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Lot 706
CRICKET, signed pieces laid down to A4 pages, Essex (14 signatures), inc. Gilligan, Wilcox, Horsfall, Preston, Bailey, Greensmith, R Smith, Knight, Dodds, Insole, B Ward, Savill; Gloucestershire (14), inc. Seabrook, Emmett, Cranfield, Allen, Scott, Wiltshire, A'Court, Goddard, Andrew, Etheridge, Rochford, Graveney, Lanchbury, Shackleton; Sussex (14), inc. H T Bartlett, Parks, Winn, Nye, Oakes, J N Bartlett, Lawrence, Semmence, Baker, Cornford, Cook, Wood, Cox Jnr., Langridge etc., neat annotation, G to VG, 3
Lot 708
CRICKET, signed pieces laid down to A4 pages, Glamorgan (14 signatures), inc. Khan, Porter, Armstrong, R Hill, Davies, Lyons, Wilkins, Allin, Walker, Powell, L W Hill, Watkins, Wheatley, Ellis; Warwickshire (14), inc. Legard, Santall, Spooner, Taylor, Kalicharran, A Wright, White, Miller, Groom, Gardner, Maynard, Asif Din; Worcestershire (28), inc. Chesterton, Graveney, Perks, Rumsey, Chadd, Banks, Bent, Jackson, Spencer, Horton, Young, Ainsworth, Pearson, Evers, Booth, Fearnley etc., slight duplication, neat annotation, G to VG, 4
Lot 709
CRICKET, signed pieces laid down to A4 pages, Northants (14 signatures), inc. Barrick, Ashenden, Williamson, Timms, McGibbon, Fry, Whitefield, Wills, Davies, Partridge, Matthews, Tyson; Nottinghamshire (14), inc. Lilley, Staples, Harris, Voce, Gunn, Maxwell, Simpson, Hearne, Willett, Winfield, Cooper, Jepson, Springall, Stocks; Leicestershire (14), inc. Sanders, R G Smith, Berry, Cobb, Barrett Munden, Sargeant, Sperry, Lester, Hickman, Muncer, Palmer, R C Smith, Diment, neat annotation, G to VG, 3
Lot 710
CRICKET, Test players, signed pieces laid down to A4 pages, each with eight signatures, inc. England, R Berry, D Brookes, R Subba-Row, G T Evans, Cowdrey, Butcher, Walker, Sheppard, Tyson, Denness, Titmus, Underwood, Steele, A.V. Bedser; Australia, Lawry, Sleep, Waugh, Angel, Inverarity, Yelltta, W M Clarke, Bichel, Dell, M A Taylor, Hayden, Davidson, McGrath, Wessels; West Indies (two pages), Adams, P S Simmonds, Walsh, L M P Simmonds, Ramnarine, King, Dillon, Kallicharran, Nash, Collymore, Best, Gibson, Baptise, Headley, Rose, Greenidge etc; New Zealand, signed white cards, some with pieces laid down (32), inc. Franklin, Wright, Haslam, Gray, Greatbach, Bracewell, Drum, Howarth, Hastings, Playle, Blair, Bolton, Rabone, Hadlee, Mooney, Motz etc., neat annotation, VG to EX, 36
Lot 221
An early Victorian oak and mahogany longcase clock by R. Johnson of Campo Lane, Sheffield, the hand painted enamelled dial with Roman numerals, the arched depicting a farmer with corn sheafs, royal blue spandrels with floral decoration, swan neck pediments terminating with carved daisy, ebony stringing throughout, turned pilasters, stepped to waist with central arched mahogany crossbanded door, ivory escutcheon, plinth base (with key)
Lot 157
A collection of four various split cane fishing rods, comprising a Hardy's The Nocturnal Sea Trout, Palakona rod, 10ft, with green cotton sleeve and an aluminium case, a Hardy's 'Palakona' no. 2 L R H Spinning rod, 10ft, with green cotton sleeve, A Hardy's Palakona De Luxe 3 piece rod, with green cotton sleeve and an aluminium case, and an Alcock Trout Fly #5, with blue cotton sleeve (4)
![Watson (R[ichard], D.D., F.R.S.), Chemical Essays, fourth edition, five-volume set, T. Evans, London 1788, full contemporary](https://cdn.globalauctionplatform.com/f5bc896a-faae-4b65-b117-a9340101f75b/7d6d9d24-c34c-47b3-81cf-c5c13f8e0c5e/468x382.jpg)
Lot 1399
Watson (R[ichard], D.D., F.R.S.), Chemical Essays, fourth edition, five-volume set, T. Evans, London 1788, full contemporary calf, some lettered title labels to spine, gilded bands, contemporary book labels and ink MS shelf numbers to each pastedown: John Rutherfurd, Efq (sic); of Edgerston [near Jedburgh, Roxburghshire, Scotland], 12mo; Anecdotes of the Life of Richard Watson, Bishop of Landaff (sic, Llandaff, Wales); Written by Himself at Different Intervals, and Revised in 1814, Published by His Son, Richard Watson, LL. B., Prebendary of Landaff (sic) and Wells, T. Cadell and W. Davies, London 1817, portrait title-piece of the author by William Thomas Fry (1789 - 1843) after George Romney (1734 - 1802, contemporary boards only (detached), 4to; Muirhead (James Patrick, M.A.), The Life of James Watt, with Selections from His Correspondence, with Portraits and Woodcuts, John Murray, London 1858, contemporary quarter-calf and marbled boards, gilt lettered red leather title label to spine, 8vo, [7]
Lot 145
A GROUP OF WEMYSS WARE EARLY 20TH CENTURY comprising a SMALL 'CHERRIES' JUG, decorated by Edwin Sandland, painted mark WEMYSS, 7cm high; TWO 'CHERRIES' PLATES, decorated by Edwin Sandland, painted and impressed mark WEMYSS, 10cm diameter; a PLICHTA 'CHERRIES' BOX & COVER, stamped marks, 11cm across; a 'CHERRIES' MATCHBOX COVER, EARLY 20TH CENTURY, printed retailer's mark T.GOODE & CO., 8cm across; a 'CHERRIES' LOW POMADE, EARLY 20TH CENTURY, decorated by David Grinton, painted and impressed marks WEMYSS, printed retailer's mark T, GOODE & CO., 9cm diameter; and a copy of 'WEMYSS WARE: A DECORATIVE SCOTTISH POTTERY' by Davis, P. and Rankine, R., Scottish Academic Press, Edinburgh and London, 1986 (5) (7)
Lot 153
A GROUP OF WEMYSS WARE 20TH CENTURY comprising a 'SWEET PEAS' HAIR TIDY, 6cm high; 'SWEET PEAS' CANDLESTICK DRIP TRAY, 7.5cm diameter; a SMALL 'CABBAGE ROSES' JUG, 7cm high; a SMALL 'CABBAGE ROSES' JAR, 5.2cm high; TWO PLATES, one painted with cherries, the other with greengages, 8.5cm diameter, variously marked; and a copy of 'WEMYSS WARE: A DECORATIVE SCOTTISH POTTERY' by Davis, P. and Rankine, R., Scottish Academic Press, Edinburgh and London, 1986 (7)
Lot 154
A WEMYSS WARE PLATE 'BUTTERCUPS' PATTERN, CIRCA 1900 impressed mark WEMYSS WARE/ R. H. & S., 20.5cm diameter; a WEMYSS WARE PORCELAIN OVAL DISH, 'DOG ROSES' PATTERN, EARLY 20TH CENTURY, decorated by Joe Nekola, painted mark WEMYSS, 29cm wide; and a WEMYSS WARE PEN TRAY, 'CABBAGE ROSES' PATTERN, CIRCA 1900, impressed mark WEMYSS, 24cm long (3)
Lot 158
TWO WEMYSS WARE PRESERVE JARS AND COVERS 'BEES AND HIVE' PATTERN, EARLY 20TH CENTURY comprising a PRESERVE JAR AND COVER, impressed mark WEMYSS, printed retailer's mark T. GOODE & CO., 13cm high; and a BISCUIT BARREL AND COVER, impressed mark WEMYSS WARE/ R. H. & S., 16cm high (2) Provenance: Robert Rankine collection
Lot 498
A RARE SET OF GEORGE III TEA CANISTERS AND SUGAR BOX IN ORIGINAL MAHOGANY CADDY ALEXANDER GAIRDNER, EDINBURGH 1772 each marked to bases, comprising a set of two tea caddies and a sugar box, each of bombe form with bold rococo foliate scrolls to corners and beaded shells clasped to rim, the panels with scroll and foliate formed vacant cartouches with shell and gadrooned rim, each raised on four scroll supports, the slightly domed pull off covers with gadrooned rim and foliate formed panels. Contained in an original flame mahogany veneered caddy of rectangular form with incurved corners, ebonised stringing and brass lock escutcheon, raised on four foliate and paw supports and with hinged scroll handle, all in gilt bronze, the fitted interior with velvet lined apertures for each piece Caddies 12.7cm high, 7.3oz and 7.5oz, Sugar box; 12.5cm high, 9.4oz; Mahogany caddy; (excluding handle) 19.5cm high, 30cm wide Provenance: Sotheby's 12th June 1969, lot 94 Bought by Baroccki, £85 Grandtully Antiques, Perthshire circa 1970's Private Collection References: Compendium of Scottish Silver II, R & J Dietert, page 497 Notes: Produced at the end of the 'Edinburgh's Golden Age of the Goldsmiths art' these caddies show the height of skills practiced by Scottish goldsmiths at the time and expertly portray the rare survival of rococo design in Scotland. The survival of Scottish silver tea caddies pre 1800 is surprisingly rare. Of the references given the example under discussion being one of only two sets of three and the only set still in their original wooden outer caddy. While not all examples would have originally been housed in a wooden caddy any silver caddies without a lock, which covers most pre 1800 examples, would likely have been housed in a wooden caddy as the security of the expensive commodity was essential. It is often mooted that the fashion for rococo design passed Scotland by and that the simple plain lines of the earlier George II / III periods over shone the tastes in Scotland. While rococo is indeed rare and likely not as fashionable with the masses in Scotland items such as these tea caddies expertly show that when offered the opportunity the makers could supply clients who demanded the highest rococo tastes. Although rare some of the finest mid to late 18th century Scottish tea wares, including important examples for Leith race prizes, tea kettles, coffee urns and rare chocolate pots show these fashionable ideas were being created. Alexander Gairdner is a maker often overlooked by collectors due to such contemporaries as William Dempster, William & Patrick Cunningham and Patrick Robertson all of whom were supplying the Edinburgh public at the same time and received many important commissions. Gairdner is no less important just perhaps overlooked at a time of strong competition. He was one of Edinburgh's longest serving goldsmiths working from 1754 (after his apprenticeship to William Aytoun) until his death in 1803, a career of some 49 years perhaps only bettered by the 51 years of James Mitchelson. During this period he took some 14 apprentices, including his son John in 1773. He acted as Deacon of the Incorporation of Goldsmiths of the City of Edinburgh for one term between 1772 - 1774, interestingly when these caddies were made. Gairdner also appears to have been one of a very small handful of Scottish goldsmiths who received Royal patronage, this is noted on the occasion of the marriage of the Prince of Wales to Princess Caroline of Brunswick (8th April 1795), The Caledonian Mercury noted that 'Mr. Gairdner, Jeweller to his Royal Highness for Scotland, had a beautiful representation of the Prince's feathers in small lamps on the front of his shop, which had a very fine effect, and attracted much notice'. He also uses a variant of his maker's mark which features Prince of Wales feathers within the punch., This has so far only been recorded on a very fine Freedom box for the Burgh of Dumfries, given to Sir Henry Dundas.
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297887 item(s)/page