NOT AVAILABLE FOR ONLINE BIDDING. PLEASE CONTACT THE AUCTIONEER IF YOU WANT TO BID ON THIS LOT.GVictoria, five pounds, 1839, ‘Una & the Lion’, raised TERTIO lettered edge, young head l., rev. the queen crowned holding orb and sceptre, wearing a long flowing gown, guiding a lion behind her, date below in Roman numerals, DIRIGE in the legend translating as ‘May God direct my steps’ (S.3851; W&R.278), in plastic holder, graded by PCGS as Proof 63+ DEEP CAMEO, an unusually fine specimen exhibiting brightly mirrored fields, the frosted cameo of Victoria just delightful, one of the finest we have seen A very rare piece and especially elusive in this condition.
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NOT AVAILABLE FOR ONLINE BIDDING. PLEASE CONTACT THE AUCTIONEER IF YOU WANT TO BID ON THIS LOT.GVictoria, five pounds, 1839, ‘Una & the Lion’, plain edge, young head l., rev. the queen crowned holding orb and sceptre, wearing a long flowing gown, guiding a lion behind her, date below in Roman numerals, DIRIGE in the legend translating as ‘May God direct my steps’ (S.3851; W&R.280), a choice specimen showing very light handling and faint hairlines, a couple of spots of toning on reverse, in all practically as struck and seldom offered for sale, extremely rare with this edge A Bonomi Pattern Crown, Number 1
†Victoria, pattern crown, 1837, by or for Joseph Bonomi (an Egyptologist), incuse Egyptian-style design showing queen’s head l. with tight bun hairstyle, rev. Britannia walking r., with trident and shield, holding Victory, incuse inscription to l. and r., border of stars each side, numbered 1 on edge (ESC.320; L&S.1), in plastic holder, graded by NGC as Proof 62, about as struck This is a highly important piece as it was the first example struck, denoted by the number on the edge.
GElizabeth II, proof sovereign, 1974, diademed bust r. by Arnold Machin, rev. St. George slaying the dragon, reeded edge (S.4204), in plastic holder, graded by PCGS as Proof 67 ULTRA CAMEO, a nearly perfect specimen exhibiting a marvellous portrait as well as full proof characteristics, accompanied by a copy of a letter from the Royal Mint attesting to its proof status - a major modern sovereign rarity for the finest of collections This is a new discovery – it appears to be the only example known as a proof.
†Scotland, Charles I, third coinage (1637-1642), Briot’s issue, unit, mm. B and thistle/-, crowned bust r., holding orb and shouldering sceptre, rev. crowned shield of arms, crowned CR at sides, wt. 9.89gms. (S.5532), good very fine, reverse better A Famous Scottish 60-Shillings Struck in Gold
NOT AVAILABLE FOR ONLINE BIDDING. PLEASE CONTACT THE AUCTIONEER IF YOU WANT TO BID ON THIS LOT.†Scotland, James VII (James II of England), 60 shillings, 1688, in gold, laur. bust r., 60 below truncation, rev. crowned arms in the collar of the Order of the Thistle, floral border inside legend, date divided by crown, plain edge (S.5635), a lovely specimen with frosty lustre and choice surfaces, nearly as struck, exceedingly rare *ex Cochran-Patrick Collection, Sotheby’s, 1957 (selling for £1100, 22 times the price of a Cromwell broad in the same auction) ex Lucien LaRiviere Scottish Collection, Spink, March 2006 Following a succession of mint appointments, charges of corruption over the weights of the various denominations issued in Scotland during the reign of the English king Charles II, political bickering inside the Mint, and the eventual replacement of officials running the facility, the Mint was closed and remained inoperable at the end of Charles II’s reign in 1685. The innovative coiner John Falconer wished to be reinstated but parliament instead appointed Lord Maitland and master coiner William Sharpe. New coinage was to undergo the Trial of the Pyx to put an end to corruption. As a consequence of these changes, no gold or copper coins were minted during the reign of James VII, whose title designated him as James II on his Scottish coins because of the addition of MAG BR to the royal title. The die engraver remains unknown but was likely one or more of the Roettiers. While five silver denominations were intended, including the 60-shillings coin, only the denominations of 40-shillings and 10-shillings were produced during this brief reign. The portrait utilized for those coins is the same as that appearing on the 60-shillings coin seen here, although almost all of the contemporaneous coins known are of poorer quality and saw much use. It is quite possible that the reason no 60-shillings coins were issued was James II’s infamous conversion to Catholicism, which fostered a crisis of confidence and led to the Glorious Revolution which ended his reign. We today have only to thank Matthew Young for rescuing the dies and producing c1828 literally a handful of examples of this beautiful coin, which is very scarce in silver and of exceeding rarity in gold, with only 3 known.
†Scotland, James VII (James II of England), 60 shillings, 1688, in silver, laur. bust r., 60 below truncation, rev. crowned arms in the collar of the Order of the Thistle, floral border inside legend, date divided by crown, plain edge (S.5634), in plastic holder, graded by NGC as Mint State 64 Prooflike, boldly struck with rich grey toning, rare so fine, a highly superior specimen There are no known examples of this piece struck during the reign of James VII/II - all examples are believed to be struck from original dies by Matthew Young circa 1828.
India, Princely States, Baroda, Sayaji Rao III, mohur, VS.1959 (1902), bust r., rev. value and date within wreath (KM.Y39; Fr.1037), in plastic holder, graded by NGC as Mint State 65, extremely rare in this grade An extraordinary example of this elusive type and the highest ever graded by NGC.
India, East India Company, William IV, pattern rupee, undated (1834), bare head r., rev. lion and palm tree (Pr.176; S&W.1.31), in plastic holder, graded by PCGS as Proof 62 This example is vastly superior in condition to the specimen in the Fore Collection, which was graded by NGC as About Uncirculated 55. Attractively toned, this coin is of the highest rarity and a great prize for any collection.
NOT AVAILABLE FOR ONLINE BIDDING. PLEASE CONTACT THE AUCTIONEER IF YOU WANT TO BID ON THIS LOT.Russia, Nicholas I, Imperial Family 1½ roubles or 10 zlotych, 1836, with full designer’s name, bust r. rev. encircled bust r. of the Empress Alexandra at centre among facing portraits of the royal children (KM.C172.3; Sev.3180; Bit.886), in plastic holder, graded by PCGS as About Uncirculated 55, a most pleasing example of this popular rarity showing only light even wear with pleasing grey toning and choice surfaces for the grade, exceedingly rare A coin struck by Nicholas I to honour his wife and children, it was modelled after the 1828 ‘Blessings from Heaven Thaler’ of Bavaria. There were three types produced in 1836: without initials; with initials and the type with the medallist’s full name, Pavel Utkin. Nicholas and Alexandra produced ten children, seven of whom are featured on this famous coin: Alexander (destined to become Czar Alexander II), Maria Nikolaevna, Olga Nikolaevna, Alexandra Nikolaevna, Constantine Nikolaevich, Nicholas Nikolaevich, and Michael Nikolaevich. Two other children were stillborn, and Elizabeth Nikolaevna died about 1829, aged only 3. All seven children married into German aristocratic families. This charming coin was clearly meant as more than a mere memento; while this specimen’s light wear and choice overall condition suggest that it was cherished as a pocket piece, others are known with considerably more wear and clearly were carried for many years by admirers of the Romanovs, the last imperial family of Russia. Only 50 pieces were minted in total, novodels appearing only with initials. This piece is exceedingly rare - Severin lists it as RRR.
Russia, Catherine II, the Great, silver medal awarded for Bravery on Ochakov Waters, I June 1788, by T. Ivanov, bust of Catherine II r., rev. legend in five lines, plain edge, 38.5mm (Diakov 209.1; Smirn. 306; MH 219; Werlich 42), pierced for suspension, fine, scarce Only 5,000 struck. This medal was awarded for one of a series of small-ship actions during the Russo-Turkish War culminating in the action on 17-18 June 1788, when 58 Russian ships armed with 400 guns and 5,500 men attacked a much larger Turkish force. One Russian squadron was commanded by John Paul Jones.
TWELVE STAFFORDSHIRE RELIEF MOULDED BUFF STONEWARE JUGS including Charles Meigh Apostle, Bacchanalian Dance and Julius Caesar jugs, William Ridgway & Co Tam o` Shanter jug, T & R Boote Samuel and Eli jug and E Jones Good Samaritan jug, including three with pewter lid, 15-28cm h, impressed or moulded mark or unmarked, c1840-60 As a lot in good condition
MUSIC. GARTH (JOHN) SIX VOLUNTARYS FOR THE ORGAN PIANO FORTE OR HARPSICHORD oblong 4to, early signatures of Saml. Stretton and R Valentine, Welcker [c1780] bound with several other contemporary works for the organ by W Russell, J Travers, J Stanley and others, half scarlet morocco worn, William Jackson of Exeter - Twelve Canzonets for two Voices and various other works together bound, one volume and several others, including two volumes of manuscript music all with signatures of various members of the Stretton Family and Charles Dickens, Master Humphrey`s Clock, two volumes 1840-1 (11)
19TH CENTURY PHOTOGRAPHS. TWENTY EIGHT STEREOGRAPHS OF NOTTINGHAM by an anonymous, probably amateur Victorian photographer comprising ten exterior and interior photographs of G R Cowen & Co`s Beck Foundry, Morley`s factory, the Arboretum, Lawn Tennis at Edwalton House, Wollaton Park, Bestwood Hall, Oxton, Annesley Hall, Newstead Abbey and Normanton on Soar, yellow card mounts, possibly unique Some rather faded and with handling marks or soiling. Others fine
PIERRE CHARLES COQUERET (1761-1832) AFTER R RAPHAEL (1483-1520)AMORE POETICO; AMORE VOLUBILE a pair, aquatints, printed in colour, c1800, 31 x 36.5cm, verre eglomise mounts and three and a pair of coloured engravings of classical frescos (7) The pair of aquatints with some rippling of the paper and time stained also one or two worm holes in the title but in apparently otherwise good condition, unexamined out of the frame. The other prints in satisfactory condition
JOSEPH R HAMBLE (c1784-1814 OR LATER) AND OTHERS AFTER THOMAS WALMSLEY (1763-1806) LANERCOST PRIORY CUMBERLAND; A NORTH EAST VIEW OF DURHAM ABBEY; WINGFIELD CASTLE SUFFOLK; THE RUINS OF BAMBURGH CASTLE IN NORTHUMBERLAND a set of four, aquatints, printed in colour, mounted to platemark, 36 x 46cm (4) Some fading and faults but an original set retaining the contemporary early 19th c giltwood and composition cavetto frames, the frame with some flaking and chipping of the gilding/plaster. An attractive set of Regency prints modestly estimated on account of condition

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297893 item(s)/page