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A DINGYAO BOWL AND FOUR WHITE-GLAZED VESSELSSong DynastyComprising: a Dingyao shallow flaring bowl; a white glazed flower-form dish; a lobed jar; and two further jars carved in relief with bands of overlapping lotus petals.The largest 17cm (6 5/8in) diam. (5).Footnotes:宋 定窰盌及白釉瓷四件Provenance:One jar: David Baker Ltd., London, acquired 16 December 1999.The other jar: Stockspring Ltd., London, acquired 20 February 2001.The white-glazed dish: R&G McPherson Ltd., London, acquired 7 December 2004.The lobed jar: Guest & Gray Ltd., London, acquired 15 November 2006.Collection of Nicolas de la Mare Thompson (1928-2010) and thence by descent.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
A QINGBAI 'PEONY' BOWLSong DynastyThe shallow rounded sides rising from a short foot, carved to the interior with a central peony medallion encircled by four further flowerheads resting on an incised band, the glazed of delicate pale blue-green hue.17.5cm (6 7/8in) diam.Footnotes:宋 青白釉牡丹紋盌Provenance: R&G McPherson Ltd., London, acquired 12 February 2004.Collection of Nicolas de la Mare Thompson (1928-2010) and thence by descent.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
AN IMPERIAL YELLOW-GROUND UNDERGLAZE BLUE FLORAL VASE, YUHUCHUNPINGYongzhengThe pear-shaped vase with a bulbous body rising to a waisted neck, supported on a slightly-spreading foot, depicting a composite floral scroll with large chrysanthemum, peony, lotus and camellia blossoms, in between bands of lappets and floral scrolls, reserved against a bright yellow ground.29.3cm high (11 1/2in) highFootnotes:清雍正 黃地青花玉壺春瓶This vase embodies the quintessential Imperial taste of the 18th century that bore testament to the artistic achievements of the early Ming. Various elements derive from early Ming prototypes which first appeared on porcelain during the Xuande period (r. 1426-1435). This includes the mottled 'heaped and piled' effect in the way that the cobalt blue has been applied and the decorative elements incorporating a complex design comprising a range of flowers borne on entwined flowery stems. It also includes the combination of underglaze-blue with yellow enamel, a colour which represents a bold symbol of Imperial power. The yuhuchunping form goes back a little earlier than the Ming dynasty and developed from Song and Yuan dynasty wine vessel prototypes.The vase would have likely borne an Imperial reign mark to the base and the removal of such a mark is not unknown. For a meiping vase with similar decoration, with mark removed, see Sotheby's 22 March 2023, lot 521.For related vases see Christie's Hong Kong, 27 May 2008, lot 1575 and Poly Auction, 5 December 2010, lot 4692. See also, J. Ayres, Chinese Ceramics in The Baur Collection, Volume 2, Geneva, 1999, p. 91, no. 210.For further information on this lot please visit Bonhams.com
A POLYCHROME DECORATED CIZHOU DISH, A SLIP DECORATED DISH AND A SLIP DECORATED STEM CUPSong / Jin / Ming DynastyThe polychrome dish decorated in red and green with a large foliate flowering stem on a cream slip ground; the Cizhou dish painted in cream and brown slip with a floral and linear design, the underside with a mottled russet and black glaze; the stem cup with one wide and two narrow brown slip bands encircling the exterior.The largest 18.7cm (7 3/8in) diam. (3).Footnotes:宋/金/明 磁州窰彩繪盤, 白地黑彩花卉紋盤及白地黑彩高足盃Provenance: The stem cup: R & G McPherson, London (label). Acquired 3 November 2005. The polychrome dish: David Baker, acquired 20 June 2006.The slip decorated dish: The collection of Mrs Beryl Joyce; R & G McPherson Antiques (label), acquired 4 June 2008.Collection of Nicolas de la Mare Thompson (1928-2010) and thence by descent.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
FOUR QINGBAI BOWLSSong/Yuan DynastyComprising: a foliate rimmed bowl carved with a peony medallion to the well; a deep bowl decorated with a combed foliate design to the interior; a foliate rimmed bowl with radiating moulded vertical bands; and a shallow bowl with moulded floral decoration. The largest 20.5cm (8in) diam. (4).Footnotes:宋/元 青白釉盌 四件Provenance:The ribbed bowl: R&G McPherson Ltd., London, acquired 8 January 2009.The peony bowl: Stockspring Ltd., London, acquired 17 February 1995.The foliate bowl: Stockspring Ltd., London, acquired 7 May 1995.The combed bowl: David Bowden Ltd., London, acquired 10 January 1996.Collection of Nicolas de la Mare Thompson (1928-2010) and thence by descent.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
A PAINTED 'JIZHOU' BLACK-GLAZED 'FLORAL' BOWLJin DynastyFreely painted to the interior with blossoming branches encircling the well, the glaze falling short of the foot to reveal the buff pottery body.14.5cm (5 3/4in) diam.Footnotes:金 吉州窰黑釉花紋盌Provenance: Sotheby's London, Chinese and Japanese Works of Art, 7 April 2004, lot 187.R & G McPherson Antiques, London, 15 April 2004Collection of Nicolas de la Mare Thompson (1928-2010) and thence by descent.For a related piece see Mowry, Hare's Fur, Tortoiseshell and Partridge Feathers: Chinese Brown- and Black-glazed Ceramics, 400-1400, no 94, pp 237-8.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
A POTTERY ZOOMORPHIC 'OWL' JAR AND COVER, A LARGE POTTERY FIGURE OF A DOG, A POTTERY MODEL OF AN OX AND A POTTERY MODEL OF A LADYHan DynastyThe grey pottery owl form jar with some red and cream painted detail remaining; the large terracotta dog wearing a harness, modelled with tightly curled upright tail; the grey pottery ox standing with the head lowered, with some red pigmented detailing; the pottery female modelled with flaring faceted robe and high coiffure. The dog 35cm (13 3/4in) long. (5).Footnotes:漢 鴟鴞形帶蓋陶罐, 陶犬, 陶牛及陶女俑Published, Illustrated and Exhibited: The owl jar: Roger Keverne Ltd., Summer Exhibition, London, 2004, no. 23.The owl jar:The result of Oxford Authentication Ltd. thermoluminescence test no.C103q64 dated 30 July 2003, is consistent with the dating of this lot.The owl vessel is similar to a piece illustrated in R. Krahl, Chinese Ceramics from the Meiyintang Collection, volume 3, part 1, p. 86, cat. no. 1097. A closely related figure may be found in Y. Lu, Spirit of Han: Ceramics for the After-life, 1991, p. 99, cat. no. 57.For further information on this lot please visit Bonhams.com
THREE LONGQUAN CELADON-GLAZED BOWLS AND A YUEYAO JARFive Dynasties-Song DynastyComprising: a deep 'lotus' bowl, the exterior with upright lotus petal lappets radiating from the foot; a moulded petal lobed bowl, the exterior with a band of overlapping lotus petals; a small flower form bowl; and a Yueyao 'lotus' jar, the globular vessel carved in the form of a lotus bud, covered in an olive green glaze.The largest bowl 17cm (6 3/4in) diam. (4).Footnotes:五代至宋 龍泉窰青釉盌三件及越窰罐Provenance:The flower form bowl: Little River, acquired 15 September 2003.The deep bowl: R & G McPherson Antiques, London (label), acquired 8 September 2004.The petal lobed bowl: Guest & Gray, London, acquired 12 December 2002.The Yueyao jar: Collection of William Kenneth Slatcher C.V.O. (1926-1997), High Commissioner of the United Kingdom, in Beijing between 1958 and 1961. Robert McPherson, London (label)Stockspring Antiques, London, acquired 17 February 2000.Collection of Nicolas de la Mare Thompson (1928-2010) and thence by descent.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
A RUSSET-SPLASHED STONEWARE VASE AND A SLIP-DECORATED CELADON STONEWARE VASEJin Dynasty and laterComprising: a slip-decorated brown-glazed Henan pear-shaped vase applied overall with a variegated dark-brown glaze, painted on each side of the body in a russet iron-oxide slip with a stylized bird; and a white slip-decorated celadon stoneware vase painted with birds and floral sprays, both boxedThe largest 28cm (11in) high (4).Footnotes:金及之後 黑釉鐵鏽花紋玉壺春瓶及青釉白花玉壺春瓶Provenance: R & V Tregaskis Oriental Art (labels)For further information on this lot please visit Bonhams.com
A COLLECTION OF CERAMIC WARESHan Dynasty and laterComprising: a Sawankhalok celadon-glazed figure of a man riding an elephant, the rider's head having slipped off in the kiln; a celadon-glazed bowl; two green glazed cups; a green glazed whistle formed as a human face; a celadon glazed jar cover with bird finial; a celadon glazed bird finial; a celadon glazed jarlet of globular form with narrow lipped rim; a small circular black-glazed box and cover; and a small circular celadon-glazed box and cover.13.5cm (5 1/4in) high (13).Footnotes:漢及之後 陶器 一組For a whistle in the form of a human face see R. Schmidt, Chinesische Keramik von Der Han-Zeit Bis Zum XIX Jahrhundert, 1924, pl. 8E.A miniature jar with overhead handle is in the collection of the V&A Museum, accession number C.205-1910.For further information on this lot please visit Bonhams.com
A LARGE BLUE AND WHITE 'PHOENIX' DISHLate Ming DynastyPainted to the well with two confronting phoenix amongst ruyi form clouds, reserved on a geometric pattern ground, the rim with panels of flower sprays on cell and brocade pattern grounds, the exterior with three large fruiting vines.43cm (17in) diam.Footnotes:明晚期 青花雙鳳紋大盤For a related dish see C. J. A. Jörg and J. Van Campen Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam: The Ming and Qing Dynasties, p. 38, cat. no. 13. See also R. Krahl and C. von Spee, Chinese Ceramics from the Gulexuan Collection, 2003, cat. no. 62.For further information on this lot please visit Bonhams.com
SIX QINGBAI VESSELS AND TWO CIZHOU WHITE-GLAZED JULUXIAN BOWLSSong DynastyComprising: a cosmetics tray; a pair of moulded twin-fish and lotus dishes; a flower-form bowl with incised floral decoration; a flaring bowl suffused with an iron crackle; a pear-shaped vase moulded with bands of floral scroll and lotus petals; and two Cizhou 'Juluxian' white glazed flower form bowls.The largest 16.5cm (16 1/2in) diam. (8).Footnotes:宋 青白釉器六件及磁州窰鉅鹿縣白釉盌兩件Provenance: One of the pair of fish dishes: Stockspring Ltd., London, acquired 13 August 1996, the second acquired November 1997The foliate rim bowl and vase: Stockspring Ltd., London, acquired 5 December 1996.Antique & Bok Collector, Marlborough, acquired 2 February 1998.One Juluxian bowl: Guest & Gray, acquired 15 February 2007.The other: acquired March 1998, formerly Henfield & Penn.The cosmetics tray: R & G McPherson Antiques, London, acquired 22 October 2004.Collection of Nicolas de la Mare Thompson (1928-2010) and thence by descent.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
A BLACK-GLAZED WHITE-RIMMED BOWLSong DynastyThe conical bowl covered to the interior and exterior with a glossy black glaze stopping neatly above the foot, the everted rim covered with a band of white slip.12.5cm (4 7/8in) wide.Footnotes:宋 黑釉白口盌For a related bowl see R.Y. d'Argence, The Hans Popper Collection of Oriental Art; A Selection of 131 Chinese Ancient Bronzes, Sculptures, Ceramics and Korean Celadons, Centre of Asian Art and Culture, San Francisco, 1973, no. 119 and another in R. Krahl, Chinese Ceramics from the Meiyintang Collection, volume 3, part 2, p. 509, cat. no. 509.For further information on this lot please visit Bonhams.com
A SMALL GROUP OF WORCESTER PORCELAIN, comprising a small Royal Worcester jug painted with a pheasant, unsigned, puce backstamp and date code for 1911, a Royal Worcester small blush ivory mug painted with robins and a blue tit in flight, green backstamp, date cypher for 1911 (hairline beside handle, second quality), a Locke & Co Ltd, Worcester bud vase painted with a bird and flowers, height 12cm (hairline around vase at base of neck), an ERB Worcester blue tit painted plaque, signed E R Booth (chips on foot and base of plaque), a Royal Worcester painted thimble signed A Footman, and a Royal Worcester The Connoisseur Collection pill box (6) (Condition Report: obvious specific damage as stated in the description, otherwise ok)
A SILVER GILT THREE STONE RING, set with a central circular cut blue sapphire, flanked with two colourless cubic zirconia, each claw set in a white metal mount, to a yellow metal band, hallmarked silver Birmingham, stamped 9ct & sil, ring size R, approximate gross weight 2.7 grams (condition report: wear and discoloration, one cubic zirconia is chipped)
A collection of badges including five Daily express Rupert League enamel badges by J R Gaunt, three Golden Shred enamel badges, an RSPB Animal Defender badge, a Boy Scouts enamel cap badge, a Silverstone enamel badge by Marples and Beasley and a Royal Life Saving Society Water Safety badge, along with over 60 round pin badges and othersCONDITION REPORTS & PAYMENT DETAILSIMPORTANT * Descriptions do not include condition reports. Please contact us to if you require further information or images. * Please consider shipping costs before bidding as this may affect your decision to bid * Please familiarise yourself with our payment methods. Our preferred method of payment is by bank transfer. We do not take cash or card payments.
Reginald George HAGGAR (1905–1988),Doris BROWN (1933- 2023) 'The Sweet Shop, Lacock'. Possibly a Collaborative work between the two artist. Signed lower left 'R G Haggar' with 'Doris' above. Watercolour on paper, mounted. Signed lower right 'Reginald G Haggar' Size incl. frame: 39cm Width: 28.5cm
Cigarette & trade cards, Cricket, 18 complete sets including R J Hill Famous Cricketers (set of 40), Caricatures of Famous Cricketers (large), Ogden's Cricketers 1926, Morris Australian Cricketers, Churchman Cricketers, Churchman Famous Cricket Colours, Ogden's Prominent Cricketers 1938, Drapkin Australian & English Cricketers, plus Player's, Wills, Trade etc (majority gd)
Registration - M421 MRPChassis No. - SCBZB15C4TCH53016M.O.T. - April 2025Odometer - 60,176Resplendent in deep red, this Bentley Continental R comes with an interesting history, and is presented with a year’s MOT, in ‘excellent’ condition throughout. Powered by Bentley’s famed 6.75-litre V8 petrol engine – turbocharged here – and four-speed automatic transmission, ‘M421 MRP’ is a superb example of Bentley’s Grand Tourer. The two-door, 2+2 coupe is offered in Wildberry Red – similar in colour to Bentley’s royal models – over cream leather interior with burgundy piping and wood veneer dash. Coach-built by Mulliner Park Ward, this Continental R comes with original features such as factory-fitted phone and electric seats.Documentation shows that ‘M421 MRP’ was initially an Bentley demonstrator, and has since been owned by Weetabix owner Sir Richard George; it also has a class win rosette from the Bentley Drivers Club. The current owner is just the eighth in a history that is approaching 30 years old, having owned ‘M421 MRP’ for more than a year. The indicated distance covered on the odometer shows 60,176 miles, and the seller rates all areas of the Continental R as ‘excellent’, from engine and transmission, to electrics, interior, paint, and bodywork. Bentley’s Continental R was launched in 1991, and was the first model from the Crewe-based marque to not share a body with Rolls-Royce since the 1965 S3 Continental. When new, the Continental R was the fastest and most expensive Bentley of the time, and also the most expensive production car in the world. Offered only as a 2+2 coupe – a convertible version was called the Azure – the Continental R used Bentley’s turbocharged 6.75-litre V8, and versions featured self-levelling hydraulic suspension, and a sport button to sharpen up gear changes. Many wealthy buyers requested special alterations to suit tastes, with fewer than 2,000 models built before it ceased production in 2003. · Rare opportunity to own a Bentley Continental R coupe.· Extensive and interesting documented history.· Powered by Bentley’s legendary 6.75-litre V8.
Wolfgang Hutter (1928 - 2014 Wien), sign. u. r., Hutter 73, Königin der Nacht Mit Ernst Fuchs, Rudolf Hausner, Edgar Jené und Fritz Janschka (* 1919), dem Schöpfer eines Ulysses-Alphabets,[2] gründete er eine surrealistische Gruppe im Wiener Art-Club und war Gründungsmitglied der Wiener Schule des Phantastischen Realismus. Seine artifizielle Bildwelt ist gekennzeichnet von künstlichen Gärten und märchenhaften Szenen in minutiöser Kleinarbeit und technischer Perfektion. Tusche, Aquarell Mischtechnik, hinter Glas, perf. Erhaltung, H 29 x 69 cm
Alexander Koester ( 1864 Neustadt - 1932 München), Enten am See Er widmet sich nun vermehrt der Darstellung von Uferlandschaften und Blumenstillleben, doch das Entenmotiv nimmt bis zu seinem Tod einen großen Stellenwert in seinem künstlerischen Schaffen ein.Sein Werk zeigt eine konsequente Entwicklung von einer noch sehr realistischen, detaillierten Darstellung in den 1890er Jahren zu einer immer freieren, großzügigeren Malweise der Impressionisten. Zuletzt verzichtete er unter heftigen, groben Pinselstrichen ganz auf Detaillierung. Er war Mitglied der Münchner Künstlergenossenschaft und beteiligte sich an zahlreichen Ausstellungen. Befreundet war Koester mit Spyridon Vikatos, der auch ein Porträt von ihm malte.u. r. sign., kl. FA. oben l., min. alt rest., sehr gut erhalten, H 21,5 cm x 27 cm s. i. R. m.
Oskar Larsen (1882 - 1972 Wien), Ballszene Von 1906 bis 1909 arbeitete er gemeinsam mit Hubert Lanzinger und Alfred Buchta an Kartons für eine Folge von 14 Intarsien, die für das Rathaus in Bozen bestimmt waren. Im Ersten Weltkrieg war Larsen als Kriegsmaler tätig. Werke mit biblischen und mythologischen Bezügen waren die bevorzugten Werke Larsens. Wegen ihrer reichen Phantasie und unverwechselbaren Farbgebung trugen sie dem Künstler schon zu Lebzeiten den Ruf eines Malerpoeten ein. Seine Gemälde Raub der Sabinerinnen und Schlaraffenland werden im Wien Museum verwahrt.Gouache, hinter Glas leicht gewellt, sonst sehr gut erhalten, sign. und dat. unten r. 1925, H 72 x B 100 cm
Siegfried Stoitzner (1892 Wien - 1976 Krems), Lächelnde Dame mit rotem Schultertuch Siegfried Stoitzner entstammt einer Familie von Malern. Die Bekanntesten sind sein Onkel Konstantin Stoitzner, ein Landschaftsmaler, und sein Cousin Josef Stoitzner.sign. u. r., perf. Erhalt., feines Gemälde in heller Malqualität, Plakette im Rahmen, H 85 x 79 cm
Henri Baron (1816 Besancon - 1885 Genf), Am Brunnen Henri Charles Antoine Baron war ein Schüler von Jean-François Gigoux. Er debütierte 1840 im Salon de Paris und wurde in den nächsten Jahren mehrfach ausgezeichnet. 1846 bestellte der Herzog Henri d’Orléans das Bild „Schloss Chantilly im 16. Jahrhundert“ das für das Schloss Chantilly bestimmt war.Öl/Holz, sign. u. r. H. Baron, Krak., altrest., sonst sehr gute Erhaltung, H40 x 29 cm
PreussenOrdensnachlass des Hauptmanns und Geheimen Regierungsrats Johann Franz Wilhelm Butze, a) Roter Adler - Orden, 4. Klasse, 4. Modell, an originaler Einzelspange, b) Landwehr - Dienstauszeichnung für 20jährige Dienste, 1. Klasse, an originaler Einzelspange, c) Einzelspange zum Fürstlich Waldeck'schen Verdienstkreuz und d) vergoldete Miniaturenkette mit doppelseitigen Miniaturen von a), b) und c), alles guter Zustand mit typischen Altersspuren, nicht gereinigt., dabei Vita des Beliehenen 0668 Interessanter Ordensnachlass mit der seltenen Miniatur des Fürstlich Waldeck'schen Verdienstkreuzes, dieses wurde insgesamt nur 308 mal verliehen, davon wurden 80 nach dem Tode der Beliehenen zurückgegeben Prov.: Johann Franz Wilhelm Butze (Merseburg 1857 - 1912 Münster, ab 1883 Seconde - Lieutnant beim 4. Brandenburgischen Infantrie - Regiment 24, ab 1909 Hauptmann d. R., ab 1886 Assessor beim Königlichen Amtsgericht Berlin, ab 1910 Geheimer Regierungsrat in Münster), Besitz der Nachkommen
Smaragd - RingWeißgold 18kt., schmale Schiene mit ovalem, korbförmigem Aufbau, besetzt mit gutem Smaragd om Ovalschliff von ~1,30 ct. (8,8 x 7,0 x 4,3 mm) und einer Entourage aus 16 kleinen Brillanten von zusammen ~0.48 ct., in der Ringschiene Feingehaltsmarke "750" und Werkstattmarke "GP", Ø innen 18,8 mm, Ringgröße 59 (D), R (GB), 8.7 (USA), 19 (FR), Gewicht 5,8 gr., Deutschland 1960er Jahre, sehr guter Zustand mit nur geringen Gebrauchsspuren 4002
Baisch, Rudolf Christian (Böblingen 1903 - 1990 Mettmann) Figur "Junges Guanako", Bronze gegossen und braun patiniert, stehendes Guanako - Jungtier auf unregelmäßigem Natursockel, auf dem Sockel signiert "R. Chr. Baisch", H 15,5 cm, 1948, guter Zustand mit geringen Altersspuren 7207 Rudolf Christian Baisch studierte ursprünglich Zahnmedizin, erst 1937 begann er zusätzlich eine Ausbildung als Bildhauer an der Akademie Düsseldorf und studierte bei Edwin Scharff und Josef Mages Lit.: Yvonne Friedrichs 1980, Rudolf Christian Baisch - Weg und Werk, Band 1 (Der Bildhauer), Seite 52, Abb. Nr. 38 Prov.: Galerie Abels 1973, Ausstellung Rudolf Christian Baisch, Nr. 19, Privatbesitz Ostwestfalen
Große Richard Comyns - KassetteSilber 925 (Sterling) gegossen, getrieben und gouillochiert, innen mattvergoldet, rechteckige Kassette mit profiliertem, ausgestelltem Sockel und flachem Scharnierdeckel, Deckel mit umlaufender Kehlung und gouillochierter Oberseite mit Monogrammfeld, Eingericht in Zedernholz mit beweglichen Trennbrettchen, seitlich Garantiemarke England (laufender Löwe), Stadtmarke London (Leopardenkopf), Jahresmarke "D" und Werkstattmarke "R•C" im Wappenschild, im Deckel nochmals Garantie-, Stadt- und Werkstattmarke, 29,6 x 20,8 x 9 cm, Gewicht 2.500 gr., William Comyns & Sons (Richard Harling Comyns) London 1939, sehr guter Zustand mit geringen Gebrauchsspuren 1901 Die Silberschmiede William Comyns & Sons unter der Ägide von Richard Harling Comyns ab 1930 zählt zu den besten Londoner Werkstätten des 20. Jahrhunderts
RingGelbgold 14kt., schmale Schiene mit gegabelten Schultern, besetzt mit zwei Rubinen von jeweils ~0.40 ct. und zwei kleinen Altschliffdiamanten mit einem Ø von jeweils 3,7 mm, in der Ringschiene Feingehaltsmarke "585" und Werkstattmarke "AK", Aufbau 15 x 9 mm, Ø innen 18,7 mm, Ringgröße 59 (D), R (GB), 8.7 (USA), 19 (FR), Gewicht 4,3 gr., 1930er Jahre, guter Zustand mit leichten Gebrauchsspuren 2912
246. 2016 TRIUMPH STREET TRIPLE 675R DARK SPECIAL EDITION No 1 OF 50 Registration - LG66 VPN Engine No - 776806 Frame No - SMTTTL1366H775153J This bike is number one of the special Dark edition run of just 50 bikes made to celebrate 10 years since Triumph launched the Street Triple R. All the bikes had a custom paint job by British specialist Joe Blacks ‘8BALL’ and comes with the factory belly pan, fly screen and seat cowl, all colour matched to the overall paint scheme. The seat covering is half Alcantara with red stitching. Condition – a very low mileage bike showing under 4,000 miles. It was last serviced and MOT’d by a Triumph main dealer on the 14th August 2023 and said by the owner to be in very good condition throughout, with everything working correctly. The bike starts on the button and quickly settles into a smooth tick over. Comes with - Current V5C, all relevant paperwork as issued when new including original purchase invoice and signed Triumph factory Certificate of Authenticity. Two keys, owner’s handbook, and service record book, also receipts for services and other work. Guide Price - £2,000 to £3,000 This lot is sold ‘as is’, Bidders are to satisfy themselves with regard to its provenance, age, originality and completeness ahead of bidding. BE ADVISED THIS BIKE DID NOT BELONG TO HENRY BODY

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297887 item(s)/page