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Lot 100

ATTRIBUTED TO MAY MORRIS FOR MORRIS & CO. ARTS & CRAFTS EMBROIDERED PANEL, CIRCA 1900worked in coloured silks with flowering foliate design, reserved on a linen ground(139.5cm x 111cm)Footnote: Literature: Mason, A.; Marsh, J.; Bain, R. et al. May Morris: Arts & Crafts Designer, Thames & Hudson 2017, p. 93, pl. 77 where a similar design is illustrated

Lot 192

ENGLISH SCHOOL ARTS & CRAFTS OAK-FRAMED TRIPTYCH, CIRCA 1910the moulded top with carved leaf bosses, bearing each with letter E/ J/ R/ M/ O/ M/C/C/R/L/C above twin panelled doors with elaborate brass hinges, opening to reveal three embroidered panels, each worked in coloured silks and gold threads on a silk ground, depicting medieval figures, inscribed EMBROIDERY DONE BY MARJORIE COX FROM JUNE 1910 TO OCTOBER 1911, the whole raised on curved bracket supports(105cm wide, 108cm high, 44cm deep)

Lot 196

CARDEW, GLORIA. GUILD OF WOMEN-BINDERS A MIDSUMMER NIGHT’S DREAM, CIRCA 1900published J.M Dent & Co., London 1895, with plates illustrated by R. Anning Bell and hand-coloured by Gloria Cardew, bound in calf, probably by the Guild of Women-Binders, the cover worked in relief with the figure of Puck and other fairies, bears paper label pasted to the interior and bearing inscription THE ILLUSTRATIONS IN THIS BOOK WERE COLOURED BY HAND BY MISS GLORIA CARDEWFootnote: Literature: Kaplan, Wendy (ed.) Scotland Creates: 5000 Years of Art and Design, Weidenfeld & Nicholson 1990, pp.152-3, fig 10.3 where a book bound by Annie S Macdonald is illustrated Note: Although Gloria Cardew was not a bookbinder, “many books coloured by her were bound by members of the Guild” (Tidcombe, p. 126). This is largely due to Frank Karslake (1851-1920), who acted as an agent of hers in 1898 (IBIS Journal, 2014, p. 75). Cardew was a prolific hand-colourist of book illustration and often worked for the Guild, as well as the Kelmscott and Vale Presses. Little is known of her and it was thought that her name was a pseudonym, although her photograph was published in the 1898 Guild of Women-Binders exhibition catalogue of 1898. Karslake established the Guild of Women-Binders in May 1898 at 61, Charing Cross Road, London in the same building as his other bindery, The Hampstead Bindery. The bindery produced lavishly-bound books in the highest quality material and took on many different binders, such as Annie S. MacDonald, Jessie McGibbon, Phoebe Traquair, Florence de Rheims, and Karslake’s two daughters, Constance & Olive Karslake. A similar binding held in the National Library of Scotland by Annie S. Macdonald (1849-1924) shows the same technique as the current example in moulded natural morocco. Macdonald, a friend of Traquair re-introduced the craft of artistic bookbinding in Edinburgh in the mid-1890s and she, Traquair and others were affiliated with not only to the new Edinburgh Arts and Crafts Club but to the Guild of Women-Binders from 1898. The subject of the current lot is based on the painting Puck Fleeing before the Dawn by David Scott (1806-1849), currently held in the National Gallery of Scotland (NG 992).

Lot 240

OUTHWAITE (R.L.). THE GHOSTS OF THE SLAINillustrated by Joseph Southall, original wrap, published National Labour Press, Manchester 1915; together with HOOD (THOMAS). MISS KILMANSEGG AND HER PRECIOUS LEG. A GOLDEN LEGEND, ESSEX HOUSE PRESS, 1904; limited to 200 copies, illustrations by Reginald Savage, original holland-backed boards, uncut, spine label a little chipped, 8vo; TOGETHER WITH a GREETINGS CARD from Mr & Mrs C.R. Ashbee, dated 1905 and with handwritten address to Mrs. R Catterson Smith, Edgbaston

Lot 412

WEMYSS WARE A PAIR OF TALL SQUARE CANDLESTICKS, ‘CABBAGE ROSES’ PATTERN, CIRCA 1900each with impressed maker's marks WEMYSS WARE/ R. H.& S. and printed retailer's mark T. GOODE & CO., 30cm high; together with a WEMYSS WARE 'BROWN COCKERELS AND HENS' DOUBLE INKWELL, with associated glass liners and domed covers, impressed maker's marks WEMYSS WARE/ R. H.& S., 26cm acrossFootnote: Provenance: Rogers de Rin, London

Lot 457

INNEN-DEKORATION: DIE GESAMTE WOHNUNGSKUNST IN BILD UND WORT HERAUSGEBER TWELVE YEARBOOKSeach hardback bound, edited by Alexander Koch and comprising 1894; 1899; 1900; 1901 1903; 1904; 1905; 1907; 1913; 1917; 1919; 1930, to include articles on M. H. Baillie Scott and C. R. Ashbee; and ONE YEARBOOK OF MODERNE MÖBEL UND INNENRÄUME, hardback bound, edited by Alexander Koch, 1899

Lot 463

ARNOLD BÖCKLIN (1827–1901) ISLE OF THE DEADprint, within Secessionist mahogany and gilded gesso frame, bears gallery label verso R. WAGNER, MUNICH(with frame 68.5cm x 108cm)

Lot 514

RENÉ LALIQUE (1860-1945) 'CHEVALIER D'ORSAY' OPALESCENT GLASS POWDER BOX, DESIGNED 1920with card base, printed on base POUDRE MERVEILLEUSE/ LE PARFUM/ CHAIR/ D'ORSAY PARFUMEUR/ PARIS, the glass with moulded marks D'ORSAY/ R. LALIQUE(8.5cm diameter, 3cm high)

Lot 515

RENÉ LALIQUE (1860-1945) 'PRIMEVERES' NO. 77 OPALESCENT GLASS COVERED BOWL, DESIGNED 1927the exterior moulded with flower heads, impressed and etched maker's mark R. LALIQUE/ FRANCE(14.5cm diameter)

Lot 516

RENÉ LALIQUE (1860-1945) 'LYS' NO. 382 OPALESCENT GLASS BOWL, DESIGNED 1924wheel-etched mark R. LALIQUE/ FRANCE and numbered(23.8cm diameter)

Lot 517

RENÉ LALIQUE (1860-1945) 'GUI NO.1' NO. 3223 OPALESCENT GLASS BOWL, DESIGNED 1921the exterior moulded with mistletoe, etched maker's marks R. LALIQUE/ FRANCE(23cm diameter)

Lot 541

TIFFANY STUDIOS, NEW YORK MOUNTED IRIDESCENT 'FAVRILE' GLASS TRUMPET VASE, CIRCA 1910gold and green iridescent glass, raised on a cast patinated bronze base with stylised plant form stem, base with engraved initial R, stamped makers marks TIFFANY STUDIOS/ NEW YORK/ 1043/ G/ 11, painted number 8345(38cm high)Footnote: Literature: Duncan, A., Louis C. Tiffany: The Garden Museum Collection, AAC 2004, p.397 where similar vases are illustrated

Lot 37

9ct Gold dress ring, set with 7 pink heart shaped stones Size R

Lot 41

9ct Gold dress ring, set with pink stone cluster Size R.5

Lot 114

A WWI R 7 J BECK LTD OFFICERS TRENCH PERISCOPE, this example is marked 1916 and is complete with wooden screw in handle and brown leather case, top flap missing, the opica are complete, working and the whole item is in good order for its age, together with a handmade wooden box with the Royal Artillery Crested carved to the lid, nice condition

Lot 123

A LARGE BOX OF COINAGE to include three coin albums of UK and World coins mostly 20th Century, a Elizabeth 1977 crown size silver proof, a Queen Mother centenary five pound coin R M carated, amounts of coin and stamp covers, loose coins etc

Lot 408

FOUR GRAPHITE FISHING RODS, comprising a Shakespeare Sigma Supra 1127-270 telescopic 9' rod in zip up bag and hard tube, a Shakespeare Master Spiral Graphite five section (2.25m) cast weight 30-60g, in a Shakespeare green velvet effect bag, a Shakespeare traditional travel fly 1720-285 six piece 2.85m rod in leather effect case and a R L Winston (built by Foxon) BL5 9' five piece rod in a Foxton's cloth bag and hard carry case (4)

Lot 476

THREE BOXES OF ASSORTED PICTURES AND PRINTS etc, to include a limited edition print by Clare Minter-Kemp, watercolour by A R Lemberg, pencil drawing of a cottage, indistinctly signed, together with assorted prints etc

Lot 656

PAINTINGS AND PRINTS etc, to include H. R. H. The Prince of Wales 'View in the South of France' from an edition by The Mail on Sunday, oils of New Zealand by G Warrington, framed prints by post impressionist artists including Marc Chagall, Toulouse Lautrec etc, a restaurant chef's special black board, early 20th Century portrait photographs etc

Lot 102

The Christopher Dyment Collection: HEDIN, Sven: Southern Tibet. Discoveries in Former Times compared with my own Researches in 1906 - 1908 (9 text volumes + 3 map volumes - complete set. Delhi, B. R. Publishing Corporation, 1991-92. Folio, original cloth; little rubbed. (12) "Christopher Dyment (1939-2016): After reading Law at Cambridge and alongside with his career at the Law Commission he spent time travelling in east Asia and the Himalayan areas, influence by Tibetan Buddhism; and also concentrating on music. Christopher wrote numerous articles about historical conductors and also one book on Felix Weingartner, one on Toscanini in Britain and one on conducting the Brahms Symphonies."

Lot 126

Ralegh (Walter): The History of the World, in Five Books, Whereunto is added in this Edition, The Life and Tryal of the Author. L, For T Basset, etc. 1687, first edition thus. PP:Frontis Portrait, extra engraved title page, title page, xxxii, (xxiv)Contents, Life of Raleigh Title page(for G Dawes & R Tonson, 1687), 41, (i)blank, 1-813, (i)blank, (xliv)Tables, etc. Plus 8 Folding Maps. Folio, cont. full speckled calf, with later spine & new endpapers; as in most copies, “The Mind of the Front" leaf not bound in.Condition report: Old repairs to a few pages

Lot 145

LAWRENCE, T. E/ About & related to: The last days of TE Lawrence, 1st. dw; J Wilson’s Lawrence of Arabia. 1st. dw; TE Lawrence, by his friends. 1937, 1st. edn; A S Kirkbride: A Crackle of Thorns, 1956, 1st. dw; J Barr: Setting the desert on fire. 1st. dw; Simpson: Another Life Lawrence after Arabia. 1st. dw; H Khatib: Palestine & Egypt under the Ottomans. 1st. dw; R&A Guillaume: Seven Pillars of wisdom. 1st. dw; Limited edn. #81 of 500; Doughty: Arabia Deserta, 1989, dw; & M Brown: Secret despatches from Arabia. 1st. thus, dw. All VG. (10)

Lot 150

LAWRENCE, T. E: A large collection of books by and about, including: David Garnett: The letters of TE Lawrence. Cape, 1938, 1st. Edn. 2nd. Impr.(same month & year as the 1st. Impr.); The diary kept by TE Lawrence while travelling in Arabia during 1911. 1993, 1st. edn. dw; Victoria Ocampo: TE Lawrence of Arabia. 1963, 1st. dw; Edward Etiyah: An Arab tells his story. 1946, 1st. edn; R Tourett: Hedjaz railway. 1989, 1st. edn. dw; ETC. (Qty)

Lot 158

CRAFTS: Root, E R: The ABC of Bee Culture. Ohio, 1905. fully illustrated; Practical view of amendments needful in the existing Weights & Measures of the UK. Glasgow Argus office, 1833. PP: 30, (ii)rear wrapper. with wax seal, postal stamp etc. last page and endpaper contain an autograph letter. Plus: a later pamphlet on Weights & Measures. Shand, A I: Shooting. Dent, 1902; Johnson: Lure of Freemasonry. 1936, 1st.; Railway Magazine, Vol. 29, 1911; Winter: World Chess Championship, 1951. 1st. dw. Harris: The Paglesham Oyster: containing tales of Fact, Fiction and Romance, music, poetry, charades, riddles, enigmas, etc, Essex, 1870, subscribers copy, ill. Roland: Quelque Genealogies Annotees, 2 vols. OUP, Oxford, 1936 & 1941. Folio, original cloth, Plus 12 others. (21)

Lot 162

1- Hart, F R: The Siege of Havana 1762. Boston, Houghton Mifflin, 1931, Limited edition of 675 copies (175 for sale in England). Original cloth and slipcase, vg; 2- Audubon, J: The original Water-Colour Paintings for The Birds of America, 2 volumes with slipcase. M Joseph, 1966, 1st. thus, vg. (2)

Lot 231

BLOMEFIELD, Francis: (History of Norfolk)- An essay Towards a Topographical History of Norfolk, 5 volumes Plus Supplement. Fersfield and Lynn: W. Whittingham & R. Baldwin, 1739-1775, first edition. With 34 of 36 plates (as usual). HORACE WALPOLE'S COPY, with his armorial bookplate. Folio, cont. full leather gilt and later spines with gilt decoration and labels; PLUS: Hussey, C (intro.): The supplement to Blomefield’s Norfolk. Ingleby, 1929, numbered Limited edition, L4to. cloth and leather label. (6)

Lot 249

Four Hydrographic Charts of South America, the first: a blue back in two joined sheets, 'A New Chart of the West Coast of South America from Valparaiso to Lima including plans of the Principle Harbours drawn from the Best Spanish Surveys QC by J.W. Norie, Hydrographer 1822', with fifteen enlarged plans: Santa, Huacho, Casma, Chilca, Mollendo, Isly or Islay, Quiqua Ilo, Huasco or Guasco, the Harbour of Valparaiso, the Bay of Coquimbo and Port Herradura, the Road of Callao and Coast Adjacent, Quilca, the Cove of Quilca, the Road of Pisco, the Road of Arica, with seven shaded elevations, inscribed externally 'J.R. Mowat Valpariso to Calleo' and 'J.R. Mowat Valparaiso to Panama', 127 x 99.5cm., 50 x 39½ inches the second: a blue back in three joined sheets, 'Coast of Brazil between Maranhao and Cape Frio, London, published by James Imray & Sons 1878', with ten enlarged plans of Cape Frio, Rio de Janeiro, Bahia, Town and Road of Pernambuco, Fernando Noronha, Cape St. Roque, Abrolhos Channel, and seven various shaded elevations, 189 x 104.5cm., 74½ x 41½ inches the third: a blue back in two joined sheets - 'A New Chart of the East and West Coasts of South America from the River Plate to Valparaiso, including the Falkland Islands and plans of the Principal Harbours &c, drawn from the latest Spanish and other Surveys by J.W. Norie, Hydrographer 1822', with eight enlarged plans of Conception, Valdivia, Port St. Carlos, Juan Fernandez, Port St. Elena, Port Melo, Rio Negro (Patagonia), Berkeley Sound, and eleven shaded elevations, inscribed externally (faintly) J.R. Mowat Valparaiso to Cape Horn (twice) 127 x 99cm., 50 x 39 inches the fourth: 'Tierra del Fuego - South East Coast, Strait of Le Maire with Staten Island, Surveyed by Lieutenant G.N. Kendal, H.M.S. Chanticleer 1828 and Captain Robert Fitzroy and the Office(r)s of H.M.S. Beagle 1830-34', lower margin publication date 1892, with two enlarged plans of the Thetis Bay (from an Argentine sketch survey) and Port Cook, with two attached sheets of pencil navigation annotations, probably written by Mowat, 'In the Event of a vessel being wrecked or abandoned Westward of Cape Horn, the best course to Ushuwaia(sic) is Eastward of False Cape Horn, and through Ponsonby Sound where natives would be ready to pilot any shipwrecked men to Ushuwaia(sic)..... a great change has been effected in the character of the natives generally and Yahgan natives from Cape San Diego to Cape Horn ....... can be trusted' 114.5 x 68.5cm. 45 x 27 inchesCondition report: the first: two sheets partially detached, grubbiness all over, rolling creases, many dirty browned areas, especially top left corner, left margin lower left quarter the second: good generally, some rolling creases, coloured positional dots, pencil navigational annotations, browning to some areas especially top margin the third: poor condition, prominent rolling creases, overall grubbiness, dirty brown staining, pencil navigational annotations the forth: folding creases, left margin has 13cm (5 inch) strip of browned grubbiness with foxing

Lot 256

Three hydrographic charts of Australia, the first a blue back of 'Australia, New Zealand and Adjacent Islands, by James Imray and Son, 102 Minories, 1877', lower margin date of 1866, with two enlarged plans of Bass Strait and Port Philip and three shaded elevations of Mt Egmont, The Snares and Port Nepean, with pencil navigation annotations 112 x 150cm 44 x 59 inches the second of The 'East Coast of Australia, New South Wales, Port Jackson to Port Stephens, Sheet V, by the Admiralty, surveyed by Commander Fred.k W Sidney R.N.' and others, pub'd 1868 101 x 68cm, 27 x 40 inches. the third of the East Coast of Australia, New South Wales, Port Stephens to Tacking Point, surveyed as above, 1862-1865, with two enlarged plans of Sugar Loaf Anchorage (and adjacent dangers!) and Crowdy Head and Anchorage, with four shaded elevations, views A - C 103 x 67cm, 40.5 x 26 1/2 inchesCondition report: The first - stained and dirty marks especially to r/h margin, foxing small tears the second - tatty edges but paper protected by fabric wrapper, rolling creases and striations, small yellow positional dots, some pencil navigation annotations the third - paper with fabric backing, some rolling creases and striations, some navigational pencil annotations, some staining, small yellow stained positional dots

Lot 31

BEWICK, Thomas: The Works, in 5 volumes. Memorial edition, Newcastle upon Tyne, Printed by R Ward and Sons for Bernard Quaritch, 1885. Limited edition of 750 copies, this one not numbered. Half leather and top edges gilt. (5)

Lot 332

ARCHITECTURE: 1- Colling, J K: Details of Gothic Architecture, 2 volumes. Batsford, nd, (1856, preface dated) Folio; 2- Pugin, A. W: Gothic Furniture in the Style of the 15th Century. Ackermann, 1835. 4to. Title page plus 24 plates. Boards rubbed; foxing; 3- Brandon, R & J A: Open Timber Roofs of the Middle Ages. 1849, 4to. original cloth gilt; 4- Small & Woodbridge: 4 titles: Architectural Turned woodwork; English Brickwork Details 1450-1750; Mouldings of the Wren & Georgian Periods; & English Wrought Ironwork Mediaeval and Early Renaissance; 5- Royal Commission on Historical Monuments: An Inventory of the Historical Monuments in Essex, 4 volumes. 1916-1923, 4to. Full calf gilt; Plus 6 others. (18)

Lot 338

CERVANTES; The History of the Valorous and Witty Knight Errant Don-Quixote, of the Mancha. For R Scot, ..1675. 4to. PP: (xvi), 1-137(Leaves), (x)Title for the second part, prologue & contents, 138-273(Leaves). Later half leather.

Lot 339

Brooke, Arthur de Capell: Sketches in Spain and Morocco, in 2 vols. H. Colburn & R Bentley, 1831. PP: viii, 432; viii, 408, Plus 7 plates (as called for). Cloth backed plain boards; rubbed. (2)

Lot 344

English Civil War: SPRIGGE, Joshua: Anglia Rediviva; England's Recovery: Being The History of The Motions, Actions, and Successes of The Army under The Immediate Conduct of His Excellency Sir Thomas Fairfax Kt. Captain-General of all The Parliament Forces in England. R. W. for John Partridge, 1647. 4to. PP: Coat of Arms Plate, Frontis, (xx), (i)b, (i)Errata, 335, (iv)contents, (i)b; Plus folding plate of the battle of Naseby And a folding Table. Full calf; lacking upper cover and part of spine; the frontis plate, title, & two dedication pages frayed at corners and lacking a small piece (away from text or image); folding plate with tears to two folds (no loss).

Lot 5

LAW: 1- Domat, J; William Strahan (Transl.): The Civil Law in its Natural Order, 2 vol., J Bettenham for E Bell, 1722. PP: Lxxi, (i)b, 696; 633, (i)b; (xvi)Table. Cont. full panelled calf, rubbed & hinges cracked; damp staining to first few pages of vol.2; 2- SELDEN, John: Tracts written by John Selden of the inner Temple, 4 Tracts, the last 3 never before extant. T. Basset & R. Chiswell, 1683. With 3 title pages; PP: (xxxii), 131, (i)b; (vii), 39, (i)b; (iv), 24, (ii)Publisher’s list. Cont. full calf; upper cover detached and possibly lacking a portrait (not called for). (3)

Lot 69

COOK, Capt. James: VOYAGES ROUND THE WORLD PERFORMED BY CAPTAIN JAMES COOK F. R. S. By Royal Authority, Containing the Whole of His Discoveries in Geography, Navigation, Astronomy Etc. With Memoirs of His Life, and Particulars Relative to His Unfortunate Death. Embellished with engravings. J. Robins, 1822. Printed in double column; 4to. PP: (viii), 798, (ii)list of plates & advert. With 18 plates and vignettes (as called for). Cont. half leather; rubbed and hinges cracked; few wormholes to frontis and extra engraved title page; occasional foxing.

Lot 71

SHOOTING, WILDFOWLING ETC: 1- Sharp, H: Practical Wildfowling. Upcott Gill, no date, (1895). PP: 300 + 36 (adverts), + 12(Publishers catalogue, dated 5/95). Original cloth; rubbed and with two small dents/cuts to upper cover; inner hinges cracked; one page of publishers catalogue detached; 2- Blakey, R: Shooting. Routledge, 1854. With frontis + 3 plates. 183pp. Cont. half leather; rubbed; Plus: 3 cookery books. (5)

Lot 891

A set of six Georgian silver teaspoons of fiddle back form bearing monogram R to terminals, Sheffield 1837, Patrick Leonard, three Georgian silver teaspoons of Old English form and a French silver teaspoon, approx 156g

Lot 403

GENTLEMAN'S SIGNET RING, the cushion shaped bezel with engraved initials, marked 18CT, size R, 10.3g

Lot 111

A sapphire cluster ring, size O; an oval garnet single stone ring and a yellow gold woven design ring, sizes O, T, R; a brooch with sapphire decoration and a pearl pendant, all hallmarked 9ct, 8.72g (5)

Lot 118

A yellow gold rolo neck chain, 38.5cm, with 'G' pendant, initialled signet ring, gem-set ring, sizes R, H, a cameo pendant 2 cm, all hallmarked 9ct and gem-set brooch, stamped 9ct, 12.95g (5)

Lot 204

A Lalique 'Hardi' 11.604 paperweight etched 'R Lalique', 9.5 x 12 cm, without visible damage or repair

Lot 242

WW1 1/Hampshire Meritorious Service Medal Group of Four, 1914 Star, 1914-19818 MEDAL, GREAT WAR 14-1919 to ?7005 PTE E CHARTER HAMPS R? together with a four group of WW2 medals to include : 1939-1945 medal, 1939-1945 Star x 2 and the Burma Star (8)

Lot 71

A mid-century 9ct yellow gold three-stone amethyst dress ring, largest 10mm x 8mm; 8mm x 5mm smaller, size R, hallmarked, 6.47g

Lot 156

Offered for public sale is this immensely rare and important Hudson Bay Flintlock musket / rifle from Northern Cheyenne warrior and chief, Red Horse aka Medicine Wolf. The flintlock rifle has been examined and attributed to have been used by Red Horse at the Battle of the Little Bighorn in circa 1876. Red Horse, aka Medicine Wolf, was a Northern Cheyenne Native American Indian being a great warrior and chief. He was elected to the Council of 44 Chiefs and belonged to the special Mirror Society along with fellow Northern Cheyenne Chief Lame White Man, the mirror on the stock indicates his membership as well. Red Horse fought at the Battle of the Little Bighorn, also referred to as Custer’s Last Stand and the Battle of the Greasy Grass. The rifle is believed to have been repaired by Good Hand following Two Moon’s request to Crazy Horse with help in repairing some of the Cheyenne weapons. Red Horse later surrendered with Crazy Horse under the name Medicine Wolf, along with other Northern Cheyenne including Chief Wolf and Kills Many. A copy of the Crazy Horse Surrender Ledger (which was edited by Thomas R. Buecker and R. Eli Paul from the Nebraska State Historical Society Lincoln, Nebraska) is shown with Medicine Wolf’s name highlighted. The men were later transferred to the Cheyenne Reservation in Montana and Red Horse was given the Christian name, George. He attended the 1926 reunion at the Little Bighorn Battlefield. The rifle musket was examined by Wendell Grangaard from The Guns of History, Inc in Sioux Falls, South Dakota and found to be marked in Lakota Togia language. On the right side behind the lock plate shows a repair which is marked in Togia Good Hand and below Red Horse. On the right butt stock shows another signature of Red Horse Chief, the inlaid mirror from the Mirror Society and another Red Horse mark. On the left side of the butt stock the rifle is marked Red Horse Chief / Wolf Medicine and Red Horse. Overall, this is a Hudson Bay Flintlock musket / rifle which has been traded to the Northern Cheyenne. The rifle shows the distinctive brass serpent side plate under the parfleche rawhide wrappings along with faint stampings on the lock plate and barrel. The barrel is the correct part octagonal part round incised example with flintlock action and large trigger guard. The Northwest Trade Hudson Bay Trade gun is truly an iconic piece of the early western expansion and Indian Wars era with such prominent Indians as Sitting Bull being known to carry examples nearly identical to the piece offered in this lot. The firearm has wonderful patina and comes with the documentation and paperwork in regard to the historic provenance from Wendell Grangaard. Provenance: From a fine Eastern Montana American Indian Collection. The piece also comes with an original mid-1800’s Buffalo horn powder horn which is beautifully adorned with original brass trade tacks in two bands, with a carved wood cap, Indian tanned hide tie strap and red ocher mineral pigment dye painted surface, a truly amazing addition. Hudson Bay Trade rifles in Flintlock and Percussion were known to have been used during the Indian Wars and the Battle of the Little Bighorn due to the lack of available ammunition for repeating cartridge rifles. The rifle is an antique and does not require a background check. Measures overall 37.25”L.

Lot 168

For your consideration is a very early Civil War era Sharps New Model 1863 .52 Caliber Percussion Saddle Ring Carbine, serial number C,25227. One of the most popular and successful of the cavalry carbines was the Sharps breech loader. Capable of firing a grooved bullet in a combustible black powder loaded paper cartridge with automatic paper cap or single loaded with lead slug with loose powder behind and ignited by a percussion cap, the Sharps gained a rapid reputation as a reliable, accurate, powerful and fast firing weapon. Troops armed with single shot muzzle loading muskets were no match for the new breech loaders designed by Christian Sharps. After the Civil War many of these battle proven weapons went with their original owners to the western frontier where they were used for general self-protection, big game, and buffalo hunting. Most of the New Model Sharps rifles and carbines were later converted to fire the standard .50-70 metallic cartridge and reissued for Indian War use. This example shows Civil War usage yet remains in a remarkable state of preservation overall. The round 22” barrel retains the original blue and shows a naturally thinning finish with a desirable plum patina. The barrel is fitted with its original “R. S. LAWRENCE, PATENTED FEB. 15TH, 1859” marked ladder rear sight with slide intact. It also retains the correct marking “C. SHARPS PATENT” over “SEPT. 12TH, 1848” on the left side of the receiver. The left side barrel flat just ahead of the receiver also retains the sharp “E.A.W.” tiny inspector stamping. The lock plate on the right side of the receiver retains a Lawrence 1859 patent markings plus the C. Sharps 1852 patent markings. This wonderful condition carbine displays a lovely mottled gray/brown patina on the receiver and even retains traces of original case color under the hammer and in the most protected areas. All metal parts show that they have never been cleaned or restored. The forend and butt stock show only light wear and retain a tight wood to metal fit. The sling bar is intact. Some screws and the rotating breech block removal pin on the right side of the receiver still retain some fire blue. The stock is also highly decorated in brass tacks. The left side of the stock features a circular tack pattern and the right shows a detailed diamond pattern. This firearm qualifies as an Antique, and does not require FFL Transfer or NICS Background Check.

Lot 171

For your consideration is this large Navajo artist Tommy & Rose Singer sterling silver and 14k gold overlay bracelet. Singer is thought to be one of the most important and greatest contemporary silversmith Indian artist and his work is highly sought after. Tommy Singer was a Navajo silversmith who passed away on May 31, 2014. After his death, his wife, Rose, continued to create jewelry using designs Singer created prior to his passing. This bracelet features a highly detailed pattern across the face showing a sterling silver construction with a 14k gold overlay and a traditional southwestern turtle pattern. The bracelet is stamped T&R Singer makers marks and “Sterling”. The bracelet shows good condition with a warm silver patina and high luster to the gold overlay. The interior circumference of the bracelet measures approximately 7 ½”.

Lot 223

Included in this lot is a T&R Singer Navajo Native American sterling silver and Royston turquoise necklace. Tommy Singer was a renowned Navajo Silversmith. He grew up on the Navajo Reservation and was taught silversmithing by his father, beginning at the age of seven. Singer is thought to be one of the most important and greatest contemporary silversmith Indian artist and his work is highly sought after. Singer passed away on May 31, 2014. After his death, his wife, Rose, continued to create jewelry using designs Singer created prior to his passing. This beautiful necklace features a large cabochon of Royston turquoise in a shadow box setting on a handsomely detailed and hand stamped base. Two hand stamped feather pendants are on either side of the Royston pendant. The necklace has a hook clasp and is strung with polished turquoise gemstones. The aglet tips are stamped sterling. The back of the feather pendants and the Royston pendant are additionally stamped “T&R Singer” and “Sterling”. The necklace measures approximately 19 1/8” when unclasped.

Lot 427

For your consideration is a Navajo Native American Tommy Singer Lone Mountain turquoise, 14k gold overlay, sterling silver jet and branch coral necklace. Tommy Singer was a renowned Navajo Silversmith. He grew up on the Navajo Reservation and was taught silversmithing by his father, beginning at the age of seven. Singer is thought to be one of the most important and greatest contemporary silversmith Indian artist and his work is highly sought after. Singer passed away on May 31, 2014. After his death, his wife, Rose, continued to create jewelry using designs Singer created prior to his passing. This 14k gold overlay necklace features carved Lone Mountain turquoise gemstones and a multistrand design. The necklace also incorporates polished branch coral and jet gemstones. The gold overlay sterling beads attach the ten multistrand pieces to either side of the necklace. The necklace has marked sterling aglet tips and the overlaid beads read “T&R Singer Sterling”. The necklace measures 24” long when unclasped.

Lot 444

For your consideration is this hand stamped Navajo Native American Tommy & Rose Singer sterling silver bracelet. Singer is thought to be one of the most important and greatest contemporary silversmith Indian artist and his work is highly sought after. Tommy Singer was a Navajo silversmith who passed away on May 31, 2014. After his death, his wife, Rose, continued to create jewelry using designs Singer created prior to his passing. This bracelet features a highly detailed southwest blanket pattern across the face showing a sterling silver construction with a repeating pattern. The bracelet is stamped T&R Singer makers marks and “Sterling”. The bracelet shows good condition with a warm silver patina. The interior circumference of the bracelet measures approximately 7”.

Lot 457

For your consideration in this lot is a sterling silver Reed & Barton bowl. The bowl has a leaf pattern around the sides. The bowl is marked on the back with a circle/star which dates it as 1946 and the eagle and lion on each side of the R-sheild Reed & Barton hallmark as well as stamped sterling. The last stamp of X405 is believed to be a style number. Reed & Barton was a prominent American silversmith manufacturer based in the city of Taunton, Massachusetts, operating between 1824 and 2015. During the American Civil War, Reed & Barton produced a considerable quantity of weapons for Union Army soldiers and officers. Reed & Barton was chosen to design and produce the official gold, silver, and bronze medals for the 1996 Summer Olympics in Atlanta. The company's products are used at the White House in Washington, D.C. The bowl measures 6" across and is 1 1/8" deep. The bowl weighs 163.6 grams. This bowl is in good condition. Please see pictures for an accurate assessment of condition.

Lot 500

Offered in this lot is a large Navajo native american sterling silver ring with No.8 Turquoise, signed by the artist Randall Tom. This ring has a large square cabochon of No.8 Turquoise in the center measuring 5/8" X 5/8".Number 8 turquoise is famous for its black, golden-red and brown spider web matrix set off with the unique bright powder blue turquoise background. The mine is now depleted and Number 8 turquoise is valuable. The cabochon is framed with twisted silver rope and a frame made of arches. The face measures 1 1/8" X 1 1/8". The band is thick and wide and splits into four parts where it attaches to the face of the ring. At each side of the band where it attaches to the face is a medallion of sunbursts set on-top of the band. The ring is a U.S. size 12 and marked inside the band sterling and R. Tom. The total weight of this ring is 21grams. Even with its large size this ring is very tasteful and can easily be worn by a man or woman.

Lot 527

For your consideration is a beautiful pair of authentic Navajo Native American sterling silver and gold overlay jewelry by Tommy and Rose Singer. This pair of earrings shows a set of large cross sterling silver dangle design bearing the “T&R STERLING” hallmark. Tommy Singer was a master Navajo silversmith artist whose pieces have captivated collectors for many decades. Tommy died in 2014 and his wife Rose continued to honor his legacy creating amazing jewelry based on the Tommy Singer designs he made before his death. The set shows a fine sterling silver .925 construction with nice cross shape having a deeply tooled pattern with a gold overlay row down the center having unique square crosses in a horizontal pattern showing a bezel set Kingman Turquoise Mine polished cabochon at the base. The piece is in excellent condition and each measure overall 2” x 1 ½”.

Lot 546

Included in this lot we have a signed Navajo Native American Ray Jack sterling silver and Kingman turquoise ring. The ring features a large cabochon of Kingman turquoise set into the top of the ring. The piece shows stripes along the sterling silver sides surrounding the stunning Kingman turquoise cabochon. The interior of the ring is marked "R Sterling" indicating the piece was made by Ray Jack. The ring shows good condition overall. The ring is fitted for a US size 10 1/2 with the top measuring 1" long by 3/4" wide.

Lot 547

For your consideration is an astounding piece of authentic Navajo Native American sterling silver and branch coral jewelry by Tommy and Rose Singer. The piece shows a set of feather sterling silver dangle earrings bearing the “T&R STERLING” hallmark. Tommy Singer was a master Navajo silversmith artist whose pieces have captivated collectors for many decades. Tommy died in 2014 and his wife Rose continued to honor his legacy creating amazing jewelry based on the Tommy Singer designs he made before his death. The set shows a fine sterling silver construction with a beautiful feathered design and a deeply tooled pattern. The earrings feature a bezel set red branch coral polished cabochon at the center. The piece is in excellent condition and each measure overall 2 ¾” x ½”.

Lot 549

For your consideration is this hand stamped set of Navajo Native American Tommy & Rose Singer sterling silver earrings. Singer is thought to be one of the most important and greatest contemporary silversmith Indian artist and his work is highly sought after. Tommy Singer was a Navajo silversmith who passed away on May 31, 2014. After his death, his wife, Rose, continued to create jewelry using designs Singer created prior to his passing. These earrings feature a highly detailed stamped design across the face showing a sterling silver construction and a traditional southwestern design. The earrings are stamped T&R Singer and “Sterling”. The earrings show good condition with a warm silver patina. The earrings measure ½” x 1 ¼”.

Lot 602

For your consideration is this hand stamped Navajo Native American Tommy & Rose Singer sterling silver bracelet. Singer is thought to be one of the most important and greatest contemporary silversmith Indian artist and his work is highly sought after. Tommy Singer was a Navajo silversmith who passed away on May 31, 2014. After his death, his wife, Rose, continued to create jewelry using designs Singer created prior to his passing. This bracelet features a highly detailed stamped design across the face showing a sterling silver construction and a traditional southwest Native American design. The bracelet is stamped T&R Singer makers marks and “Sterling”. The bracelet shows good condition with a warm silver patina. The interior circumference of the bracelet measures approximately 7”.

Lot 621

For your consideration is a copy of Young Traveller's Tales by Ascott R. Hope (1846-1927), with six illustrations by H.J. Draper (1864-1920). This book was published by Blackie & Son, Limited, 50 Old Bailey, E.C. Glasgow and Dublin. Ascott R. Hope is another name for Robert Hope Moncreiff, who was prolific Scottish author known for children's fiction and guidebooks. In this book, the author "tried to present glimpses of different parts of the world, in which certain young travellers meet with more or less strange adventures." Hope travelled extensively, all of his travels contributed no only to the background for his books but also supported his books on geography and history. The book measures 5 1/2 x 7 1/2".

Lot 653

For your consideration is this hand stamped set of Navajo Native American Tommy & Rose Singer sterling silver earrings. Singer is thought to be one of the most important and greatest contemporary silversmith Indian artist and his work is highly sought after. Tommy Singer was a Navajo silversmith who passed away on May 31, 2014. After his death, his wife, Rose, continued to create jewelry using designs Singer created prior to his passing. These earrings feature a highly detailed stamped design across the face showing a sterling silver construction and a southwestern pattern. The earrings are stamped T&R Singer makers marks and “Sterling”. The earrings show good condition with a warm silver patina. The earrings measure ¾” x 1”.

Lot 687

For your consideration is this hand stamped set of Navajo Native American Tommy & Rose Singer sterling silver and 14K gold earrings. Singer is thought to be one of the most important and greatest contemporary silversmith Indian artist and his work is highly sought after. Tommy Singer was a Navajo silversmith who passed away on May 31, 2014. After his death, his wife, Rose, continued to create jewelry using designs Singer created prior to his passing. These earrings features a highly detailed stamped design across the face showing a sterling silver construction with 14K gold overlay and a southwestern pattern. The earrings are stamped T&R Singer makers marks and “Sterling”. The earrings show good condition with a warm silver patina. The earrings measure 2” x 1 ¼”.

Lot 703

For your consideration is this hand stamped set of Navajo Native American Tommy & Rose Singer sterling silver and gold overlay earrings. Singer is thought to be one of the most important and greatest contemporary silversmith Indian artist and his work is highly sought after. Tommy Singer was a Navajo silversmith who passed away on May 31, 2014. After his death, his wife, Rose, continued to create jewelry using designs Singer created prior to his passing. These earrings feature a detailed southwestern design across the face showing a sterling silver, black and gold overlay construction. The earrings are stamped T&R Singer makers marks and “Sterling”. The earrings show excellent condition and measure 1" by 1/2".

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