Wiener Aktionismus - - Arnulf Rainer. (1929 Baden b. Wien). o.T. Aus: Haute Coiffure. 1963. Kaltnadelradierung auf Velin. 31,5 x 43,5 cm (38 x 54 cm). Signiert und nummeriert sowie im Druck signiert, bezeichnet mit "V". - Im weißen Rand mit einzelnen Fleckchen sowie punktuell oberflächlichen Anschmutzungen. Insgesamt sehr gut. Hervorragender Druck mit ausgesprochener Gratwirkung, mit dem vollen Rand. Breicha R 29. - Eines von 98 Exemplaren. - Aus der Mappe Haute Coiffure erschienen mit 10 Kaltnadelradierungen, gedruckt auf der Handpresse bei Rudolf Lauterbach, Wien. Herausgegeben von der Galerie Rottloff, Karlsruhe. Untitled. From: Haute Coiffure. Drypoint on wove paper. Signed and numbered as well as signed in the print and inscribed "V". - With isolated stains and superficial soiling in the white margin. Overall very good. Excellent impression with pronounced burr effect, with the full margin. - One of 98 copies. - From the portfolio Haute Coiffure published with 10 drypoint etchings, printed on the hand press by Rudolf Lauterbach, Vienna. Published by Galerie Rottloff, Karlsruhe.
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Wiener Aktionismus - - Arnulf Rainer. (1929 Baden b. Wien). Violette Zudeckung. 1971. Kaltnadelradierung in violett auf BFK Rives Velin (mit Wz.). 39,7 x 27,8 cm (63 x 45 cm). Signiert und nummeriert. - Im weißen Rand mit feinen Bleistiftlinien sowie verso mit feinem Papierabrieb (wohl von vorheriger Montierung), verso zudem mit blassbraun-gelblichen Flecken (nur an wenigen Stellen minimal durchschlagend). Insgesamt gut. Ausgezeichnete, gratige und farbintensive Radierung mit dem vollen Rand sowie dem Schöpfrand links. Breicha R 167. - Eines von 100 Exemplaren. Drypoint in violet on BFK Rives wove paper (with watermark). 39.7 x 27.8 cm (63 x 45 cm). Signed and numbered. - With fine pencil lines in the white margin and fine paper abrasion on the verso (probably from previous mounting), on the verso with pale brown-yellowish stains (only minimally showing through in a few spots). Good overall. Superb, richly saturated impression with the full margin and the scoop margin on the left. - One of 100 copies.
Pop Art Roy Lichtenstein (1923 - 1997 New York)2 Ausstellungsplakate. 1994. "Roy Lichtenstein. Die Retrospektive aus dem Solomon R. Guggenheim Museum New York." im Haus der Kunst, München. 1994. Je Farboffset bzw. -offsetlithographie auf glattem Offsetpapier. Blattmaße von 109,5 x 59,5 cm bis 119 x 84 cm. Je mit Gefälligkeitssignatur. In den Kanten minimal knickspurig und leicht fingerfleckig. Insgesamt in sehr gut. Farbsatte Drucke der formatfüllenden Darstellungen. Döring 157 und 159 (Farbvariante). - Die Plakate sind Reproduktionen der Gemälde "Femme dans und fauteuil" von 1963 bzw. "Blonde Waiting" von 1964 (unseres in einer leicht abweichenden Farbvariante). - Dabei: Ausstellungskatalog zur gleichnamigen Ausstellung. Das Titelblatt von Lichtenstein signiert. 2 exhibition posters. Each colour offset resp. offset lithograph on smooth offset paper. Each with favour signature. Minimally creased and slightly fingerstained in the edges. Overall in very good condition. Richly coloured impressions of the full-format depictions. - The posters are reproductions after the paintings "Femme dans und fauteuil" from 1963 and "Blonde Waiting" from 1964 (ours in a slightly different colour variant). - Added: Exhibition catalogue for the exhibition of the same name. The title page signed by Lichtenstein.
A platinum solitaire diamond, ring, the brilliant cut stone approximately 2.5 carats, 3.1g, size R, boxedOverall condition looks to be complete. It is dirty. The stone is clean to the eye and appears white, but under a glass it does draw a pale yellow to around a third of the facets. There is also a fine crystal like texture within some of the stone, which is only visible under a glass. Stamped platinum, but these marks are quite worn. Recently inherited by the family.
CAMERAS: A Leica ‘Leicaflex’ SL together with a Leitz Summicron R 1:2 / 90 lens, Circa 1970,, serial number 1199428, brushed aluminium and black case, the Leitz lens numbered: 2506373 The camera appears to be in working condition, the lens is protected by a Leitz Serie 7 filter and appears to focus and adjust normally. (Bidders will need to satisfy themselves of overall operability of this camera, but essentially it looks ok). The lens is apparently popular as a Portrait lens amongst collectors of vintage cameras.
UNBEKANNTE/R KÜNSTLER/IN, "The Epsom Derby 1845", 20. Jh., nach einem der für das 19. Jahrhundert typischen englischen Stiche von Pferderennen. Bezeichnet: "The Winning Post! /The Epsom Derby, 1845; won by the ´Mery Monarch`, with Sam Chiffney up". Öl auf Holz, HxB: ca. 82 x 111 cm (HxB Rahmen: ca. 98 x 128 cm). Alters- und Beriebsspuren, minimale Farbfehlstellen. Mit Rahmen (Altersspuren).| UNKNOWN ARTIST, "The Epsom Derby 1845", 20th century, after one of the English engravings of horse races typical of the 19th century. Inscribed: "The Winning Post! /The Epsom Derby, 1845; won by the 'Mery Monarch`, with Sam Chiffney up". Oil on wood, hxw: approx. 82 x 111 cm (hxw frame: approx. 98 x 128 cm). Signs of age and rubbing, minimal losses of colour. With frame (traces of age).
William (Fred) Frederick Mayor (Staithes Group 1866-1916): Shipping off the Coast, watercolour signed 25cm x 38cmProvenance: with T B & R Jordan, exh. 3rd Harrogate Staithes Group Exhibition 2005; the artist's family, certificate versoCondition Report: Excellent condition and original colour, well presented, ready to hang
Edward Enoch Anderson (Staithes Group 1878-1961): Whitby from Divinity Flat and Upper Harbour Whitby, two watercolours unsigned 17cm x 25cm (2) Provenance: with T B & R Jordan Fine Art Specialists, Stockton on Tees, from the artist's daughter Stella's collection, label versoCondition Report: Good condition, well presented - ready to hang.
Frank Henry Mason (Staithes Group 1875-1965): 'Volendam', watercolour signed titled and inscribed 'To my friend W. Waite Sanderson 1899', 23cm x 34cm Provenance: with T B & R Jordan Fine Art Specialists, Stockton on Tees, label versoCondition Report: Good condition and strong colour, well presented - ready to hang.
Rowland Henry Hill (Staithes Group 1873-1952): Young Girl with Primroses, watercolour heightened in white signed and dated 1927, 26cm x 17.5cm Provenance: exh. T B & R Jordan 'Staithes Group Exhibition', Pannett Gallery Whitby, July 2016, facsimile catalogue versoCondition Report: Good condition and colour, possibly some browning to the paper. Well presented - ready to hang.
Four books on antique English Furniture comprising R W Symonds, "The Present State of Old English Furniture", London, Duckworth, 1927; Herbert Cescinsky and Ernest R Gribble, "Early English Furniture & Woodwork", volume 1, London, George Routledge and Sons Limited, 1922; William Farquhar Payson, "Mahogany Antique and Modern", New York, E P Dutton & Company, 1926 and Francis Lenygon, "Furniture in England from 1660-1760", London, B T Batsford Ltd, 1920, largest 36 x 28 cm
Severus Alexander. 222-235 AD. Silver Denarius, 20.5mm. 3.37g. Rome mint. 15th emission, 232 AD. Laureate and draped bust right. R. Spes advancing left, holding flower and raising hem of skirt. RIC IV 254; BMCRE 896; RSC 543. Lightly toned, underlying luster. Superb EF. Wonderful portrait. An attractive coin in hand. From the Leo and Paula Gorelkin Collection. ex. CNG eAuction 550, lot 570.
Charles I. 1625-1649. Crown, 41mm. 29.26g. Exeter mint; mint mark castle. Dated 1656. Charles on horseback left, holding reins and sword. R. Coat-of-arms within garnished frame. Besley dies D/21, 6 (this coin); Brooker 1042; North 2561; SCBC 3062. Ex Spink 11 (8 October 1980), lot 263. DNW Sep 2013, lot 1370. Triton XXV session V, lot 5488.
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297893 item(s)/page