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Lot 246
Lalique Bulbes shallow bowl, tinted with blue opalescence, stencilled mark 'R Lalique, France', 26cm diameter (Please note condition does not form part of the catalogue description. We strongly advise viewing to satsify yourself as to condition. If you are unable to view and a condition report is not already available, please ask for one and it will be provided in writing).
Lot 141
Diamond and pink sapphire (untested) cluster ring, the central untested stone of approx. 8mm x 6mm, in a millegrain collet mount, bordered with twelve small round cut diamonds, total diamond weight estimated as 0.5ct, all set in white gold, the underside with heart shaped supports in 18ct yellow gold, size R, gross weight approx. 5.1g (Please note condition does not form part of the catalogue description. We strongly advise viewing to satsify yourself as to condition. If you are unable to view and a condition report is not already available, please ask for one and it will be provided in writing).
Lot 113
Diamond two stone crossover ring, set with two old round cut diamonds totalling approx. 0.5ct, colour estimated as L/M and clarity I1/2, in white metal claw mounts, on an 18ct yellow gold ring, size R, gross weight approx. 3.3g (Please note condition does not form part of the catalogue description. We strongly advise viewing to satsify yourself as to condition. If you are unable to view and a condition report is not already available, please ask for one and it will be provided in writing).
Lot 208
Sapphire and diamond cluster ring, hallmarked Chester 1896, the central oval cut sapphire of approx. 0.25ct, flanked by four tiny rose cut diamonds and two smaller oval cut sapphires, all set in 18ct yellow gold, size R, gross weight approx. 2.9g (Please note condition does not form part of the catalogue description. We strongly advise viewing to satsify yourself as to condition. If you are unable to view and a condition report is not already available, please ask for one and it will be provided in writing).
Lot 148
Diamond solitaire ring, the certificated emerald cut diamond being 1.03ct, I in colour and VS2 clarity, IGI report no. F6C62896, set in a four claw mount within split shoulders on a platinum ring, size R, gross weight approx. 4.9g (Please note condition does not form part of the catalogue description. We strongly advise viewing to satsify yourself as to condition. If you are unable to view and a condition report is not already available, please ask for one and it will be provided in writing).
Lot 287
Lalique Ferrieres vase, moulded with stylised flowers, tinted blue, engraved mark 'R Lalique, France' and numbered '1019', height 17.5cm (Please note condition does not form part of the catalogue description. We strongly advise viewing to satsify yourself as to condition. If you are unable to view and a condition report is not already available, please ask for one and it will be provided in writing).
Lot 337
Alfred R Kemplen, Door to the friary, oil on canvas, signed, 48cm x 38cm (Please note condition does not form part of the catalogue description. We strongly advise viewing to satsify yourself as to condition. If you are unable to view and a condition report is not already available, please ask for one and it will be provided in writing).
Lot 6363
Ritterliches Schwert zu anderthalb Hand, Frankreich, um 1440/50 Zweischneidige, konisch zulaufende Stichklinge mit rhombischem Querschnitt. Einseitig in Messing eingelegter Wappenschild, darunter stilisierter Passauer Wolf. Auf der Gegenseite die Buchstaben "I" und "R" mit einer Schlangenlinie verbunden. Gerade, weit ausladende Parierstange mit verdickten Enden. Kräftige, leicht konische Angel, Fischschwanzknauf mit drei geschnürten Rippen. Länge 116 cm.Früher französischer Schwerttypus, der durch mehrere ähnliche Exemplare der bekannten Castillon-Fundgruppe belegt ist. A French knightly hand-and-a-half sword, circa 1440/50 A French knightly hand-and-a-half sword, circa 1440/50 Double-edged, tapered thrusting blade of flattened diamond section. Escutcheon inlaid in brass on one side, underneath it stylised Passau wolf mark. On the opposite side letters "I" and "R" connected by a serpentine line. Straight, extended quillons with widened finials. Sturdy, slightly conical tang, fishtail pommel with three roped ridges. Length 116 cm. Early French sword type evidenced by several similar objects that are part of the well-known group of swords from the Battle of Castillon. Condition: II - III
Lot 1335
Johann Kluska1904 Berlin - 1973 BerlinKörper von Schlangen angegriffenR. o. monogrammiert "J K". Rücks. Zettel mit biographischen Angaben zum Künstler. Ölstudie auf Karton. 15,5 x 18,5 cm. Rahmen (19,5 x 22,5 cm).Im Schaffen Kluskas gibt es verschiedene mythologisch angehauchte Darstellungen von gefangenen nackten Körpern. Häufig beziehen sich seine Werke auf die "Göttliche Komöide" Dante Alligeris.Zustand: Bereibungen in der oberen rechten Ecke. Kleinere Kratzer auf Karton. Kleines Loch im Kopf der Gestallt auf der rechten Seite. Unter UV-Licht: Partiell verschmierter Firnis.Provenienz: Süddeutsche PrivatsammlungVgl. Auktionshaus Bernd Rieber Stuttgart, 27. April 2004, Lot 1105: Studie zum Gemälde "Die Verdammten": Vermutlich vorliegende Studie
Lot 1334
Péter Kálmán1877 Zsablya (Ungarn) - 1948 Nußdorf/InnDamenbildnis mit LauteIn weißem Kleid auf einer mit Decken ausgelegten Recamiere sitzend. R. o. signiert und 1923 datiert. Öl auf Holz. 53 x 42 cm. Rahmen (59,5 x 48 cm).Zustand: Einschubleisten. Leichte Randbereibungen mit minimalen Farbabplatzern an oberer Kante. Unter UV-Licht: Keine Auffälligkeiten.Provenienz: Sammlung Hans Constantin Faußner, München.
Lot 1353
Peter Paul Müller1853 Berlin - 1930 GautingLandschaft mit Bach und BirkeR. u. signiert und (18)90 datiert. Rücks. Ausschnitt mit Informationen zum Künstler. Öl auf Lwd. 40 x 50 cm. Rahmen besch. (57 x 65,5 cm).Zustand: Oberfläche verschmutzt. Unter UV-Licht: Mehrere Retuschen (z. B. an der Birke sowie in den Bäumen im rechten Hintergrund) erkennbar.Provenienz: Süddeutsche Privatsammlung.
Lot 1344
Otto (Otto Friedrich) Leu1855 Düsseldorf - 1922 Bern (CH)Hütte in LandschaftR. u. Nachlass-Stempel. Rücks. am Keilrahmen Nachlass-Stempel. Öl auf Lwd. 43,5 x 51,5 cm. Rahmen (54 x 61,5 cm).Zustand: Minimales Craquelé. Bereibungen und Farbabsplitterungen. Rückseitig Leinwandflicken. Unter UV-Licht: Retuschen erkennbar.Provenienz: Süddeutsche Privatsammlung.
Lot 1367
Paul Mathias Padua1903 Salzburg - 1981 Rottach-Egern"Kammervirtuos Hösl"Joseph Hösl (1869-1941)?. R. u. signiert und (19)31 datiert. Auf der Rückseite eigenhändig betitelt und bezeichnet. Etikett "38". Öl auf Karton. 25 x 19,5 cm. Rahmen min. besch. (36,5 x 31 cm).Zustand: Minimale Farbabsplitterungen. An den Ecken Farbbereibungen. Unter UV-Licht: Grünlich reflektierender Firnis, darunter kleinere Retuschen erkennbar.Provenienz: Sammlung Hans Constantin Faußner, München.
Lot 1417
UnbekanntHerrenbildnisR. u. monogrammiert "PN". Rücks. bemalt "Niedersächsisches Bauernhaus in Landschaft". Öl auf Lwd. 57 x 46,5 cm. Rahmen min. besch. (65,5 x 55 cm).Zustand: Wellige Leinwand, evtl. durch Wasserschaden. Kleinere Farbabplatzungen am oberen Bereich des Kopfes, rückseitig Himmel stark berieben. Unter UV-Licht: Vorderseitig keine Auffälligkeiten, rückseitig kleinere Retuschen erkennbar.Provenienz: Neumeister München, Auktion Moderne 2, 10. November 1987, Lot 548: dort als Monogramist PN gelistet). - Sammlung Hans Constantin Faußner, München.
Lot 1341
Anton Lamprecht1901 Allershausen - 1984 MünchenGärtnerei mit FrühbeetenR. u. signiert "A. Lamprecht". Öl auf Karton. 98 x 97,5 cm.Zustand: Farbabsplitterungen am oberen Rand. Kleinere Kratzer. Geringes Craquelé. Vereinzelte Flecken am oberen rechten Rand.Provenienz: Sammlung Hans Constantin Faußner, München.
Lot 1317
Constantin Gerhardinger1888 München - 1970 TörwangDamenporträtR. u. signiert und "IV. 61" datiert. Öl auf Hartfaser. 55 x 46,5 cm. Rahmen min. besch. (65,5 x 58 cm).Literatur: Neumeister München, Sammlung Hans Constantin Faussner. München 1987, S. 118-119. - Faußner, Hans Constantin / Hauser, Bernhard, Der Maler Constantin Gerhardinger. 1888 - 1970. Rosenheim 1988, S.290, WVZ-Nr. 832.Zustand: Randabreibungen, besonders am rechten Bildrand. Einzelne Farbabplatzungen. Unter UV-Licht: Mehrere Retuschen erkennbar.Provenienz: Sammlung Hans Constantin Faußner, München.
Lot 1437
Brynolf Wennerberg, zugeschrieben1866 Djourgorden / Schweden - 1950 Bad AiblingDame mit HalskrauseR. u. monogrammiert B.W. Ölstudie auf Holz. 30 x 18,2 cm. Rahmen min. besch. (35 x 24 cm).Zustand: Verschmutzt. Mehrere kleinere Kratzer. Unter UV: Zwei Retuschen auf Kopfhöhe erkennbar.Provenienz: Sammlung Hans Constantin Faußner, München.
Lot 1190
Monogrammist H.H.Ende 19. Jh.Dame am StrandIm Vordergrund Dame mit weißem Hut sitzend im Profil, im Hintergrund zwei Herren rechts. R. u. monogrammiert "h. h." und Ortsbezeichnung Scheveningen. Aquarell auf Bütten. 40,5 x 36,5 cm. Rahmen (68 x 58 cm).Das Monogramm erinnert in Teilen an das Monogram Henri Harpignies, der ebenfalls in Kleinbuchstaben monogrammiert hat, aber den letzten Strich des "h" expressiver gezogen hat.Zustand: Hinter Passepartout montiert. Leicht gebräunt und leicht fleckig.Provenienz: Süddeutsche Privatsammlung.
Lot 1281
Jamar Armand1870 Lüttich (Belgien) - 1946 BrüsselZwei Bäume in belgischer LandschaftR. u. signiert. Öl auf Lwd. auf Hartfaserplatte. 29,5 x 29 cm. Rahmen min. besch. (33,5 x 33,5 cm).Zustand: Leinwand auf Hartfaserplatte aufgezogen. Mehrere kaschierte Risse in Leinwand erkennbar. Unter UV-Licht: Retuschen erkennbar.Provenienz: Süddeutsche Privatsammlung.
Lot 1292
Ludwig Correggio1846 München - 1920 ebendaGebirgslandschaftIm Vordergrund an einer Hütte zwei Jäger. R. u. signiert. Rücks. mit Kugelschreiber alter Eigentumsvermerk sowie Etikett mit biographischen Informationen zum Künstler. Öl auf Lwd. 26,5 x 22 cm. Rahmen besch. (37,5 x 33 cm).Zustand: Leinwand doubliert. Mehrere Kratzer auf der Oberfläche. Geringes Craquelé. Firnis vergilbt. Unter UV-Licht: Kleinere Retusche mittig oberhalb der Hütte.
Lot 1396
Carl Spitzweg, zugeschrieben1808 München - 1885 ebendaBildnis eines älteren Herrn in blauem Rock(Jäger?). R. u. von fremder Hand mit S im Rombus bezeichnet. Rücks. altes Etikett mit Zuschreibung an Carl Spitzweg sowie mehrere Etikettenreste. Öl auf Holz. 19,2 x 9,5 cm. Rahmen besch. (22,5 x 12,5 cm).Zustand: Farbabsplitterungen und Bereibungen. Kleinere Kratzer erkennbar. Farbschicht beschädigt. Unter UV-Licht: Grünlich reflektierender Firnis.
Lot 705
2006 Hospices de Beaune (Faiveley), Corton-Charlemagne Grand Cru, Cuvee Francois de Salins 1x75cl Private label for Martin R. Landau, label scuffed, 'Landau' handwritten in pen at top edge, Faiveley capsule. 2006 Hospices de Beaune (Faiveley), Corton-Charlemagne Grand Cru, Cuvee Francois de Salins 1x150cl Private label for Martin R. Landau, 'M Landau' handwritten in pen at top edge, Faiveley capsule. Total 1x75cl and 1x150cl From the Estate of a pioneering property titan and generous wine lover, this lot was previously stored in the underground cellars of the Garrick Club in London.Dreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation, especially those produced between 1990-2008. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.
Lot 700
2001 Hospices de Beaune (Bouchard Pere et Fils), Corton-Charlemagne Grand Cru, Cuvee Francois de Salins OWC 1x150cl Private label for Martin R. Landau, label slightly soiled. From the Estate of a pioneering property titan and generous wine lover, this lot was previously stored in the underground cellars of the Garrick Club in London.Dreweatts are very strict about the provenance of wine we offer for sale, but also conscious that White Burgundy can be subject to levels of pre-oxidation, especially those produced between 1990-2008. Please be aware that Dreweatts, as per our terms and conditions, cannot offer a refund against any wine purchased that is out of condition.
Lot 29
† Stephen (1135-54), silver Penny, cross moline Watford type (c.1136-45), Thetford mint, moneyer Robert A., crowned bust with sceptre right, legend and beaded border surrounding, STIEFNE R--, rev. cross moline, lis in each angle, legend and beaded border surrounding, +ROBERT A. ON [- -]E [-], 1.29g (BMC type I; Mack 37; N.873; S.1278). Toned, struck on good metal, strictly bold fine, rare.The legends translate as "Stephen King" on obverse and "Robert A of Thetford" on the reverse. Interestingly the adding of the initial of the moneyer's surname is very uncommon in as early as the reign of Stephen. Tierri D of London mint striking Pennies of type 2 is other exception, and Robert A. here for Thetford.
Lot 193
Victoria (1837-1901), bronze Penny, 1882, no mint mark therefore Royal Mint issue, toothed borders with more finer teeth both sides, laureate head bust in bodice facing left, fifteen leaf wreath with four berries, raised veins recessed in leaves, more hooked nose with weak bridge, no designer signature below bust, legend with linear circle surrounding, VICTORIA D: G: BRITT: REG: F: D:, rev. thinner draped Britannia seated wearing plumed helmet facing right on rocks with shield and holding trident, plain sections of diagonal cross on shield outlined with raised lines, thinner trident shaft, no initials on groundline, lighthouse on rocks to left with four uneven lantern lines, ship sailing away to right, the sea meets the linear circle, denomination ONE PENNY surrounding design, date in exergue, 9.56g (Peck -; Freeman 112 dies 11+N R17; Gouby BP 1882A dies P/r R9; S.3954). Toned, with surface marks and digs both sides, almost very fine and extremely rare being the non-Heaton issue.NGC Certification 8221103-006 – AU details – cleaned.The abbreviated Latin legend on the obverse translates as "Victoria by the Grace of God, Queen of the Britons, Defender of the Faith."In the “British Bronze Penny” by Michael Gouby he notes that there are only eight examples known at the time of his writing. Provenance:Ex Terry Stefl Collection, Pittsburgh, USA, purchased in the late 1990s.
Lot 82
† Charles I (1625-49), silver Crown, Tower mint, mintmark plume of feathers, legend surrounding CAROLVS D.' G.' MAG.' BRIT.' FRA.' ET HIB.' REX, King on horseback riding left, holding sword over shoulder, horse caparisoned with plume and cross on housing, no ground line, rev. CHRISTO AVSPICE REGNO [PLUME] oval garnished shield, Welsh plume above dividing C & R, 30.07g (Brooker 242, same obverse die; N.2192; S.2756). Deep tone struck on good metal, pleasing fine, unevenly toned in places, rare.The Latin legends translates on obverse as "Charles by the grace of God King of Great Britain France and Ireland" and on the reverse "I reign under the auspice of Christ.”
Lot 57
† Henry VIII (1509-47), silver Groat, second coinage (1526-44) York mint, archbishop cardinal Wolsey type, initial mark voided cross (1514-26), Roman lettering (Lombardic h), reads HENRIC VIII DG R AGL Z FRANC, crowned bust right, rev. shield over long cross fourchée, saltires in forks, T-W by shield, cardinals hat below, CIVITAS EBORACI, 2.55g (Whitton i; N.1799; S.2339). Toned, soft in strike, some surface marks, very fine.The abbreviated Latin legends translate as on the obverse “Henry VIII by the grace of God, King of England and France" and on the reverse "City of York"
Lot 155
Victoria (1837-1901), silver Sixpence, 1850, first young head left, Latin legend VICTORIA DEI GRATIA BRITANNIAR: REG: F: D:, toothed border around rim both sides, rev. inverted die axis, SIX / PENCE in two lines at centre of crowned laurel and oak wreath, date below, edge milled, 2.92g (Bull 3185 R; ESC 1695; S.3908). Lustrous fields with mint bloom, edge knock to reverse, reverse better with particular clarity to detail in crown, a superb example graded by NGC as MS64, rare.NGC Certification 2917801-013We note as of October 2024 that NGC have slabbed and graded 16 examples, of which only 5 are finer. PCGS have slabbed and graded only 7 examples, of which 5 are finer.The Latin legend translates on the obverse as "Victoria by the Grace of God, Queen of the Britons, Defender of the Faith."Calendar year mintage of 498,900Provenance:Ex The Wootton Collection of English Silver Coins (Auction 22105), Spink and Son Ltd, 5 July 2022, lot 2609.
Lot 27
† Stephen (1135-54), silver Penny, cross moline Watford type (c.1136-45), Hastings mint, moneyer Saewine, crowned bust with sceptre right, legend and beaded border surrounding, STIEFNE R--, rev. cross moline, lis in each angle, legend and beaded border surrounding, +SÆPIN ON HAS:, 1.36g (BMC type I; SCBI 27 [Midlands], 743-4; N.873; S.1278). Toned, well struck, typical weakness to one portion, otherwise pleasing very fine, a comprehensive specimen.The legends translate as "Stephen King" on obverse and "Sawine of Hastings" on the reverse.Provenance:Ex Mark Rasmussen, retail stock – reference 7/21.
Lot 25
† Henry I (1100-35), silver Penny, pellets in quatrefoil (c.1123-25), Hastings mint, moneyer Boniface, facing bust of King with sceptre, star above shoulder, beaded, legend surrounding, hENRICVS R:, rev. quatrefoil with star in centre and pellet limbs, lis in angles, +BONIFACE ON H[STIE]:, 1.30g (BMC XIV; SCBI 27 [Lincolnshire], 2204-7 - Melandry Hoard 1972; N.870; S.1275). Toned, some dishing, pleasing portrait with some sharper detail in places, about very fine, reverse better. Extremely rare mint and moneyer for the type.The legends translate as "Henry King" on obverse and "Boniface of Hastings" on the reverse.Hastings is considered an extremely rare mint for late Henry I and was (further reading: W J Andrews, 'Numismatic History of Henry I', p.208) The Lincoln hoard contains type XIV pennies, the following moneyers feature Boniface, Dunninc and Rodbert.
Lot 37
† Richard II (1377-99), gold Noble, type IIA, London mint, king standing facing in ship, holding sword and shield, in crude style, legend surrounds RICARD DEI GRA REX ANGL DNS HIB Z AQT, saltire over sail, rev. floriated cross with lis at ends, R in centre, double saltire stops, initial mark cross pattée on reverse only, legend reads IhCx AVTEmx TRAnSIEnSx PERx mEDIVx ILLORVx IBAT, 7.41g (Schneider 146 (same dies); N.1303; S.1655). Toned, an excellent portrait for this crude issue with clear legends and a fully centred strike, near extremely fine, rare.The abbreviated Latin legends translate as on the obverse "Richard by the Grace of God, King of England and France, Lord of Ireland and Aquitaine" and on the reverse "But Jesus, passing through the midst of them, went His way."Provenance:Ex Spink, Other Properties in the Ivan Buck Sale, Wednesday 30th November 2005, lot 455Ex Noble Numismatics, 28th March 2001, lot 692.
Lot 130
g Victoria (1837-1901), gold Sovereign, 1838, first young head left, W.W. raised on truncation for engraver William Wyon, Latin legend and toothed border surrounding, VICTORIA DEI GRATIA , rev. crowned quartered shield of arms within laurel wreath, emblems below, Latin legend and toothed border surrounding, BRITANNIARUM REGINIA FID: DEF:, 8.00g (Bentley 36; Bull EGC 1054; Hill 22 R; S.3852).Toned, fair, rare.Calendar Year mintage 2,718,694The Latin legends translates on obverse as "Victoria by the Grace of God," and on the reverse "Queen of the Britain's, Defender of the Faith."
Lot 224
Victoria (1837-1901), bronzed copper proof Penny, 1860, beaded borders both sides, laureate head bust in bodice facing left, L. C. WYON signature raised at rear of truncation, partly upon bust for designer Leonard Charles Wyon, legend with linear circle surrounding, VICTORIA D: G: BRITT: REG: F: D:, rev. draped Britannia seated wearing plumed helmet facing right on rocks with shield and holding trident, L.C.W. designer initials incuse on ground below shield, lighthouse on rocks to left, ship sailing away to right, sea meets linear circle, denomination ONE PENNY surrounding design, date in exergue, 9.24g (Peck 1622 dies 1+B R; Freeman 4 dies 1+A R17; Gouby BP 1860CA dies C1/a1 R9; S.3954). Toned, two hairline scratches across left obverse field onto bust and another shorter unobtrusive one on lower right side of Britannia, smaller short hairline scratch between D:G: of legend, otherwise with a pleasing deep chocolate brown colour, good extremely fine, practically as struck.NGC Certification 8221108-001 – has been graded Proof details – obverse scratched, matching in with description above.The abbreviated Latin legend on the obverse translates as "Victoria by the Grace of God, Queen of the Britons, Defender of the Faith."This series of extremely rare 1860 proofs in gold, silver and bronzed copper always have a weakly struck high point at the centre of the Queen’s laurel wreath in the hair where the leaves and their veins are rendered therefore weakly. Provenance:Purchased from Spink & Son Ltd at Coinex 2008.
Lot 129
g Victoria (1837-1901), gold Sovereign, 1838, first young head left, W.W. raised on truncation for engraver William Wyon, Latin legend and toothed border surrounding, VICTORIA DEI GRATIA, rev. crowned quartered shield of arms within laurel wreath, emblems below, Latin legend and toothed border surrounding, BRITANNIARUM REGINIA FID: DEF:, 8.00g (Bentley 36; Bull EGC 1054; Hill 22 R; S.3852). Toned, perhaps once cleaned, otherwise good very fine, rare.Calendar Year mintage 2,718,694The Latin legends translates on obverse as "Victoria by the Grace of God," and on the reverse "Queen of the Britain's, Defender of the Faith."
Lot 65
† Edward VI (1547-53), debased silver Shilling, 1549, Second Issue, transposed legends, 1549 in Roman numerals, Southwark mint, bust type 2 within linear circle, legend with date surrounding with lozenge stops, initial mark Y both sides, TIMOR: DOMINI: FONS: VITA: M:DXLIX, rev. oval quartered shield of arms on frame, E to left, R to right, linear circles and legend surrounding, EDWARD; VI; D; G; AGL; FRA; Z; HIB; REX.Y., 3.37g (Bispham p.135; N.1918/2; S.2465a). Slight flan loss, otherwise toned with a pleasing portrait, about very fine for issue.The legends translate as on the obverse "Edward the Sixth by the grace of God, King of England, France and Ireland," and on the reverse "The fear of the Lord is a fountain of life" a Psalm from the Bible. [legends are transposed on the actual coin].
Lot 105
George III (1760-1820), gold Guinea, 1791, fifth laureate head right, GEORGIVS .III. DEI.GRATIA, rev. spade shaped crowned quartered shield of arms, date below, legend reads in abbreviated Latin commencing lower left M.B.F. ET. H. REX. F.D. B.ET. L. D. S. R. I. A. T ET. E. 8.39g (Schneider -; Bull EGC 719; MCE 395; Farey 1300; S.3729). Toned, perhaps once wiped, extremely fine or thereabouts.The Latin legends translate to on obverse "George III by the Grace of God" continuing on the reverse in abbreviated Latin which if in shown in full reads "Magnae Britanniae Franciae et Hiberniae Rex Fidei Defensor Brun et Lunebergen-sis Dux, Sacri Romani Imperii Archi-Thesaurius et Elector" and translates as "King of Great Britain, France and Ireland, Defender of the Faith, Duke of Brunswick and Luneberg, High Treasurer and Elector of the Holy Roman Empire."
Lot 81
† Charles I (1625-49), gold Double-Crown, Tower mint, mintmark rose over plume / rose, third crowned, draped and cuirassed bust left, with broad flat crown and ruff, value X behind, legend surrounds CAROLVS D: G: MAG: BRI: FR: ET HI: REX. rev. crowned oval shield dividing C-R, reads CVLTORES. SVI. DEVS. PROTEGIT, 4.52g (N.2165; SCBI 33 (Brooker) 158 obverse and 159 reverse S.2701). Toned, creased and scuffed with a little double striking, fine.The Latin legends translates on obverse as "Charles by the grace of God King of Great Britain France and Ireland" and on the reverse "God protects his worshippers"Provenance:Ex Spink Auction 21099, 28th January 2022, lot 501
Lot 127
George IV (1820-30), silver Maundy Set, 1822, Fourpence, Threepence, Twopence, Penny, laureate head left, Latin legend and toothed border surrounding both sides, GEORGIUS IIII D: G: BRITANNIAR REX F: D:, rev. crowned mark of value, date either side, all within tied oak wreath, weights 1.89g, 1.38g, 0.92g, 0.45g respectively (Bull 2247; ESC 2428; C&R 1221; Davies 282; Robinson 315, 316, 317, 318; S.3816). Toned, extremely fine or better.
Lot 74
Elizabeth I (1558-1603), gold Crown of Five Shillings, second issue, struck in 22 carat "crown" gold, crowned bust in ruff left, within inner beaded circle, Latin legend surrounding, initial mark cross-crosslet (1560-61) both sides, ELIZABETH:. D; G; ANG; FR; ET. HI; REGINA, rev. crowned quartered shield of arms, E to left, R to right, crown breaks inner beaded circle, Latin legend surrounding, SCVTVM: FIDEI: PROTEGET: EAM, 2.87g (cf. Schneider 748; North 1983; S.2522). Richly toned, a little ragged with hairline scratches, deeper scratch on reverse, with an attractive portrait style, a bold very fine.The abbreviated Latin legends translate as on the obverse "Elizabeth by the grace of God, Queen of England, France and Ireland" and on the reverse as "The shield of faith shall protect her."
![† Northumbria (York), Cnut, silver Penny, Cunnetti type [c.895-902] Patriarchal cross, inverted; C N V T at ends of cross; R](https://cdn.globalauctionplatform.com/573e0f35-6a11-4850-9d81-b20900e1f189/e749a89b-2aaf-4e5a-b643-b21e010ef082/468x382.jpg)
Lot 13
† Northumbria (York), Cnut, silver Penny, Cunnetti type [c.895-902] Patriarchal cross, inverted; C N V T at ends of cross; R E X + in angles, rev. small cross pattée in center, pellets at first and fourth angles; +CVN NET TI around, groups of pellets between, 1.28g (Lyon and Stewart Group II; N.499; S.993). Very fine, iridescent tone.
Lot 291
Scotland, Mary Queen of Scots (1542-67), gold 22 Shillings, first period, 1553, crowned Scottish arms, I G either side for Jacobus Gubernator, legend surrounding between wire thin linear circles, outer toothed border to rim, MARIA. D. G. R. SCOTORVM, rev. crowned Mary Regina monogram, cinquefoil either side, date in legend, DILIGITE IVSTICIAM 1553, 2.55g (Burns 3, fig.816; SCBI 35:987; SCBI 58;253-4; S.5396). Toned, some light wear to high points with some surface marks, has been slabbed and graded by NGC as AU58, rare.NGC Certification 8221106-001The letters I and G either side of the Scottish arms stand for "James, Earl of Arran, Regent and Governor of Scotland" which appear in the first period for Mary's reign before marriage. The abbreviated Latin legends translate as on the obverse "Mary, by the Grace of God, Queen of Scotland" and on the reverse "Observe Justice". A great deal of the gold in the coinage of Scotland at this period was mined locally principally from Crawford Moor, when nuggets from 2 grams to 30 ounces were discovered in the reign of James I (1406-37). These gold coins were minted in 22 carat gold. Mary abdicated from the Scottish throne in 1567 in favour of her young son James VI, who later united the Kingdom of Scotland with England as Great Britain, and as King James I of England.
Lot 219
Victoria (1837-1901), bronze Penny, 1860, toothed borders, colon missing after final D of legend, laureate head bust in bodice facing left, L. C. WYON signature raised at rear of truncation, below bust for designer Leonard Charles Wyon, legend with linear circle surrounding, VICTORIA D: G: BRITT: REG: F: D, the last colon of legend absent, rev. draped Britannia seated wearing plumed helmet facing right on rocks with shield and holding trident, L.C.W. designer initials incuse on ground below shield, lighthouse on rocks to left, ship sailing away to right, sea meets linear circle, denomination ONE PENNY surrounding design, date in exergue, 9.58g (cf.Peck 1632A dies 3+C* R; cf. Freeman 15 dies 4+D R9 for die combination but not this variety; Satin 19; Gouby BP 1860T dies G/d R9; S.3954). Toned, short scratches and digs both sides, some deeper than others, otherwise very fine and extremely rare die combination with the missing colon at end of legend.NGC Certification 8221108-006 – has been graded AU details – obverse scratched, matching in with description above.The abbreviated Latin legend on the obverse translates as "Victoria by the Grace of God, Queen of the Britons, Defender of the Faith."There does not seem to be any trace of the colon after D and the positioning and extra piece of metal protruding from the upper right of the D match the illustrated example in Gouby’s specialised edition of the “British Bronze Penny” where he also mentions in section 4 that only four examples were known as of the time of writing.Provenance:Purchased privately from collector Tony Crocker, December 2005.
Lot 59
† Henry VIII (1509-47), debased silver Testoon with a nominal value of a shilling, Tower mint, third coinage (1544-47), facing crowned bust of King in ruff, Latin legend and beaded borders surrounding both sides, cross on crown breaks inner border both sides, initial mark pellet in annulet and Lis both sides, lombardic lettering with slipped trefoil stops, hEnRIC; 8;: D;. G;. AGL'. FRA': Z; HIB; REX; rev. crowned Tudor rose, crowned h to left, crowned R to right, POSVU; DEVm; ADIVTORIVm; mEVm; 7.15g (N.1841; S.2365). Dark tone, flan striking crack and some contact marks. Fine, rare.The abbreviated Latin legends translate as on the obverse "Henry the Eighth by the Grace of God, King of England and France and Lord of Ireland" and on the reverse "I have made God my helper".Struck in the period of debasement of the coinage, when the King took more profit from the coinage to help pay for the upkeep of his armies on the continent and his extravagant taste, earning him the nickname "Old Copper-nose" in direct relation to these Testoon coins as the first place any base metal would show through on these coins was upon the high point of the nose.
Lot 2
A fine R & W Hawthorn, Leslie & Co Ltd, Newcastle-on-Tyne, ship builder's model of the twin screw steamers 'DESTERRO' and 'PORTO ALEGRE', one of two identical vessels built for The National Steam Navigation Company Rio de Janeiro, with ivorine plaque dated 1889, finely detailed with rigged derricks, cabin doors, metal and wooden rails with fittings as appropriate, standing on a four pillar support on a stepped mahogany plinth length 189 cm x 34.5 cm deep, approximate height 75 cm, currently contained in a high-quality contemporary bespoke light oak glazed display case, height 184 cm x depth 51 cm x length 221 cm. *Porto Alegre wrecked near Cabo Santa Marta on 31st July 1905. Desterro was broken up in 1935 after decades of service in Brazil after working under three names: 'Florianopolis', 'Commandante Vasconcellos' and 'Joaquim Tavora'. CONDITION REPORT: The boat is free-standing in this cabinet, should the purchaser not want the large display case we can either re-sell this or dispose of it.
Lot 55
Bartholomeus Johannes van Hove (Dutch, 1790-1880) A Dutch town with figures outside a church, a figure in a boat in the foregroundsigned and dated 'B. J. van Hove, 1828' l.l., oil on panel45 x 57cmProvenance: With Frost & Reed;E Stacy-Marks Ltd., London;private collection, Moor Park, Hertfordshire.Condition ReportFramed: 63 x 75cmRubbing to the lower edge. There is a patch of discolouration to the clouds in the upper left quarter, please see additional condition images. Light rubbing/ abrasions and thinning to the paint to the upper edge and upper left edge. A couple of very light superficial scratches by the horse and cart in the lower left corner. A tiny loss to the centre of the bottom edge. Viewed under UV light there is a little touching up visible to the extreme bottom edge and lower right edges.
Lot 75
Adrianus Eversen (Dutch, 1818-1897) A Dutch town on a canal with figures on a bridgesigned and dated 'A Eversen 54' l.r., watercolour26 x 36cmProvenance: Private collection, Moor Park, Hertfordshire.Condition ReportFramed: 40 x 50cmFoxing, discolouration and fading. A brown stain/ watermark to the sky, upper centre, and also to the upper edge, centre right. A small tear in the upper right corner and a diagonal crease to the upper left corner. Not viewed out of glazed frame.
Lot 69
Wijnand Jan Joseph Nuijen (Dutch, 1813-1839) Fishing boats in calm waters by the shoreindistinctly signed and dated '1832' l.r., oil on canvas76 x 96cmProvenance: Private collection, Moor Park, Hertfordshire.Condition ReportFramed: 98 x 118cmThe painting is executed in oil on a canvas support which has been lined. The canvas tension is good and the picture is in plane. An old tear in the lower right quadrant has been secured but is slightly proud of the picture plane with a few scattered losses. The paint layers are in a stable condition overall. There are areas of overpaint across the surface, in areas applied in quite a brushy, loose manner but mainly covering age cracks. The varnish is slightly yellow, glossy and even.
Lot 183
Robert Watson (1865-1916) Sheep on a hillsidesigned 'R. Watson/1892' l.r., oil on canvas51 x 77cmCondition ReportFramed: 81 x 107cmCraquelure. A little yellowing, please refer to illlustration. Not examined under UV light or viewed out of glazed frame, for a full report please contact the department.
Lot 211
Aleksandr Nikolaevich Roussoff (1844-1928) A market stall, Venicesigned, inscribed and dated 'A. N. Roussoff - Ven.../1882' l.l., watercolour42 x 65cmProvenance: Private collection, Moor Park, Hertfordshire.Condition ReportFramed: 60 x 83cmAppears to be in good order. Not viewed out of glazed frame.
Lot 170
Alexander Jamieson (1873-1937) Venice from the deck of the SS 'Orford'signed and dated 'Alexander Jamieson/1931' l.l., also signed and inscribed with title verso, oil on canvas64 x 77cmProvenance: With Martyn Gregory, London;private collection, Moor Park, Hertfordshire.Exhibited: Martyn Gregory, London, 'Modern British Painters', November 1988, catalogue 53, no. 25. Condition ReportFramed: 78 x 91cmThere are slight undulations to the canvas at the bottom and in the lower corners. Examined under UV light there are spots of retouching in the upper corners and in the lower right corner. A small area of overpaint fluoresces in the sky in the upper right. The varnish appears a little uneven with pale yellow patches of discolouration in places, predominantly to the sky. There is a little dust and dirt trapped behind the glass in the upper left corner. Not viewed out of glazed frame.
Lot 68
Andreas Schelfhout (Dutch, 1787-1870) A beach scene with figures and fishing boatssigned 'A. Schelfhout' l.r., oil on panel18 x 24cmProvenance: With E J Van Wisselingh & Co., Amsterdam;private collection, Moor Park, Hertfordshire.Exhibited: Stedelijk Museum, Amsterdam, loaned by J Blaauboer Di Bussum, 1938, no.196.Condition ReportFramed: 25 x 31cmA few tiny speckles of light surface dirt. The blue paint in the sky appears to have been more thinly applied than in other areas such as the boats and shore. On very close inspection there is a little very fine cracking starting to emerge in places. Viewed under UV light there is a small spot of overpaint visible to the sky in the lower right quarter to the left of the boat's sail. Overall, presents well. Please see additional condition images.
Lot 51
Kaspar Karsen (Dutch, 1810-1896) A Dutch town scene with a market by a churchsigned 'K. Karsen' l.r., oil on panel46 x 59cmProvenance: With The Rowley Gallery, London;private collection, Moor Park, Hertfordshire.Condition ReportFramed: 60 x 72cmThe panel is cradled. Surface dirt. The are small circular spots and stains that do not wipe off. Overpainting evident to the sky, centre left. Examined under UV light a little fine infilling fluoresces on the buildings in the centre and in the lower left quarter. Please see additional images.
Lot 214
Richard Henry Wright (1857-1930) 'St Paul's from Bankside'signed and dated 'R. H. Wright 1928' l.r., watercolour17.5 x 27cmCondition ReportFramed: 34 x 42.5cmThe sky appears a little dappled with light surface dirt. A few small speckles of foxing starting to emerge. There are some small thunderbugs trapped behind the glazing, however the work itself does not appear to be affected. Not viewed out of glazed frame.
Lot 53
Cornelis Springer (Dutch, 1817-1891) A market by the town hall Ulm, Württemberg signed and dated 'C Springer Dec 69' l.l., also signed, inscribed and dated on artist's label verso, 'Le soussigne declare que/ce tableau, representant le/Marché et Hôtel de Ville d'Ulm/Royaume de Wurtemberg/est peint/par lui /Amsterdam/le 30 Dec 1869/C Springer', with artist's seals, oil on panel60 x 86cmProvenance: Private collection, Moor Park, Hertfordshire.Literature: Willem Laanstra, H C de Bruijn & Dr J H A Ringeling, 'Cornelis Springer (1817-1891)', Utrecht, 1984, p.164, no. 69-10, as De Mark ten het Raadhuis te Ulm, illustrated. Condition ReportFramed: 82 x 109cmThe painting is executed in oil on a panel support. The panel is in a good condition, remaining flat with no evidence of splits. The paint layer are in an excellent condition. The varnish is clear, even with a high level of gloss.
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