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Lot 88
A 9ct diamond ring, set with five graduated columns of round brilliant cut diamonds, with a further four round brilliant cut diamonds to each shoulder, total weight of diamonds estimated approx. 2.50cts, head 14mm deep, with tapered shoulders and plain band hallmarked Birmingham 2016, size R, 5.7g
Lot 121
Four 9ct gemset rings: to include a 9ct five stone citirine ring with plain band hallmarked Birmingham 2019, size R, 1.9; a 9ct yellow zircon wishbone ring with plain band hallmarked Birmingham 2019, size R, 2.4g; a 9ct citrine and white stone ring with split textured shoulders and plain band hallmarked Birmingham 2017, size R, 2.4g; and a 9ct three brown stone and white stone highlight ring with plain band hallmarked Birmingham 2019, size R-S, 2.1g, (4)
Lot 214
A 9ct rhodolite garnet three stone ring and similar pendant, the the three oval rhodolite garnets and a small white stone to each side of the crossover band, with plain band hallmarked Birmingham 2018, size R, 3.0g, together with a similar three stone rhodolite garnet and diamond highlight pendant, with tapered bale hallmarked Birmingham 2018, 25mm long, 1.5g, (2)
Lot 106
Three 9ct wishbone rings and a 9K ring: to include a 9ct pale green stone wishbone ring hallmarked Birmingham 2019, size R; a 9ct treated orange and white diamond wishbone ring hallmarked 2018, size R, 1.8g; a 9ct wishbone ring set with a single diamond highlight, hallmarked Birmingham 1992, size Q, 1.0g; and a 9K rose gold ring set with small round diamonds, stamped 9K, size P, 1.4g, (4)
Lot 96
Two 9ct diamond rings: to include a 9ct ring set with three small diamond clusters, total weight of diamonds estimated approx. 0.42cts, all set in white gold with a plain band of yellow gold 10K and hallmarked Birmingham 2016, size R, 2.7g, together with a two row diamond wishbone ring, stamped 375 with Sheffield assay mark, size P, 2.1g, (2)
Lot 401
Two treated blue diamond rings and similar bangle: to include a treated blue diamond cluster ring, with split shoulders quarter set with small treated blue diamonds, total estimated approx. 0.40cts, with plain lower band stamped 925, size R-S, 4.3g; a three row illusion mounted treated blue and white diamond ring, total estimated approx. 0.17cts, with tapered shoulders and plain band stamped 925, size R, 4.2g; and a treated blue diamond cluster bangle, total estimated approx. 1.40cts, 22mm deep, with plain hinged silver bangle hallmarked Birmingham 2018, 17.9g, (3)
Lot 116
Two 9ct garnet rings: one set with three oval garnets, claw mounted to a plain band stamped 10K and 375 and hallmarked Birmingham 2017, size R, 2.2g; together with an oval garnet crossover ring with leaf style termination set with diamond highlight, stamped 10K and 375 and hallmarked Birmingham 2017, size R, 2.2g, (2)
Lot 122
Four gemset rings: to include a 9ct single stone white zircon ring with plain band hallmarked Birmingham 2019, size R, 1.8g, a two stone white zircon ring with crossover band hallmarked Birmingham 2019, size R, 2.0g; a 9ct two stone citrine ring with ridged crossover band hallmarked Birmingham 2019, adjustable size, 2.1g; and a 9ct white stone trillion cut ring with plain band hallmarked Birmingham 2018, size R, 1.5g, (4)
Lot 92
Two 9ct diamond rings: to include a 9ct black and white diamond ring, with a central line of channel set black round brilliant cut diamonds with a row above and below of small white diamond highlights, 5.6mm wide and tapering to a plain band stamped 375 with London assay mark, size O, 3.0g, together with a 9ct treated blue diamond ring, with channel set treated blue diamonds with millegrain border, tapered shoulders and plain band hallmarked Birmingham 2016, size R, 2.1g, (2)
Lot 517
A mixed lot to include household items, treen and a vintage canteen of stainless steel cutlery by W R Humphreys & Company, six 19th century black leather upholstered dining chairs, a 20th century Asian softwood box with twin panelled lid A/F and other mixed itemsLocation:5.2If there is no condition report shown, please request
Lot 314
A mixed lot to include a collection of vintage books to include all three editions of Wonderful London edited by St John Adcock, two editions of R Caldecott's Collections of Pictures and Songs, pictures a white marble garden planter, brass fireside implements, an oval silver plated gallery tray and other items Location: If there is no condition report shown, please request
Lot 302
Y  A VICTORIAN MAHOGANY UPRIGHT BABY GRAND PIANO BY JOHN BROADWOOD & SONS The soundboard with fragmentary inscription for JOHN BROADWOOD & SONS . MAKER'S TO HER MAJESTY / GREAT PULTNEY STREET The action marked L R 2360 to the upper corner, with ivory keys 179cm high, 124cm wide, 68cm deep Together with a Victorian rosewood revolving piano stool, circa 1860, 46cm at its lowest Please note: Dreweatts have applied for a de minimis exemption for this lot. Ref: ZXGRTADT Condition Report: External Appearance: Marks, knocks, scratches, and abrasions are consistent with age and use.There is a long mark to the right of the fallboard, as well as several scuffs to its left. The music stand has come apart from the inside of the fallboard, and has sustain some damage to either end and will require repairing. All keys are present and are with some discoloration to the central three octaves.The upper fabric part of the piano appears to be in good visual and structural condition, but the fabric covering the cut out to the back has sustained significant tears. Internal Anatomy:Internal repairs and re-tuning are required to restore this piano to a playable standard. The top panel detaches to unlock -- along with hooks -- the front part of the piano. There appears to be no dust cover under this, and on the internal body is the mark 'L.R.' and a piano number '2360'. Exposed here are a layer of long thin wooden strips connecting keys to hammers. All of these are in working order except for five: the top D (numbered inside as 75) has come detached at the hammer, the second to top C (numbered 67) has come detached at the key, the second to top A (numbered 58) has come detached at the key, the second to top G# (numbered 57) has come detached at the key and hammer, and the fourth to bottom F# (numbered 31) has come detached at the key. These will require repairing. Once dismantled, this exposes the string section. All strings and tuning pins appear to be present, however, all require significant re-tuning. The soundboard behind also appears to be intact and functional, and all hook mechanisms within the piano are sucre and in working order. Please see additional images for visual reference to the condition and points noted above in the report. Condition Report Disclaimer
Lot 112
A SMALL GROUP OF JEWELS Comprising: a large garnet carbuncle applied with a rose cut diamond 'R'; two banded onyx cameo studs; a fob seal in the shape of an urn, with a vacant agate matrix; a thimble with cornelian cabochon top, the engraved band accented with turquoise and split pearls, stamped 585; a vinaigrette in the shape of a book, unmarked; and a pendant shaped as a cockatrice on a cornelian bead, unmarked Size/dimensions: garnet 4.4cm long Gross weight: 88.8 grams
Lot 230
A CASED SET OF EIGHT SILVER-GILT FRUIT SERVING SPOONS R. & S. GARRARD & CO. (SEBASTIAN HENRY GARRARD), LONDON 1913 Pierced vine pattern with scalloped bowls and engraved with a crest 23cm (9in) long 1030g (33.1 oz) Condition Report: Marks are well struckEngraving is crispLight scratches and wear commensurate with age and useCondition Report Disclaimer
Lot 223
A PAIR OF SILVER-GILT BALUSTER CASTERS R. & S. GARRARD & CO. (SEBASTIAN HENRY GARRARD), LONDON 1912 With knopped finials to the pierced and domed covers, Huguenot style strapwork and on circular moulded spreading feet 19cm (7 1/2in) high 690g (22.2 oz) Each with a Garrard & Co. Ltd. fitted case Illustrated: The Connoisseur, May 1965, p.4 Condition Report: Caster 1 - Marks are clear, crest is crisp, cover fits well, slightly wobbles, gilding generally goodCaster 2 - Marks are clear, crest is crisp, cover fits well, slightly wobbles, gilding generally goodBoth with light scratches and wear commensurate with age and useCondition Report Disclaimer
Lot 232
A SILVER-GILT VINE PATTERN DESSERT SERVICE R. & S. GARRAD & CO. (SEBASTIAN HENRY GARRARD), LONDON 1916 Engraved with a crest, comprising: Twelve dessert forks, twelve dessert spoons, twelve tea spoons, twelve ice spoons, two serving spoons, two ladles and a pair of grape scissors 2750g (88.4 oz) Together with the following knives with filled handles and silver gilt blades: Twelve dessert knives And two pairs of nut crackers with gilt fittings In a fitted canteen Illustrated: The Connoisseur, May 1965, p.7 Condition Report: Marks are clearEngraving is crispSome wear to the gildingLight scratches and wear commensurate with age and useNo keyScratches to the box and signs of old tapeCondition Report Disclaimer
Lot 407
RICHARD CLAUDE BELT (1851-1920) A MARBLE PORTRAIT BUST OF THE HON.ELIOT CONSTANTINE YORKE DATED 1879 On socle base, inscribed to reverse 'R C BELT SCULT LONDON 1879' 69cm highProvenance: Probably commissioned by the Earls of Hardwicke, and thence by descent. The Hon. Captain Eliot Constantine Yorke (1843-1878) was the fourth son of Admiral Charles Philip Yorke, 4th Earl of Hardwicke, and the Hon. Susan Liddell. A Member of Parliament, he was also a captain in the Cambridgeshire Militia, an Equerry to His Royal Highness the Duke of Edinburgh and a Deputy Lieutenant of Cambridgeshire. On 11 February 1873, Yorke married Annie, daughter of Sir Anthony de Rothschild, 1st Baronet. The marriage had no issue and he died in 1878, aged 35. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Paint and water splashes and dirt accretion. Natural inclusions and some darker veining, several pockmarks including larger one under his chin. Some scuffing, marks and stains around shoulders and back edges. Lower edge of socle with loss Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer
Lot 307
A VICTORIAN FIGURED WALNUT STEREOSCOPE VIEWER AND CABINET MID 19TH CENTURY, BY R & J BECK, CORNHILL, LONDON The cabinet enclosing compartments containing a collection of stereoscope slides and further compartment to house the viewer, the viewer with maker's details to the eye-pieces Cabinet 33cm high, 46cm wide, 23cm deep Together with a mahogany kaleidoscope, late 19th century, 33cm high And a further hand-held stereoscope viewer The collection of slides include a number from the International Exhibition, 1862 held at the Crystal Palace, by the London Stereoscopic and Photography Library, and approximately twenty two glass slides A notable modern aficionado of Stereoscopy is Sir Brian May, lead guitarist of Queen and astrophysicist. Condition Report: Walnut stereoscope- optics seem good- brass adjustments largely work well and it fits together well when assembled onto box to interior. Leather insert to top with ring marks, gouges and losses, Case generally good but no key. Some scuffs and marks from use. Images of all glass slides in shared online folder together with approximately 1/4 of all paper cards. majority of paper cards with bending and some discoloration. Kaleidoscope seems to work but with no cards. Other items generally play worn. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer
Lot 67
A REGENCY GILT BRASS MOUNTED GILT TOOLED MOROCCO LEATHER WORK OR SEWING BOX BY R. WASS, EARLY 19TH CENTURY The reverse of lid with pale blue silk quilted lining, enclosing a divided interior, central lidded compartment with maker's paper label for 76 Cornhill and 12 Cheapside London, above a drawer 19cm high, 22cm wide, 18cm deep Illustrated: The Connoisseur, May 1965, p.4 Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Exterior with scuffs and some dents to edges- rubbing and wear to leather and loss to gilding of metalwork. Some later screws to feet. Interior mostly well fitted but with some vacant apertures- several bone implements- no ivory. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 19
FOLLOWER OF SAMUEL SCOTT SOMERSET HOUSE, ST PAUL'S CATHEDRAL BEYOND Oil on canvas 61 x 131cm (24 x 51½ in.) In a carved and pierced giltwood frame Provenance: Property of Florence Julia, Lady Granet, mother in law to Denis Mackail, and thence by descent On the second day of Samuel Scott's Studio Sale, 12-13 January 1773, lot 61 is listed: 'one large view from Somerset House to St Pauls by ditto [Samuel Scott]', suggesting this was a popular vista for topographical artists such as Scott (1710-1772), a follower of Canaletto (R. Kingzett, 'A Catalogue of the Works of Samuel Scott', The Volume of the Walpole Society, vol. 48, 1980-82, pp. 24, 124). The Hon. Florence Julia Gully (1871-1949) was the daughter of William Court Gully, 1st Viscount Selby. On 12 November 1892, she married Sir William Guy Granet, later General Manager of the Midland Railway. They lived in St George Hanover Square, London, in 1901, and from 1934 until Sir Guy's death in 1944 at Burleigh Court, nr. Stroud, Gloucestershire. She died on 17 September 1949, in Sussex, at the age of 78. Their daughter, Diana Caroline Granet (1893-1949) married Denis George Mackail in 1917. Condition Report: The canvas has been lined. Stretcher marks visible in a natural light. It also appears to have been extended at the upper and right edges. These joins are visible in a natural light, along with some associated cracking. Craquelure throughout the canvas but noticeably heavier to the extended edges. A dirty varnish has caused some discolouration. Inspection under UV light reveals some light retouching along the lower edge. There is a cloudy varnish which may be concealing further retouching. Condition Report Disclaimer
Lot 168
AR * Mason (Frank Henry, 1875 - 1965). H. M. S. Donovan, Fleet Messenger, Leaving for Gib, circa 1916, watercolour on board of warships in Valletta Harbour, Malta, signed and titled to the lower left, 23.5 x 35 cm (9.25 x 13.75 inches), mount aperture, mounted framed and glazedQTY: (1)NOTE:Inscribed on the verso of the painting in pencil in a contemporary hand 'Frank Mason R. B. A. with the fleet during the war'.
Lot 260
*Gibbings (Robert, 1889-1958). Three photographs of carved stone figures by Robert Gibbings, circa 1930s, each inscribed by the artist in green ink to verso 'Portland Stone or Bath Stone', and the size of the original work, and each signed by the artist, each 148 x 117 mm, together with seven photographs of Robert Gibbings, his wife and daughter, Patrick Gibbings, and others on the Thames at Moss' Boatyard, Reading, 27th July 1939, each annotated in pencil to verso (probably by Patience Empson), identifying the figures in each photograph, 83 x 120 mm, plus a Christmas card wood engraving of a toad by Robert Gibbings, circa 1930s, a copy of the Society of Wood Engravers 29th Exhibition, 29 September-1 November 1958, 19 mostly typewritten letters from Patience Empson to Lieutenant R. B. Goodden, Falmouth, almost all on headed pale blue note paper from Footbridge Cottage, Long Wittenham, Abingdon, Berkshire (Gibbings' home), mainly discussing wood engravings by Robert Gibbings and Golden Cockerel Press publications, 9 printed publicity brochures for Golden Cockerel Press, circa 1931-1959, and an unsigned wood engraving by Gibbings, Mid Coral Caves, Bermuda (framed and glazed) and a folio scrap book on Robert Gibbings compliled by Gwendolen Young, circa 1950s, containing news cuttings and printed articles by Gibbings, several reproductions of his work, and an autograph name and address for the artist in his own hand in pencil (mounted front)QTY: (30)NOTE:Provenance: Lieutenant Colonel Robert Blundell Goodden (1881-1972), Welsh Regiment, and British Military Attaché, Bucharest. Goodden had met Robert Gibbings on a troop ship during the First World War. In 1934 he offered Gibbings the use of his cottage Tresue at Maenporth near Falmouth, for him and his pregnant new partner Elisabeth Empson. See Martin J. Andrews The Life and Work of Robert Gibbings, page 181; thence by descent.
Lot 53
AR * Tweed (Jill, 1931-). Kicking Horse, 1974, bronze sculpture on a polished slate base, signed, dated and numbered 'Tweed 74 1/6', approximate height 46 cm QTY: (1)NOTE:Based in Oxfordshire, Jill Tweed studied at the Slade School of Art, and is married to the artist Philip Hicks. She is represented by Messum's Gallery, Cork Street, London. Important solo exhibitions include Bruton Street Gallery, London (1997 and 2001), Alpha House Gallery, Dorset (2002), John Davies Gallery, Gloucestershire (2002) and Messums Gallery, Cork Street, London (2005 and 2008).
Lot 143
* Taylor (Charles, active 1836-1871). Off The Isle of Wight, watercolour with traces of pencil, some spotting mainly to lower quarter, depicting a single masted yacht in a rough sea, other yachts in the distance, 17.5 x 53 cm (6 7/8 x 20 7/8 ins) mount aperture, framed and glazed (38 x 71 cm), together with Knox (Peter, 1942-). Dockside, Venice, watercolour, depicting boats moored alongside white stone buildings, a sailor pushing away from the boats, signed lower right, 25.5 x 35 cm (10 x 13 3/4 ins) mount aperture, framed and glazed (50 x 59.5 cm), plus 5 other marine scenes by various artists including: R. A. Lowe, R.T. Wiilding, etc. 2 signed, various sizes, largest 51 x 58.5 cm)QTY: (7)
Lot 84
* Brittan Willis (Henry, 1810-1884). Leigh Woods, 1836, oil on canvas, signed and dated to lower centre, relined, canvas size 70 x 94 cm (27 1/2 x 37 ins), Frost and Reed label to verso with stock number (50254), and title 'A View of Durdham Down, Bristol, from Leigh Woods, looking across the Avon Gorge to the Observatory', antique-style gilt molded frame, gilt plaque with title, date and artist's details to lower frame (85 x 109 cm) QTY: (1)NOTE:Provenance: Frost and Reed Ltd, 10 Clare Street, Bristol, BS1 1XX, by 1975; Estate of Martin R. Davies, Bristol.Neal Solly’s biography of William James Müller records that Brittan Willis was a member of a ‘sketching-club’ formed in Bristol in 1832 or 1833. It included Müller, Samuel Jackson, T. L. Rowbotham, and William West, the builder of the Clifton Observatory in the centre distance. Adjoining the tower, West’s brand new rotating dome, which housed a substantial revolving telescope, can just be seen. Farther to the left, between the tree trunks, is the columned facade of Camp House, completed in 1833 for Charles Pinney, former mayor of Bristol. Willis emphasises the detachment of Leigh Woods by being deliberately up-to-date and including details that foliage could have conveniently obscured. Willis emigrated to the U.S.A. in 1842, but ill health drove him home and he subsequently re-established himself in London, exhibiting at the Royal Academy from 1844 and extensively at the British Institution and the Old Water Colour Society.
Lot 36
* Dupré (Guillaume, circa 1579-1640). Henri IV (1589-1610) and Marie de Medici, 1602, cast bronze medal with the conjoined busts of Henry and Marie facing right, inscription to outer edge HENRI. IIII R. CHRIS. MARIA. AVGVSTA, signed and dated 1602, to lower left, the reverse blank, pierced for suspension, 180 mm diameter, presented in a modern frame QTY: (1)NOTE:Provenance: Estate of Michael Jaffe (1923-1997), art historian and former director of the Fitzwilliam Museum, Cambridge.
Lot 112
* Jackson (Samuel Phillips, 1830-1904). Coastal scene with figures on the beach, a ketch rigged merchantman at anchor in the foreground, castellated tower on headland and warship in the distance, 1857, watercolour, signed and dated lower left, 38 x 65 cm mount aperture, framed (framed size 57 x 84.5 cm)QTY: (1)NOTE:Provenance: R. Aldworth, Bournemouth (old label to verso); John Adams Fine Art, London (later label).Bristol-born artist Samuel Phillips Jackson specialised in marine subjects, his early oils were of Devon and Cornish coastal scenes.
Lot 57
* Nicholson (Francis, 1753-1844). St Vincent's Rock and the Hot Wells, Bristol, watercolour with traces of pencil on paper, titled by the artist in brown ink to verso 'St. Vincents rock and the hotwells, Bristol', pale mount stain, sheet size 21 x 30 cm (8 1/4 x 11 3/4 ins), mounted, framed and glazed, with artist's name plaque to lower edge of the frame (36 x 44.5 cm)QTY: (1)NOTE:Provenance: Estate of Martin R. Davies, Bristol.
Lot 169
* Dearden (Harold, 1888-1962). Shepherd and his Flock, pen and ink on grey paper, depicting a shepherd carrying hay and water to his sheep and lambs, sheet size 19.4 x 14.2 cm (7 5/8 x 5 1/2 ins), mounted (35 x 23.5 cm), artist's name in pencil to verso of mount, together withMillais (Raoul, 1901-1999). Coach Horses, October 1947, pen and ink with sepia wash, three vignettes showing horses pulling a coach, horses drinking from a trough and horses standing with their tack on, initialled and dated lower right, image size 19 x 14.5 cm (7 1/2 x 5 3/4 ins), mounted, framed and glazed (33.5 x 27 cm), original printed Fine Art Society label adherred to verso of frame, title, artist and date in blue ink, plusCollins (George Edward, 1880-1968). The Whitethroat and Nuthatches, two pencil drawings on paper laid onto mount board, both monogrammed lower left, some mount staining, one or two small brown spots, sheet size 28 x 20 cm (11 x 7 7/8 ins), mounted (40 x 27 cm), and three other original artworks by artist's comprising: Claude Muncastle, G. R. Wylie and attributed to Gilbert Mason (unsigned), various sizes, largest 25 x 20 cm (9 7/8 x 8 ins)QTY: (7)
Lot 106
* Hodges (Frances Sarah, née Martin, 1809-circa 1875). The Promenade on Clifton Hill with a View of the River Avon, & Looking towards the Observatory from Leigh Woods, two small scale watercolours with pencil, both signed lower left, mount aperture 10.7 x 15 cm (4 1/2 x 5 5/8 ins), the first with handwritten label by the artist to verso in ink 'The Promeade on Clifton Down, with view of the River Avon. Painted from nature by F. S. Hodges', both in matching frames, glazed (15.5 x 20 cm)QTY: (2)NOTE:Provenance: Estate of Martin R. Davies, Bristol (owner's documentation regarding these two views supplied with this lot, including a letter from Francis Greenacre of the City of Bristol Museum and Art Gallery, dated 11 April 1991).Fanny Sarah Martin, sister of Captain Robert Francis Martin, married Frederick Collard Hodges, a music teacher. In 1864 she registered her copyright in four lithographs of Clifton views, with the address 13 Richmond Hill, Clifton.
Lot 82
* Jackson (Samuel, 1794-1869). Looking up the Avon from below Kingsweston Down with Sea Mills and Cook’s Folly, watercolour with traces of pencil, 27 x 37 cm (10 5/8 x 14 1/2 ins) mount aperture, gilt frame, glazed (43 x 53 cm), with printed gallery label of David A. Cross, 3a Boyces Avenue, Clifton, Bristol 8QTY: (1)NOTE:Provenance: Estate of Martin R. Davies, Bristol.
Lot 170
A collection of glassware to include an R. Langman for Kosta Boda blue and white speckled vase with flared rim, signed to base, a marbled glass fruit bowl, unsigned, 35.5 cm diameter x 9 cm high, a Whitefriars type blue tinted glass bowl of flower head form, 17 cm diameter together with a collection of Studio Pottery including a Diana Peyton blue glazed pottery bowl 16.5 cm diameter x 8.5 cm high, another small beaker type bowl 9.5 cm diameter x 9 cm high, a Mobach mottled blue glazed bowl with gilt lustre rim 9.5 cm diameter x 8.5 cm high, a Mobach copper lustre decorated vase 8 cm x 11 cm and a Briglin Studio Pottery cup together with a pair of over sized carved wooden dice 8.5 cm
Lot 51
Four pairs of vintage shoes to include probably WWII “Woodies” with leather and suede uppers in red and royal blue with wooden hinged soles, a pair of gold lame evening shoes with strap and kitten heels, a pair of silk and metallic thread evening shoes with ankle straps and kitten heels, a pair of purple leather shoes with diamante attachments and kitten heels made by R Phillips & Sons 73 Deansgate Manchester, two evening bags, the first in silk with applied sequins and diamante and applied metallic threads containing a mirror and coin purse, the second of woven tapestry effect fabric with gilt handle and clasp containing integral mirror and coin purse, a dress adornment probably from a rear drape dress of net heavily embellished with glass and pearl bead decoration including swags and tassels (7)
Lot 475
LINCOLNSHIRE: Boston, Opening of the Municipal Buildings, 1904, a white metal medal by W.O. Lewis, 38mm, Opening of the New Fosdyke Bridge, 1990, a bronze medal, unsigned, 45mm; Gainsborough, Toll Bridge Freed, 1932, a white metal medal, unsigned, 38mm; Grimsby, Grimsby Tower, a silver medalet, unsigned, 16mm, Victoria, Diamond Jubilee, 1897, Healing Manor, a bronze medal by Ottley, 45mm (W & E 3307G.2), Edward VII, Coronation, 1902, an aluminium medal by H.B. Sale, 38mm (W & E 4543P.1), George V, Coronation, 1911, bronze medals by The Mint, Birmingham (2), both 35mm (W & E 5175K.1); Lincoln, Opening of the Arboretum, 1872, a white metal medal, unsigned, 40mm, Victoria, Golden Jubilee, 1887, a white metal medal, unsigned, 38mm (W & E 2604F.1), Peace, 1919, a bronze medal by T.L. Lidgett, 36mm, Lincoln Cathedral, a bronze medal by R. Maklouf, 38mm, Lincoln Grand Prix Half Marathon, 1990, a bronze medal, unsigned, 40mm; Stamford, Edward VII, Coronation, 1902, a silver medal by H.B. Sale, 32mm (W & E 4535BB, not listed in silver) [14]. Very fine and better, several rare, especially the last £100-£150
Lot 682
Blockade of England, 1806, a copper medal by J.-P. Droz and R. Jeuffroy, laureate bust of Napoleon right, rev. Hercules lifts fish-tailed Titan, 41mm (Bramsen 550; Julius 1620). About extremely fine £60-£80 --- Prepared in 1804 for the invasion of England, it was struck only in 1806 with necessary modifications
Lot 792
U.S.A., Nature, 1966, a bronze medal by R. Lohman for the Society of Medalists, 72mm; Thomas Jefferson, 1966, a bronze medal by R.J. Menconi for the Society of Medalists, 72mm; Flying Saucer, 1967, a bronze medal by M.H. Coe for Medallic Art Co on behalf of the Society of Medalists, 72mm; In Wildnerness is the Preservation of the World, 1967, a pentagonal bronze plaque by D.R. Miller for Medallic Art Co on behalf of the Society of Medalists, 72 x 67mm [4]. Extremely fine; in boxes of issue £80-£100
Lot 669
First Distribution of the Légion d’Honneur and the Camp de Boulogne, 1804, a copper medal by R. Jeuffroy and L. Jaley, Napoleon seated right on raised platform awarding medal to soldier, rev. plan of the camp, 41mm (Bramsen 318; cf. Julius 1247; d’Essling 1017). Extremely fine or better £80-£100 --- The obverse design is a direct numismatic reference to the first- and second-century sestertii showing the emperor distributing largesse to the citizens of Rome
Lot 718
AUSTRIA, Calendar Medal, 1808, in copper, by A. Guillemard, 49mm (Slg. Julius 3055); FRANCE, Henri IV, Marie de Medici and the Dauphin, 1603/5, a restruck bronze medal by the Monnaie after G. Dupré, c. 1900, 100mm (Jones 16; CGMP I, 130), Chambre de Commerce, Nancy, 1855 [struck 1858], a silver medal by V.M. Borrel, engraved (3 Juin 1909), 34mm, Anciens Élèves du Lycée de St Omer, 1904, a bronze medal by R. Baudichon, 68mm (cf. Meister & Sonntag 17, 563); together with other base metal medals (2) [6]. Second extremely fine, others generally about very fine £70-£90
![Coronation Celebrations, AN 13 [1804], a copper medal by A. Galle and R. Jeuffroy, laureate bust left, rev. Napoleon seated r](https://cdn.globalauctionplatform.com/96c1e5b3-3409-4c86-b370-b0d900c72b0c/91c661da-0f6a-4e6d-a617-b1f8009889a7/468x382.jpg)
Lot 672
Coronation Celebrations, AN 13 [1804], a copper medal by A. Galle and R. Jeuffroy, laureate bust left, rev. Napoleon seated right on curule chair, holding eagle-tipped sceptre, receiving turret-crowned Paris who stands before him, radiant star emblazoned n above, ship helmed by Cupid at right, 68mm (Bramsen 358; cf. Julius 1296). Extremely fine or better, smooth brown patina £90-£120
![George III (1760-1820), Pre-1816 issues, Restrike Pattern Farthing, 1797, by W.J. Taylor [after C.H. Küchler], in copper, lau](https://cdn.globalauctionplatform.com/96c1e5b3-3409-4c86-b370-b0d900c72b0c/7ddf5618-1f74-4c60-bbf5-b1f8009a523b/468x382.jpg)
Lot 153
George III (1760-1820), Pre-1816 issues, Restrike Pattern Farthing, 1797, by W.J. Taylor [after C.H. Küchler], in copper, laureate bust right, 3 berries in wreath, 2 leaves above brow, rev. Britannia seated left, soho on rock, ship with 3 stays from foremast to bowsprit, edge plain, 9.19g/6h (Cooke 338; BMC 1195 [R 69]; ‘Selig’ 1415). Good very fine, rare £150-£200 --- Provenance: M.J. Roberts Collection
![Bye Bye Eye, 1991, a cast bronze medal [or paperweight] by R. Searle, weeping eye with tears protruding, rev. bye bye, 90 x 6](https://cdn.globalauctionplatform.com/96c1e5b3-3409-4c86-b370-b0d900c72b0c/df151d8f-0829-48cc-ad9b-b1f800993124/468x382.jpg)
![Coronation of Napoleon, AN 13 [1804], a silver medalet by R. Jeuffroy, laureate bust right, rev. senator and soldier raising](https://cdn.globalauctionplatform.com/96c1e5b3-3409-4c86-b370-b0d900c72b0c/cfaa059c-ddcb-4fbf-98ca-b1f80098470b/468x382.jpg)
Lot 670
Coronation of Napoleon, AN 13 [1804], a silver medalet by R. Jeuffroy, laureate bust right, rev. senator and soldier raising Napoleon on a shield, 13mm, 1.41g (Bramsen 329); together with other miniature medals in copper (4), viz. Vivant Denon, 1808 (2), by A. Abramson, 14mm, by A. Galle, 18mm (Bramsen 796-7), Marriage of Napoleon and Marie-Louise, 1810, by B. Andrieu, 14mm, Visit of Marie Louise to the Mint, 1810, by B. Andrieu, 22mm (Bramsen 1203) [5]. Extremely fine or nearly so, a charming lot £80-£100
Lot 581
Aberdeen Grammar School, a silver award medal, unsigned, named (A.G.S. Rector’s Cup Race Arthur G. Davidson from H.F.M.S 1907), 38mm, 23.10g; Durham University College of Medicine, Turnbull Medal, a silver award medal by Mappin & Webb, named (George Colley Parkin 1920), hallmarked Birmingham 1920, 38mm, 23.70g; Hampshire Secondary School Sports, a silver vessica-shaped award medal by Vaughton, named (1935 Portal Cup Boys 220 yards R. Morgan, hallmarked Birmingham 1934, 65 x 51mm, 54.65g; Newport-on-Tay School, the Mary Wilkie Fraser Medal, a silver-gilt and enamelled award medal by Rattray & Co, named (Dux in Industrial Department Session 1923-24 Helen Collie), hallmarked Birmingham 1923, 45mm, 44.55g [4]. Very fine to extremely fine; second in case of issue, last two with suspension loops £100-£120
Lot 708
Constitutional Charter, 1814, a copper medal by B. Andrieu, bust of Louis XVIII right, rev. king seated left, presenting charter to citizens, 40mm (Bramsen 1468; Julius 3022); Décoration du Lis [1814], a copper medal by B. Andrieu and J.-J. Barre, bust right, rev. crowned fleur-de-lis with suspension loop, 40mm (cf. Slg. Julius 3476 for obv.); Prize Medal [c. 1815], in copper by R. Gayrard and B. Andrieu, bust of Louis XVIII left, rev. Minerva seated left holding wreath, 69mm; Anniversary of the Death of Louis XVI, 1816, a copper medal by R. Gayrard, uniformed bust of Louis XVIII left, rev. five mourners surrounding monument, Louis XVI seated on cloud above, holding lilies, 32mm (Collignon 81) [4]. Extremely fine or nearly so, second scarce £90-£120
Lot 731
FRANCE, Military Conquests, 1646, a copper medal by J. Mauger, 41mm (Divo 23); Birth of the Dauphin, 1729, a plated copper medal by B. Duvivier, 56mm (Nocq 108); Parlement de Toulouse Rétabli, 1775, a copper medal by B. Duvivier, 41mm; Entry of Marechel Ney into Innsbruck and the Return of the Flags, 1805, a copper medal by B. Andrieu and N. Brenet, 41mm (Bramsen 442); Victories of February 1814, a copper medal by B. Andrieu and N. Brenet, 41mm (Br. 1348); Jean de la Fontaine, 1816, a copper medal by E. Gatteaux for his Galerie Numismatique, 41mm; Marie-Thérèse, Duchesse d’Angoulême, 1821, a copper medal by R. Gayrard, 41mm; Henri Giffard’s Balloon Ascent over Paris, 1878, a gilt-bronze medal by C. Trotin, 51mm (Malpas 99); together with other medallic miscellanea (4) [12]. Generally very fine, some better £120-£150 --- Provenance: G.M. Percival Collection
Lot 661
Peace of Amiens, 1802, a copper medal by R. Dumarest, laureate bust of Napoleon left, rev. Napoleon standing naked in imitation of Mars, holding statue of Victory and offering olive-branch to a semi-naked female representing England, who rests her back against a lion, 50mm (Bramsen 195; Slg. Julius 1053). A few minor edge nicks, otherwise about extremely fine £60-£80
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