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Lot 384
The early 20th century midshipman's photograph album for R C Brown, circa 1907-1924, comprising photographs aboard numerous vessels and locations including HMS 'Majestic', .HMS 'Venerable', and others , also a panoramic photograph of the Grand Harbour , Malta and related images, together with two late 19th scrap books with naval related cuttings (3)
Lot 538
FOUR BOXES AND LOOSE CERAMICS AND GLASS WARE, to include a large Poole Pottery twin tone seashell no C96, two Everill & Sons hand painted trinket dishes, painted with fruit and signed 'R. Everill', various Aynsley tea and coffee cups and saucers, a Mats Jonasson glass reverse cut sculpture of a squirrel, a Wedgwood Queen's Ware teacup and saucer, Carlton Ware dishes, a Nao figure of a girl with a puppy (wrist repaired), dinner and tea ware including Mason's Denmark, Paragon Moss Rose, HT Dolly Days and Wedgwood W3937, boxed drinking glasses, etc (4 boxes + loose) (sd)
Lot 542
TWO BOXES AND LOOSE RECORDS, RECORD PLAYER, PICNIC SET, METAL WARE AND MISCELLANEOUS ITEMS, to include approximately ninety vinyl singles by artists including The Beatles: Please, Please Me 45-R 4983, Get Back R5777, and Let It Be R5833, The Rolling Stones Honky Tonk Women F.12952, T Rex: Ride a White Swan BUG-1, Elvis Presley: The Wonder of You RCA 1974, The Everley Brothers, The Monkees, Simon & Garfunkel: Bridge Over Troubled Water S4790, etc, a Philips Stella portable record player, a vintage GW Scott & Sons Ltd 'Coracle' cased picnic set for four people, a signed Bing Crosby programme, a cast iron circular sign marked 'HT Fire Brigade', Old Hall coffee ware, etc (2 boxes + loose) (sd, untested)
Lot 136
TWO CASED SETS OF SILVER SPOONS AND A TRAY, the first a set of six bright cut pattern teaspoons with shell shape bowls and engraved initial 'R' to each terminal, with a matching pair of sugar tongs, each piece hallmarked 'Josiah Williams & Co' London 1900, together with a cased set of six coffee spoons, each hallmarked 'Francis Howard Ltd' Birmingham 1957, approximate gross weight 144.9 grams, 4.66 ozt, together with a rounded rectangular embossed small tray with engraved cartouche, hallmarked 'Robert Pringle & Sons' Birmingham 1901, approximate gross weight 55.4 grams, 1.78 ozt (condition report: general light wear, the case with the sugar tongs in does not close)
Lot 1102
° ° Sussex - approximately 53 works relating to Sussex consisting of: Vincent, Alex - Roman Roads of Sussex, Middleton Press, 2000Pears, Molly - Royal Foliage, Molly Pears, 1959Kaye-Smith, Sheila - Saints in Sussex, Cassel & Company Ltd, 1926, 1st ed.Hufton, Geoffrey & Baird, Elaine - Scarecrows Legion Smuggling in Kent & Sussex, Rochester Press Ltd, 1983, goodLewis, Ralph - Scene in Sussex, The Research Publishing Co. 1973Holmes, Edric - Seaward Sussex, Robert Scott, 1920, 1st ed.Philpot, Terry - Secret Lewes, Amberley, 2017Seymour, Ellie - Secret Sussex An Unusual Guide, Jangerlez Publ.Hardiman, Scott - Secret Sussex, Batchworth Press, 1949 1st ed £9Hernu, Sandy - Secrets of West Sussex, S. B. Publications, 1997Duggan Rees, J. - Slindon A Portrait of a Village, J. Duggan Rees, 1988Meynell, Esther - Small Talk in Sussex, Robert Hale Ltd, 1954, 1st ed.Waugh, Mary - Smuggling in Kent & Sussex 1700-1840, Countryside Books, 1985Clark, Kenneth M. - Smuggling in Rye & District, Rye Museum 1988Viscountess Wolseley - Some Sussex Byways, The Medici Society, 1930, 1st ed.Garner Howe, Vera - Something of Sussex, W. E. Baxter Ltd, 1959Habberton Lulham - Songs from the Sussex Downs & Dunes, Kegan Paul, Trench, Trubner & Co. Ltd,1908, 3rd ed.Wyndham, Richard - South East England, Batsford Books, 1951, 2nd ed.A Geographia Guide, South East England, Geographia LtdCooke, Arthur Stanley - Southdown Songs & Idylls, Unwin Bros Ltd, 1909Jennett, Sean - Southdown Way, HMSO, 1983Wyndham, Richard - South-Eastern Survey, B.T. Batsford, 1940Hare, Augustus J. C. - Sussex George, Charing Cross Road, 1896, 2nd ed.Armitage, David & Visman, Penny - Sussex Visitors Sketchbook, 1987Willard, Barbara - Sussex, 2 copies, 1965 ed, 1st 1969, B. T. Batsford Ltd, 2nd ed, 1969Winbolt MA, S. E. - Sussex, 2 copies, G Bell & Sons (Bell's Pocket Guides), 1928, 1st ed.Painted by Wilfrid Ball - Sussex, 3 copies, Adam ? Charles Black, 1913Seward, Desmond - Sussex, Pimlico, 1995Turnor, Reginald - Sussex, 2 copies, Paul Elek, 1947 ?Bosworth, George F. - Sussex, 2 copies, Cambridge, S., 1909Brabant, F.G. - Sussex, 2 copies, Methuen & Co. Ltd, 1938 9th ed, 1924 7th ed.Aitchison, George - Sussex, A & C Black, 1936, 1st ed.Brabant & Jessup - Sussex, Methuen, 1983, 9th ed.Curwen, E. Cecil - The Archaeology of Sussex, Methuen, 1937Thorne, John - Sussex, D & R Chambers Ltd?Mais, S. P. B. - Sussex, 2 copies, Richards 1937, 1st edition, reprint 1950Allen, David J. - Sussex, Shire Publications Ltd, 1995Burke, John - Sussex, B. T. Batsford Ltd, 1974, 1st ed.Ford, J.H. - Sussex, 2 copies, Alfred A. Knopf, 1929Greg Committee University of Sussex - Sussex Environmental landscape & Society, Alan Sutton, 1983Reynold, J.B. Artist Wilfred Ball - Sussex - Quotation :& Picture Series, A & C Black, 1928 £10Banks, F.R. - Archaeological, Penguin, 1957, 1st ed.Guilmant, Aylwin - Sussex of One Hundred Years Ago, Alan Sutton, 1997Armitage, David & Visman, Penny - Sussex A Visitors Sketchbook, Pekoe Books, 1987Solomon, David & Arscott, David - Sussex A colour Portrait, Countryside Books, 2004Condition - fair
Lot 78
Cigarette cards, R J Hill, 2 complete sets and many part sets in plastic sleeves, complete sets Decorations & Medals, Historic Places Dickens, part sets include Wireless Telephony 80/84, Inventors 1-20 12/20, Inventors 21-40 17/20 Prince of Wales series (3), plus many others (mixed but vast majority gd/vg)
Lot 159
Pierrot is a splendid color serigraph on laid paper by Italian Modernist Giancarlo Impiglia who used bright white and black, and deep red that contrast with the ranges of blue of the background and floor. Signature in graphite on lower right: Giancarlo Impiglia. Title in lower center: Pierrot. Edition number on lower left: 142/300. Stamp on verso: John R. Floren 1980. Artist: Giancarlo Impiglia (Italian b. 1940)Issued: 1982Dimensions: 26.50"L x 37"HEdition Number: 142 of 300Country of Origin: ItalyCondition: Age related wear.
Lot 11
Large and heavy multifunctional silverplated bowl with attractive rim details featuring shells, grapes and flowers. This statement piece can be used for serving punch and other beverages, or for decoration. Stamp on bottom: Trademark (Crown) 1883 R B Rogers Silver Co. Issued: c. 1980Dimensions: 10"H x 15" diaManufacturer: F. B. Rogers Silver CoCountry of Origin: United StatesCondition: Age related wear.
Lot 816
A Victorian silver presentation trowel, having an engraved decorative floral border with a central inscription stating the trowel was presented to R. Mansergh Esq. For laying the foundation stone of the Congregational Church in Grange-Over-Sands on September 15th 1894, marks for Sheffield 1894, maker Fenton Brothers (Samuel Fenton & William Staniforth), 158g. Trowel is lacking handle
Lot 470
2023 Triumph Rocket 3R Chrome Edition in 'as new' condition having never been ridden. Triumph's Rocket 3, released in 2004, sent shockwaves through the motorcycle world with its massive 2.3-litre, three-cylinder engine offering enormous power and torque for a cruiserIt received a major update in 2019 and an even bigger 2.5-litre engineAvailable in three models, the GT (touring), the R (sports) and the limited edition TFC modelOn offer from a private Collection, this Chrome Edition Rocket 3R is in 'as new' condition and has never been riddenThe bike has been dry stored at a specialist facility and kept on a battery conditionerIt's fitted with a tracker GPS security system and will be supplied with a Triumph battery chargerCurrent V5C, owners manuals, folder and all paperworkSpecification Make: TRIUMPH Model: ROCKET 3 R CHROME EDITION 2458CC Year: 2023 Registration Number: TGZ 488 Engine Number: AY7457Click here for more details and images
Lot 213
ARCHITECTS - A. M. STERN Comprising; Robert A.M. Stern: Buildings and Projects 1965-1980, Peter Arnell and Ted Bickford, Rizzoli, 1981 Robert A.M. Stern: Buildings and Projects 1981-1986, Lisa R. Braden, Rizzoli, 1986 Robert A.M. Stern: Buildings and Projects 1987-1992, Peter Morris Dixon, Rizzoli, 1992 Robert A.M. Stern: Buildings and Projects 1993-1998, Peter Morris Dixon, Monacelli Press, 1998 Robert A.M. Stern: Buildings and Projects 1999-2003, Peter Morris Dixon, Monacelli Press, 2003 Robert A.M. Stern: Buildings and Projects 2004-2009,Peter Morris Dixon, Monacelli Press, 2009 Robert A.M. Stern Architects: Buildings and Projects 2010-2014, Peter Morris Dixon and Jonathan Grzywacz, Monacelli Press, 2014 Robert A.M. Stern Architects: Buildings and Projects 2015-2019, Peter Morris Dixon and Shannon Holbein, Monacelli Press, 2019 Newport Houses, Photographs by Peter Aaron, Richard Cheek, Rizzoli, 19989 (9) Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 9009
Kirschbaum, furniert, teils ebonisiert, wohl um 1820. Runde, minimal elliptische Platte über drei Beinen auf ausgesägtem Stand. Den Schauseiten der Beine vorgelagerte attraktive Pilaster mit Messing-Kapitellen in Form antikisierender weiblicher Köpfe, die Basen der Pilaster als Füße in Messing ausgebildet. Partiell Altersspuren, Höhe: ca. 76 cm, Platte: ca. 75 x 78 cm. Vergleichbare Pilaster finden sich an Münchner Möbeln um 1820/25 (vgl. R. Presssler / R. Straub, Biedermeier-Möbel, Augsburg 1994, S. 91).
Lot 4017
Johann Elias Ridinger: Ulm 1698 - 1767 Augsburg. Bedeutender Tier- und Jagdmaler, Genreszenen, Figuren, Grafiker. Schüler u. a. von Rugendas. Vertreten in zahlreichen Museen.Drei Blatt, hierauf folgende Motive: A) Auf bläulichen Papier gegebene Darstellung eines Nashorns in zwei Ansichten: „Ruhendes Nashorn Vorder u. Hinterteil“ in schwarzer Tinte auf Karton. Der liegende Kopf am rechten Auge leicht orange-beigefarben koloriert. Auf dem Untersatzblatt in dunkler Tinte bezeichnet „J:E: Riedinger deln“, oben rechts handschriftlich von dritter Hand bezeichnet „Sammlung Weigel IX Mappe S. 280 Thienemann“. Format ca. 21,5 x 39,2 cm, unten rechts auf dem Karton in Bleistift Ziffer „1410“, oben links in Tinte Sammlungsnummer „12“. B) Des weiteren Zwei Nashorn - Kopfstudien: 1. Kopf nach rechts mit wenigen Weißhöhungen. Auf dem Untersatzblatt in dunkler Tinte bezeichnet „J:E: Riedinger deln“, oben rechts handschriftlich von dritter Hand bezeichnet „ Sammlung R. Weigel IX Mappe b. Thienemann“. Ca. 14,5 x 19,1 cm. 2. Kopf nach links. Auf dem Untersatzblatt in dunkler Tinte bezeichnet „J:E: Riedinger fecit“, oben rechts handschriftlich von dritter Hand bezeichnet „Sammlung R. Weigel b.Thienemann IX Mappe“. Ca. 13,9 x 16,8 cm, beide auf bläulichem Papier. Auf dem Karton in Tinte bezeichnet „1) Nashorn Kopf rechts 2 links“. Oben rechts Sammel-Nummer „11“, unten in Bleistift Ziffer „1409“. Alle in Bleistift ausgeführt, jeweils mit geringen altersgemäßen Flecken.Vgl. dazu Weigel, S. 41 f.; Thienemann, S. 280, „Neunte Mappe“, hier ein Blatt von Nr. 11.Provenienz: Langjährige süddeutsche Privatsammlung.Lit.: Weigel (hier Ridinger mit den Nummern 1205 - 2028); Thienemann, Leipzig 1856.
Lot 4014
Johann Elias Ridinger: Ulm 1698 - 1767 Augsburg. Bedeutender Tier- und Jagdmaler, Genreszenen, Figuren, Grafiker. Schüler u. a. von Rugendas. Vertreten in zahlreichen Museen.Martin Elias Ridinger: Sohn der Erstgenannten, Augsburg 1730 - 1780. Maler, Zeichner sowie Radierer/Kupferstecher.Motiv: „Farbiger Hirscheber“. So in schwarzer Tinte bezeichnet auf schwarzem Karton. Hier auch die Ziffer „6“. Darstellung der rechten Körperseite eines „Hirschebers“, unter seinem Kopf der Schädel eines kapitalen toten Exemplars. Teilkolorierte Zeichnung/Aquarell, ca. 15,5 x 28 cm. Linksbündig aufgeklebt auf ein Untersatzblatt, hier bezeichnet in brauner Tinte „M:E: Riedinger jun. fecit“. Darüber in Bleistift die Notiz: “Aus dem ..... Werk: Hierrauf herausgegeben von Martin Elias Riedinger u. Johann Jakob R s Thienemann S. 197 u 211 No 1025 Hirscheber. J. El. Riedinger hat nur den Kopf gezeichnet s unten rechts“. Vgl. dazu G. A. W. Thienemann, S. 211, Nr. 1025: „...Der Hirsch-Eber, Schweinshirsch. Sus Babiroussa. Eine ganz verfehlte Abbildung dieses eigenthümlichen Thieres, sowohl nach Gestalt als Farbe. Ridinger kannte... bloss den skelettierten Kopf, und so hat man sich nach eigener Phantasie das Uebrige gebildet“. Teils fleckig, mit schwarzer Umrandungslinie.Provenienz: Langjährige süddeutsche Privatsammlung.Lit.: Weigel (hier Ridinger mit den Nummern 1205 - 2028); Thienemann, Leipzig 1856.
Lot 228
Magna Graecia, Archaic Period, Ca. 520 BC A fine black figure cup with a flared rim, opposing loop handles and a bulbous tapered body. The vessel is decorated on both sides with a standing helmeted hoplite, holding a shield and throwing a spear. The figure is flanked by two large black eye motifs highlighted with white and red pigment. Size: 145mm x 90mm ; Weight: 100g Provenance: Private London collection; formerly in the collection of John R. Orr, Toledo, Ohio. Passed by inheritance in the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Lot 56
Ca. 300 - 100 BC A beautiful Hellenistic gold necklace. It is formed of four gold braided wires in a “rope” pattern, twisted in a helical manner. There are two intricate terminals at the end of these wires, decorated with spiral motifs and golden details. The two arms of the necklace are connected with an original gold clasp. Size: 525mm x 10mm; Weight: 84g Provenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece comes with an authentication report by Sami Fortune, ancient jewellery specialist.
Lot 642
Ca. AD 100 - 300 A Roman intaglio gold ring formed with a slender hoop and large shoulders. These shoulders are connected to a bezel with an intaglio. The intaglio depicts a male figure, who is crowned, and standing in a long tunic. His right arm rests on a stick, facing left. For similar see: El legado de Hefesto, n. 394. Size: D:18.95mm / US: 9 / UK: R 1/2; Weight: 9g Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 227
Ca. 550 BC A beautiful black-figure pottery kylix with a short pedestal disk foot, a wide cup, narrow stem, and two opposing handles. The central tondo is adorned with the painted and incised image of a dancing satyr. The external decoration consists of further satyrs surrounded by ivy tendrils highlighted with incised striations. Two large black eye motifs with expressive eyebrows are painted on one side. Size: 280mm x 90mm; Weight: 480g Provenance: Property of a London gallery, acquired on the US art market; formerly in a collection of John R. Orr, Toledo, Ohio, acquired Christie’s, South Kensington, Oct. 30th, 1989, lot 112, pictured on the front cover, to family by inheritance, with copy of Acanthus, NYC. 1989 appraisal list where it is listed as Boeotian. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Lot 338
Ca. AD 500 - 600 A Byzantine gold round pendant that secures an amazing carnelian intaglio depicting an angel, facing left in front of a processional cross. The figures are designed with dots and short lines in extremely stylised manners. The reverse is embellished with a geometric motif with spirals. At the top of the jewel, there is a hoop with round ridges. Size: 30mm x 23mm; Weight: 9g Provenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 704A
Ca. AD 300 - 500 A Roman bronze ring with a flat oval bezel engraved with a Roman legionary eagle. The eagle is shown in a frontal position with spread wings, and a motif of dots has been used to decorate the bird's body. The ring is a round hoop with D-section widening on the decorated shoulders to form the bezel. These rings were used to distinguish the military from civilians during daily life. Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 4.6g Provenance: Private UK collection, acquired on the Dutch art market.
Lot 749
Ca. AD 300 - 700 A Byzantine ring crafted from bronze. The ring has a round hoop that smoothly transitions into a flat section. The circular bezel of the ring is adorned with an engraving of a winged angel, dressed in a flowing tunic and crowned with a radiant aureole. The angel holds a processional cross in its right hand, which symbolises spirituality and reverence. For similar see: El Legado de Hefesto, n. 594. Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 3.2g Provenance: Property of London gallery, acquired on the Austrian art market.
Lot 331
Ca. AD 500 - 700 A matched pair of Byzantine openwork gold earrings with a lunular-shaped body, featuring the Christian symbol of the cross in the centre. The main body of the jewels culminates with five gold balls on the lower edge. These earrings are wearable and close via a pin that connects with an opposing hoop. For a similar example, see The Metropolitan Museum of Art Accession Number: isl1725. Size: 35-35mm x 35-35mm; Weight: 9g Provenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 778
Ca. AD 900 - 1200 A medieval silver ring featuring a round bezel adorned with four stylised angels. They are in profile and depicted in a gothic style. The large shoulders of the hoop are decorated with geometric and zigzag motifs. Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 5g Provenance: Property of London gallery, acquired on the Austrian art market.
Lot 705A
Ca. AD 800 - 1300 A Byzantine bronze ring with an ogival bezel showing an inscription on two registers. The side panels are decorated with lines, forming a figure, possibly a fish. For similar see: El Legado de Hefesto, n. 631. and n. 632. Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 10.5g Provenance: Private UK collection, acquired on the Dutch art market.
Lot 753
Ca. AD 900 - 1300 A medieval religius bronze signer ring featuring a round hoop connected to a circular bezel. The bezel is adorned with cross framed in a crown of dots; inscription in ancient greek around it. Byzantine Christian rings featured religious symbols and were thought to provide physical and spiritual protection. They also served as markers of social status and identity, with signet rings bearing personal seals or emblems. For similar see: El Legado de Hefesto, n. 594. Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 3.8g Provenance: Property of London gallery, acquired on the Austrian art market.
Lot 193
Ca. 700 - 300 BC A gold pendant in the form of a gold leaf, depicting a human face composed of a nose, eyebrows and eyes. The decoration is complete with lines of dots. There is a curved loop for suspension on the top of the pendant. Size: 35mm x 18mm; Weight: 2g Provenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market.
Lot 744
Ca. AD 400 - 600 A magnificent Byzantine gold ring. The ring features a round hoop with a flat section decorated on the external surface with rope-shaped motifs. Each shoulder has three small golden balls that connect the hoop to the oval bezel. This bezel secures a banded agate with a polished surface. For similar see: Byzantium and the West, Jewellery in the First Millennium, n. 29. Size: D:18.95mm / US: 9 / UK: R 1/2; Weight: 3g Provenance: Property of a professional London art expert; obtained from an old British collection formed in the 1980s.
Lot 711
Ca. AD 200 - 400 A late Roman bronze ring with a circular bezel depicting a lion framed within a circular line. The shoulders are decorated with a pattern of dots. In various cultures, including ancient Rome, the lion was associated with power and prestige. Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 6.1g Provenance: Property of London gallery, acquired on the Austrian art market.
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