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Lot 521
MARGARET SCOTT (PEGGY) SOMERVILLE (1918-1975) APRIL SHOWERS signed and dated 1929, signed and dated again, inscribed with the title and artist`s address, The Old Ford Farm, Ashford, Middlesex on a label verso, artist`s board, 25 x 30cm Provenance: Hugh Stokes. Exhibited: Claridge Gallery, London 1929. Hailed as a child prodigy, it was inevitable that Peggy Somerville`s early pictures would sharply divide opinion. Sir John Lavery said he was "completely mystified by [her] extraordinary genius" and the leading critic and art historian Mary Chamot thought "the pictures small in size, but vital in spirit..." R H Wilenski thought otherwise, her pictures being "like those of her 50,000 adult colleagues... a shocking degradation of the original art of Constable". April Showers may be compared with The Cornfield exhibited at the ROI in 1929 and illustrated Reiss (S), Peggy Somerville An English Impressionist, Woodbridge 1996, p30. ++In finely preserved entirely original condition
Lot 32
A WEDGWOOD JASPER WARE TEA BOWL AND SAUCER dipped in light blue jasper and ornamented in white jasper, the tea bowl with Boys at Play modelled by William Hackwood from the designs of Lady Templetown, the saucer engine turned with fluting and with acanthus leaves, the interior of the bowl lapidary polished, saucer 12.5cm diam, impressed mark c1790, impressed mark and 3, c1785 Comparative Literature: Another example in pale green jasper dip and of the same porcelain like translucency in Nottingham Castle Museum is illustrated Reilly (R), Wedgwood 1989, vol I, plate c164. ++In fine condition, no restoration
Lot 708
VICTORIES OF THE DUKE OF WELLINGTON from Drawings by R Westall, R.A., 1819, Rodwell and Martin, iv, pp 1-47, 13 aquatint engravings with a woodcut title page. Half morocco over original paper covered boards which are detached from text block. Internally some marking to text and illustrations
![THE HISTORY OF THE ABBEY CHURCH OF ST. PETER`S WESTMINSTER, 1812, R Ackermann, 2 vols. xviii, 330, [6]; 275, [4] Aquatint pla](http://lot-images.atgmedia.com/SR/10009/2846543/711-201182617190_468x382.jpg)
Lot 747
LOYAL VOLUNTEERS OF LONDON AND ENVIRONS, INFANTRY AND CAVALRY, 1799, R Ackermann, 86 hand coloured plates by or after Thomas Rowlandson with a hand coloured engraved title-page and two fold-out plates at the rear. Gilt edges. Internally Fine. Worn diced calf with lower board detached. Perhaps the greatest of all military costume books, produced amidst the Napoleonic Wars, at a moment of great national peril
Lot 753
C R ASHBEE, Peckover the Abbotscourt Papers 1904-1931, Edited by C R Ashbee. Ltd ed, Curwen Press, 1932, 5 illustrations. No 72 of 250 copies, inscribed below limitation statement: `For Anne Barnicott with all good wishes from the Author C. R. Ashbee [different hand] Janet Ashbee February 1934.` Slight foxing and marginal browning to text, otherwise clean. Decorative paper-covered boards with parchment spine, slightly discoloured
Lot 917
A CARRIAGE CLOCK by Richard & Co, the single barrel movement with platform lever escapement, the back plate stamped R & Co, the 1 1/2" silvered dial with Roman numerals and with pierced and gilded floral spray to the centre, the whole inset with a plain gilded panel, the Anglaise Riche type case with fluted corners and chain link banding, 5 1/2" high
Lot 798
* Thomas Rowlandson, British 1756-1827- "The Apostate Jack R the Political Rat catcher NB Rats taken Alive!", publ by W Humphrey N 227 Strand; hand-coloured etching, 23x35cm: Thomas Rowlandson, British 1756-1827- "The Covent Garden Night Mare", publ by H Humphrey No 27 Strand; etching, 24x34cm: George Cruikshank, British 1792-1878- "Twelfth Night or What you Will!", publ jan 1815 by H Humphrey St James`s Street; etching, 23.5x34cm: James Sayers, British 1748-1823- "The Last Scene of the Managers Farce", publ 8th May 1795 by H Humphrey New Bond Street; etching, 38.7x28cm: C Tilt, Publ Fleet St 1830- "The Connoisseur", after G Spratt; hand-coloured etching, 26x19.8cm: Edward Topham, British 1751-1820- "The Union...Whom__has join`d let no Man put asunder!", publ by Elizabeth Darchery, James Street March 11 1783; hand-coloured etching, 17x23cm: George Cruikshank, British 1792-1878- "Radical Parliament!!"; hand-coloured aquatint, 13x21cm: Thomas Rowlandson, British 1756-1827- The Prince of Wales, from `A Man of Fashion`s Journal`, publ May 1 1802 by R Ackerman Strand; etching, 19x24cm: James Gillray, British 1757-1815- "The Arch-Duke", after Lieut Swarts, publ by H Humphrey, New Bond Street Nov 15th 1796; etching, 35.5x25cm: William Davison, British, late 18th century- "Spaniard Lousing"; engraving, 23.5x16cm: William Davison, British, late 18th century- "The Frenchmen in Billingsgate"; engraving, 16.5x23.5cm: Anthony Cardon, British 1772-1813- William Pitt, after Henry Eldridge, 1801; stipple engraving, 33x23.5cm: together with a lithograph of The Duke of York and a further cartoon titled `Always go Systematically to work- first get a house then a Wife- & then a Child...", various sizes, (14) (unframed)
Lot 799
* Robert Dighton, British 1752-1814- "The Major part of the Town of Portsmouth" (Major Ashurst), publ Aug 1807; hand-coloured etching, 27x20cm: Robert Dighton, British 1752-1814- "Ireland in Scotland or a trip from Oxford to the land of Cakes", publ June 1807; hand-coloured etching, 27x19.5cm: Robert Dighton, British 1752-1814- A Noble Commander from South Gloucester taken on the Steyne at Brighton", publ Dec 1801; hand-coloured etching, 27.5x20cm: Robert Dighton, British 1752-1814- "Lieu Gen MacDonald", publ 1812; hand-coloured etching, 27x20cm: Robert Dighton, British 1752-1814- "An Officer of the 10th, or Prince of Wales`s Hussars taken from Life"; hand-coloured etching, 33x22.5cm: Richard Dighton, British 1795-1880- "A Discharg`s Fife-r"; hand-coloured etching, 29.518cm: Attributed to Robert Dighton, British 1752-1814- Prince of Orange; hand-coloured etching, 20.2x11cm: Robert Dighton, British 1752-1814- "View of the Blues", after R Dighton Jnr, publ June 1805; hand-coloured etching, 25x18cm: Isaac Cruikshank, British 1756-1811/1812- "A Crop of 1791", publ Sept 1791 by S W Fores Nr. 3 Piccadilly; hand-coloured etching, 31x21.5cm., (9) (unframed)
Lot 804
* Thomas Rowlandson, British 1757-1827- "Junot Disgorging His Booty", publ October 17th 1808 by R Ackermann N 101 Strand; hand-coloured etching, 23.5x32cm: William Elmes, British fl 1804-1816- "General Frost Shaving Little Boney", publ Dec 1st 182 by Thos Tegg No111 Cheapside London; hand-coloured etching, 34.8x24.8cm: James Gillray, British 1756-1815- Company Shocked at a Lady getting up to Ring the Bell", publ November 20th 1804 by H Humphrey N 27 St James`s Street; hand-coloured etching, 25x37.8cm; Charles Williams, British act 1797-1830- "Jourdan and King Joe or Off they Go_a Peep at the French Commanders at the Battle of Victoria", publ July 9th 1813 by Thos Tegg 111 Cheapside; hand-coloured etching, 23.5x33cm: Thomas Rowlandson, British 1757-1827- "The Hanoverian Horse and British Lion", publ March 31 1784 by H Humphrey 227 Strand; hand-coloured etching, 24.8x35cm: S W Fores Publ Nov 16 1788- "Dead Positively Dead"; hand-coloured etching, 24.5x34.8cm., (6) (unframed)
Lot 832
William Holland, Publ Feby 1804- "Had-In-Tun!_Or a Great Man Badger`d!!; hand-coloured etching, 25x35.5cm: Isaac Cruikshank, British 1764-1811- "The Corporation`s Visit to their Brother in Smithfield or the Hog`s Feast on being Swaron-In", publ S W Fores March 8 1790; hand-coloured etching, 24.5x35cm: John Phillips, British fl. 1825-1831- "The Blessings of Military Law-Givers", publ by S Gans 15 Southampton St Strand July 28 1829; hand-coloured etching, 25.5x36cm: Isaac Cruikshank, British 1764-1811- "John Bull Persuing the Extraordinary Gazette!!", publ by R Ackermann 101 Strand Oct 10 1808; hand-coloured etching, 22x34.5cm: Isaac Cruikshank, British 1764-1811-"The Longitude and Latitude of Warley Camp in the Summer of 1795", publ June 26th 1802 by H Humphrey St James`s Street; etching, 24x30.5cm: George Cruikshank, British 1792-1878- "Home from School_or the Commencment of the Holidays" and "Black Monday_or The End of the Holidays", two, both publ Aug 1st 1835 by Thos McLean 26 Haymarket; hand-coloured etching, 20.2x26cm., ea., (7) (unframed)
Lot 846
A French Louis VX style gilt composition frame, mid/late 20th century, with scroll work centres and corners, label R Lerondelle, Emballade d`Objets d`Art 76, Rue Blanche Paris, 65.8x78.5cm: A running pattern gilt composition frame, late 19th century, with plain sight, anthemion course, continuous oak leaf decoration, 57x46cm, (2)
Lot 1160
A 2nd half of the 20th Century chrome plated Pendant Watch, Tudor, the 17 jewel movement with mono-metallic balance to a signed and silvered circular Arabic dial, with outside minute track and blued steel dagger hands, in an inverted chrome case with ring suspension and tapering side panels, with snap-on back stamped R W C Ltd, and numbered 905972,417, width 1”
Lot 1161
A mid-20th Century chrome plated Ladies Cocktail Watch, Tudor, the 17 jewel movement with mono-metallic balance, to a quartered and silvered rectangular dial with stylised Arabic numerals enclosing a minute track with blued steel hands, in a polished rectangular case with hooded lugs and snap-on back marked R W C Ltd and numbered verso 567433,2200 with contemporary engraved initial, width 5/8”
Lot 1162
A 1st quarter of the 20th Century 9ct Gold Ladies Wristwatch, the Swiss 15 jewel movement with mono-metallic balance and blued steel hairspring, to a silvered Arabic chapter ring with outside minute track and gilt engraved centre, in a polished case with broad hinged bezel and back fitted with a non-matching sprung-link bracelet, with import marks for Glasgow 1922, sponsor’s mark D&R and numbered 10129, width 1 1/16”
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297893 item(s)/page