A George III mahogany and boxwood inlaid and crossbanded longcase clock, late 18th century, the broken scroll swan neck pediment applied with stamped brass urn terminals, over foliate gilt painted glass panels, above an arched glazed door flanked by fluted gilt brass capped pilasters, enclosing a white painted 13" enamel dial with roman numerals, subsidiary seconds dial and date aperture and marked R. Webster, Salop, gilded foliate corners and rolling moon phase with galleon and pastoral scene in the arch, 8 day movement striking on a bell above a fluted frieze centred by a boxwood oval patera over a shaped top crossbanded trunk door flanked by fluted quarter columns above an ogive moulding and crossbanded base board between canted angles, lacking feet, distressed, 86" high
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A Regency mahogany and ebony reeded sarcophagus shape wine cooler, early 19th century, the hinged bevelled top enclosing a lead lined interior, lacking divisions, with brass hinges and lock plate, the lock plate stamped with a crown and G R monogram over ebony reeded panels and raised on paw feet and brass castors, gilt brass lion mask ring handles, 25.5" wide, 16" deep, 20" high
Two Cadbury's confectionery tins: a Cadbury's Dairy Milk Chocolate money box tin in the shape of a milk churn with removable lid, the coin slot near the top of one side; and a "Three British Queens" tin in the form of a brass-bound carved wood casket, the surfaces embossed with Queen Mary's royal initials R and M
A Victorian silver christening mug, makers mark C R, London 1854, of faceted baluster shape, embossed with four round discs, flat chased with flowers within foliate borders, engraved 'Malcolm' in gothic script, leaf cast double C scroll handle and raised on four squat shell bracket feet, 4.5" high approx. 4ozs
A late 19th century Dutch toy in the form of figures in a covered sleigh drawn by a horse, on a canted-rectangular base engraved with a diaper pattern, .833 standard mark, date mark for 1884, and makers mark 'R' over '133' for C Rietveld of Schoonhoven (1865-1912), the base 104 x 39mm, 61mm high overall
A late 19th century Dutch toy in the form of a miniature side show, with figures watching a tight-rope walker and a performing bear and monkey, on a canted-rectangular base engraved with a diaper pattern, date mark for 1884, and makers mark 'R' over '133' for C Rietveld of Schoonhoven (1865-1912), the base 134 x 63mm
A 19th century Dutch toy in the form of a two butchers carrying a carcass on a ladder, on a canted rectangular base engraved with a diaper pattern, makers mark 'R' over '133' for C Rietveld of Schoonhoven (1865-1912) and small silver mark for 1814-1905, the base 78 x 33mm, 42mm high overall (see Victor Houart 'Miniature Silver Toys' p.58/59 for a similar but early 18th century toy showing a carcass hanging from a ladder)
R. SUMMERHAYES, ILMINSTER, A GEORGIAN COUNTRY MADE OAK LONGCASE CLOCK, the shaped top hood with square door, flanked by turned pillars, long trunk door, stepped base and moulded surround, the cream enamel dial with gilt shell and leaf spandrel corners, supporting an eight day movement, approximately 77 1/2 ins high.
An English porcelain 'Rococo revival' pale-blue-gound oviform ice-pail and cover, with flared neck and domed foot, perhaps H. & R. Daniel, painted with sprays of flowers within elaborate gilt boders of seashells and flowerheads, height 35cm., circa 1830 (old rivetted repair to one handle, liner lacking)
An early 19th century oak longcase clock, the eight day two-train movement with anchor escapment and rack strike on a bell, the square painted dial with Roman numerals, subsidiary date aperture and moonphase, painted with birds and indistinctly inscribed R. Thomas...., the case with fluted pillasters, the hood with broken pediment and brass ball finial, height 218cm.
Bernard Dunstan, (1920-), R. A.,'Model in a Studio'; A study of a female nude seated on the edge of a chaise longue amidst the artist's studio equipment, inscribed with title verso, oil on board, 30.5 x 22.5 cm (12 x 8 3/4 in). The painting is accompanied by a letter from the artist, discussing the picture and its date.

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