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Lot 68

TWO RINGS, the first an AF wishbone ring (damaged with split shank) hallmarked 9ct Birmingham, approximate gross weight 1.4 grams, the second a rose metal high relief cameo ring, depicting a possible oriental figure, collet set in an unmarked rose metal mount, ring size R, approximate gross weight 4.2 grams (condition report: first ring is heavily damaged, the second would benefit from a gentle clean and polish, slight discolouration to the shoulders, general light wear all round)

Lot 179

18ct gold diamond seven stone half eternity ring with a row of seven brilliant cut diamonds in channel setting, size RShank has London hallmarks, no date letter, 750, makers mark H&T Ld.Weight 4.3 grams

Lot 34

Two 22ct gold wedding rings, size N 1/2 and R 1/2, total weight 5.3g

Lot 444

Two contemporary paintings depicting rural village scenes. Comprising an oil on board signed 'Anne Norfolk', 54cm x 44cm, and a watercolour signed 'E. R. Roberts', 47cm x 33.5cm, both framed, the watercolour glazed

Lot 34

22CT AGATE GOLD RING 4.7 GRAMS APPROX SIZE R

Lot 403

A cased set of silver coffee spoons and sugar tongs. Assayed for Glasgow 1906 & 1907 by R & W Sorley. Total silver weight: 88.1g Reverse of handle monogrammed with initials 'MMcG'.

Lot 410

A collection of W&R Carlton Ware ceramic blushware cabinet plates, including Carnation and Peony examples.

Lot 415

A collection of W & R Carlton Ware table ceramics, to include pair of vases and curved bowl centerpiece in the Carnation pattern. Chip and crack to one of the smallest vases.

Lot 34

R Hansen : Chickens in a courtyard, oil on canvas, 39 cm x 49 cm, framed.

Lot 175

An unpublished manual 'Cricket' by R D Gaunt, circa 1960s. A cloth on card bound book that describes in good detail many aspects of cricket, including original photographs and diagrams, etc.

Lot 185

A signed Surrey County Cricket Club England V Australia Final Test Match 14-18 August 1926 commemorative silk panel. Signed in pen by R. Rhodes, H Sutcliffe, GB Hobbs and F Chester, Framed, 27cm x 37cm

Lot 62

Shooting Flicker No XXV by R Churchill. Part 1, Loading, Gun Mounting and Position for away Birds, Part 2. Stance, Footwork, Gun Mounting and Body Swing for incoming and overhead birds, 1930 edition.

Lot 2011

Max Beckmann (Leipzig 1884 – 1950 New York). „Dame mit Knabe“. 1923Kaltnadel auf Japan. 20,8 × 13,8 cm (32,6 × 25 cm) (8 ¼ × 5 ⅜ in. (12 ⅞ × 9 ⅞ in.)). Signiert.Hofmaier 266 B.a. (von B.b.).–Einer von 180 Abzügen. München, Verlag R. Piper & Co., 1924. [3994]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Das Papier unregelmäßig leicht gebräunt und mit vereinzelten winzigen braunen Fleckchen. Insgesamt schwach angestaubt. Rückseitig in den oberen Blattecken mit Papierklebestreifen auf den Unterkarton montiert.Wir berechnen auf den Hammerpreis 32% Aufgeld.

Lot 2134

Arnulf Rainer (Baden b. Wien 1929 – lebt in Enzenkirchen und auf Teneriffa). „Grüner Berg“. 1971Farbradierung auf Papier. 31,5 × 43,6 cm (52,3 × 70,2 cm) (12 ⅜ × 17 ⅛ in. (20 ⅝ × 27 ⅝ in.)). Signiert.Breicha R 146.–Einer von 150 nummerierten Abzügen. Wien, "Édition étudiante" der Österreichischen Hochschülerschaft, 1971. [3994]Zustandsbericht: Ex. 37/150. Harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Entlang der Kanten und in den Blattecken leichte Bestoßungen, Dellen und Knickspuren (bis zu 10 cm). Technikbedingt das Papier leicht gewellt. Das Blatt leicht gebräunt und etwas angestaubt. Vereinzelt in den Randbereichen leichte FIngerflecken.Wir berechnen auf den Hammerpreis 32% Aufgeld.

Lot 1

Great War Distinguished Service Medal For Service in Submarines, Distinguished Service Medal (D.S.M.) GVR named to “214970 R. ALLEN A.B. SUBMARINE SERVICE 1917”. Remains in good condition. D.S.M. London Gazette 2nd November 1917 – “The following awards have been approved for services in submarines in enemy waters”. Robert Allen was born on 5th October 1885 in Limavady, Londonderry. He entered the Royal Navy on 14th May 1901 starting his service as a Boy 2nd Class on H.M.S. Black Prince. He ran on 10th January 1902 and was recovered and returned to Black Prince on 25th February 1902 after which he seemed to behave himself. Discharged in February 1912 he then joined the Royal Fleet Reserve until his return to active service on 2nd August 1914. The whole of his war service appears to be within the Submarine Service with time on the depot ships Dolphin and Maidstone. From March to December 1917 and January to March 1918 he is shown as serving on submarine K8. His DSM was awarded for ‘long and arduous service’ during his initial period in K8. Also entitled to 1914-15 trio.

Lot 101

WW2 Homefront Rescue Helmet: Blue painted steel helmet with R to front complete with liner and chinstrap.

Lot 11

Cloth Insignia Grouping of Ernest R Collinson Royal Engineers, including a pair of printed regimental shoulder titles, printed 46th Infantry division formation sign, embroidered 50th Northumbrian division formation sign, various rank chevrons, WW2 medal ribbon bar, photograph of Collinson in battle dress uniform and named George VI Special Constabulary medal.

Lot 2

Great War Medals Durham Light Infantry, British War and Victory medal, “6135 PTE. R. S. GREENWOOD DURH. L.I”. Also numbered as 301790, 36 year old Robert Sutcliffe Greenwood enlisted on 6th June 1916. He received a gunshot wound to the right leg whilst serving with the 8th Battalion Durham Light infantry which resulted in his discharge on 2nd January 1918. Awarded a Silver War Badge. Entitle to pair only. Ex John Ingham collection.

Lot 267

1 serving bowl, 1 bread and butter plate, and 1 dessert bowl. Depicting the 'Shapoo' pattern; a Chinese landscape with two figures playing musical instruments. T and R-B 'Shapoo' backstamps on the bases. Serving bowl: 2â€H x 10.5â€dia. Bread and butter plate: 1â€H x 7.5â€dia. Dessert bowl: 1.25â€H x 5.75â€dia. Condition: Age related wear.

Lot 338

In natural tones. Beautifully hand decorated in traditional design. Hand written �Tapa, R, Oipa - Hawaii.� Dimensions: 5.25"H x 5.25"Dia.Country of Origin: Hawaii, United StatesCondition: Age related wear, with tiny chip to lid's rim.

Lot 136

Tal R (1976 Tel Aviv, lebt in Kopenhagen) 7even Up. 2006.Farbholzschnitt auf Velin.Am unteren Blattrand mit Bleistift signiert und nummeriert: Tal R, 23/24.Blattmaß: 59,5 x 80 cm.Unter Glas gerahmt: 71 x 91 cm.Provenienz:Nachlass Reinald Nohal, Mitbegründer der Paris Bar, Berlin.Story:Tal R. ist wie Irmelin aus Dänemark, wo sie ihn auch kennenlernten. In Berlin waren sie oft gemeinsam in der Paris Bar. Im November 2004 gab es in der Paris Bar ein Essen zu Ehren der Kronprinzen Mary und Frederik von Dänemark. Eingeladen waren Daniel Richter, Tal R, Kirkeby und Irmelin und Reinald.

Lot 267

Markus Lüpertz (1941 Reichenberg - lebt in Düsseldorf) Parzifal. Um 1995.Farblinolschnitt auf Papier. Rechts unten mit Filzstift mongrammiert: MlBlattmaß: 36 x 28 cm.Im Objektrahmen schwebend freigestellt und unter Glas gerahmt. Rahmenmaß: 52,2 x 42,2 cm.Provenienz:Privatsammlung, Baden-Württemberg.Angaben zum Künstler:• Markus Lüpertz wurde 1941 in Reichenberg, heute Tschechien geboren und studierte an der Werkkunstschule Krefeld und der Kunstakademie Düsseldorf, wo er jedoch wegen Ablehnung seines Malstils und einer physischen Auseinandersetzung nach einem Semester exmatrikuliert wurde. Nichtsdestotrotz war er von 1988 bis 2009 der Rektor der Akademie. • 1964 gründete er zusammen mit Karl Horst Hödicke, Hans-Jürgen Diehl, Wolfgang Petrick, Peter Sorge und elf weitern Künstlern die Selbsthilfegalerie Großgörschen 35. • Lüpertz war ein bedeutender Vertreter der "Neuen Wilden", einer Kunstbewegung, die in den 1980er Jahren in Deutschland entstand und sich durch expressiven, figurativen Stil auszeichnete. • Er trat nicht nur als Maler, Grafiker und Bildhauer in Erscheinung, sondern auch als Lyriker, Jazz-Musiker, Opernregisseur, Bühnenbildner und Veranstalter der ersten Berlin Biennale. • Eine Einladung in den Deutschen Pavillon der Venedig Biennale 1993 gemeinsam mit Georg Baselitz und Anselm Kiefer lehnte Lüpertz ab. Er überließ seinen Platz den anderen Künstlern, um auszustellen, wenne r zu einer Einzelpräsentation eingeladen würde.

Lot 299

A. R. Penck (1939 Dresden - Zürich 2017) Gegenwärtige Verhältnisse. 1989.Farbserigrafie auf Karton.Am unteren Blattrand signiert und nummeriert: a. r. penck, 28/55.Blattmaß: 86 x 122,3 cm.Im Landwehr-Objektrahmen freigestellt und unter Plexiglas gerahmt: 92,1 x 128 cm.Provenienz:Privatsammlung, Berlin.

Lot 317

Christian Roeckenschuss (1929 Dresden - Berlin 2011) Ohne Titel. 1977.Farbserigrafie auf leichtem Karton.Unterhalb der Darstellung mit Bleistift signiert, datiert und nummeriert: Christian R., 77, 28/75.Blattmaß: 60 x 50 cm.Herausgeber: Aus der von der Gruppe Systhema 1975 editierten Grafikmappe.Provenienz:Privatsammlung, Berlin.

Lot 339

Richard Smith (1931 Letchworth Garden City - Patchogue 2016)* Olympische Spiele München 1972. 1971.Farbserigrafie, collagiert auf Velin.Am oberen Blattrand mit Bleistift signiert, datiert und nummeriert sowie unterhalb der Darstellung typografisch bezeichnet: R Smith, 71, 67/200.Blattmaß: 105,5 x 70 cm. * Regelbesteuerung: Aufgeld 25% auf den Zuschlagspreis zzgl. 19% MwSt. auf Zuschlagspreis + Aufgeld.

Lot 8

Pat Steir (1938 Newark - lebt in New York) Waterfall. 1992.Aquatintaradierung auf Velin.Unterhalb der Darstellung mit Bleistift signiert, datiert und nummeriert: Pat Steir, '92, 15/45.Blattmaß: 70 x 37,5 cm.Unter Glas gerahmt. Rahmenmaß: 70,7 x 38 cm.Provenienz:Privatsammlung, Berlin.Angaben zur Künstlerin:• Pat Steir wurde 1940 in Newark, New Jersey geboren und studierte Drucktechnik am Pratt Institute, New York und Malerei und Komparatistik am Boston University College of Fine Arts. • Sie leitete von 1965 bis 1969 als künstlerische Direktorin des Verlags Harper & Row und war Mitarbeiterin der feministischen Magazine Printed Matter, Heresies und Semio-Text • Am bekanntesten ist Steir für ihre Serie „Waterfall“ (1987 -2000), bis zu 11 Meter breite Bilder, die von der Chinesischen Malerei des 8. und 9. Jahrhunderts und Tibetischer Philosophie inspiriert sind. • Steir war Teilnehmerin der documenta IX, ihre Arbeiten sind unter anderem im Metropolitan Museum of Art, Museum of Modern Art, Solomon R. Guggenheim Museum, Whitney Museum of Modern Art (alle New York), der National Gallery of Art, Washington D.C. und der Tate Gallery, London zu finden.

Lot 20

ANCIENT ROME. Honorius 404-408. Gold tremissis, 404-408. Rome. D N HONORIVS P F AVG, pearl-diademed, draped, and cuirassed bust of Honorius facing right. / VICTORIA AVGVSTORVM, Victory advancing facing, head right, holding wreath and globus cruciger R-M in fields, COM in exergue.Ex NAC Auction 54, 24 March 2010, lot 652. Scuffs to obverse and reverse, otherwise Extremely Fine.. Estimate: £350Reference: RIC 1259Diameter: 13.4 mm.Weight: 1.32 g. (AGW=0.0361 oz.)Composition: 850.0/1000 Gold.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.

Lot 60

GERMANY. BAVARIA. Maximilian II Emanuel, 1716-1726. Gold maximilian d'or, 1716. M · E · V · B · & P · S · D · C · P · R · S · R · I · A · & E · L · L *, Bare head of Maximilian II Emanuel facing right. / CLYPEVS OMNIB’ - IN TE SPERANTIB, Madonna and child, shield of arms at lower right, 17-16 either side. Very fine, scratches on obverse in front of face. Reference: Fr- 226; Hahn- 206; KM-388Diameter: 23.6 mm.Weight: 6.5 g. (AGW=0.1881 oz.)Composition: 900.0/1000 Gold.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.

Lot 61

GERMANY. SAXONY. John Frederick I the Magnanimous, 1532-47. Silver medal. Work after Hans Reinhart the elder, 'fall and crucifixion' (Sündenfall und Kreuzigung).MVLIER . EN - DIT . MIHI . ET . COMEDI . GE - . Z. Adam and Eve around the tree of knowledge, in the background l. the creation of Eve, r. the expulsion from paradise. / MIS-ERERE . NO - BIS . DOMI - NE, Scene of Christ's crucifixion, church to the left, below is the Roman legionnaire Longinus who pierces Christ's side with his spear.Good very fine, fields soldered. Reference: Mers. 543. Tentzel VIII. 2. Dassd. 122. Habich II. 1. 1969. Slg.Erbstein 265. Slg.Schnee 1587Diameter: 53.9 mm.Weight: 34.91 g.Composition: Silver.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.

Lot 455

1995 Royal Mint Commemorative bronze medal, struck to celebrate the birth of Spitfire designer R J Mitchell, in case of issue with COA, together with Tower Bridge Bronze Centenary Medal, both 63mm in dia and both limited issue of 5000. (2).

Lot 180

THE ART OF THE CHINESE SNUFF BOTTLE & OTHER ASIAN ART BOOK The Art of the Chinese Snuff Bottle, Hugh Moss; Victor Graham; Ka Bo Tsang, First Edition, Weatherhill, New York, 1993, 2 Vol with slip case; The Imperial Connection, Court Related Chinese Snuff Bottles, The Humphrey K.F.Hui Collection, 1998; Rivers and Mountains Far From the World, The Rachelle R Holden Collection, 1994; Inside Painted Snuff Bottles, Liu Jiang Hua Chopsons, 2008; Straits Chinese Furniture, A Collector's Guide, Ho Wing Meng, 1994; and three other paperback works on Asian art Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Lot 128

A Three-in-One carburetor by G R G Mfg Co, American,type A, number 876, (used, weathered). Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

Lot 287

After R. A. Rheem, 'Burning the Midnight - Gasoline', print on paper,10 x 21 1/2 inches, frame decorated with 3 motoring accessories (crazed with part of frame decoration missing), glazed. Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

Lot 303

An Alcyon poster after R. Gautier, 1906,printed on paper by G. Elleaume, 56 x 41 inches, laid on linen, cropped to the edge (old water damage and some loss to paper). Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

Lot 502

1907 Ford Model R Runabout Car no. 195149ci L-Head Inline 4-Cylinder EngineSingle Updraft Carburetor18bhp2-Speed Planetary TransmissionFront Transverse Leaf Sprung and Rear Elliptically Sprung Solid Axles2-Wheel Mechanical Brakes*A wonderful example of one of Ford's early creations*Plenty of fine patina and character*Complete with topTHE FORD MODEL RAlthough ambitious with its estimation of selling 10,000 Model N cars each year, the N was a huge sales success with over 7,000 delivered in a production run bridging 1906-1908. After the first flurry of sales, it was clear that the 'knocked down' basic Model N had a concept that was possibly too spartan and the consumers desired something a little more than that. The solution was the Model R. At $750, it cost 50% more than its little brother, and while mechanically much was shared, its presence was enhanced by larger 30 inch wheels, a more imposing body with more commodious seats, and a rounded 'beetle back' tail, ideal for strapping a spare tire or two to. It also had scalloped front wings leading to running boards and in standard form alone oil lamps to side and rear, and a brass horn were provided. Color choices were limited to dark Brewster Green or Carmine red, which could be matched to Brewster Green running gear or offset with cream.THE MOTORCAR OFFEREDIn a collection replete with Fords, this is the earliest example. Carlton O. Pate III's Early Ford Encyclopedia includes an extensive resource for owners and researchers of these early Ford's including synopsis of the known records of delivery. Sadly there is no specific entry for car number 195, but is safe to assume from the fact that cars 185 and 211 were ordered on April 27 and April 23 respectively that this car would have been ordered in this same window of time. Its history prior to the current ownership is uncharted, until it arrived in the collection of Gibb Moyer of Pennsylvania from whom it was acquired. The Ford has the appearance of an older restoration of a correct example of the model. It retains particularly charming features of original leather seats and period fabric top, while the paintwork seems to have been refurbished and the firewall replaced at some time. For reasons unknown, the engine number plate is unstamped, suggesting that it may be a replacement at some point. A nicely patinated example, no doubt chosen by these connoisseurs of the marque for these characteristics, it would make an excellent museum piece or tour car. Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

Lot 505

1904 Oldsmobile Model 6C Curved Dash Runabout Engine no. 20559117.5ci Horizontally Mounted Single-Cylinder EngineSingle Downdraft CarburetorApprox. 7bhp at 600rpm2-Speed Planetary TransmissionLongitudinal Leaf Spring SuspensionClutch Band on Drive Sprocket Brake*Present ownership since the 1950s*Stalwart of many tours and events *Former AACA Prize Winner*Completed the Centenary London to Brighton in 1996*Icon of its era THE CURVED DASH OLDSMOBILE Known as the 'Curved Dash' for obvious reasons, Ransom Eli Olds's gasoline-powered runabout was first offered for sale in 1901, following a fire at the factory that had destroyed every other prototype. Over 11,000 of the three Curved Dash models ('R', '6C' and 'B') were constructed before production ceased in 1907, making it the first volume produced American automobile. The Model 'R' runabout was powered by a single-cylinder, 1.6-liter engine of 114x152mm bore/stroke, mounted horizontally at the rear and producing 4½ horsepower at 600rpm. Later '6C' and 'B' models benefited from a more-powerful (7hp) 1.9-liter engine, and all featured two-speed transmission and chain final drive.Several improvements to the design were made during the course of production, but the engine's basic layout remained unchanged. Two mechanically operated overhead valves were set side-by-side at 90 degrees to the cylinder axis, and the rocker arms had roller ends. An ignition contact-breaker was mounted on the end of the camshaft, and sparks provided by a trembler coil. By 1902, the mixer-type carburetor had been replaced by a float-less design, while a manually adjustable valve in the exhaust system vented exhaust gases via the silencer box or more or less straight to the atmosphere, the two settings presumably being intended for town and country use respectively. Cooling water was contained in a reservoir above the engine and circulated by a crankshaft-driven pump, mounted on the side of the chassis. The radiator's copper piping wound its way back and forth beneath the floor.Despite appearances to the contrary, the suspension's leaf-springs which linked the front and rear axles were not true half-elliptics like those fitted to the later model 'B' cars. On the 'R' and '6C' models, only the bottom leaf ran from front to rear, so it would be more accurate to describe these as four quarter-elliptics. Steering was by means of a tiller, a common enough method in the early 1900s, while there was a choice of brakes: one acting on the transmission, the other on the differential. The wheels were un-braked.THE MOTORCAR OFFEREDIt can be argued that this Olds was the foundation of the collection that you see before you today, it was certainly one of the first cars to be purchased and its acquisition inspired its owners to campaign the car extensively around the country and even the world. In turn, their ownership and support of other owners and their cars encouraged and developed the appreciation for these excellent runabouts, alongside their friends George Green and others. If one wanted evidence of the perennial usability of the Curved Dash Oldsmobile, one need look no further than this car which is covered in plaques for campaigning and completing events around the country and as far as the UK and Canada. They include the Glidden Tours of every year from 1951 through to 1959, display at the Hershey Fall Meet in 1954 and '55 and no doubt many occasions since, presence at the Times Square Carnival of Cars in Manhattan in 1955, use on the Long Island Old Car Club Races of 1954 and 1955, Canada National Exhibition in 1955 and more recently the Bermuda Tour in 1995 and London to Brighton in 1996 – the famed Centenary Run. All of this activity was carried out in this ownership, making it all the more remarkable, and it continued to be shown at events such as Hershey even in recent years. As will be known the current custodians were extremely knowledgeable about this model specifically and it is safe to assume that it was chosen for its reliability and authenticity, it also benefitted from years of refinement and a few George Green tweaks to make it run better the best it could, and likely better than new. Today, the car remains in extremely tidy order and although not run for a few years should respond well to some fettling and return to its active career of use. As the cataloguer can endorse having driven one on the inaugural Audrain Veteran Car Tour last year, it would be a perfect car to use on that event also in future years, or indeed to repeat any similar Horseless Carriage Club rally. Although not officially Veteran Car Club dated, its engine number sits comfortably in the sequence of other accepted entries and subject to its acceptance would then be eligible for the London to Brighton Run.In addition to its plethora of rally plaques, the 'CDO' carries high quality brass accessories, including a Meteor headlamp, side brass lamps and to assist its use a bulb horn and period Hamilton pocket watch are attached to the tiller. An exemplary Curved Dash Olds, deserving of similarly appreciative future ownership to mirror the care with which it was enjoyed by these Two Generations of collectors. Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

Lot 510

1906 Thomas Flyer 50HP Seven Passenger Touring Car Chassis no. C 17522.7 cu in, T-Head Individually Cast Inline 4-Cylinder Engine (5½ inch bore by 5½ inch stroke)Single Carburetor50hp4-Speed Manual Transmission with final drive by dual chainsSemi-Elliptic Leaf Suspension2-Wheel Brakes* One of the highest performance American cars of 1906 * Formerly in the Harrah Collection* Two owners since 1960s, in the collection since 1986* Remarkable original example of famed marque* National Automobile Museum binder on fileTHE THOMAS COMPANY One of the most recognizable automobiles of this era and arguably the most important of all the pioneering brands, the Thomas was the car that conquered the globe and put the American industry on the map. Like so many of his pioneering contemporaries, Erwin Ross (E. R.) Thomas was in the bicycle business prior to manufacturing automobiles. During the 1890s, E. R. was the managing director for H. A. Lozier & Co. who produced the famous Cleveland bicycle. However, he recognized the huge potential in the newly evolving automobile business and left Lozier to take over the Buffalo Automobile and Auto-Bi company, which was known for its production of bicycles and motorcycle engines. In 1900 E. R. changed the company name to Thomas Auto-Bi, and by 1901 Thomas claimed to build more air-cooled motors than anyone else.E. R. had bigger things in mind however, and the first Thomas automobiles were introduced in 1903; small runabouts described in the catalog as the happy medium between the cheaper and more expensive cars. All of that changed in 1904 when a huge leap forward was made from the French fronted voiturettes that Thomas had made to date with the introduction of the Model 22. One of its most distinctive features was that the lightweight tubed chassis of its predecessors was succeeded with a more substantial frame that was constructed with an outside plate riveted to angle iron above and below it, visually this is immediately apparent with the series of rivets along each side. To the frame Thomas mounted a three-cylinder engine, an unusual configuration which has rarely been commonplace, it was mounted to what we now consider to be a 'proper' gearbox, a separate casing with three forward speeds. 'Beauty and Power' proclaimed the 1904 brochure for the model and summarized the use of the three-cylinder power plant thus 'In a word, the triple-cylinder motor gives us high speed, high efficiency, the greatest amount of power for a given size of cylinder, or for a minimum of weight, a maximum of speed and power'. Owing to its spritely performance, Thomas noted that their Chicago agent C.A. Coey had christened the new car a 'Flyer' – it was a name that stuck and a genius marketing name which has come to symbolize the marque as a swashbuckling high-performance motor car. The three-cylinder was a snapshot of what was to come, the following year an extra cylinder was added and the car grew a little more. The 1905 range offered four different Flyers, a four cylinder 40hp, two four cylinder 50hp cars and their first six cylinder, 60hp model, on 106, 110, 114 and 124 inch wheelbases respectively. This variety was quickly refined for the 1906 season, when all Thomas's were built on 118 inch wheelbases powered by four cylinder 50hp engines. Their engines were massive by comparison with their American contemporaries, with a 5½ inch bore and stroke giving 522 cubes of power and relayed to the road through huge front driving sprockets. As such it was probably the most high-performance American car available that year. Thomas Flyers soon gained notoriety among the faster and more flamboyant Touring cars of their day. E. R. had an eye for flair and his huge powerful cars showed it – they were often finished in bright colors and loaded with many ornate brass accessories. The 1907 sales catalogue boasted 'You can't go by a Thomas Flyer, so go buy one!' The Thomas name endures and is most readily remembered for its most astounding victory in one the greatest automotive competition events of the time, the 1908 Le Matin sponsored 'The Great Race'. The route went from New York (in the dead of winter) across the U.S. to San Francisco, then by ship to Alaska, and across the Bering Strait, either by ship or by ice to Siberia. To be certain that the Yukon and the Bering Strait would be covered in ice, the race purposely began in the winter. Many of the dirt-covered trails had never been traveled by a motorcar.E. R. Thomas made a last minute decision to enter a car and three days prior to the start, a stock 1907 model was selected from the factory lot. 13,341 miles and 171 days later, the victorious Thomas rolled into Paris and forever cemented its place in history. They also campaigned the French Grand Prix in 1908, Lewis Strang fielding a four cylinder Thomas, being the only American company to challenge Europeans on their turf in this period. THE MOTORCAR OFFEREDThe highlight of the Two Generations collection, the 1906 Thomas Flyer can pride itself with some 60 years in its last two ownerships, and while its current tenure has been more low-key, the previous is one of the best-known collections ever amassed, that of William Fisk Harrah of Reno, Nevada. On file is both a recently prepared National Automobile Museum binder of information relating to the model and this car specifically, with additional history having been researched by the current custodians. From these sources and photos of the car in the 1950s, it is highly likely that the Thomas Flyer was originally delivered to California, for it still wore a painted 'CAL 22' script on the rear of the bodywork by the time it first surfaced in the 1950s. In the 1950s it was owned by a John Krittenbrink of Oklahoma. Thomas was undoubtedly the marques favored by Harrah, and he began to correspond with him in the summer of 1958 to see if the car could be acquired for the growing collection. Naturally this was rebuffed by Krittenbrink to begin with, but as for many resistance was futile and eventually he succumbed to the Harrah checkbook. Although one of the first to be acquired by him, it would at one time shared those hallowed halls in Reno with many more of its brethren. It is believed that the car was purchased by Harrah in the very early 1960s, the first inhouse correspondence dating from 1962. It seems that there was some debate among the researchers and experts on the Harrah team as whether this was born as a Touring car, or as a Demi-Limousine, for clarity, the latter was a period fashionable term which simply related to a car having a fixed roof and closed panel that stretched along the back of the car, providing a little extra weather protection than the standard touring car. However, viewed today this summary seems somewhat inaccurate and unlikely for there is no evidence of where the rear section of the Demi-Limousine would have affixed, and furthermore there are top mounting brackets to the front and rear seats. Interestingly, Thomas coachwork was built in house and pioneered a design that catered for the basic dusty roads of the day, with three high sided scalloped panels designed to deflect dust from the passengers. Although refurbishment was contemplated by the Harrah team, it seems that this extended to no more than a 'lick' of paint in the uniform burgundy color that we see her today. Whatever the reason, in a chapter of the hobby which might have seen much of the car's intrinsic originality obliterated to create a show car, it was left alone, and between that and the sensitivity of the current owners also, it allows today's collectors to observe a 117 year old Thomas most probably with many of the finishes and details with which it left the Buffalo works, not least its floorboards, cabi... For further information on this lot please visit Bonhams.com

Lot 122

Framed White Metal plaque depicting a Stork and a Sand Cast British Empire Exhibition Wembley 1924 Cigarette box by R W Coan Ltd

Lot 329

Collection of framed original Paintings by R Taylor of WWII Aircraft

Lot 44

Collection of Hickory Golf Clubs inc Anti Shank Club, Neil Mackay 1911, F R Johns etc

Lot 79

Large Gilded Heavily framed Oil on canvas of a countryside river scene monogrammed L R

Lot 655

A George V silver bread basket, R. & W. Sorley, Glasgow 1931, oval, with reeded rim. Length 31cm, c. 15 troy ounces

Lot 877

BSA Rocket Gold Star replica, 1962, 650cc.Frame no. GA7 16116Engine no. DA10 R 11211RRT2 Gearbox. 190mm front brake. Manuals and BSA parts book. Runs and rides. Reg. DSU 476. V5

Lot 110

A Mizpah gilt ring size R, a gilt signet ring and a pair of 9ct screw back earrings - total weight approx 7.7 grams

Lot 122

A 9k Swiss blue topaz and diamond yellow gold ring size R - approx weight 3.6 grams - almost unworn

Lot 124

A 9k black star sapphire and diamond white gold ring size R - approx weight 2 grams - almost unworn condition

Lot 125

A 9k Goshenite and white sapphire yellow gold ring size R - approx weight 3.5 grams - almost unworn condition

Lot 130

A 9k rainbow moonstone white gold ring size R - approx weight 2.3 grams - almost unworn condition

Lot 132

A 9k AAA Ceylon sapphire white gold ring size R - approx weight 2.5 grams - almost unworn condition

Lot 133

A 9k Tanzanite and diamond yellow gold ring size R/S -approx weight 1.2 grams - almost unworn condition

Lot 246

A Victorian silver crown 1889 and other coins and a WWI medal to DMZ-07588 1 Pte R H Dickinson A.S.C

Lot 40

An 18ct yellow gold five stone diamond ring size Q/R - approx weight 3.6 grams - diamonds bright, generally good

Lot 2

Rene Lalique ' Jurancon ' clear and frosted glass vase, relief moulded with leaping Ibexes, stencil mark `R. LALIQUE` to base, 14.3cm high

Lot 26

Rene Lalique - 'Coquilles' clear and opalescent glass plate, wheel cut mark 'R LALIQUE FRANCE' and engraved script mark 'No. 3010' (26.5cm diameter); together with a ' Coquilles ' opalescent glass bowl, engraved ' R Lalique France No 3204 ' to the base (13cm diameter)

Lot 32

Rene Lalique ' Pissenlit No.1 ' clear & frosted glass bowl with moulded Dandelion leaf decoration, moulded mark ' R. Lalique, France ' and etched No. 3215 (24cm diameter); together with a Rene Lalique ' Pissenlit ' dish with matching Dandelion leaf decoration, moulded mark ' R. Lalique, France ' and etched No. 3025 (31cm diameter)

Lot 112

Corgi Diecast Model Truck comprising Heavy Haulage issue, No. CC13427 Man TGA Nooteboom Low Loader JCB 456 Wheel Loader ZX & Vauxhall Vivaro Escort Van in the livery of R Collett & Sons (Transport) LTD. Appears to be generally good without significant fault. May have been displayed at some stage.

Lot 163

WSI Model Truck Issue comprising 1/50 Scania R Highline I CR20H 6x2 Tag Axle + Low Loader/Euro - 2 Axle in the livery of AC Mejerimaskiner. Looks to be excellent and without fault in original box.

Lot 177

WSI Model Truck Issue comprising 1/50 Scania R Highline I CR20H 4x2 + Curtain Side Trailer - 3 Axle in the livery of Collins Transport. Limited Edition. Looks to be excellent and without fault in original box.

Lot 319

Model Railway Comprising Hornby No. R2775 Regional Railways Class 37 Locomotive, R2476 B Railfreight Co-Co Diesel Electric Class 56 Locomotive, R 4187B BR Autocoach. All look to be without fault in original boxes. Boxes have some storage wear.

Lot 330

Model Railway Comprising Hornby No. R 2012 B Mainline Co-Co Diesel Class 37, R2596 Network Rail Bo-Bo Electric Class 86 Locomotive, R2785 BR Green 9F Evening Star. All look to be without fault in original boxes. Boxes have some storage wear.

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