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An 17th / 18th century engraving depicting 'Old Scarlett', 'Sexton of Peterbro, from an ancient Picture in ye Cathedral, Ot July 2nd 1594 R Saetatis 98', the well known 16th century grave digger of Peterborough Cathedral, during his long career he buried two queens in the cathedral, Katherine of Aragon and Mary, Queen of Scots, his portrait hangs over the main doors of the cathedral together with the words; 'You see old Scarleits picture stand on hie, But at your feete here doth his body lye, His gravestone doth his age and Death time show, His office by thes tokens you may know, Second to none for strength and sturdye limm, A Scarebabe mighty voice with visage grim. Hee had interd two Queenes within this place, And this townes Householders in his lives space, Twice over: But at length his own time came, What for others did for him the same, Was done: No doubt his soule doth live for aye In heaven: Though here his body clad in clay, July 2 1594 R Saetatis 98', 33 by 17cm, glazed and gilt framed, 40 by 23.5cm.
After Michael (Mike) R. Hoar ARCA (British, 1943-2017): Four limited edition lithographs of sunsets, all signed 'Sunset III' numbered 2/10, dated '88', 77 by 56cm, '..Sunset', numbered 12/14, 59 by 79cm, 'And so sets the Sun..', numbered 12/14, dated '84', 75 by 60cm, together with the same image titled "& so sets the sun.." numbered 17/17 possibly dated '88', 84 by 59cm. (4)
After Michael (Mike) R. Hoar ARCA (British, 1943-2017): eight artist proof prints of cloud formations and landscapes, including 'Summer Contrail', 'Cumulus Nimbus over Kent', all 61 by 61cm, together with three exhibition posters, 'Michael R. Hoar Spanish Landscapes' featuring an illustration of the 'Bridge at Ronda', 59 by 42cm. (1 portfolio case)
An early Victorian Copeland & Garratt Parian sculpture, modelled as 'Narcissus', after the original sculpture by John Gibson (British, 1790-1866), depicting Narcissus seated nude upon a rock gazing at his own reflection in a pool, traces of interior label which originally stated 'Narcissus By Gibson R. A. Modelled By E. B. Stephens And Executed In Statuary Porcelain By Copeland And Garratt For The Art Union of London 1846', impressed 'Copeland' to side of integral base, a/f replacement horn, 22 by 13 by 30cm high.Notes: This was one of a small number of items selected to be produced for the Art Union of London in 1846 as the first parian sculpture, 50 copies were originally made in 1846 to be distributed as prizes.
A group of Pentax and other cameras, comprising a Pentax MZ SLR camera with Pentax SMC FA Zoom lens, 28 to 105mm, various filters and original box and instructions, a Pentax Zoom 105 R compact camera, a Petri 35mm camera with Petri F2.8 lens, leather case and lens hood, a Canonet QL79E camera, a Kodak box camera with vinyl case and various accessories including 'The Pentax Way', book on photography, exposure meter, Pentax flash unit and bracket, various filters, an Antler soft camera bag, and a vintage hard case. (1 box)
Railway: A collection of five boxed OO gauge locomotives to comprise: Bachmann 31-701A B1 61399 BR black late emblem, Bachmann 31-954A A4 60007 Sir Nigel Greeley single chimney BR blue weathered, Bachmann 32-116 09 Diesel Shunter 09006 Mainline, Hornby R 2257 LMS class 5P5F, all boxed, used, along with Lima 0-4-0 loco with damage. (5)
Warner Bros: A framed, Limited Edition Cel, Batman: The Animated Series, 'Bad Girls of Gotham', Issued in 1998, inspired by the original Warner Bros. animated television series, picturing Harley Quinn, Poison Ivy, Red Claw, Catwoman and Talia (L to R), hand-numbered 226/500, printed with the Warner Bros seal of authenticity, and signed by creator Boyd Kirkland, with certificate of authenticity to reverse, Perspex having scratches, frame having some small nicks, frame measuring approx. 67cm x 55cm.
Hornby 1929-31 No. 1 special loco and tender clockwork, green LNER, 2694 on small number plate, LNER on tender, white boiler bands, some paint loss to L/H cab windows where damage as been straightened and a few other marks, small damage to R/H steps (G), box lid with LNER sticker (E) but base three corners split. With original corrugated wrapper and key. Tender (VG-E) box one end missing (P)
John 1199-1216, Penny, Short Cross type, class 5b2. London mint; Adam, moneyer. Struck in the name and types of Henry II, 1205-1207. ҺЄNRICVS R ЄX, crowned facing bust, holding sceptre / + ADAM · ON · LVND, voided cross, with four pellets in angles. Cf. SCBI 56 (Mass), 1400; North 970; SCBC, silver, weight 1.3g, S.1351. VF and toned.
King Edward VI, Crown, 1551, King on horseback with date below horse R. Shield on cross, mm. y (Southwark), fine silver issue, weight 30.8g, S.2478, about VF with dark toning and a strong portrait.The abbreviated Latin legends translate as on the obverse "Edward the Sixth, by the Grace of God, King of England, France and Ireland"; and on the reverse "I have made God my helper," a Psalm from the Bible.Footnote: * King Edward was only 14 when this coin was minted, son of Henry VIII by Jane Seymour, in fact Henry's only son. Henry's obsessive desire for a male heir of course caused the great schism between the Catholic Church and himself, leading to the establishment of the Church of England. Edward's health had been fragile since birth, and the unfortunate lad died of tuberculosis in July 1553. He had no time to make a mark on his world, except perhaps numismatically, for his coins are classic works of Renaissance art, and this, his silver crown, became the very first in a long line of beautifully engraved, emblematic, large silver issues of England and later of Great Britain.

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297893 item(s)/page