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Lot 1049
Beatrice Laura Goff. Symbols of Prehostic Mesopotamia, 1963; Eva Strommenger. The Art of Mesopotamia, 1964; Tibor Bodrogi. Art of Indonesia, 1972; Bamber Gascgoine. The Great Moghuls, 1971; R. S. Wasing. African Art, 1988; Steven Hooper. Pacific Encounters, 2006; Art of the Ancestors, Nias, Batak, Dayak from the private collections of Mark A Gordon and Pierre Mondolini, 2007. (7)
Lot 1075
A Kuba wine cup, with carved geometric decoration, 12.5cm high, a Kuba elliptical bowl with pierced holes to the side, 51cm long and a Kuba dagger with shaped iron blade, wooden handle, with brass cap with geometric decoration, 32.5cm long. (3) Provenance: Joseph Everett Dutton (1874 - 1905) Joseph Dutton died at Kasongo, D R Congo in 1905 at the aged of 29, whose work contributed significantly to the understanding of west African trypanosomiasis and African `tick fever.`
Lot 1056
(x) Great BritainOfficial StampsInland Revenue— 10/- ultramarine, variety raised stop after "R", part original gum, discoloured with some faults though a presentable example of this rare stamp. B.P.A. Certificate (1989), S.G. O10a, £12,000. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 110
JIROKICHI KASHAGI (1870-1923), JAPANESE WOMAN CARRYING FLOWERS; WOMAN WORKING IN A RICE FIELD Two watercolours; each signed lower right Each 19.25"" x 13"" 48.9 x 33 cm. Provenance: R. Jackson and Sons, Liverpool; Gifted inscription dated Dec. 8th, 1948 to one; the other dated, Jan. 8th. (19)49 verso
Lot 157
MUSSET (Alfred de). La Mouche. Préface par Philippe Gille. Paris : A. Ferroud, 1892. — In- 8, portrait, (2 ff.), XVI, 84 pp. , (2 ff.), couverture illustrée. Maroquin havane, plats ornés d’un encadrement de trois filets dorés et de motifs floraux aux angles, dos à nerfs orné, encadrement de maroquin havane, doublures de maroquin bleu orné d’un encadrement composé de filets dorés, de petites pièces de maroquin havane et de motifs floraux aux angles, gardes de soie moirée bleu nuit, doubles gardes de papier marbré, tranches dorées sur témoin, couverture conservée, étui (P. R. Raparlier).{CR}{CR}Édition tirée à 500 exemplaires, illustrée de 30 compositions dessinées et gravées par Adolphe LALAUZE, dont 1 portrait de l’auteur en frontispice et 6 illustrations à pleine page.{CR}Un des 89 exemplaires sur grand papier vélin d’Arches comportant 2 états des gravures, l’état définitif et l’état avec remarques.{CR}Très bel exemplaire en reliure doublée de Paul-Romain Raparlier, enrichi du prospectus de parution.
Lot 173
TURNER (Joseph Mallord William). Picturesque views on the southern coast of England. London : John et Arthur Arch, J. M. Richardson, Rodwell et Martin, W. B. Cooke, 1826. — 2 volumes in- folio, demi-basane marron à coins, filets dorés, dos à nerfs orné (reliure de l’époque).{CR}{CR}Brillante publication illustrée de 80 gravures dont 32 dans le texte et 48 hors texte, représentant les côtes du sud de l’Angleterre.{CR}Les régions du Dorsetshire, du Sussex, du Devonshire, du Kent, du Hampshire, du Somersetshire et du Corwall sont mises en valeur par la représentation des sites de Dover Castel, Folkestone, Plymouth, Portsmouth, Ramsgate, Rye... Les paysages dont sont tirées les gravures ont été peints pour un grand nombre par le célèbre et prestigieux peintre de paysage Joseph Mallord William TURNER mais également par S. OWEN, W. COLLINS, L. CLENELL, J. HAKEWILL, H. EDRIDGE, L. FRANCIA, P. DEWINT, W. ALEXANDER, S. PROUT. Les gravures ont été réalisées par J. HOGSBURGH, W.B. COOKE, Georges COOKE, R. WALLIS, W. RADCLYFFE, E. GOODALL, A. FREEBAIRN, W. MILLER. Un petit texte historique accompagne chaque site et monument. De nombreuses œuvres et planches de cet ouvrage, à juste titre célèbre, se trouvent à la Tate Gallery. {CR}Dos légèrement passés, usures aux coiffes et aux coins. Rousseurs et quelques mouillures.
![MONTESQUIOU FEZENSAC (Jean de). Ardance ou la vallée d’automne. [Paris : imprimerie Durand], 1946. — In- folio, (](http://lot-images.atgmedia.com/SR/15978/2906332/274-2014529163140_468x382.jpg)
Lot 274
MONTESQUIOU FEZENSAC (Jean de). Ardance ou la vallée d’automne. [Paris : imprimerie Durand], 1946. — In- folio, (4 ff.), 267 pp. , (1 f.), couverture imprimée. Maroquin janséniste brun, dos lisse, encadrement de maroquin brun à l’intérieur, orné d’un filet à froid et de filets dorés aux angles, doublures et gardes de soie moirée rouge, tête dorée, non rogné, couverture et dos conservés, étui (reliure de l’époque).{CR}{CR}Première édition illustrée tirée à 232 exemplaires, illustrée de compositions originales à pleine page de Gaston HOFFMANN, lithographiées en couleurs au repérage par J. R. Gilbert.{CR}Un des douze exemplaires sur papier chamois à la cuve de Bourdillon comprenant un dessin original en couleurs, mine de plomb et sanguine, représentant l’étreinte amoureuse de Jacques d’Ardance, la progression des couleurs d’une illustration, et une suite en bistre avec remarques.{CR}Très bel exemplaire, bien relié.{CR}Dos légèrement passé, infimes usures à la reliure, étui restauré. {CR}Provenance : Marc Benrey, avec ex-libris.
Lot 283
POE (Edgar). Le Scarabée d’or. Traduction de Charles Baudelaire. Paris : Librairie des amateurs, A. Ferroud, F. Ferroud, 1926. — In- 8, frontispice, 89 pp. , (1 f.), 3 planches, couverture illustrée. Broché, couverture rempliée.{CR}{CR}Édition illustrée d’une grande composition en couleurs sur la couverture, de 5 compositions en noir dont une sur le titre, d’un en-tête et d’une lettrine en couleurs, ainsi que d’un frontispice et de 3 hors-texte, le tout d’après les compositions de Georges ROCHEGROSSE. Le frontispice a été gravé par Mme Rita Dreyfus, les autres planches en couleurs par Georges Beltrand. Les figures en noir ont été gravées par R. Blot.{CR}Tirage à 675 exemplaires numérotés, celui-ci étant l’un des 25 sur papier de Hollande, contenant quatre états des illustrations.{CR}Exemplaire parfaitement conservé, enrichi de 3 L.A.S. de Rochegrosse adressées à l’éditeur Ferroud, portant sur cette publication mais également sur Astarté et sur le Puits de Sainte Claire :{CR}- 19 mars 1925, 4 pages in- 16 : Il regrette le travail du texte chiffré qui était sur le dos de la première couverture du Scarabée, il lui semble que “cela ne fait pas bien du tout - cela allourdit le verso et ne s’arrange pas (…) avec l’ensemble - il vaut mieux en faire son deuil”. Il a du interrompre les “aquarelles faux titres du Puits de Ste Claire” et s’y remettra dès qu’il aura terminé l’aquarelle demandée pour Astarté, etc.{CR}- 29 juin 1925, 2 pages in- 16 : “Je me suis mis, dès le reçu du petit mot qui accompagnait le mandat, à relire les contes d’Edgar Poe et si je trouve quelque chose, je vous le dirai aussitôt. Ce sera en tous cas forcément un peu plus court que le Scarabée, car si je ne me trompe, le Scarabée est le plus long des deux séries des “Histoires Extraordinaires”. Il attend les épreuves du Puits et de la couverture du Scarabée : “j’attends toujours tout cela, le pinceau et le crayon en l’air…”{CR}- 2 novembre (1925), 8 pages in- 12 : Belle et longue lettre concernant la rémunération de son travail. Ferroud lui a envoyé un livre qu’il veut faire aquareller par l’artiste : “Avec tout ce que vous demandez pour les 3 contes d’Edgar Poe me voilà un fameux tas de travail sur la planche… Mais, comme vous le savez je ne “boude” pas sur le turbin!… et comme vous dites, le travail c’est la liberté… Seulement cher Monsieur Ferroud, si c’est la liberté, faut pas que ça soit la ruine… Or, le prix que vous m’offrez pour une pareille somme de turbin… c’est à peu près la dite ruine”. Il demande “au bas mot un billet de mille…” {CR}Il poursuit avec les illustrations des 3 contes d’Edgar Poe et de Thaïs.
Lot 305
Sarawak. An 1871 to 1966 mint and used collection on loose album pages. Includes 1871 3c brown on yellow mint block of six (one showing stop after 3), a further used with stop after 3, another with long R. 1925 and 1932 sets mint, 1945 mint set to $5, 1946 centenary set mint and used, 1948 Silver Wedding mint, 1950 $1 to $5 mint, 1955 to 1959 definitive set mint. Some Telegraph stamps mint and Sarawak Stamps and Postal History by Forrester-Wood
Lot 539
(x) New Guinea1914 (16 Dec.) - 1915 Stamps of German New Guinea overprinted "g.r.i." with value 5mm. or 5-5½mm. apart1d. on 5pf. green showing variety "g r i" without stops but with normal spaces, on small piece tied by "stephansort" d.s. in blue (Type 52), fine. Extremely rare, five examples of this variety are recorded, one unused (in the Royal collection) and four used. Holcombe Certificate (1990). S.G. 17ga, £10,000. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 603
(x) New Guinea1914 (6 Dec.) Stamps of Marshall Islands overprinted "g.r.i." with values 5mm. or 3½-4mm. apart1s. on 1m. carmine showing variety no stop after "i" (tiny remnants only of stops after "r" and "i"), Setting 3, Position 2, centred to top, fine mint. Rare. B.P.A. (1936) and Ceremuga (2001) Certificates. S.G. 59b, £6000. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 606
(x) New Guinea1914 (6 Dec.) Stamps of Marshall Islands overprinted "g.r.i." with values 5mm. or 3½-4mm. apart2s. on 2m. blue showing variety no stop after "i" (tiny remnants only of stops after "r" and "i"), Setting 3, Position 2, unused with large part original gum, well-centred and of good colour, fine. Rare. B.P.A. (1955), Gibbs (2007) and Ceremuga (2007) Certificates. S.G. 60b, £3500. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 607
(x) New Guinea1914 (6 Dec.) Stamps of Marshall Islands overprinted "g.r.i." with values 5mm. or 3½-4mm. apart2s. on 2m. blue showing variety no stop after "i" (tiny remnants only of stops after "r" and "i"), Setting 3, Position 2, unused with large part original gum, well-centred and of good colour, vertical crease at right not affecting fine appearance. Rare. B.P.A. Certificate (1974). S.G. 60b, £3500. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 689
JOHNNIE WALKER BLUE LABEL Blended Scotch Whisky labelled for the Asian market. Bottle No. R 031152 JW. 75cl, 43% volume. BUCHANNAN`S RED SEAL Blended Scotch Whisky labelled for the Venezuelan market. 75cl, 40% volume. WINDSOR 17 YEAR OLD PRESTIGE Blended Scotch Whisky by Hill Thomson, labelled for the Korean market. 500ml, 40% volume. WINDSOR 12 YEAR OLD PREMIER Blended Scotch Whisky labelled for the Korean market. 350ml, 40% volume. 4 bottles Good.
Lot 714
OLD ELGIN 8 YEAR OLD Blended Scotch Whisky, produced by Gordon & MacPhail for Bill Carter, The Excelsior, Lerwick. 75cl, 40% volume. BLAIRMHOR 8 YEAR OLD Pure Malt Whisky by R. Carmichael, Airdrie. 75cl, 40% volume. GLENFAIRN 12 YEAR OLD Pure Malt Scotch Whisky. 75cl, 40% volume. BUSHMILLS BLACK BUSH Special Old Irish Whiskey. 700ml, 40% volume. LATVIJAS BALZAMS Latvian Whisky. Label reads, `This Whisky is the first one produced in Latvia. It`s obtained from Latvian Rye, fermented and distilled in 1993, matured on various sorts of oak`. 70cl, 40% volume. 5 bottles Very good.
Lot 778
JOHNNIE WALKER BLUE LABEL Blended Scotch Whisky, labelled for the Venezuelan market. Bottle No. R 600380 JW. 0.76 L, 40 G.L., in carton. JOHNNIE WALKER GOLD LABEL CENTENARY BLEND Blended Scotch Whisky, aged 18 Years. 70cl, 40% volume, in carton. JOHNNIE WALKER PREMIER Blended Scotch Whisky, labelled H.K.D.N.P. 75cl, 43% volume, in presentation box. JOHNNIE WALKER GREEN LABEL Blended Malt Scotch Whisky, aged 15 years. 75cl/750ml, 43% volume. JOHNNIE WALKER BLACK LABEL Blended Scotch Whisky, aged 12 Years. 70cl, 43% volume. JOHNNIE WALKER RED LABEL Blended Scotch Whisky. 75cl, 40% volume. JOHNNIE WALKER BLACK LABEL COLLECTORS EDITION Blended Scotch Whisky, aged 12 Years. Bottle No.035045. 70cl/700ml, 40% volume, in presentation box. JOHNNIE WALKER GREEN LABEL Blended Scotch Whisky, aged 15 Years. 20cl, 43% volume, in carton. 8 bottles N.B. The Lot is presented with a leather effect Johnnie Walker Blue Label case. Very good.
Lot 149
A fine and tall Martin Brothers stoneware bird jar and cover by Robert Wallace Martin, dated 1899, modelled alert with slightly tilted head, broad beak and staring eyes, with broad claws, glazed in shades of green and brown highlighted with blue, on ebonised wood base incised R W Martin & Bros, 2-1899, London & Southall, paper label to neck 35cm. high
Lot 162
An unusual Martin Brothers stoneware flask by Robert Wallace Martin, twin-handled form with flattened back, incised with a panel of a hummingbird and butterfly before grasses, the back with a bird perched amongst berried bough, in shades of brown and ochre on a buff ground incised R W Martin & Bros London & Southall, firing hairlines to body 18.5cm. high
Lot 175
A fine pair of Martin Brothers stoneware Aquatic wall chargers by Robert Wallace Martin, dated 1887, incised and painted in with grotesque fish amongst waterweed, one with a lobster, the other a crab, in shades of green and brown on a buff ground incised 4-1887, R W Martin & Bros, London & Southall, and incised Martin Bros to the front, 33cm. diam. Provenance Ernst Marsh collection, Hatch Hill private collection
Lot 187
A rare Martin Brothers stoneware double bird sculpture group by Robert Wallace Martin, dated 1904, each modelled with claw feet, the heads with knowing stare, glazed in shades of ochre and green highlighted with blue, on ebonised wood base, incised R W Martin & Bros London & Southall 9.1.1904 to head and base rim, firing cracks to base rim and one to one neck rim, repair to one beak, 24cm. high Provenance private collection
Lot 117
A Victorian figured walnut cased games compendium circa 1870, the domed lid with gilt brass strap work opening to reveal a folding leather covered chequer and back gammon board to the interior of the the lid, over a divided interior containing a natural and stained bone Staunton pattern chess set, natural and stained bone circular gaming pieces, six ivory die, a pair of treen shakers and other gaming pieces, the box bears label for 'R F Pritty, Argyle Arcade, Glasgow' 29.5cm wide, 8.5cm high, 19cm deep Footnote: similar in design to the games compendium manufactured and retailed by JJ Mechi a well known merchant in London who was also the founder of the Royal Agricultural Beneficial Institution
Lot 134
A pair of late 19th century French patinated bronze figures of Giuliano & Lorenzo de Medici after Michelangelo, each figure depicted in a heroic idealized classical style as an ancient Roman soldier seated on a plinth each signed 'R Tion, Sauvage' to the left hand side of the base, each standing on an ebonised square wooden base, 18 and 18.5cm high Reductions after the original 1520-1534, which are central sculptures above the Medici tombs in the Medici chapel in the church of St. Lorenzo in Florence
Lot 16
"S. ASTI (fl. early 20th Century) Portrait miniature of a Lady, half-length, wearing a green dress with white wrap and white head-dress, on ivorine (?)¦5 1/2 x 4in (13.9 x 10.3cm); and three other portrait miniatures all depicting ladies, variously signed ‘P. Aubry’, ‘R. May’, and ‘S.B.’, a set of four (4)"
Lot 77
"PAUL SANDBY MUNN (1773-1845) ’View at the Pantheon in Stourhead Gardens, Wiltshire’, signed and dated P.S. Munn, 1817 (lower right) with inscription on old label on the reverse ‘view of the Pantheon, Stourhead Gardens, Wilts, the seat of Sir Richard Colt Hoare Bart....From a sketch by Philip Crocker ‘(Steward at Stourhead)’, watercolour 8 x 11 1/2in (20.3 x 29.3cm) Engraved and published by R. Havell and Son, Tottenham Court Road, London 1817. For a watercolour of the Pantheon at Stourhead by Francis Nicholson, circa 1811/1813 from a similar viewpoint cf. Bonhams, London November 4th 2005, lot 23."
Lot 886
A 1914-18 British War Medal and a 1914-19 Victory Medal to `5034 Pte. H. Strotten. R. Suss. R.`, mounted on a bar, two Second World War awards, comprising War Medal and Indian Forces 1939-45 War Medal, an officer`s silver plated cap badge of the Norfolk Regiment, three 1897 Diamond Jubilee commemorative medallions (two with jewellery mounts), a 1902 Coronation medallion, a 1911 Coronation medallion, three crowns, comprising 1953, 1977 and 1977, and a George III halfpenny 1771.
Lot 1120
A 1920`s oak gateleg table with oval drop leaves raised on spiral twist column supports united by stretchers together with a R A Lister & Co Ltd coopered oak and brass banded jardini¦re and stand a pair of reproduction dining chairs with turned spindle backs over rush seats and turned tapered supports
Lot 1096
Late 19th/Early 20th Century brass carriage clock, R&Co., made in France, the shaped carrying handle above visible platform escapment, the gilt plate with circular white enamel dial with black arabic numerals, bordered by a minute track, raised on four pad feet, 14.5cm high including handle
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297887 item(s)/page