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Lot 281
Large tray containing a variety of Hornby items: 1930-3 No.2 Level crossing, darker green gateposts, standard double track spacing (VG-E) (BP); eight No.1 buffers (G) one boxed (BG); two No.2 buffers (one broken) (G) one boxed (BG); 2 Steel points r/h each with two pieces track missing and corroded with two short pieces of track also corroded (P); one grey and one cream roofs for No.2 Special Pullman coaches, in need or renovation; large shoebox containing mainly broken signals and pieces of signals and some non-Hornby telegraph poles.
Lot 282
Tray containing: 1938-41 No.E1E level crossing, single track, light brown gateposts, missing one lamp and top of the other (G) (BF-G); 1931-3 E1 single track, green gateposts, missing gate handles (G); Trains Hornby (French) pair (one each R/h & L/h) non-solid base points (E) (BG); 18 x 2’ electric curves (VG-E)
Lot 346
Hornby E220, 4-4-2 Special tank loco 20v AC with replacement spoons. Totally repainted black lined green ‘Southern E 492.’ Small dent in r/h tank. Paintwork is neither matt, gloss nor satin – almost a mix of all – not of the highest quality, nevertheless attractive. (G) Repro box showing some previous damp damage (BE)
Lot 680
Two 3-rail Hornby-Dublo 4-6-2 locos & tenders: 3226 ‘City of Liverpool’ BR maroon, noticeable chips especially to footplate, paint peeling away on r/h smoke deflector, overall dull appearance (F); with EDL2 total repaint in LMS maroon as ‘Duchess of Hamilton’ 6229 boiler unlined as is tender. (E) as repaint.
Lot 177
An Austrian (Turn, Teplitz ,Bohemia R St K) porcelain pedestal bust of a lady of fashion circa 1910, wearing a huge feather plumed hat and gazing right, incised signature Ed. Stellmacher, printed factory mark, 39cm high Cond: numerous small chips and restored hat (left side) and also to lapel tip (left side) a.f OBJECT LOCATION: THE MUSIC ROOM
Lot 219
Lot of 140 books:-Nº especial Connaissance des Arts. Le prix de l’art nº 12, - Connaissance des Arts. Guide 1971 . Ventes publiques, - Nº especial Connaissance des Arts. Ventes publiques à Paris. Janvier 1973-‐ juillet 1974, - Connaissance des Arts. Guide 1970. Ventes publiques en France, - Connaissance des Arts. Le prix de l’art, - Connaissance des Arts. Annuaire 1968, - Ventes publiques en France, - Nº especial Connaissance des Arts. Le prix de l’art, - Nº especial Connaissance des Arts. L’art aux enchères -Connaissance des Arts. Albin Michel. Le prix de l’art, - Nº especial Connaissance des Arts. 1972. Ventes publiques á Paris, - The price guide 18 TH. Pottery. Sally Mount, - The Lyle oficial antique review. 1974-‐1975 Reichel, - Porcelaines japonaises anciennes - Japanese ceràmics. The last 100 years. Stitt. - Chinese export porcelain. Chine de Commande. D.F. Lunsingh Scheurlee The - Lyle oficial antique review. Reference book 1977. - The Lyle oficial antique review. Reference book 1978. - The Lyle oficial antique review. Reference book 1979. - Miller’s price guide 2002. - Miller’s price guide 2003. -Miller’s price guide 2004. - Miller’s price guide 2005. -Miller’s price guide 2006. -Miller’s price guide 2007. - Miller’s price guide 200. - Miller’s price guide 2009. - Connaissance des Arts. Guide 1972 Ventes publiques. - Connaissance des Arts. Le prix de l’art. Albin Michel. - Connaissance des Arts. L’art aux enchères. - Nº especial Connaissance des Arts. Prix de l’art. - Annuaire de Connaissance des Arts 1968. Ventes publiques en France. - Le prix de l’art. Connaissance des Arts. - Guide 1970. Connaissance des Arts. Ventes publiques en France. - Nº especial Ventes publiques à Paris. Juillet 1974. - The antique year book. 1961-‐ 62 Tantivy press. -Watch collecting. Kenneth Ullyet. -L’Argus des bibelots et des objets de collection. Balland. -Oriental art. Michel J. Ridley-‐ Jhon Gifford. - Pendues et horloges. Editions Princesse Pari. - Waches in colour. Blanford. - Chinese painting. Paul Paul Hamlyn. - Porcelaine europèene. Edition Princesse Paris. -Miniatura indiana. Fratelli Fabbri editore. -Antique Jade. Paul Hamlyn. - Oriental carpets. Paul Hamlyn. - Oriental laquer. Paul Hamlyn. - La porcelaine chinoise. Edition Princesse Paris. -The International antique year book 1964-‐65. Studio Vista. - The nineteen style-‐ Paul Hamlyn. - The Lyle oficial antiques review. Reference book 1979. - The Lyle oficial antiques review. Reference book 1980. -ABC de la porcelaine ( CIE des Indes). - Art auction 1976-‐77. - Art auction 1977-‐78. - La ceràmiques chinoise. C. ABC. - Les ivoires. I. ABC. - Chinese painting. James Cahill. SKIRA. - Plata. Came. Plaza & Janes. -Collecting and restoring scientific instruments. Ronald Pearsall. - Miller’s guide. Antiques price guide 1982- V. III. - Miller’s guide. Antiques price guide 1983. ‐ V. IV. - Miller’s guide. Antiques price guide 1984. - V. V. - Miller’s guide. Antiques price guide 1986. - V. VII. - Miller’s guide. Antiques price guide 1987. - V. VIII. - Miller’s guide. Antiques price guide 1988. - V. IX - Miller’s guide. Antiques price guide 1989. -V. X. - Miller’s guide. Antiques price guide 1991. - V. XII. - Miller’s guide. Antiques price guide 1993. - V. XIV. - Miller’s guide. Antiques price guide 1994. - V. XV. - Miller’s guide. Antiques price guide 1995. ‐ V. XVI. - Miller’s guide. Antiques price guide 1996-V. XVII. - Miller’s guide. Antiques price guide 1997- V. XVIII Miller’s collectables price guide 1988. - 1989 Miller’s collectables price guide 1999. - 2000 Miller’s guide. Antiques price guide 2000- V. XXI. - Miller’s guide. Antiques price guide 2001- V. XXII. - Nº especial Connaissance des arts. La valeur des objets nº 7. - Nº especial Connaissance des arts. Les obres en vogue. - Nº especial Connaissance des arts. La guide 1973. Ventes publiques à Paris. - Nº especial Connaissance des arts. Le prix de l’art nº 12. - Guide 1971. Nº especial Connaissance des arts de ventes publiques en France. - Nº especial Connaissance des arts de ventes publiques à Paris Janvier 1973-Juillet 1974. -Guide 1970 Connaissance des arts de ventes publiques en France. - Le prix de l’art. Connaissance de l’art nº… - Annuaire Connaissance de l’art 1968. Ventes publiques en France. - Nº especial Connaissance des arts. L’art aux enchères. - Albin Michel. Connaissance de l’art .Le prix de l’art. - Christie’s. Review of de season 1973. - Christie’s. Review of de season 1974. - Christie’s. Review of de season 1976. - Christie’s. Review of de season 1977. - Christie’s. Review of de season 1978. - Christie’s. Review of de season 1979. - Christie’s. Review of de season 1981. - Christie’s. Review of de season 1982. -Art at auction 1972-73 Sotheby’sArt at auction 1974-‐75 Sotheby’s Art at auction 1978-‐79 Sotheby’s Ar. - t at auction 1980-81 Sotheby’s. -Art at auction 1981‐82 Sotheby’s. - Sotheby’s world guide to antiques and their prices 1986. - Sotheby’s world guide to antiques and their prices 1987. -Sotheby’s world guide to antiques and their prices 1988 - Sotheby’s world guide to antiques and their prices 1989 Sotheby’s world guide to antiques and their prices 1990. - Chinese ceràmics. Michel and Cécile Beurdeley. - Fine chinese art. New Bond Street. London 12 May 2016. -Art precolombí en col•lecions privades catalanes. - Orfebrería hispanoamericana. Siglos XVI-XIX. - Blue book of dolls & values nª5. - L’Argus de la brocante. Balland. - The Lyle oficial antiqes review. 1980 . - L’argenterie de la maison. A. Gruber. - El moble català. - Christie’s popular antiques year book for 1988. -Le guidargus des poupées de collectión. - Rare caràcter dolls. Mara Tarbnowska. - Le monde des poupées. - Histoire des bijoux. Grange Bateliere. Paris. -Price guide to antic furniture. John Andrews. - Nº especial Connaissance des l’arts. Le prix de l’art nº 13. - Nº especial Connaissance des l’arts. Le prix de l’art nº 14. - Zurbarán. Paul Guinard. - Auguste Rodin. R. Decharnes & J.F. Chabrun. Edita Vilo. – El mueble espanyol. L. Feduchi. - Connaissance des tais. E. Gans-Ruedin. Editorial Vilo. - Wriswatcches armbanduhren. Montres bracelets. Gilbut L. Brunner & Pfeiffer-Belli. -Cartier. Hans Nadelhoffer. - La pinture indiene. Basil Gray. - El arte del Méjico antiguo. Jaques Sutelle, Claude Arthaud, F. Hebert-Stevens. - Méjico arte e historia. Brandley Smith- L’Arte precolombiana. Sansoni.Le grande epoque de l’arte. I. Bernal, P. Gendrop. - Japan a history in art. Gemin Smith. - La pintura española. Giner. - Dalí. De Draeger. - Toledo. Alice y Marc Hament. - Historia de Inglaterra. André Maurois. - Tutankhamen. Desroches Noblecourt . - Diccionario Bénézit. 8 tomos . GRÜND
Lot 54
"A. R. PENCK"; RALF WINKLER (Dresden, Germany; 1939- Switzerland, 2017)."Olympia".Mixed media on paper.Signed in the lower left corner.A. R. Penck originally created this work to form part of one of the 10 advertising posters painted by artists representing the Barcelona brand during the 1992 Olympics. However, it was censored by the Barcelona 92 Olympic Organising Committee, which considered it inappropriate due to its high degree of eroticism. It is therefore an unpublished work that represents a small part of the cultural legacy that the Olympics gave us.Size: 70 x 50 cm; 85 x 65 cm (frame).The controversy aroused by the work that we now present to the Barcelona 92 Olympic Organising Committee was due to its highly erotic nature. The fact that Penck depicted a young lady like Olympia, with her breasts exposed (multiplied by 5, each corresponding to an Olympic ring) or with two naked pubes, was reason enough to censure the work as inappropriate. It was not the first time that an Olympia had aroused controversy in art: when Édouard Manet presented his work of the same name at the Paris Salon in 1865, it was branded pornographic owing to its high degree of eroticism, causing a great stir among the critics of the time. It is striking how, despite the time difference of almost 130 years between the two works, history is repeating itself.Ralf Winkler, who also used the pseudonyms Mike Hammer, T.M., Mickey Spilane, Theodor Marx, "a. Y." or simply "Y" was a German painter, printmaker, sculptor and jazz drummer. Penck was born in Dresden, during his teenage years he began attending painting and drawing classes with Jürgen Böttcher, known by the pseudonym Strawalde, and joined him to form the renegade artists' group Erste Phalanx Nedserd, notable for its members' refusal to study at an academy. Members of the group were also denied acceptance into the GDR Association of Visual Artists. They therefore had to earn their living as labourers or craftsmen. Later he worked for a year as a trainee draughtsman at the state advertising agency in Dresden. From 1955 to 1956, Winkler was a draughtsman at the advertising agency DEWAG and from 1956, he tried to enter the Academy of Fine Arts in Dresden and the Berlin University of the Arts in East Berlin, but it was not until 1966, when Winkler became a candidate to join the Association of Fine Artists, now under the artistic pseudonym A. R. Penck. Which was elected after the geologist Albrecht Penck. From 1969 onwards he had more and more problems with the GDR Ministry of State Security. His paintings were confiscated and his acceptance into the GDR Association of Visual Artists (VBK) was refused.Winkler was one of the founding members, in May 1971, together with Steffen Terk, Wolfgang Opitz and Harald Gallasch, of the artists' group GAP, which existed until 1976. From 1973 he worked under the pseudonyms Mike Hammer and TM. After serving in the military in 1974, he was awarded the Will Grohmann Prize in 1975 by the West Berlin Academy of Arts. In 1976, Penck met the West German painter Jörg Immendorff, with whom he would collaborate in the following years. In their work they campaigned for the abolition of the German internal border, and for dissidents, among them Rudolf Bahro and Robert Havemann. From 1976, he also signed simply Y. In 1977, some of his paintings were confiscated. In May 1979, several of his works and records were destroyed during a burglary at his studio. On 3 August 1980, he was transferred to West Germany. After emigrating, Penck became one of the leading exponents of the new figuration, along with Jörg Immendorff, Georg Baselitz and Markus Lüpertz. Their work was shown in major museums and galleries in the West throughout the 1980s. They were included in several important shows, such as the famous Zeitgeist exhibition at the famous Martin Gropius Bau Museum and the important New Art exhibition at the Tate in 1983. He first lived in Kerpen, southwest of Cologne. In 1981, the Goethe Foundation awarded him the Rembrandt Prize in Basel, Switzerland. In 1983, Winkler moved to London and received the Aachen Art Prize in 1985. In 1988 he took part in the exhibition Made in Cologne, in the same year he was appointed professor of painting at the Düsseldorf Academy of Arts.His paintings depict worlds and spaces of experience, full of symbolic abbreviations. He used stick figures and graphic icons reminiscent of cave paintings, Asian calligraphy and graffiti art. In the 1960s and 1970s, he created a series of paintings and sculptures, which he called Standarts, a combination of "standard" and "art", echoing the German word for banner or flag, Standarte, by which he meant an art form that used simple, archaic pictorial symbols, such as road signs or trademarks. In the 1980s.
Lot 1
2020 Royal Mint, UK Five-Ounce Silver Proof Coin, Great Engravers II - The Three Graces. Queen Elizabeth II, Royal Mint, Ten Pounds, UK Five-Ounce Silver Proof Coin, 2020, Great Engravers II - The Three Graces R. A depiction of three female figures representing Britannia, Hibernia and Scotia with the inscription 'FOEDUS INVIOLABILE', struck in sterling silver, diameter 65mm, weight 156.3g, slabbed and graded by NGC as PF69, GE9.
Lot 2
2002 Royal Mint, Gold Proof Five Pounds (Crown), Golden Jubilee commemorative. 2002 Royal Mint, Gold Proof Five Pounds (Crown), weight 39.94g, diameter 38.61mm, struck in 22-carat gold, Golden Jubilee commemorative. Equestrian portrait of The Queen with the inscription 'ELIZABETH II DEI GRA REGINA FID DEF' around the circumference and 'AMOR POPULI PRAESIDIUM REG' within and the date '2002' below separated by the central element of the Royal Arms R. New portrait of The Queen with the denomination 'FIVE POUNDS', obverse and reverse designs by Ian Rank-Broadley, in original purple box of issue, L10.
Lot 26
The Royal Mint 2009 UK Proof Coin Set. The Royal Mint 2009 UK Proof Coin Set, 12 coins from £5 to 1p, including a 2009 Kew Gardens Fifty Pence, 250th Anniversary of the Foundation of the Royal Botanical Gardens, Kew. R. A design showing the pagoda, a building associated with the Royal Botanical Gardens at Kew, encircled by a vine and accompanied by the dates '1759' and '2009', with the word 'KEW' at the base of the pagoda, reverse design by Christopher Le Brun, in original black leatherette case of issue with certificate of authenticity, PS97.
Lot 27
William and Mary, Fourpence, 1689. William and Mary, Fourpence, 1689, First busts r. no tie to wreath R. Crowned 4, silver, weight 2.0g, S.3439, VF.The coin is in good, original condition with some minor contact marks and scratches on both sides of the coin. There is a small edge bump on the reverse and some minor haymarking in the reverse fields. The coin is nicely toned.
Lot 28
Four Queen Victoria Shillings, 1887(2), 1888 and 1892 (4). Four Queen Victoria Shillings, 1887(2), 1888 and 1892, Small and large Jubilee heads R. Crowned shield in Garter, silver, S.3926 and S.3927, variety of good to high-grade coins (4).The coins are all in good, original condition with the usual minor contact marks, scratches, dinks and rim nicks. Two of the coins are perhaps once cleaned but are now retoning whilst the other two are attractively toned.
Lot 3
2019 Royal Mint, Silver Proof Piedfort (Crown), The Tower of London. 2019 Royal Mint, The Tower of London Coin Collection, The Legend of the Ravens, Silver Proof Piedfort Five Pounds (Crown), weight 56.56g, diameter 38.61mm, struck in sterling silver, R. A depiction of a raven and a section of a plan of Mint Street accompanied by the inscription 'TOWER OF LONDON', edge inscription 'ON INTO TWILIGHT WITHIN WALLS OF STONE', reverse design by Glyn Davies, in original presentation case with numbered certificate, L73.
Lot 5
2020 Royal Mint, UK Quarter-Ounce Gold Proof Coin, James Bond II. Queen Elizabeth II, Royal Mint, Twenty Five Pounds, UK Quarter-Ounce Gold Proof Coin, 2020, James Bond II R. 'Wet Nellie' the submarine car that appeared in 'The Spy Who Loved Me' and the inscription 'PAY ATTENTION 007', reverse design by Matt Dent and Christian Davies, struck in 999.9 gold, diameter 22mm, weight 7.80g, slabbed and graded by PCGS as PR70, with original presentation case and numbered certificate, JB16.
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297887 item(s)/page