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Click here to subscribeTSM MODEL SCALE MINIATURES 1:18 SCALE DIE-CAST MODEL 1978 LOTUS TYPE 78 South African GP winner R Peterson limited edition of 340/3000 with card of authenticity and a 1971 Team Lotus type 56B Italian Grand Prix driver Emmerson Fittipaldi limited edit ion 1131/3000 with card of authenticity both in original vendors boxes
An album of world bank notes, approximately 40 including: Bank of England £5 prefix 82B, J S Fforde, 10 shillings prefix 04K, J Q Hollom, Bank of Ireland £5 prefix R, A S J O'Neill, Bank of Scotland £1 prefix C/4, T W Walker, Royal Bank of Scotland (2) £1 prefix D/66 and D/77, Clydesdale Bank £1 prefix D/K A R Macmillan, Isle of Man £1 prefix E John Paul (large signature) other countries examples include: Austria 50 Schilling 1010, 20 Schilling 1534, 10 Schilling 1738 and 10 Schilling BG, China, Germany: 1000 Mark 1910, 100 Mark 1910 and 1922, 20 Mark 1914, Hungary, Hong Kong, Israel, Italy, Jugoslavia, Rhodesia, Romania, Portugal and Turkey - Condition: some folding and creases etc. Poor - VF
Banknote album containing notes for The British Linen Bank: £1 notes prefix Q and U/I, Clydesdale Bank Limited: £ prefix D/BR, £5 prefix D/BF, E/EB 2 off in sequence, W/HS, A/DD, CG/5, 2 off in sequence, A/DW, A/AB, A/AK, MM, A,CD, A/CV, W/HS, E/Su, E/WX, £20 prefix A/CY, A/DM, RB/2, C/HG, ABu, A/CS, A/AB, W/HS, £10 prefix C/A 2 off in sequence, R D Fairbairn, £50 prefix W/HS, D/A and £100 prefix W/HS - Condition: EF-UNC
A Victorian silver pocket watch, having 4.4cm white enamel dial, decorated Roman numerals and subsidiary seconds hands, the movement signed R Wright & Co Manufacturers, no 9779, case London 1864, fusee movement, key wind; together with a continental mesh evening purse and a gold plated pocket watch.
R. H., Ste. Croix-Les Rasses, Jura Suisse, circa 1922, lithograph in colours, printed by E.Studer, Yverdon 101 x 65cm (39 x 25in) Provenance: Purchased by the vendor from Galerie Un Deux Trois, Geneva, Switzerland, 2009 Sainte-Croix Les Rasses is in Switzerland in the Lake Geneva Region. It is well known for its cross country skiing and ski runs with views over Lake Neuchatel and Geneva.
R B Kitaj (American, 1932-2007) Portrait of Robert Duncan, 1971 signed and numbered lower right "Kitaj 7/150" with blindstamps etching witrh platetone, image size 15.5 x 15.5cm; paper size 51 x 31 cm Provenance: From the collection of Simon Hilton, Cambridge Literature: Illustrated in 'Kitaj Prints - A Catalogue Raisonne', by Jennifer Ramkalawom, pub. The British Museum, 2013, p.157 Dicolouration and yellowing to paper.
R B Kitaj (American, 1932-2007) Republic of the Southern Cross, 1965 inscribed in ink with title lower left and signed lower right "R B Kitaj", possibly dated, but ink has been smudged screenprint 77 x 57cm (30 x 22in) Provenance: The Marlborough-Gerson Gallery Inc., 41 East 57th St., New York, where loaned to the Los Angeles County Museum of Art (old labels verso) Exhibited: The Los Angeles County Museum of Art. Other Notes: R B Kitaj was first introduced to the method of screen printing by Eduardo Paolozzi, after Paolozzi introduced him to Chris Prater at Kelpra Studio in 1962, who had a good reputation as a skilled printmaker and collaborator. The same year Kitaj and Paolozzi made a collaborative mixed media collage titled "Work in Progressive". Over the next few years Prater made visually similar screenprints for Kitaj, 15 of which made up the series 'Mahler Becomes Politics, Beisbol' (1964-67), published in 1967, in editions of 70, from which the present work belongs. This series saw Kitaj draw influences from the music and literature of Viennese composer Gustav Mahler, with whom he felt a connection through their shared Jewish heritage (Mahler's music was banned in most or Europe during the Nazi era). This series used a collage technique of text, photography and literary references from a wide range of sources, allowing Kitaj to draw together his diverse and complex interests. Signature is smudged. Back of frame is loose. Print not stuck down. Some wrinkling to the paper and areas of foxing and staining.
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