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Lot 2376
GEORG PHILIPP I RUGENDAS (ATTR.)1666 Augsburg - 1742 EbendaREITERGEFECHT IM TÜRKENKRIEG Öl auf Eichentafel. 27 x 37 cm (R. 39 x 48,5 cm). Verso: Auf der Tafel altes Papierlabel 'Lempertz Söhne in Köln'. Part. min. altrest., leichte Altretuschen. Rahmen. Provenienz: Hessische Privatsammlung.
Lot 2407
DAVID TENIERS DER JÜNGERE (ODER WERKSTATT)1610 Antwerpen - 1690 BrüsselDIE KEGELRUNDE VOR EINEM BÄUERLICHEM ANWESEN Öl auf Leinwand (altdoubl.). 46 x 61 cm (R. 66 x 80,5 cm). Rechts unten Ecke Restsignatur. Verso: Altes Papierlabel mit Sammlungsnummer '8`. Part. leicht altrest. Rahmen. Provenienz: Rheinische Privatsammlung.
Lot 1078
CARL MOSER1873 Bozen - 1939 ebenda'IN ERWARTUNG' (1906-14) Farbholzschnitt auf Japan, auf Papier montiert. 35,5 x 26 cm (R. 52,5 x 43 cm). Unten links in der Platte monogrammiert 'C.M.'; unten links auf dem montierten Papier bez. 'C. Moser 'In Erwartung''. Leicht fleckig, leicht blasser Druck. Hinter Glas gerahmt (ungeöffnet).
Lot 2348
GIOVANNI FRANCESCO BARBIERI (GENANNT 'IL GUERCINO') (SCHULE)1591 Cento - 1666 BolognaJUNGFRAU MIT KIND Öl auf Leinwand (altdoubl.). 50 x 66 cm (R. 67 x 83 cm). Verso: Auf dem Keilrahmen mit alter Londoner Auktionsnummer des Auktionshauses Christie's: '572CB'. Part. leicht altrest., min. Altretuschen. Rahmen. Provenienz: Süddeutsche Privatsammlung.
Lot 2410
EGBERT VAN HEEMSKERCK I1634/35 Haarlem - 1704 LondonBÄUERLICHE GESELLSCHAFT IN EINEM GASTHAUS, UM 1675 Öl auf Leinwand (altdoubl.). 93 x 111 cm (R. 116 x 136 cm). Part. leicht altrest., min. besch., kleinere Farbausbrüche. Rahmen. Eine identische, etwas kleinere Komposition Heemskercks ist aufgeführt in der Datenbank des Rijksbureau voor Kunsthistorische Documentatie (RKD) in Den Haag. Vgl. hierzu: Abbildungsnummer 0000065630. Weiterhin vgl. Auktion Galerie Koller (Zürich). Auktion vom 01.12. 1998, Lot Nr. 3022. Provenienz: Rheinische Privatsammlung.
Lot 1076
HEINRICH VOGELER1872 Bremen - 1942 Karaganda/KasachstanMINNETRAUM (1894) Radierung auf Papier. DM 30,5 x 18,5 cm (R. 53 x 39,5 cm). Unten rechts handsigniert 'H. Vogeler'; unten rechts in der Platte bez. 'H. Vogeler'. Gebräunt, fleckig, Knickspuren. Im Passepartout und hinter Glas gerahmt (ungeöffnet). Literatur: Rief 2 (b).
Lot 1266
WACHSRELIEF 'KREUZIGUNG CHRISTI MIT LANZENSTICH DES LONGINUS' 19. Jh. Wachs, polychrom gefärbt bzw. farbig gehöht, hinter Glas gerahmt. D. 25,5 cm (R. 30,5 cm). Von reliefierter Blattornamentik gerahmter Tondo mit figurenreicher Darstellung des Lanzenstichs des Longinus in einer mit Architektur ausstaffierten Landschaft. Altersgemäßer Zustand; Rahmen ungeöffnet.
Lot 1077
HEINRICH VOGELER1872 Bremen - 1942 Karaganda/KasachstanZWEI EX-LIBRIS: EX LIBRIS THEODOR BIENERT (1899) UND EX LIBRIS BERTHA BIENERT (1901) 2 Radierungen auf Papier. DM 14 x 9,5 / 13 x 8 cm (R. 26 x 34,5 cm). Oben links bzw. unten Mitte in der Platte signiert 'H.V.'. Gebräunt. Zusammen in einem Passepartout und hinter Glas gerahmt (ungeöffnet). Literatur: Rief 77 und 89.
Lot 1066
ZWEI GRAFIKEN: BÄUERIN MIT KUH AUF EINEM FELDWEG (1909) / WINTERTAG AM STRAND VON HORNBAEK (1898) Leopold von Kalckreuth (1855 - 1928) und Carl Ludvig Thilson Locher (1851 - 1915) Radierung auf chamoisfarbenem Papier. DM 9,5 x 20 / 12 x 21 cm (R. 26 x 42 cm). Unten rechts in der Platte monogrammiert und datiert 'K (19)09' sowie unten rechts handsigniert 'Kalckreuth d.J.' bzw. unten links in der Platte bez. 'C. Locher (...) forsog'. Gebräunt. Jeweils im Passepartout und hinter Glas gerahmt (ungeöffnet).
Lot 2494
JOHANN ANDREAS HERRLEIN1723 Münnerstadt - 1796 FuldaJUNGFRAU MARIA Öl auf Leinwand (altdoubl.). 42,5 x 32 cm (R. 52 x 42 cm). Rückseitig auf der Originalleinwand signiert/bezeichnet: 'JHerlein'. Part. besch., altrest., Altretuschen. Rahmen. Vgl. zu Johann Andreas Herrlein: Stasch, Gregor Karl: Johann Andreas Herrlein und die barocke Malerei in Fulda. Ausstellung vom 25.5. 18.8.1991, Vonderau Museum Fulda, Fulda 1991. Provenienz: Hessische Privatsammlung.
Lot 1071
MAX LIEBERMANN1847 Berlin - 1935 ebendaDIE JUDENSTRASSE IN AMSTERDAM (1906) Radierung mit Kaltnadel auf Maschinenbütten. DM 19 x 25 cm, SM 27 x 32,5 cm (R. 29 x 34,5 cm). Unten rechts handsigniert 'MLiebermann'. Gebräunt. Wohl aus: Max Liebermann. Sieben Radierungen. Herausgegeben von Bruno Cassirer und Julius Bard, Berlin 1909. Hinter Glas gerahmt (ungeöffnet). Literatur: WVZ Schiefler 57 b.
Lot 933
DECKELVASE MIT KAPUZINERKRESSE Deutsch, Nymphenburg, 1925-1975 Porzellan, polychrome Malerei, Goldstaffage. H. 34 cm. Grüner Manufakturstempel, eingepresstes Rautenschild, Pressnummer, Ritzzeichen. Im Boden und im Deckel bez. 'O.175.78 Rud. Sieck' bzw. 'R. Sieck 78. O.175'. Ovoider Korpus. Dekorentwurf von Rudolf Sieck. 1. Wahl. Part. sehr min. ber., sehr min. best.
Lot 2344
JUSEPE DE RIBERA (NACHFOLGER DES WOHL 19. JH.)('Auch: José oder Juan Jusepe de Ribera')12. Januar 1591 Játiva (Provinz Valencia) - 2. September 1652 NeapelDIE BÜSSENDE MARIA MAGDALENA Öl auf Leinwand. 33,5 x 26 cm (R. 49 x 41,5 cm). Verso: Auf der Leinwand alt undeutlich beschriftet. Part. min. altrest. Rahmen. Provenienz: Südwestdeutsche Privatsammlung.
Lot 204
An embroidered coat of arms, English circa 1840 The initials ‘V R’ worked in cord and denoting 'Victoria Regina'. 45cm x 56cm Provenance: Joanna Booth Antiques, London This sumptuous embroidered panel intended for court use would have been produced by the professional Broderers Guild. The raised work is achieved by padding with heavy cords with the gilt and silver threads couched on top which almost gives the effect of carving. The eyes including those of the pair of cherubs above are applied glass beads. The latter with their palms of peace appear to be auxiliary supporters to the crown whilst both lion and unicorn are balancing on the scroll bearing the words ‘Dieu et mon droit’.
Lot 10
LALIQUE.Perfumer, ca. 1950.Moulded glass.Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur, section perfume bottles Page 345, No. 609, with photo.Signed on the reverse of the base Lalique France.Provenance: Spanish private collection, formed between 1970 and 1995.Measurements: 10 cm (height) ; 9 cm (diameter).Perfume box designed by Renè Lalique in 1931, in frosted moulded glass with decoration of children in relief. Smooth circular stopper.The firm Lalique was originally founded by René Jules Lalique (1860 - 1945), one of the leading glassmakers of the time, and one of the first to sculpt glass for great monumental works such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory to produce them in large quantities, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
Lot 53
LALIQUE. France ca. 1945Perfume bottle "Dhalia".nº 2.Moulded and satin-finished glass.Signed on the back of the base Lalique France.Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur , Pag. 346, nº 616, with photo.Provenance: Spanish private collection, formed between 1970 and 1995.Measurements: 18 x 14 x 6 cm .Bottle for perfume "Dhalia "nº 2, design René Lalique in satin moulded glass, with floral decoration and polychrome in black on the sides and mouthpiece.The Lalique firm was originally founded by René Jules Lalique (1860 - 1945), one of the leading glassmakers of the time, and one of the first to sculpt glass for great monumental works, such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory for mass production, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
Lot 54
RENÈ LALIQUE. France, ca. 1950.Clairefontaine" perfume box.Moulded glass.Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur, section perfume bottles, p. 338, no. 526, with photo.Signed in burin on the reverse of the Lalique base and with label.Provenance: Spanish private collection, formed between 1970 and 1995.Measurements: 12 x 9,5 x 5,5 cm .Clairefontaine" perfume box designed by Renè Lalique in 1931, in translucent moulded glass. Satin-finish glass stopper decorated with 4 sprigs of lily of the valley. This model is a reference to the Clairefontaine garden, located in the south-west of Paris (France), which was one of René Lalique's main sources of inspiration.The firm Lalique was originally founded by René Jules Lalique (1860 - 1945), one of the foremost glassmakers of the time, and one of the first to sculpt glass for large monumental works such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory to produce them in large quantities, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
Lot 9
LALIQUE. France ca. 1970.Perfume bottle "Deux fleurs".Moulded and satin-finished glass.Signed on the back of the base Lalique ® France.Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur , Pag. 339, nº 529, with photo.Provenance: Spanish private collection, formed between 1970 and 1995.Measurements: 9 x 9,5 x 2,5 cm .Bottle for perfume "Deux fleurs", René Lalique design in satin moulded glass, with floral decoration on the sides. Remains of perfume.The firm Lalique was originally founded by René Jules Lalique (1860 - 1945), one of the leading glassmakers of the time, and one of the first to sculpt glass for great monumental works, such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory for mass production, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
Lot 92
RENÉ LALIQUE (Ay, France, 1860- Paris, 1945).Two Worth "Je reviens" bottles, ca. 1940.Blue moulded glass.Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur, section perfume bottles Page 953 , Wort-14, versions A and B, with photo.Provenance: Spanish private collection, formed between 1970 and 1995.Measurements: 7,5 cm (height greater) ; 2 cm (diameter).Two Worth "Je Reviens" perfume bottles, René Lalique design 1929, in blue circular moulded glass with ribbed decoration. Empty.The firm Lalique was originally founded by René Jules Lalique (1860 - 1945), one of the foremost glassmakers of the time, and one of the first to sculpt glass for great monumental works, such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory for mass production, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
Lot 93
LALIQUE, ca. 1950.Perfumer.Moulded glass.Signed R. Lalique on the reverse of the base.Provenance: Private Spanish collection, formed between 1970 and 1995.Slight chipping on the inside of the stopper. Not visible.Measurements: 12 cm (height) ; 7,5 cm (diameter) .Perfume bottle in moulded and satin-finished glass. Geometric decorations on the sides and the stopper.The firm Lalique was originally founded by René Jules Lalique (1860 - 1945), one of the most outstanding glassmakers of the time, and one of the first to sculpt glass for great monumental works, such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory to produce them in large quantities, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
Lot 1607
A PAIR OF REGENCY SILVER GRAPE-SCISSORSColeridge Collection, Having loop shaped handles, decorated with fruiting vine, makers mark I R, circa 1820, weight 78 gmsProvenanceThe Anthony & Marietta ColeridgeCollectionThe Earls of Dunraven, Adare Manor, Co. Limerick;Christie's House Sale, 9-10 June 1982, lot 468.
Lot 1666
TWO PAIRS OF SILVER LADLES AND TWO SILVER DESSERT SPOONS (6)Comprising; a pair of Scottish provincial toddy ladles, each engraved with the initial R, by James Erskine, Aberdeen circa 1800, a pair of Old English pattern sauce ladles, each crest engraved, probably London 1815 and two George II Hanoverian pattern dessert spoons, London 1732, combined weight 247 gms
Lot 428
RICHARD WESTALL (BRITISH, 1765-1836) (2)The Prophet Samuel Rebuking King Saul (1 Samuel 13:11-15) signed with initials 'R. W.' (lower left) pencil 9.5 x 14.5cm Provenance Harry Moore-Gwyn, British Drawings and Watercolours, Allen Street, London together with another pencil drawing by the same hand of a scene from Milton's Paradise Lost, signed with initials 'R. W.' (lower right), 12 x 10cm (2)
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297893 item(s)/page