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Lot 453
WW1 British Medal Pair Queens Royal West Surrey Regiment, British War and Victory medals, “L-10767 PTE P. SPREADBOROUGH THE QUEEN’S R.” An interesting pair of medals to a soldier who was court martialled on multiple times and on 1 occasion he was sentenced to 5 years imprisonment. Percy Spreadborough was from Leytonstone, Essex and attested for the 6th Battalion on 10th September 1914 giving his address as the Municipal Lodging House. In August 1915 he was tried by Field General Court Martial being sentenced to 6 months imprisonment with hard labour the sentence being suspended and then remitted. Later that year he was again in trouble and on 22nd November he was tried by FGCM the charge being ‘When on active service disobeying in such a manner as to show wilful defiance of authority a lawful command given personally by his superior officer in the execution of his office’. Being found guilty he was sentence to 5 years imprisonment this later being commuted to 2 years imprisonment with hard labour. Released in May 1918, he returned to duty managing to stay out of trouble (or at least not get caught!) until 12th February 1919 when he was absent for 59 hours and failed to comply with an order, sentenced to 14 days Field Punishment No.2. He was discharged on 4th September 1920. On the 1939 Register he is shown as being a resident of the Warlingham Park Mental Hospital his occupation stated as being an ex-soldier. He is also entitled to a 1914-15 Star medal.
Lot 147
A pair of medals to recipient in the London Irish Rifles who was killed in action during the German Sprong Offensive in March 1918. British War and Victory medals,”6146 PTE J.T. GRIFFITHS 18-LOND. R.” James Thomas Griffiths was born in Cardiff but living in Dover, Kent when he enlisted. He served in France with 18th (County of London) Battalion (London Irish Rifles) from 1st September 1916 until his death in action on 21st March 1918. Renumbered as 593368 he is commemorated on the Arras Memorial, France.
Lot 255
A Great War pair of medals to the Hampshire Regiment. British War and Victory medals, “29296 CPL. F. WHITLOCK HAMPS. R.” with an enamelled Merchant Navy sweetheart badge (reverse marked silver). Frederick Whitlock served with 2nd Battalion and was awarded a pair of medals for his war service. Information supplied with this lot attributes these medals to Steward Frederick Whitlock who died on 6th March 1946 whilst serving in the Merchant Navy on S.S. Almanzora and who is buried in Bitterne (Holy Saviour) Churchyard, Hampshire.
Lot 269
A Great War 1914-15 star medal trio to soldier in the 7th Battalion Essex Regiment whose active service started at Suvla Bay, Gallipoli. 1914-15 Star medal, British War and Victory medals, “3110 PTE. A. FRY ESSEX R.” some verdigris on the star. Alfred Fry served with 7th Battalion Essex Regiment and was present when they landed on ‘A’ Beach, Suvla Bay, Gallipoli at 5.30am on 11th August 1915. He was later renumbered as 300614.
Lot 457
WW1 British War Medal 1917 Casualty Middlesex Regiment, British War medal, “2505 PTE. F. PREBE MIDD’X R.” Frank Prebe from Rosebury Gardens, Harringay attested for service on 1st September 1914. He landed in France on 12th March 1915 with the 1/7th Battalion Middlesex Regiment and was killed in action on 3rd May 1917 aged 23 years. He is commemorated on the Arras Memorial, France.
Lot 172
A Great War Battle of the Somme killed in action Victory medal to the 1/8th Middlesex Regiment, Allied Victory medal, “5970 PTE. W WICKS MIDD’X R.” 23-year old William Wicks from Kings Lynn, Norfolk was killed in action on 18th September 1916 serving with the 1/8th Battalion attached to the 17th Battalion. He now rests in an identified grave in Euston Road Cemetery, Colincamps, France. He is also entitled to the British War medal.
Lot 451
WW1 British Medal Pair Norfolk Regiment, British War and Victory medals, “24261 PTE. C. HALLS NORF. R.” 29-year old Charles Halls also served in the Machine Gun Corps from which he was discharged being no longer fit for further service on 2nd November 1918. He was issued a Silver War Badge in addition to this pair of medals.
Lot 257
A Great War 1914-15 Star Medal trio to the East Surrey Regiment. 1914-15 Star medal, British War and Victory medals, “5820 PTE. G. WATTS E.SURR. R”. George Watts served with the 2nd Battalion in France from 1st June 1915. He later served with in the Labour Corps (#464621) and was discharged to Class Z Army Reserve on 28th March 1919 giving his address as Princess Road, Richmond.
Lot 82
Suffolk Regiment 1914 Star trio and Fire Brigade Long Service medal accompanied by an interesting collection of original documents and other items. 1914 Star with slip on 5th Aug. – 22nd Nov. 1914 clasp, “3-8388 L-CPL (A.CPL) C. CAHILL 2/SUFF: R.”, British War and Victory medals, “3-8388 A.CPL C. CAHILL SUFF R.”, National Fire Brigades Association 10-year Long Service medal in bronze, on original pin fitting, edge of the medal engraved “CHARLES M CAHILL”. Contact marks to the reverse of the star and to the service number on the British War medal and Victory medals. Medals are accompanied by a large collection of other items and ephemera: Princess Mary 1914 Christmas tin containing a 1414 Christmas card and a paper wrapper for the cigarettes. 8 Great War silk postcards, some with inner cards, all have damage to the reverse consistent with being removed from an album. Army Book 64, named to 3/8288 Suffolk Regiment, stamped and dated Felixstowe, 20th January 1919. 2x Order of Buffaloes medals in cases of issue both with engraved details named to Charles Cahill with dates ranging between 19th August 1935 (1st Degree) and 8th January 1947 (Exalted). Royal Antediluvian Order of Buffaloes examination certificate for Gambert Lodge, dated 26th August 1941. Defence medal claim card notifying of the issue of the ribbon for the medal (ribbon present in lot) to Mr C Cahill, National Fire Service. Borough of Sudbury Coronation medallion, 26th June 1902. 2 West Suffolk Education Committee attendance medals. 2 Pieces of patriotic hair ribbon (red, white and blue). Suffolk Regiment printed Christmas card (1923) from Sergeant and Mrs. G Ruggles with an undated newspaper cutting regarding their wedding. White metal pocket watch (not working). 3 cap badges (2 have been modified with a brooch fitting to the reverse). 2 Sweetheart badges (A.S.C. and Royal engineers). 2 newspaper cuttings (undated) relating to the death of Charles Cahill. A printed book of daily prayers. An interesting collection of items to Charles Michael Cahill who was born on 29th September 1892 and lived in Sudbury Suffolk. He served in France with the 2nd Battalion Suffolk Regiment from 10th October 1914 and the issued of the clasp to the 1914 Star is confirmed on his medal index card. He married Alice Ruggles in October 1916 and was at some point attached to 76th Trench Mortar Battery. After the war he settled in Sudbury with his wife and during the Second World War he qualified for a Defence medal for his service with the Fire Brigade. Charles Cahill died in January 1951 in Chelmsford Essex.
Lot 278
A single Victory medal to a soldier in the 8th Battalion Hampshire Regiment who landed a Suvla Bay in August 1915, allied victory medal, ”1935 PTE. G. BURT HAMPS. R.” Gordon Burt served with the 1/8th Battalion Hampshire Regiment and was present when they landed at Suvla Bay at 9.10pm on 10th August 1915. Later renumbered as 205456 has was disembodied on 28th March 1919.
Lot 279
A Great War 1914-15 star medal trio to a recipient in the Rifle Brigade who was discharged due to wounds in August 1916. 1914-15 Star medal, “Z-2315 L.CPL. R. BROBBIN RIF: BRIG:”, British War and Victory medals, “Z-23615 A.CPL R BROBBIN RIF. BRIG.”. Originally from Bolton, Robert Brobbin attested for service on 3rd September 1914 and landed in France on 8th June 1915. He was discharged as no longer fit for further service due to wounds aged 34 on 3rd August 1916 and was later issued with a Silver War Badge
Lot 452
WW1 British 3rd July 1916 Killed in Action Medal Pair Essex Regiment, British War and Victory medals, “24049 PTE. C.W. WARWICK ESSEX R.” Charles William Warwick, from Stanstead, Essex, was serving with the 9th Battalion Essex Regiment and was killed in action on 3rd July 1916 during the attack on Ovillers and La Boiselle. He is entitled to this pair of medals only and now rests in an identified grave in Ovillers Military Cemetery, France.
Lot 467
4x WW1 British War Medals, awarded to, “10154 PTE. W.J. SALES R. IR. REGT” William Sales also served in the Labour Corps (#407630) and was discharged with a Silver War Badge; “20844 PTE W.B. DERRETT K.S.L.I.” William Bertram Derrett served in the 5th Battalion King’s Shropshire Light Infantry and is also entitled to a Victory medal; “G-14414 PTE. R.C. COLE E. KENT R.” Served in 1st Battalion East Kent Regiment, also entitled to a Victory medal and “22-1691 PTE. J. WOOD NORTH’D FUS” John Wood served in the 22nd Battalion Northumberland Fusiliers. (4 items)
Lot 81
A Great War pair of medals to a Corporal in the Essex Regiment. British War and Victory medals, “1858 CPL. J BARRETT ESSEX R.” Joseph Barrett landed served in France from 28th November 1914 with the 2nd Battalion Essex Regiment. He was discharged with a Silver War Badge on 6th March 1919 and is also entitled to a 1914-15 Star medal.
Lot 458
WW1 British War Medal Killed in Action 1916 Hampshire Regiment, British War medal, “18664 PTE H. HEATH HAMPS R.” Herbert Heath, from Havant, Hampshire, was killed in action on 15th September 1916 whilst serving with 15th (2nd Portsmouth) Battalion Hampshire Regiment. Sadly, his body was never recovered, and he is remembered on the Thiepval Memorial, France.
Lot 266
A group of 4 medals covering service in both World Wars. 1914-15 Star medal,”10774 PTE. A.J. JACQUES. CHES: R.” British War and Victory medals, “10774 PTE. A.J. JACQUES CHES. R.”, Defence medal 1939-45, unnamed as issued. Group mounted as worn. Arthur John Jacques from Hawarden, Flintshire served with 8th Battalion Cheshire Regiment arriving in the Balkans on 8th July 1915. He later transferred to the 1st Battalion and was discharged on 12th September 1919.
Lot 83
A Great War 1914 Star medal to the Royal Fusiliers, 1914 Star medal, “L/14106 PTE. T.A. LAMBERT R. FUS.” Thomas Algernon Lambert from Bethnal Green, London, enlisted into the Royal Fusiliers on 13th June 1910. Serving with the 4th Battalion he landed in France on 21st August 1914, he later transferred to the Northamptonshire Regiment and was discharged on 31st May 1919 with a Silver War Badge being unfit for further service due to wounds.
Lot 254
WW1 1914 Star pair of medals for service in the Hampshire Regiment. 1914 Star medal, “5716 PTE. R.W. WHITMARSH 1/HAMPS:R.”, British War medal, “5716 PTE. R.W. WHITMARSH HAMPS. R.” Robert William Whitmarsh served in France from 31st August 1914 and later transferred to the 2/6th Battalion Essex Regiment (#277266).
Lot 37
A Great War British War medal to an Officer in the Royal Field Artillery Special Reserve who was Mentioned in Despatches, British War medal, “2. LIEUT O.R. DALY”. Only 1 Officer found with this combination of name and rank, Oliver Roger Daly, served in France from 9th August 1917 and was also awarded a Victory medal. Mentioned in Despatches, 23rd December 1918 - Daly, 2nd Lt. R. O., attd. 194th Siege By.
Lot 80
An Interesting Triplicate Issue Great War 1914 Star Medal Trio Royal West Kent Regiment. 1914 Star medal with clasp, British War and Victory medals, all impressed “L/8198 PTE. W.J. VIDLER R.W. KENT R. (TRIPLICATE)”, group mounted as worn. Originally from Greenwich, William John Vidler served in France from 15th August 1914, he later served with the Machine Gun Corps with service number 62351. His Medal Index Card indicates that his medals were replaced on 10th March 1965 whist he was a Chelsea Pensioner, but we have been unable to identify the other occasion when they were replaced. It is unusual to see medals triplicate issue medals.
Lot 450
WW1 British August 1917 Killed in Action Medal Pair Royal Berkshire Regiment, British War and Victory medals, “202377 PTE. C. EALES R. BERKS R.” Charles Eales served with 2/4th Battalion Royal Berkshire Regiment, his place of residence as listed as Broadmoor Asylum, Berkshire although we have not been able to confirm in what capacity he was in this establishment. He was and killed in action on 22nd August 1917 and is commemorated on the Tyne Cot Memorial, Belgium.
Lot 859
"Bullitt" is a 1968 American action-thriller film directed by Peter Yates and starring Steve McQueen in the title role as Frank Bullitt, a San Francisco police detective. The film is known for its realistic and influential car chase scene, which is considered one of the greatest in cinematic history.The plot of "Bullitt" revolves around Detective Frank Bullitt, who is assigned to protect a witness who is set to testify against the mob. However, when the witness is killed, Bullitt becomes determined to unravel the conspiracy behind the murder. The film is notable for its gritty portrayal of police work and its emphasis on procedural details.The iconic car chase takes place on the hilly streets of San Francisco and involves a 1968 Ford Mustang GT 390 and a 1968 Dodge Charger R/T 440 Magnum. This chase scene is widely regarded as a classic in the action genre and has had a lasting impact on filmmaking.Steve McQueen's performance in "Bullitt" further solidified his status as a Hollywood icon, known for his cool and understated style. The film is celebrated for its realistic approach to action and its contribution to the "tough cop" archetype in cinema. "Bullitt" is considered a classic of its genre and continues to be celebrated by film enthusiasts.Measures 24 x 36.
Lot 1148
Steve McQueen played the role of Frank Bullitt in the 1968 American action-thriller film "Bullitt." In the film, McQueen portrays Frank Bullitt, a San Francisco police detective known for his no-nonsense approach to his job. He is assigned to protect a key witness in a high-profile case but ends up investigating a complex conspiracy after the witness is assassinated."Bullitt" is particularly famous for its iconic car chase scene, which takes place on the streets of San Francisco and involves a 1968 Ford Mustang GT 390 and a 1968 Dodge Charger R/T 440 Magnum. This chase sequence is widely regarded as one of the greatest in cinematic history and has left a lasting impact on action filmmaking.Steve McQueen's portrayal of Frank Bullitt in the film is often praised for its cool and understated style, adding to his reputation as a Hollywood icon. The film itself is celebrated for its realistic approach to police work and its gritty, no-nonsense storytelling. "Bullitt" remains a classic of the action-thriller genre and is one of the most iconic roles in Steve McQueen's career.Measures 24 x 36.
Lot 59
A LARGE VIETNAMESE BLUE AND WHITE DISH 15th-16th Century, with rounded sides and everted unglazed rim, decorated in underglaze blue with a six pointed 'Sassanian asterisk' with foliate and wave motif decoration, within a loosely painted border of scrolls, the exterior with large lappet border, the base with a brown wash Provenance: The collection of Adrian Zecha, acquired c.1960-80s Notes: For a similar example see Ceramic Art of Southeast Asia, SEACS, Singapore, Willets W., 1971, No.28, illustrated p.94; also The Ceramics of South-East Asia, Brown R. M.,Oxford University Press, 1978, pl.14 No.48, Museum Pusat, Jakarta; and another example in the Tokyo National Museum 36cm diameter Condition: Condition Report Visible restoration in two places, the first a crack running from the rim to the centre, with associated over spraying which has now discoloured and is flaking; the other a shorter crack and possible restored chip at rim, also with discoloured over spraying. The base of the dish is slightly convex and as such the dish sits on the base rather than the foot rim when on a flat surface. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 294
A THAI BOX AND TWIN BIRD COVER Sawankhalok, 15th Century, circular box with cover modelled in the form of two birds, underglaze brown painted wings, feathers, crest, eyes and beaks, a transparent greenish overglaze, concave unglazed foot Provenance: The collection of Adrian Zecha, acquired 1960-80s Notes: For similar examples see The Ceramics of South-East Asia: Their Dating and Identification, Brown. R. M., Oxford University Press, 1978, pl.28, n.98; Oriental Trade Ceramics in South-East Asia: Ninth to Sixteenth Centuries, Guy. J. S., Oxford University Press, 1990, p.136, no.175 12cm high, 14cm diameter Condition: Condition Report There has been restoration to the body. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 258
A CAMBODIAN GLAZED STONEWARE JAR AND COVER Khmer, 11th-12th Century, pale green glazed stoneware jar, round tapering body, cover with flower shaped knop and incised star decoration, flat unglazed base Provenance: The collection of Adrian Zecha, acquired prior to 1977, listed as No.5 in Sotheby's inventory of April 1977 Exhibited: South-East Asian and Chinese Trade Pottery, Oriental Ceramics Society, Hong Kong, 1979, No.233a, illustrated p.217, exhibition label to inside lid and base Notes: For a similar example see The Ceramics of South-East Asia: Their Dating and Identification, Brown R. M., Art Media Resources, 2000, Plate XVI, (a) 20cm high, 15cm diameter Condition: Condition Report There is some glaze flaking, hairline crack to cover, a crack to body (visible on the inside as well) and a minor crack at base. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 314
A THAI CELADON BOTTLE Sawakhalok, 15th Century, a heavily potted globular bottle with two lugs, incised ribbed sides and feathery band to shoulders, pale olive-green glaze, dark firing ring to base Provenance: The collection of Adrian Zecha, acquired prior to 1977, No.91 in Sotheby's inventory of April 1977 Notes: For a similar example see The Ceramics of South-East Asia: Their Dating and Identification, Brown. R. M., Art Media Resources, 2000, pl.XXXIIa 16cm high, 19cm diameter Condition: Condition Report Fine condition with no visible damage or restoration. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 275
A THAI SGRAFFITO PHOENIX KENDI Sawankhalok, 15th-16th Century, round squat form body, short slender neck with flat protruding mouth, mammiform spout with nipple, brown and clear glaze over dense foliage, three incised phoenix panels, smaller panel below spout with sitting Buddha Provenance: The collection of Adrian Zecha, acquired prior to 1977, listed as No.29 in Sotheby's inventory of April 1977 Notes: For a similar example sans phoenix and Buddha, see The Ceramics of South-East Asia: Their Dating and Identification, Brown R. M., Art Media Resources, 2000, plate XXXV, a 15cm length, 12cm high Condition: Condition Report The body, base and upper rim have been restored. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 276
A THAI SCRAFFITO KENDI Sawankhalok, 15th-16th Century, round squat form body, short slender neck with flat protruding mouth, mammiform spout with nipple, brown and clear glaze over dense foliage Notes: For a similar example see The Ceramics of South-East Asia: Their Dating and Identification, Brown R. M., Art Media Resources, 2000, plate XXXV, a 13cm high, 17cm long Condition: Condition Report There has been restoration to the edge of the upper rim, the body and the foot rim. The base appears to have been misfired. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 259
A CAMBODIAN BROWN GLAZED OWL LIME JAR Khmer, 11th-13th Century, globular jar with olive-brown glaze, applied protruding beak, eyes and wedge tail, incised feathers and wings, turned rings to lip and lower half of body, unglazed flat foot, has extant lime to the interior Provenance: The collection of Adrian Zecha, acquired 1960-80s Notes: For similar examples see Southeast Asian Ceramics: Ninth Through Seventeenth Centuries, Frasche D. F., The Asia Society, 1976, p. 38, no.13, and The Ceramics of South-East Asia: Their Dating and Identification, Brown R. M., Art Media Resources, 2000, pl.XVI, c 8.2cm high, 10cm diameter Condition: Condition Report There are two chips to the foot, a hairline at the rim and the cover is missing. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 283
A THAI BIRD DECORATED BOX AND COVER Sawankhalok, 14th-15th Century, circular box and cover underglaze decorated in three large birds, covered in a transparent glaze which pools milky, the cover has a mammillar finial and moulded triangular border, and the body sits on a raised dark brown glazed foot Provenance: The collection of Adrian Zecha, acquired 1960-80s Notes: For a similarly decorated example see The Ceramics of South-East Asia: Their Dating and Identification, Brown. R. M., Art Media Resources, 2000, pl.XXXb 14cm high, 14.5cm diameter Condition: Condition Report There is a restored chip, a restored crack and a hairline to the rim of the bowl. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 65
FIVE VIETNAMESE BLUE AND WHITE BIRD BOXES AND COVERS 15th Century, all circular decorated in blue and white, the largest example with two birds perching on branches, another lobed example with crane in flight and underglaze incised panels, an example with a contoured figural bird to the cover, a persimmon form box, and a smaller example with two phoenix to the cover Provenance: The collection of Adrian Zecha, acquired 1960-80s Notes: For similar examples see The Ceramics of South-East Asia: Their Dating and Identification, Brown. R. M., Art Media Resources, 2000, pl.VIII, c, d 6cm to 11cm diameter, 4cm to 8.5cm high Condition: Condition Report There is restoration to the base of the figural bird example, the lobed and incised box has a chip to the inner rim and cracks to the body, and one further example has a small chip to the rim of the cover. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 313
A THAI CELADON BOTTLE Sawakhalok, 15th Century, a heavily potted globular bottle with two lugs, incised ribbed sides and combed foliate scrolls to shoulders, bluish-green glaze, reddish-brown wash to base with dark firing ring Provenance: The collection of Adrian Zecha, acquired prior to 1977, No.93 in Sotheby's inventory of April 1977. Notes: For a similar example see The Ceramics of South-East Asia: Their Dating and Identification, Brown. R. M., Art Media Resources, 2000, pl.XXXIIa 16.5cm high, 19cm diameter Condition: Condition Report Fine condition with no visible damage or restoration. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 5157
Armbanduhr: Rolex Lady-Datejust Ref.69173 in Stahl/Gold, Baujahr 1987: Ca. Ø26mm, Riffellünette, goldfarbenes Zifferblatt mit Datum, Zentralsekunde, verschraubte Krone, Automatikwerk, Serien-Nr. R 512585, originales Rolex Armband mit Faltschließe, schöner Zustand, gangbar, Service empfohlen.
Lot 5
Italien - Bronzemedaille 1770, von Johann M. Krafft (1738-1781), Medaille auf die Erneuerung der Universität von Pavia und der Scuola in Mailand, Av.: MARIA THERESIA AUGUSTA, signiert beim Armabschnitt: KRAFFT F., Brustbild Maria Theresias mit Witwenschleier n. r., Rv: Athena überreicht akademisches Zepter. Beide sind von drei Putti, welche die Medizin, Astronomie und Dichtkunst versinnbildlichen umgeben. Im Hintergrund erhebt sich Pegasus vom Parnass in die Lüfte, vz., Verschmutzungen, Patina, Randfehler, teils Berieb des Reliefs, kleine Stellen weißen Belags, minimaler Befall Grünspan, Kratzer, Fingerabdrücke, 45g rau.Johann Martin Krafft war österreichischer Medailleur und Münzstempelschneider. Ab 1770 arbeitete er in Wien, wurde als k. k. Medailleur nach Mailand berufen und ging danach nach München. Pflegte als Graveur einen klassizistischen Stil.| Italy - Bronze medal 1770, by Johann M. Krafft, (1738 - 1781), Medal for the renewal of the University of Pavia and the Scuola in Milan, Av.: MARIA THERESIA AUGUSTA, signed at the arm section: KRAFFT F., bust of Maria Theresa with widow's veil to the right, Rv: Athena presents academic sceptre. Both are surrounded by three putti symbolising medicine, astronomy and poetry. In the background, Pegasus rises from Parnassus into the air, EF, soiling, patina, marginal defects, some rubbing of the relief, small areas of white coating, minimal verdigris, scratches, fingerprints, 45g rough.Johann Martin Krafft was an Austrian medallist and mint engraver.From 1770 he worked in Vienna, was appointed Imperial and Royal medallist in Milan and then went to Munich. As an engraver, he cultivated a classicist style.
Lot 15
Frankreich - Bronzemedaille 1821, Auf die Einweihung der Bordeaux-Brücke, von Bertrand Andrieu (1761–1822) und Édouard Gatteaux (1788-1881), Av: Kopf Königs Ludwig XVIII. im Profil n. r., LVDOVICVS. XVIII - FRANC. ET. NAV. REX. / DE PUYMAURIN DI., sign.: ANDRIEU F., Rv: Die personifizierte Garonne auf der Brücke von Bordeaux liegend, den Arm zur Neptunstatue erhoben, RVMNA. PRIMVM. AD. BVRDIGALAM. SVBACTA. / PONTE. ARCVVM. XVII. IMPOSITO./ MDCCCXXI, sign.: E. GATT, vz, Randfehler, kleine Randkerben, minimaler Berieb des Reliefs, getönt, schöne Patina, ca. 46 g.| France - Bronze medal 1821, On the inauguration of the Bordeaux bridge, by Bertrand Andrieu (1761-1822) and Édouard Gatteaux (1788-1881), Obv: Head of King Louis XVIII in profile to the right, LVDOVICVS. XVIII - FRANC. ET. NAV. REX. / DE PUYMAURIN DI., sign: ANDRIEU F., Rv: The personified Garonne lying on the bridge of Bordeaux, his arm raised to the statue of Neptune, RVMNA. PRIMVM. AD. BVRDIGALAM. SVBACTA. / PONTE. ARCVVM. XVII. IMPOSITO. / MDCCCXXI, signed: E. GATT, EF, edge defects, small edge nicks, minimal rubbing of the relief, toned, beautiful patina, approx. 46 g.
Lot 13
Dt. Kaiserreich - Bronzegußmedaille o.J. (1892), 375 Jahre Reformation und die Einweihung der Schlosskirche zu Wittenberg, von Begas, Reinhold (1831-1892), Av: Brustbild Wilhelm II. in Kürassieruniform mit Adlerhelm im Profil n. r., Rv: sitzende Ekklesia mit Buch, am Boden Kelch und Kreuz, im Hintergrund Schlosskirche, vz., leichter Berieb des Reliefs, Randkerben, Kratzer, ca. 42 g.| German Empire - Bronze cast medal n.d. (1892), 375th anniversary of the Reformation and the consecration of the castle church at Wittenberg, by Begas, Reinhold (1831-1892), Obv: bust of Wilhelm II in cuirassier uniform with eagle helmet in profile to the right, Rv: seated Ekklesia with book, chalice and cross on the ground, in the background castle church, EF, slight rubbing of the relief, edge nicks, scratch marks, approx. 42 g.
Lot 20
Frankreich - Bronzemedaille 1661, Ludwig XIV., auf seine persönliche Herrschaft, von Jean Mauger (1648-1712), Ludwig begann 1661 nach dem Tod seines obersten Ministers Mazarin persönlich zu regieren, Av: Büste von Ludwig XIV. n. r., LUDOVICUS XIIII . REX CHRISTIANISSIMUS, sign: I. MAVGER. F., Rv: Ludwig steht vor seinem Thron und empfängt Bittsteller, FACILIS AD PRINCIPEM ADITUS MDCLXI, vz-, schöne Patina, leichter Berieb des Reliefs, Randkerben, Kratzer, partiell fleckig, ca. 36 g. Jean Mauger (1648-1712) erlernte das Drechslerhandwerk in seiner Heimatstadt Dieppe, bevor er 1677 nach Paris ging, wo er von 1685 bis zu seinem Tod in der Pariser Münze arbeitete. Als außergewöhnlich produktiver Künstler schuf er in weniger als sieben Jahren 250 der 286 unter Ludwig XIV. geprägten Medaillen, die 1702 in einem Sammelband veröffentlicht wurden. Die meisten davon basierten auf seinen eigenen Entwürfen, aber er arbeitete auch eng mit den Graveuren des Königs, Henri Rousselle und Michel Molart, zusammen.| France - Bronze medal 1661, Louis XIV, on his personal reign, by Jean Mauger (1648-1712), Louis began to reign personally in 1661 after the death of his chief minister Mazarin, Av: Bust of Louis XIV to the right, LUDOVICUS XIIII . REX CHRISTIANISSIMUS, sign: I. MAVGER. F., Rv: Louis standing before his throne and receiving petitioners, FACILIS AD PRINCIPEM ADITUS MDCLXI, EF-, beautiful patina, slight rubbing of the relief, edge nicks, scratches, partially spotted, approx. 36 g. Jean Mauger (1648-1712) learnt the turner's trade in his home town of Dieppe before moving to Paris in 1677, where he worked at the Paris mint from 1685 until his death. An exceptionally prolific artist, in less than seven years he created 250 of the 286 medals minted under Louis XIV, which were published in an anthology in 1702. Most of these were based on his own designs, but he also worked closely with the king's engravers, Henri Rousselle and Michel Molart.
Lot 165
KARL SCHMIDT-ROTTLUFF (1884 Rottluff bei Chemnitz - 1976 Berlin) Russische MadonnaKaltnadel auf Kupferdruckkarton. 1921.39 x 33 cm (58,8 x 45,8 cm).Signiert "S Rottluff", mit der Werknummer bezeichnet "2115ST" und vom Drucker Fritz Voigt signiert "gedr. F. Voigt".Schapire R 58. Prachtvoller stark gratiger Druck des seltenen Blattes, mit kräftigem, differenziertem Plattenton. Breitrandig und frisch erhalten.
Lot 318
ALEXANDER CAMARO (1901 Breslau, Polen - 1992 Berlin) BootsverleihÖl auf Hartfaserplatte. 1946.28,5 x 38 cm. Unten rechts mit Pinsel in Schwarz monogrammiert "AC".Verso von R. Camaro bezeichnet "Bootsverleih" und "A. Camaro, Berlin Zehlendorf, Georgstr. 13".Krüger C83.Provenienz: Privatsammlung Norddeutschland
Lot 317
ALEXANDER CAMARO (1901 Breslau, Polen - 1992 Berlin) In einem Kaffeehaus Öl auf Hartfaserplatte. 1945. 38,8 x 50 cm. Unten rechts mit Pinsel in Rot signiert "Camaro" und datiert. Verso von R. Camaro bezeichnet "In einem Kaffeehaus" und "Eigentum: R. Camaro". Krüger C54. Provenienz: Sammlung Liselore, Grisebach Auktion Nr. 153, 2007 / Privatsammlung Norddeutschland Die zahlreichen Ausflugslokale, die bunten Lunaparks sowie die schöne Natur des Vorortes Breslau-Morgenau, in dem der Künstler Alexander Camaro aufwuchs, waren häufige Motive seiner Bilder, die zwischen figürlicher und informeller Malerei wechseln. Nach dem Studium der Malerei bei Otto Mueller in Breslau von 1920 bis 1926 folgte eine Tanzausbildung in Dresden mit anschließender Karriere in Europa als Tänzer bis in die 1940er Jahre. Die NS-Zeit verbrachte Camaro als Ballettmeister im Ausland, da er mit einem Ausstellungsverbot belegt war. Nach Kriegsende startete er von Kleinmachnow bei Berlin aus den zweiten Teil seiner beachtlichen Karriere als Maler, erhielt 1951 den Berliner Kunstpreis und wurde 1952 als Professor an die Hochschule für Bildende Künste in Berlin berufen. Trotz oder gerade wegen seiner zahlreichen Berufe als Tänzer, Musiker und Kabarettist beeinflusste der Künstler nach dem Krieg die Berliner Boheme und Kunstszene nachhaltig und gilt als maßgeblicher Vertreter der deutschen Nachkriegsmoderne. Eine zurückhaltende Farbigkeit mit dominierenden Brauntönen prägen sein Schaffen nach 1945 und verleihen den Bildern eine ruhige Stimmung, die den Betrachtenden zur Kontemplation einlädt.
Lot 316
CARL BUCHHEISTER (1890 - 1964, Hannover) "Komposition ringende Formen"Mischtechnik auf Pappe aufgezogen auf mit Leinen kaschiertem Karton. 1949.33 x 25 cm. Verso mit Kugelschreiber in Blau signiert "Carl Buchheister", datiert und betitelt. Kemp 45. Provenienz: Privatsammlung, BerlinAusstellungen: 1949 Volkshochschule Nürnberg / 1949 Cabinet gute Kunst, Hannover / Galerie Otto Ralfs, Braunschweig / 1951 Galerie Franck, Frankfurt/Main / 1952 Märkisches Museum, Witten/R / 1952 Studio für Moderne Kunst, Wuppertal / 1958 Galerie Gunar, Düsseldorf / 1959 Galerie Cordier (Depot), Frankfurt/Main / 1960 Galerie Boukes, Wiesbaden / 1979 Galerie Isernhagen, Isernhagen / 1984 Galerie Wintersberger, Köln / 1987 Galerie Michael, Bremen Unser Werk „Komposition Ringende Formen“ entsteht 1949, dem Jahr in dem Buchheister eine Schaffensphase ungebremster Produktivität erlangt. Nach seiner Rückkehr aus der amerikanischen Kriegsgefangenschaft zieht er sich von 1945 bis 1948 in sein Atelier zurück, experimentiert und sucht nach neuen Ausdrucksformen. Diese Zeit läutet seine zweite künstlerische Phase ein. Es entstehen Werke, die eine deutliche Auflockerung der konstruktiven Farb- und Formelemente der 20er und 30er Jahre aufweisen. Diese neue Freiheit der Form entwickelt sich in den darauffolgenden Jahren um 1952/53 zum Informel hin und gibt diesem wesentliche Impulse. Buchheister zählt zu den Wegbereitern der abstrakten Malerei in Deutschland. Seine Werke sind in zahlreichen öffentlichen Sammlungen vertreten, u.a. in der Tate Gallery, London; der Nationalgalerie Berlin; dem Salomon R. Guggenheim Museum in NY sowie dem Nationalmuseum of Modern Art in Tokio.
Lot 319
ALEXANDER CAMARO (1901 Breslau, Polen - 1992 Berlin) Mädchen auf dem WaldwegÖl auf Hartfaserplatte. 1946.28,5 x 38 cm. Verso von R. Camaro bezeichnet "Mädchen auf dem Waldweg" und "A. Camaro, Berlin Zehlendorf, Georgstr. 13".Krüger C139.Provenienz: Privatsammlung Norddeutschland"Camaro hat auch auf seinen Bildern häufig Frauengestalten dargestellt.... allerdings meint er hier selten eine bestimmte Person. Die Frau, die Dame, das Mädchen werden zu sinnbildhaften Typenfiguren, die sein (Lebens-) Werk begleiten als eine Art von dialektischem Gegenüber, einer Rundung zum Ganzen". (Lucie Schauer, Camaro, Ölbilder, Aquarelle, Zeichnungen, Ausstellungkatalog Staatliche Kunsthalle Berlin, 1983)
Lot 164
KARL SCHMIDT-ROTTLUFF (1884 Rottluff bei Chemnitz - 1976 Berlin) Frau am WaldrandKaltnadel auf kräftigem Velin. 1920.33,2 x 39,1 cm (36,5 x 48,5 cm).Signiert "S Rottluff" und mit der Werknummer "2031 St" bezeichnet.Schapire R 45.Vorzüglicher, kräftiger Druck mit samtig schwarzem Grat und sattem, nuanciertem Plattenton. Gedruckt bei Fritz Voigt, Berlin.
Lot 158
HERMANN MAX PECHSTEIN (1881 Zwickau - 1955 Berlin) Nach dem BadKaltnadel mit Riffelfeile und Pinselätzung auf festem Japan. 1920.26,5 x 20,7 cm (36,6 x 30,9 cm). Signiert "HMPechstein".Krüger R 118; Söhn 72709-8.Provenienz: Privatsammlung BerlinErschienen in "DIE SCHAFFENDEN", 3. Jahrgang, 1. Mappe.Herausgegeben von Paul Westheim im Euphorion-Verlag, Berlin 1921. Prachtvoller, gratiger Druck mit kräftigem Plattenton.
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