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A CHINESE BLANC DE CHINE RECLINING BUDAI 19th century or later, clutching prayer beads in one hand, 15cm high; together with a similar standing figure holding a fruit in their outstretched hand, 23.5cm high; and a crackle glaze dark cream ceramic of Wenchang, 20cm high (3)Provenance: The collection of R P & P Gray, Bridport, Dorset.
SEVEN CHINESE BLUE AND WHITE VESSELS 19th century, four shallow dishes decorated with dragons chasing flaming pearls, the largest, 16cm diameter, a plate incised with concentric shapes, 22.5cm, another plate with cracked ice edge and fishermen by riverside scene, 24cm diameter, and the last with a basket of flowers in the central well, 26cm diameterProvenance: The collection of R P & P Gray, Bridport, Dorset.
A COLLECTION OF JAPANESE POTTERY AND PORCELAIN Meiji and later, late 19th/20th century, including a Satsuma garlic neck vase decorated with flowers and grasses, 19cm high; a tea bowl with kiku, 10cm long; a teapot with turtle finial, 12cm high; a brushpot with Lohan, 15cm high; four late Imari wares including: two ginger jars with covers, each 9.5cm high approx., a bottle vase, 18cm high, and a vase with applied handles, 24 cm high; two Noritake plates, each 18.5cm diameter; a ginger jar (without lid) of crowds in a cityscape, 11cm high; and a polychrome charger of two Geisha in a garden, 28.5cm diameter (13)Provenance: The collection of R P & P Gray, Bridport, Dorset.
NINE CHINESE BLUE AND WHITE VESSELS 19th century or later, including a Nanking-style plate warmer of 'willow pattern' design, 26cm handle to handle, and a plate of similar design,16cm diameter, three tea bowls, a teacup, two saucers and a dishProvenance: The collection of R P & P Gray, Bridport, Dorset.
A COLLECTION OF JAPANESE LACQUERWARE Meiji period, late 19th century, including two round boxes and covers, the larger decorated with a mountainous landscape scene, 16cm diameter, a square box with Geisha holding a fan, and two round stemmed vessels each bearing the Tokugawa mon, the larger 12cm diameter (5)Provenance: The collection of R P & P Gray, Bridport, Dorset.
A COLLECTION OF CHINESE FAMILLE ROSE 19th century or later, including two lobed saucers, the larger 11cm long and decorated with bats and a deer with lingzhi in its mouth; a miniature vase decorated with birds and flowers, 8.5cm high; a saucer decorated with a profusion of flowers, 8cm dia; a teapot (without lid), 5cm high ; four teacups; five teabowls; and two small exotic perched polychrome birds, the taller 9cm high (16)Provenance: The collection of R P & P Gray, Bridport, Dorset.
A JAPANESE STONEWARE FIGURE OF AN ONI BEARING A TEMPLE BELL Meiji, late 19th century; together with two pipecases (kiseruzutsu), one with leather tobacco pouch with metal lion dog clasp detail and orange ojime, the other with wood inro with carp and wood Hotei ojime; a base metal ikebana 'vase', 12.5cm long; and a flat netsuke carved as a Noh mask, 6.5cm long (5)Provenance: The collection of R P & P Gray, Bridport, Dorset.
A COLLECTION OF CHINESE CLOISONNÉ VESSELS 19th century and later, including an apple shaped box and cover, a small vase of brown ground with wirework flowers, 8cm high, two gold-ground eggs, a hexagonal jar and cover with figural panels, together with a Canton enamel bowl with prunus and pine decoration, 11cm diameter, and three small metalwork vases adorned with flowers and foliage, the tallest with applied dragon handles, 10.5cm high (9)Provenance: The collection of R P & P Gray, Bridport, Dorset.
FOUR CHINESE BLUE AND WHITE VASES 19th century and later, including a vase decorated with a sparrow in flight amongst flowers and grasses, 20cm high, a small meiping decorated with seated courtiers, 11cm high, a small baluster with two shaped cartouches of flower sprigs, 11cm high, and a small bottle vase decorated with flowers and foliage, 14cm highProvenance: The collection of R P & P Gray, Bridport, Dorset.
TWO CHINESE BLANC DE CHINE LION DOGS 19th century or later, both with incense stick holder and with one paw balanced on brocaded ball, the taller 17cm high; together with two dark cream glazed creatures, including a lion dog and a qilin, the taller 12cm high; and similar coloured baluster vase with raised decoration and stripes, 13cm (5)Provenance: The collection of R P & P Gray, Bridport, Dorset.
THREE CHINESE YIXING TEAPOTS AND COVERS 19th century, one with frog finial on lotus shaped body decorated with applied insects, 6.5cm high, the second with applied stylised prunus, 9.5cm, and the third unadorned and of squat outline, 7cm highProvenance: The collection of R P & P Gray, Bridport, Dorset.
A CHINESE CARVED WOODEN TWO-TOED TOAD WITH GLASS EYES 20th century, 16cm long; together with a Thai carving of deities in a grotto with reclining deer, 20cm high; and a naive dark wood box and cover embellished with carved leaves, 21.5cm long (3)Provenance: The collection of R P & P Gray, Bridport, Dorset.
A GROUP OF THREE CHINESE BLANC DE CHINE CERAMICS MOUNTED ON A WOODEN STAND 19th century or later, composed of two courtly ladies aside a tripod censor, attached to a wood stand carved with pine foliage, 18cm high; together with a similar figure of a standing sage, 15.5cm high (5)Provenance: The collection of R P & P Gray, Bridport, Dorset.
A PAIR OF JAPANESE CLOISONNE VASES Meiji period, 19th century, of baluster shape with midnight blue ground, decorated with roosting pigeons amongst maple leaves, 12.5cm high; together with a similar miniature vase decorated with poppies, 7.5cm high (3)Provenance: The collection of R P & P Gray, Bridport, Dorset.
THREE CHINESE BLUE AND WHITE VESSELS the first, a Ming dish decorated with a scrolling flowerhead, 11cm diameter, the second a Ming saucer decorated with foliage, 11cm diameter, and another 17th century dish decorated with a rabbit in undergrowth with 'Christie's VUNG TAU CARGO' label, 13cm diameterProvenance respectively: Stockspring Antiques, 114 Kensington Church Street, London, 18th February 1998.R & G McPherson Antiques, 40 Kensington Church Street, London, 3 June 2010.Heirloom & Howard Limited, Manor Farm, West Yatton, Chippenham, 28th October 1998.
A VICTORIAN SILVER TRAVELLING THREE PIECE COMMUNION SET HENRY WILKINSON & CO., SHEFFIELD 1848 Comprising a chalice, paten and flagon, each engraved IHS in a sun reserve The chalice 9cm (3 1/2in) high In a travel bag Together with a circular wafer box by A. R. Mowbray & Co. Ltd., London 1954, engraved with a cross, 5cm (2in) diameter 199g (6.4 oz) gross Provenance: Verney, A Private Collection Condition Report: Chalice - Marks are clear, stands well, engraving crisp, bowl slightly misshaped Paten - Marks are clear, slightly wobbles, engraving crisp Flagon - Marks lightly rubbed, wobbles, possible repair to the foot, engraving crisp, cover fits well Wafer box - Marks clear, stands well, hinge good, engraving crisp Glass bottle - Minor chips All with light scratches and wear commensurate with age and use Condition Report Disclaimer
Robert Wallace Martin for Martin Brothers, a salt glazed stoneware foliate vase, 1886, squat ovoid form with angular neck, sgraffito decorated with stylised flower heads in a foliate scroll ground, in the Mannerist revival, incised marks 4-1886, R W Martin & Bros London + Southall, 19cm high
Charles R. Beard, A Catalogue of the Collection of Martinware Formed by Mr Frederick John Nettlefold, Together with a Short History of the Firm of R.W. Martin and Brothers of Southall, 1936, privately printed for the Owner by Waterlow & Sons, London, brown linen boards with gilt tooled borders, rough end cut papers
Edwin Martin for Martin Brothers, a large stoneware Wildflower vase, 1886, shouldered footed form with cylindrical neck, sgraffito decorated with butterflies amongst bleeding heart and daisies, tooled geometric collar to the neck, incised marks 5.1886 R W Martin + Bros, London + Southall, 48cm high
(Industrial Archaeology) Thirty two works. Frank Atkinson. 'Industrial Archaeology of North-East England,' two volumes, first editions, original cloth, clipped dj's, some spotting to edge of textblocks, good to vg, plates, Davd & Charles, Newton Abbot, 1974; John Butt. 'Industrial Archaeology of Scotland,' first edition, original cloth, clipped dj, spotting to edge of textblock, David & Charles, Newton Abbott, 1967; J. P. M. Pannell. 'The Techniques of Industrial Archaeology,' presentation copy from the editor, original cloth, clipped dj, David & Charles, spotting to the edge of textblock, David & Charles, Newton Abbott, 1974; 'The Newcomen Society for the study of the history of Engineering and Technology. Transactions,' vol 51-57, 1979-86; Arthur Raistrick and Bernard Jennings. 'A History of Lead Mining in the Pennines,' reprint, original cloth, unclipped dj, Davis Books, 1983; Neil R. Wright. 'Lincolnshire Towns and Industry 1700-1916,' vol XI of the History of Lincolnshire series, signed by the author, unclipped dj, History of Lincolnshire Committee, Lincoln, 1982; Neil Cossons. 'The BP Book of Industrial Archeology,' reprint, original cloth, unclipped dj, plates throughout, David & Charles, Newton Abbott, 1987; With seventeen other works including some L. T. C. Rolt limpbacks. (32)
(Mining interest). A comprehensive study of geology and mining within Cornwall Mine Surveys, OS maps, facsimile prints of historic plans &c. &c, by Martin Mount, former geologist to Geevor Mine. An extremely large collection consisting of large Second Edition OS maps with annotations, copies of historic plans and acetate transparencies, mostly good to very good, with the larger works suffering nibbles and loss, the whole collection indexed and kept in order, with examples listed as follows;Cornwall Sheet LXXIII.1, Cape Cornwall, Second Edition 1908, detailed survey with copious hand annotations showing mines and loads &c; With printed transparency LXXIII.1, Cape Cornwall; With seventy four mostly second edition Ordnance Survey maps, covering West Cornwall, appox 76x 106cm, mostly vg, indexed and kept in order;OS maps of St Austell China Clay area, coloured with annotations by Pearce, Jenkin & Bawden of Redruth (amongst others), with a large number of unannotated OS maps, strictly of Cornwall and acetate transparencies, approx 50 +;Acetate transparency of Cornwall Sheet LXXIII:5, showing copious mine lode's for St. Just Amalgamated, WH Cunning, Goldens, and Bellan mines; Facsimile printed 'A Geological Map of Saint Just Mining District, Cornwall, 1867; 'Bocaswell United Tin & Copper Mines, Limited. Sketch Plan of Properties,' printed map with colour key, folded with repairs, no date but thought to be early 20th century; Acetate transparency of Cornwall Sheet LXXIII.2, showing copious mine lode's for Botallck Mine, Carnyorth Mine, Wheal Boys and Spearn Consols;Large collection (approx 50+) of mostly second edition OS maps, some with hand colouring, all areas within Cornwall, including, Lanivet, Pydar, Tawna Moor, Luxulian, Roche, Withiel, Bodmin Moor, Colliford Downs, Porquin Bay, &c.&c. indexed and in order;Acetate transparency showing lodes for Geevor Mine, North Levant Mine, Spearn Consols, Boscaswell Downs MineWheal Hearle &c, &c; Acetate transparency of Cornwall Sheet LXVII showing Morvah Consols, Morcah Unted and Zennor Mines; With five other acetates and their paper counterparts;'Plan of the Sett Belonging to Wheal Darby Mine....1841,' facsimile print; 'Map of the St. Agnes Mining District, Cornwall. 1870,' facsimile print, staining to bottom; 'Clowance Wood, Mining District, 1863,' facsimile print; 'Plan of Cosgarne Downs,' facsimile print; 'Polstain and Bosore in the parish of Kenwyn,' facsimile print; 'A Geological and Mining Map of the Parish of Gwennap....1845,' facsimile print; With acetate transparencies and paper counterparts;'Plan of the Town of Redruth in Cornwall, 1855,' facsimile print on 17 large sheets;Facsimile prints including, 'Map of the Chiverton Mining District, Perranzabuloe'; 'Geological Map of the Mining District of Cornwall, Between Camborne and Chasewater....1819'; 'Wheal Wentworth in the Parish of Redruth,' surveyed by R Thomas, Falmouth, 1825; 'Map of Towan Mines in Cornwall'; 'Penden-an-Drea and Wheal Sparnon Mine Sett in the Parishes of Redruth and Gwennap,' with a corresponding traced overlay showing adits and lodes; With numerous other facsimile prints.Facsimile prints including 'A Mineralogical Plan of the Manor of Treveneague and Penberthy....1791; 'Plan of Part of the Manor of Treveneague and Lands adjoining: Situate in the Parish of St Hilary, Cornwall'; Geological Mao of the Great Huel Vor...1863'; 'Plan of Treskerby, Wheal Busy, & Tolgus Mining District'; 'Map of Camborne, Illogan, Redruth & Gwennap Mines' by Robert Symons & Son, Mineral Surveyours, Truro'; &c. &c.With many more, too many to list.
(Travel and Exploration) Seven works. Charles M. Doughty. 'Wanderings in Arabia,' two volumes, rubbed original green cloth, ex libris label to pastedown, light spotting to edge of text block, frontis, Duckworth and Co, London, 1908; Bertram Thomas. 'Arabia Felix: Across the Empty Quarter of Arabia,' first edition, original cloth, lacks dj, ex libris label, frontis and plates, Jonathan Cape, London, 1932; Norman Douglas. 'Looking Back. An Autobiographical Excursion,' Single-volume edition, original cloth, light spotting to edge of text block, plates, vg, Chatto and Windus, London, 1934; R. B. Cunninghame Graham. 'Cartagena and the Banks of the Sinu,' original cloth, spotting throughout, good, William Heinemann, London, 1920; With two other works. (7)
Illustrated Works Thirteen good works. Robert Louis Stevenson. 'Prayers Written At Vailma,' illuminated and chromolithographed by Alberto Sangorski, nibbles and loss to unclipped dj, original Japanese vellum, contemporary ink inscription to ffep, vg, Chatto & Windus, London, 1910; Don Marquis. 'Archy's Life of Mehitabel,' 9th impression, clipped dj, vg, Faber & Faber, London, 1950; 'Lettering for Schools and Colleges for the Office & Workshop Containing 42 Complete Alphabets....,' printed paper backed onto card, rubbed with some loss to lettering, vg contents, G. W. Bacon & Co, London, n.d; 'Syke's Manual of Penmanship,' card backed by cloth, some soiling, ink inscriptions to ffep, text block debound, pp.40, a scarce work, R. S. Crystal Manchester, n.d; 'Church Decoration. A Practical Manual of Appropriate Ornamentation,' original green cloth with gilt decorations, 16 coloured full plates and other illustrations throughout, vg, Frederick Warne & Co, London, n.d; With eight other works including 'The Children's Book of Warplanes', 'The Nursery Picture Book', two first editions thus by Kenneth Grahame, a very good 'Larouse Illustre', &c. &c. (13)
(Manchester) Ware, S. Hibbert; Palmer, J.; Whatton, W. R. 'History of the Foundations in Manchester of Christ's College, Chetham's Hospital, and The Free Grammar Schoolm' Four volumes, original full polished calf rebacked, compartmentalized spine with morocco labels and gilt lettering, gilt top edge, ex libris label to front pastedown Samuel Alfred Steinthal, marbled endpapers, plates and frontis, some spotting but generally vg, Thomas Agnew and Joseph Zanetti, Manchester, 1830-1828; The fourth volume with the title 'The Ancient Parish Church of Manchester,' 1848; Richard Wright Procter. 'Memorials of Manchester Streets,' original maroon cloth with gilt decorations and bevelled board, ex libris label, half title, copious plates and illustrations, some spotting, vg, Thomas Sutcliffe, Manchester, 1874. (5)
P. R. Russell (relating to England) Owen Price (relating to Wales) 'England Displayed. Being a New Complete and Accurate Survey and Description of the Kingdom of England and Principality of Wales,' This being one volume only and relates solely to Cornwall, modern quarter leather with marbled boards by Hilary Honess of Hayle, map of Cornwall by Thomas Kitchin and four plates, frontispiece, title page and fold out map of Great Britain, 22 pages, Adlard and Browne, London, 1769.
BURNET, Thomas 'Theory of the Earth: Containg An Account of the Original of the Earth, And of All the General Changes Which Hath Already Undergone, Or is to Undergo, Till the Consummation of All Things,' 'The Two First Books Concerning The Deluge and Concerning Paradise,' second edition, original full calf boards rebacked, complete with: in Book One- full page frontis, two double page illustrations of the Earth, California shown as an island, a full page illustration in the text & eight vingette illustrations; in Book Two- three illustrations in the text: in Book Three- full page frontis: in Book Four- one vignette illustration, vg text block, R. Norton, for Walter Kettilby, London, 1691.Contemporary ink signature to first title page; small stain in margin not affecting text to p.a 'Preface to Reader' and verso; small hole to margin of pp.71/2 not affecting the text; stain running through the middle of pp.193 decreasing in size to pp.200; small burn hole to margin of third title page; stain to pp.89 of the fourth book; the odd very small spot sporadically through.Generally speaking, this is a very good copy, with a tight text block and lovely plate marks.
W. B. Yeats Five works R. F. Foster. 'W.B. Yeats A Life,' two volumes I. The Apprentice II. The Arch-Poet, original cloth, unclipped dj's, fine, Oxford University Press, Oxfordm 1997 and 2003; Desmond Flower and Henry Maas (collected & edited). 'The Letters of Ernest Dowson,' first edition, original cloth, unclipped dj, vg, Rutherford, Madison, Teaneck, Fairleigh Dickinson University Press, New Jersey, 1967; Richard Whittington-Egan & Geoffry Smerdon. 'The Quest of the Golden Boy. The Life and Letters of Richard Le Gallienne,' first American, original cloth, clipped dj, vg, Barre Publishing Company, Barre, 1962; Edward Mendelson. 'Early Auden,' first edition, original clooth, unclipped dj, fine, Faber and Faber, London, 1981. (5)
(Cornwall) Eight scarce publications. Solomon Ezekiel. 'A Lecture on the Hebrew Festivals, Delivered at the Penzance Literary Institute,' later card wraps, toning and nibbles to title page, pp.26, a good copy of a scarce work with WorldCat showing only one in the British Library, F. T. Vibert, Penzance, 1847; Pages titled 'Etudes Corniques' French language study on the Bretonic language of Cornwall, loose leaves, possibly from Revue Celtique; R. Morton Nance. 'A Guide to Cornish Place-Names,' thin printed card wraps, staple bound, pp.14, vg, F. Worden & Son, Marazion, n.d; Henry Jenner. 'A Roman Milestone at Breage,' read at the autumn meeting in Penzance on 23rd October 1923, printed card wraps, vg, O. Blackford, Truro, 1924; Hubert Reade. 'Notes on The Parish of Golant,' loss to thin paper wraps, staple bound, plates, some spotting pp.31, scarce, J. T. Baker, St. Blazey, 1885; With three other scarce publications including 'One Thousand Place Names of Cornwall' by Edwin Chirgwin, 'The Balm of Gilead' reprinted from Bishop Hall's Works (with loss) and small publication by Ralph St. V. Allin-Collins 'Is Cornish Actually Dead?'. (8)
Cornish literature. Eighteen works Winston Graham. 'Demelza,' first edition, stained original cloth, heavy spotting to edge of dj, Ward Lock & Co, London, 1949; 'Warleggan,' first edition, original cloth, some spotting, vg, Ward, Lock & Co, 1953; 'Jeremy Poldark,' first edition, original cloth, Ward, Lock & Co, 1950; 'Ross Poldark,' reprint, rubbed with spotting, Ward, Lock & Co, 1950; 'William Frederick Collier. 'Tales and Sayings of William Robert Hicks, of Bodmin,' third edition, original cloth, frontis portrait, vg, Simpkin, Marshall, Hamilton, Kent & Co, London, 1893; Rev. R. S. Hawker. 'The Cornish Ballads with Other Poems,' second edition, original cloth, ink owner signature to head of title page, vg, Parker and Co, Oxfford, 1884; With six other and five booklets relating to Cornwall. (18) From the estate of author, John Branfield: Introducing The Art Collection of Pep & John Branfield (davidlay.co.uk)
A fine quality William and Mary 8-day longcase clock by Christopher Gould, circa 1690, the elaborate case of ebonised pearwood inlaid with coloured marquetry and green stained ivory decoration, the marquetry inlaid hood surmounted by brass ball finials, bull's eye green glass lenticle panel to the case door, the 11" square brass dial having a silvered chapter ring with silvered secondary dial, calendar aperture and ringed winding holes with cast cherub spandrels, signed C H R Gould Londoni Fecit, brass 5-pillar movement, together with key pendulum and weights. Sheet attached inside the case door states the history of this clock, including that this clock is described in Alan Lloyd's Chats On Old Clocks 1917, and subsequently exhibited in an exhibition of English clocks at Temple Newton House Leeds 1949, provenance: from a local deceased estate. Ivory Submission Reference: P1148S47
C. R. Ashbee for the Guild of Handicraft, a rush seated ash elbow chair, circa 1900, of ladderback design with shaped armrests extending through the seat to the stretchers below84 x 55 x 49cmIn generally good condition, minor play in joints, arms well worn to a rich honey colour, possibly reduced in height, height of seat being 38.5cm.Literature: Dekorative Kunst, illustrated magazine for applied arts, vol.3, Munich, 1899, p. 247 where a version of this chair is illustrated. Cooper, Jeremy Victorian and Edwardian Furniture and Interiors London 1987, p. 200, illus. 522. Whiteway, Michael and Gere, Charlotte, Nineteenth-Century Design London 1993, p. 253, plate 319 Note: These armchairs were originally designed by Ashbee for the dining room of the house which he designed and built for his mother and sisters at 37 Cheyne Walk, London circa 1893-4.
Ceylan, an R. Lalique opalescent glass vase, designed 1924, the blue tinted body of gently tapering form and moulded in high relief with eight perching budgerigars, wheel etched ‘Lalique, France’ to the underside 24cm highGround and polished to foot rim (noticeable to one side) and slight chipping to base ring, mould line visible. See images. Stands true and stable.
Edward Wedlake Brayley & John Britton: 'The Beauties of England and Wales; Or, Delineations Topographical, Historical and Descriptive, of Each County. Embellished with Engravings.', London, Vernor, Hood et al, 1807-1812, 16 volumes, 406 engraved plates topographical and architectural scenes, country houses and estates, abbeys, cathedrals etc, comprising vol. 1 Cambs., Cheshire, Cornwall; vol. 3 Cumbria & Derbyshire; vol. 5 Durham, Essex & Gloucestershire; vol. 7 Herts. & Hunts.; vol. 9 Lancs., Leicestershire, Lincs.; vol. 10 (in 3 volumes) Middlesex & London; vol. 11 Monmouthshire, Norfolk & Northants.; vol. 12 (in 2 volumes) Northumberland, Notts., Oxfordshire & Rutlandshire; vol. 13 (in 2 volumes) Shropshire, Somerset & Staffordshire; vol. 15 (in 2 volumes) Westmorland, Wiltshire & Warwickshire; vol. 16 Yorkshire, uniform contemporary calf gilt (worn), several volumes with boards loose, lacking parts of backstrips. An impressively thorough work, the most ambitious of its kind since Magna Britannia et Hibernia (1720-1731). Originally conceived as a more modest publication, it became an intensive and occasionally fraught project. In 1800, the publishers Vernor and Hood proposed to Britton that he produce six volumes of topographical commentary. He and Brayley had become friends as teenagers and had already collaborated successfully oin a literary endeavour. They embarked on a walking tour of thousands of miles for these initial volumes, for which they shared credit evenly. At this point, Brayley was predominantly occupied with the text, while Britton was "the organizing genius throughout" (ODNB), overseeing the travel, correspondence, sourcing of materials, and managing the illustrations. When the series ran to further volumes, the two men divided responsibility for certain counties. By the time the survey was complete, it had cost some £50,000, and "a whole school of artists and engravers had grown up under Britton's direction: Samuel Prout and Frederick Mackenzie, John and Henry Le Keux, Edward Blore, George Cattermole, R. W. Billings, and Henry Shaw" (ODNB). (16)
Colonel R. Meinertzhagen: 'Birds of Arabia', London, Henry Sotheran, 1980, edition de Luxe, one of 295 copies only (unnumbered, out of series), 19 mounted coloured plates, 9 mounted photographic plates, 53 text figs, 35 text maps + 1 folding colour map as called for, coloured plates by G.E. Lodge, R. Thorburn, and D. M. Reid-Henry, all tissue guarded, fine original half green morocco by Morrell, raised bands finished in gilt, gilt bird and palm vignettes to compartments, top edge gilt, marbled end papers
New Naturalist. Collins (pub.) Colin R. Tubbs: 'The New Forest', NN73, P.S. Maitland & R.N. Campbell: 'Freshwater Fishes', NN75, Christopher N. Page: 'Ferns', NN74, all print on demand editions ordered direct from the publisher and produced from the original first edition copies, all printed and bound by Mackays, colour and b/w ills. etc, all original green cloth, pictorial dust wrappers by Robert Gillmor. (3)
(Medicine, Anti-Slavery, 19th Century etc.) John Millar: 'Observations on the Prevailing Diseases in Great Britain Together With A Review Of The History Of The History Of Those Of Former Periods And In Other Countries', London, Cadell, 1770, 1st edition, title page supplied in facsimile, vi,385,[1]pp., 21 x 27cm, rebound quarter calf gilt, marbled paper covered boards; together with WOOD, Edward J. Giants and Dwarfs. Richard Bentley, 1868. 1st Edition. 212 x 135 mm. Bevelled blue cloth boards with blind stamped borders front and back and gilt stamped titles to the spine. Brown endpapers, xii, 472pp, with a leather bookplate for Gerald Lester ‘Wood Teratologist Par Excellence’ on the front free endpaper; KIRBY, R S. Kirby's Wonderful and Eccentric Museum. 1820. 1st Edition. 143 x 230mm, a rebound volume in modern green cloth with green title label to the spine, new endpapers, title page possibly suplied in facsimile? uncut edges, 428pp, 4 index with 18 illustrations as called for; plus Mrs G. Linnaeus Banks [Isabella Banks]: 'The Manchester Man', 1896, signed by the author on title page, ills. by Charles Green & Hedley Fitton, original decorative cloth gilt, top edge gilt; George H. Hurst: 'Colour. A Handbook of the Theory of Colour', L, Scott, Greenwood, 1916, 2nd edition, 11 colour plates as called for, orig. cloth gilt; [Thomas Young]: 'Elementary illustrations of the celestial mechanics of Laplace.', L, John Murray, 1821, 1st edition, orig. quarter cloth; Bound collection of assorted publications 1820-1836, including 'Anti-Slavery Monthly Reporter', No.49, June 1829, p.1-16; No.50, July 1829, p.17-32; No.55, Dec. 1829, p.148-156; No.61, June 1830, p.229-268; No.65, August 1830, p.349-372; No.66, Spet. 1830, p.373-388, all printed Bagster & Thomas, content includes Hudson Gurney (1775-1864), Sir Thomas Fowell Buxton (1786-1845), etc, bound together with various other items including Missionary Notices, Jewish Intelligence, Sermon etc, contemporary half calf gilt; plus 1 other (8)
(Victorian Book Design, Illustration.) Five late 19th Century pictorial cloth gilt tiles, mainly illustrated and with cover designs by Hugh Thomson, including Elizabeth Gaskell: 'Cranford', 1891; Oliver Goldsmith: 'The Vicar of Wakefield', 1891; 'Coridon's Song', 1894, all published London, Macmillan, all with illustrations and original pictorial cloth gilt designed by Hugh Thomson (Cranford and Vicar of Wakefield recased retaining original cloth, all with all edges gilt); plus 'The Ballad of Beau Brocade', L, Kegan Paul, 1892, ill. Hugh Thomson, orig. pictorial cloth gilt, top edge gilt; Washington Irving: 'Old Christmas', L, Macmillan, 1882, ill. R. Caldecott, orig. pictorial cloth gilt, all edges gilt (5)
John Gould & R. R. Bowdler Sharpe: 'The Birds of New Guinea and the Adjacent Papuan Islands, including Many Recently Discovered in Australia. Volume I.', Melbourne, Hill House Publishers, 1988, 1st edition, facsimile limited edition of the original in the British Library, printed by offset lithography on acid-free matt art paper and hand-bound, 56 full page colour plates as called for, copy number 198 (of an unknown limitation), folio (55 x 38cm), original cloth gilt
(Birds, Ornithology.) 'The Coues Check List of North American Birds', Boston, 1882, 2nd edition, original cloth gilt, Ferdinand Heine: 'Nomenclator Musei Heineani Ornithologici.', Berlin, 1882-1890, portrait frontis, 373pp, contemporary half morocco gilt by R.H. Porter, R. Bowdler Sharpe: 'A Handlist of the Genera and Species of Birds', London, British Museum, 1899-1912, volumes 1-5 plus index volume, uniform original cloth gilt, original British Museum Natural History tipped in slips at front; plus 2 others (10)
Colonel R. Meinertzhagen: 'Nicoll's Birds of Egypt', London, Hugh Rees Ltd., 1930, 1st edition, 2 volumes, portrait frontis + 38 plates (31 of which coloured, 7 photogravure) after G.E. Lodge, Roland Green and H. Gronvold + 3 folding maps as called for, large 4to (33 x 26cm), original publisher's green cloth gilt. First edition of the most systematic account on Egyptian birds. The work is based on Nicoll's manuscript with notes and description of the Egyptian avifauna. Some ninety species of birds in the paintings on ancient tombs are identified; it is noted that many species became extinct because of the disappearance of the papyrus thickets due to the aridity of the country. Michael John Nicoll (1880-1925), assistant director of the Zoological Gardens at Giza, was an outstanding naturalist. It had always been his intention to publish a detailed account of the birds of Egypt, but he died before the completion of this work. His friend Meinertzhagen (1878-1967), a British war hero and ornithologist, was approached by Nicoll's widow to complete and publish the manuscript. (2)

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297893 item(s)/page