin' Wolf, Ramsey Lewis Trio, Buster Brown, The Cleveland Golden Echoes, Muddy Waters, Jan Bradley, Majestic Choir and Chuck Berry, mixture of plain and matching sleeves. (Qty: 33)
* Blues / Soul / Jazz. Collection of approximately 60 blues, soul and jazz LP's / vinyl records, including B.B. King "Blues On Top Of Blues" (Stateside SL 10238, BluesWay Series), "Blues Is King" (HMV CLP 3608, BluesWay Series), "His Best - The Electric B.B. King" (Stateside SSL 10284, BluesWay Series) and "The R&B Soul of B.B. King" (Ember EMB 3379, red & yellow split circle label), Nina Simone "Sings The Blues" (German pressing, RCA Victor Dynagroove LSP 3789), Sonny Stitt "Only The Blues" (HMV CLP 1280), "American Folk Blues Festival 1963" (Fontana TL 5204), "The American Folk Blues Festival 1965" (Fontana TL 5286), "American Folk Blues Festival 1966" (Fontana TL 5389), "The 1968 Memphis Country Blues Festival" (Blue Horizon 7-63210), Doctor Clayton and His Buddy "Pearl Harbour Blues" (RCA International INT 1176), Jazz Gillum "You Got To Reap What You Sow" (RCA International INT 1177), Sonny Boy Williamson "Bluebird Blues" (RCA International INT 1088), Big Joe Williams "Crawlin' King Snake" (RCA International INT 1087), "Travellin' This Lonesome Road, an Anthology of the Victor / Bluebird Catalogues" (RCA International INT 1175), "Fillin' In Blues, Rare Country Blues / Obscure Barrel House Piano" and other Heroin pressings (Heroin Records, HERWIN 205, 201, 208 and 214), John Lee Hooker "Drifting The Blues" and other Atlantic Special pressings (Atlantic Special 590003, 590019, 590025, 590029, 590033 and 590018), several Chicago Blues LP's (Delmark French pressings) by J.B. Hutto (900208), Carey Bell (900201), Mighty Joe Young (900205), Jimmy Dawkins with Big Voice Odom (900207) and Robert Lockwood JR with The Aces (900206), several LP's from the Legendary Masters Series on Liberty Records (Rhythm 'n' Blues Vol. 1 & 2, Rural Blues Vol. 1, 2 & 3), "The Ace Story, Vol, 1 & 2" (ACE CH11 & CH12), several "Anthology of The Blues" LP's on the Musidisc label, James Brown "Tell Me What You're Gonna Do" (Ember EMB 3357), "James Brown and His Famous Flames Tour the USA" (London HA 8240) and "Say It Loud, I'm Black And I'm Proud" (King KS1047), together with several box sets such as Sonny Boy Williamson "The Chess Years" (Chess BOX 1), "The Rural Blues" (XTRA 1035), "The Blues Box - Country Blues" (German pressing, MCA Coral 6.30106) and Barbecue Bob "Brown-Skin Gal" (Agram Blues AB 2001, with 80-page booklet), plus thirteen 10" records (Qty: approx. 60)
* Blues / Soul. Collection of approximately 50 blues and soul LP's / vinyl records, including "Home Murderers", an anthology of Negro worksongs and country blues compiled by Alan Lomax (Pye / Nixa Jazz Today Series NJL 11 Black Label), "Negro Folklore from Texas State Prisons" (Elektra Records EKL-296), Little Johnny Taylor (Vocalion VA-F 8031), "Chance Vintage Blues / R&B Crops Vol. 1" featuring Johnny Shines / Big Boy Spires with Johnny Williams (P-Vine Special PLP-705, Japanese Import, purple Japanese wrapper included), The Sue Story, Vol. 2 (Sue Records ILP-933), Lightning Hopkins "Lightning's Blues" (French pressing, Time / Bel Air 435003), The Blues World of Little Walter (Roots of Jazz Series, Delmark DL-648), Cat Iron (XTRA 1087), The Big Soul of John Lee Hooker (Stateside SL 10053), John Lee Hooker "Driftin' Thru The Blues" (Ember EMB 3371), Freddy king "His Early Years" (Polydor 2343-047), "The Country Blues" recorded at informal sessions in the homes of Butch Cage and Mabel Lee Williams near Baton Rouge, Louisiana (Storyville SLP 129), Lightnin' Hopkins and John Lee Hooker "There's Good Rockin' Tonight!" (Storyville 616001), "Magic Touch", Magic Sam and Shakey Jake Live at Sylvio's 1968 (Black Magic 9003), Steve Cropper, Pop Staples & Albert King "Jammed Together" (Stax STX 3009), Lonnie Austin & Norman Woodlieff (Leader LEE 4045), Inez and Charlie Foxx "Mocking Bird" (United Artists UAL 29025), The Saga of Leadbelly (Melodisc MLP 12-107), Hank Ballard and The Midnighters "Greatest Juke Box Hits" (King 541), The Legendary Son House, Father of Folk Blues (CBS BPG 62604), together with other LP's featuring artists such as Barry Goldberg, The Reverend Gary Davis, The Reverend Robert Wilkins, Bo Diddley, Muddy Waters, Blind Willie McTell, Curley Weaver, Buddy Moss, Lowell Fulson, Homesick James, Frankie Lee Sims, Joseph Lee Williams, Eddie Taylor, Billy Boy, Snooky Prior, Chris Kenner, B.B. King, Sonny Boy Williamson, Fred McDowell, Sunnyland Slim, Big Willie Dixon, John Henry Barbee, Washboard Sam, Cocoa Taylor, Evans Spencer, Lonnie Johnson, Little Anthony & The Imperials, Jimmy Reed, Bobby Bland, Little Junior Parker, Albert King, Otis Rush and others (Qty: approx. 50)

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