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Hiberno-Scandinavian Period, Phase II, Sihtric, Penny, Dublin, Færemin, in imitation of Long Cross coinage, in the name of Sihtric, crude draped bust left, cross potent behind neck, inhirc r+ diedn, rev. fieremen mo dini, long voided cross, pellets in angles, 1.05g/1h (cf. SCBI BM 70ff; cf. SCBI Copenhagen 76; cf. SCBI Ulster 66ff; cf. Roth 44 for portrait; S 6125; DF 23). Edge a little irregular and with a central stress mark, very odd style, very fine £300-£360 --- Provenance: ‘Viking’ Collection [J.F. Chown], Spink Auction 150, 14 March 2001, lot 1100; SNC February 2008 (IH0168); ‘Good Money’ Collection, Noonans Auction 259, 27 September 2022, lot 528 See lot 144 for an Æthelred II Long Cross Penny of York struck from a Phase I Hiberno-Scandinavian obverse die
Charles I (1625-1649), Tower mint, Unite, Gp C, class IIa, mm. rose [1631-2] over plume, carolvs d; g; mag; br; fr; et hi; rex, bust 3a left with wide crown, rev. florent. concordia. regna, quartered shield of arms, crown above, c r and pellets in fields, 9.02g/11h (SCBI Brooker 70 var. [obv. legend]; N 2146; S 2685). Flatness across king’s face, otherwise very fine and neatly struck on a broad flan; attractive bright metal £1,500-£2,000 --- Provenance: Found in the grounds of Hazelbury Manor near Box (Wiltshire) in 2020 (WILT-0CB2A3)
Early Anglo-Saxon Period, Gold Shilling or Thrymsa, Post-Crondall period, c. 650-70, East Anglian Trophy series, ‘Runic Ring-Bearer’ type, armoured bust left, double-diadem high across radiate hair, heavenly cross before face, star ornament with connected rings below, rev. [–]ᛚá›áš©á›–ᛗᚻᚷ [ltoedhg] around double pelleted circle containing Roman trophy with two crosses below, 1.18g/9h (Marsden 20 = MEC 8, 14 = GCASE 780, same dies; SCBI Abramson –; SCBI BM –; Sutherland –; Metcalf –; N –; S 766). Light earthen deposits, good very fine with the obverse well-centred and struck up; only the second true specimen to be recorded and presumably unique to commerce, extremely rare thus £6,000-£8,000 --- Provenance: Found near East Bergholt, Suffolk, c. 1998 (EMC 2023.0098) English gold coins of the seventh century remain remarkably scarce. Despite the efforts of metal detectorists, it is becoming increasingly clear that few will ever be found, and this holds particularly true in the case of the East Anglian ‘Trophy’ series. Around two dozen specimens have been recorded, struck from just five obverse dies. Clearly this was not a large-scale operation, and it did not produce a currency suited for significant circulation. Unusually for this period, the obverse designs employed for the ‘Trophy’ series are not derived from Roman prototypes. Rather, these are original compositions of the mid to late seventh century, presumably imbued with significance recognisable to contemporaries. The design carried on the specimen offered for sale here represents an intriguing variation on the normal arrangement. While the diademed and cuirassed bust remains much the same, the orientation has been reversed, and the cross and hand motif seen on substantive ‘Trophy’ series is replaced with something altogether different. Here, a large floating cross occupies the upper part of the field below which is a star-shaped motif, with two of the radiate limbs terminating in rings, with another free-floating limb terminating in a ring directly underneath. Given its unusual and deliberately Christian iconography, Metcalf felt able to relate the substantive ‘Trophy’ series (with its cross and hand motif) to a specific event. An account of the consecration of Medeshamstede Abbey (Peterborough) in the mid 660s records that witnesses, including king Wulfhere, attested the charter ‘with their finger on Christ’s cross’, and it is to this episode that the ‘Trophy’ series has been attributed. However, such an arrangement does not sit comfortably with the known find-spots for the issue, which instead indicate a pattern of circulation around coastal East Anglia with a particular cluster in the proximity of Ipswich, and allows little room for explaining the star and ring variants. On the reverse our coin carries the eponymous trophy scene adapted, like many of the numismatic motifs from this period, from a coin of the late Roman Empire. However, once again there is a dramatic departure from the arrangement seen within the substantive part of the ‘Trophy’ issue; the ordinary Latin legend has been replaced by runic script, a feature known from only one other true specimen (now housed in the Fitzwilliam Museum) and a contemporary plated forgery. Unfortunately, this runic legend has posed difficulties, and its meaning remains unexplained. Nevertheless, the very use of a runic legend is intriguing and may well demonstrate a desire amongst the elite of East Anglia to embrace their pre-Christian, and pre-Latin, traditions. Recognition of this prompts a possible explanation for the enigmatic star and ring motif seen before the bust on our coin. As Marsden notes, ‘The annulets could well represent rings. The bestowing of rings by lords to their sworn followers was a feature of Anglo-Saxon society and is reflected in the heroic poetry of the age’…’If - as seems likely - the portraits represent the king of East Anglia, then they mark him out as both a Christian lord and perhaps also a ring-giver in the tradition of his ancestors’. Works cited: Abramson, T., Gold Coins of Anglo-Saxon England, 2022 Marsden, A. ‘East Anglia’s Earliest Issues; the Trophy type shillings’, in Cæaromagus 120, 2016 Metcalf, D.M. Thrymsas and Sceattas in the Ashmolean Museum, 3 vols, 1993–4 Naismith, R., Medieval European Coinage, with a catalogue of the coins in the Fitzwilliam Museum, Cambridge, Vol. 8: Britain and Ireland (c.400-1066), 2017 Woods, A.R., ‘The production and use of coinage in East Anglia 500-800, in BNJ 91, 2021
A collection of 10 vintage 20th Century circa 1970s LP long play vinyl records, progressive rock, classic rock, R & B funk. To include; Jimi Hendrix, Jim Morrison, Creedence Clearwater Revival, Super Session, Clear Light, Michael Chapman, Booker T & the M. G's, bauhaus, The Byrds, Atomic Rooster.
Folklore Studies Interest - Histories or Tales of Passed Times by Mother Goose With Morals. By M. Perrault. Translated into English. Printed for J. Pote, at Sir Isaac Newtons Head near Suffolk Street, Charing Cross and R. Montagu, the Corner of Great Queen Street, Near Drury-Lane. Printed 1729. To include; The Little Red Riding-hood, The Fairy, The Blue Beard, The Sleeping Beauty in the Wood, Pus in Boots. Illustrated.
A Cypriot terracotta jar, c.800BC, with bands of painted decoration and further geometric ornament and with two lug handles (one detached), approximately 44cm diameter x 72cm highComplete with a framed note of provenance stating that the vendor's father acquired the jar c.1938 as part of the specimens being collected for the universities of Cambridge and Birmingham. This coincides with the excavations of J R Stewart from whom various museums in the United Kingdom acquired examples of ancient Cypriot pottery.Various wear overall to the decoration. One handle detached but present. Some fritting and lifting of the surface of the jar in a number of places. Chips to the rim. A crack running down from the rim through the neck with some associated losses. In generally poor condition.
An R A Lister teak garden bench, 159cm wide x 82cm high; together with a 'Birling' rectangular topped teak low occasional table, 91cm wide x 51cm deep x 35cm high (2)Both in weathered condition commensurate with outdoor use, some slight looseness to joints and signs of slight rotting to the bench.
THREE BOXES OF SINGLE RECORDS AND VINTAGE GOLF CLUBS, to include approximately two hundred 1950's single records comprising artists The Swinging Blue Jeans, The Tremeloes, Dusty Springfield, Rolling Stones, Billy Fury, Helen Shapiro, Elvis, Del Shannon, Duane Eddy, Moody Blues, The Animals, The Monkees, etc. three Post Office letter scales, a boxed unused 'Jolly Jim' ventriloquists doll, together with a vintage golf bag containing seven hickory shaft golf irons and putters, makes include Grant Andersons, R. Forgan & Son, Finnegans Ltd, etc. (3 boxes + loose) (Condition Report: golf clubs are worn and slight rusting)
A Frankenthal porcelain figure of a zither player, c.1760, modelled seated on a scrollwork base, underglaze blue lion, monogram mark of Joseph Adam Hannong, and ‘R’, enameller’s mark ‘B’, impressed mark ‘l H’, 15cm high, small areas of restorationProvenance - purchased from Winifred Williams, Eastbourne/London before 1970.
Two pairs of WWI medals awarded to 5761 SJT. A. E. GUNN. R. E. and SD-288 PTE. W. H. BROAD. R. SUSS. R. , another WWI medal to 553092 SPR. T. F. NEARY. R. E. , a South Africa medal with 5 bars to 5761 SAPPER A. E. GUNN. RL. ENGINEERS. together with other medals to include Crimea, assorted coins etc.
A good mahogany cased drop-dial wall clock, the 12-inch white painted dial with Roman numerals and signed for retailer R Sharp, Liverpool, matched steel trefoil hands, opening glazed bezel, trapezoid-plate cable fusée timepiece movement featuring passing strike on a bell, wood rod pendulum with cylindrical lead bob visible behind a glazed panel, with key.
A WW1 Military Medal Trio to 21781 PTE.J.Bottomley.1/R.Lanc.R, said to be killed in action 18th April 1918, Military Medal, War Medal and Victory Medal, JAS Bottomley, also includes his brothers WW1 Military Medal Trio to R-8747 PTE.J.Bottomley K.R.RIF.C, 1914-15 Star, War Medal and Victory Medal, John Bottomley
A Royal Lancaster 1st VOL,r BATT,n Cap Badge, South Lancashire Cap Badge and Royal Lancaster Cap Badge all of circular form along with a Royal Lancaster Fussiliers Cap Badge, Lancaster's Own Button, Royal Army Corps Collar Badge a pair of Copper Serviette Rings inscribed Pieters Hill S Africa 27 2 00 and two WW2 Medals, 39-45 Star and Atlantic Star
Early hand painted tea set grouping for 8 includes the following:2 Serving plates - 9"Open Sugar / Bowl - 3.25" X 6"Cream Pitcher 4" X 4.75"Eight Cups (one with small hairline to rim)Eight SaucersEight Lunch platesMany with Artist signature painted with rose pattern. Artist: R. WoodIssued: circa 1910Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
WILLIAM R. COOK (RICK) (AUSTRALIAN B.1972) - A GLASS FISH Crimson Series Fish, 2011 Provenance: Red Sea Gallery, Singapore, sold with certificate 38cm long Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
ROBERT CRUMB LOT (8 in Lot) - Includes R. CRUMB SKETCH BOOK 1974 to 1978 (Hardcover 1978 - Zweitausendeins) + THE BOOK OF GENESIS (Hardcover 2009 - Jonathan Cape) + THE COMPLETE RECORD COVER COLLECTION (Hardcover in Slipcase 2011 - Norton) + DRAWN TOGETHER (Hardcover 2012 - Knockabout) + ODDS & ENDS (Hardcover 2001 - Bloomsbury) + THE COMPLETE DIRTY LAUNDRY COMICS (2003 - Last Gasp) + CARLOAD O'COMICS (1976 - Belier Press) + THE APEX TREASURY OF UNDERGROUND COMICS (1974 - Links Books)

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297893 item(s)/page