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Lot 71
Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings.One of Sultan's most famous series is the "Disaster Paintings" created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds.In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors.Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.51 x 7.5 Verso is blank.Mounted to archival quality paper.
Lot 121
Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings.One of Sultan's most famous series is the "Disaster Paintings" created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds.In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors.Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.51 x 7.5 Verso is blank.Mounted to archival quality paper.
Lot 983
Frank Lloyd Wright (1867–1959) was an influential American architect, interior designer, and writer known for his innovative architectural designs and his significant impact on modern architecture. He is widely considered one of the most important architects of the 20th century and played a pivotal role in shaping the course of architectural history.Wright's architectural style was characterized by his belief in organic architecture, which aimed to harmonize human habitation with the natural environment. He rejected the ornate and elaborate designs of the time and focused on creating structures that were functional, innovative, and integrated with their surroundings.Some of his most famous architectural works include:1. **Fallingwater:** This iconic house, completed in 1937, is built over a waterfall and is considered one of Wright's masterpieces. Its cantilevered design and integration with the surrounding landscape showcase his organic architectural principles.2. **Guggenheim Museum:** Located in New York City, the Solomon R. Guggenheim Museum (completed in 1959) is renowned for its unique spiral design, which allows visitors to experience art in a continuous, flowing space.3. **Taliesin West:** Wright's winter home and studio in Scottsdale, Arizona, is a prime example of his organic architecture philosophy, blending into the desert landscape and utilizing local materials.4. **Robie House:** Located in Chicago, this Prairie-style house is known for its horizontal lines, flat roofs, and integration of interior and exterior spaces.Wright's influence extended beyond architecture to furniture design, interior design, and urban planning. He believed in creating a complete aesthetic experience, often designing everything from the structure itself to the furniture, fixtures, and even the landscaping.Despite challenges and controversies throughout his career, Frank Lloyd Wright's legacy remains profound. His innovative ideas, distinctive architectural style, and emphasis on harmony between architecture and nature continue to influence architects and designers worldwide.Measures 20 x 20.
Lot 171
Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings.One of Sultan's most famous series is the "Disaster Paintings" created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds.In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors.Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.51 x 7.5 Verso is blank.Mounted to archival quality paper.
Lot 1029
Frank Lloyd Wright (1867–1959) was an influential American architect, interior designer, and writer known for his innovative architectural designs and his significant impact on modern architecture. He is widely considered one of the most important architects of the 20th century and played a pivotal role in shaping the course of architectural history.Wright's architectural style was characterized by his belief in organic architecture, which aimed to harmonize human habitation with the natural environment. He rejected the ornate and elaborate designs of the time and focused on creating structures that were functional, innovative, and integrated with their surroundings.Some of his most famous architectural works include:1. **Fallingwater:** This iconic house, completed in 1937, is built over a waterfall and is considered one of Wright's masterpieces. Its cantilevered design and integration with the surrounding landscape showcase his organic architectural principles.2. **Guggenheim Museum:** Located in New York City, the Solomon R. Guggenheim Museum (completed in 1959) is renowned for its unique spiral design, which allows visitors to experience art in a continuous, flowing space.3. **Taliesin West:** Wright's winter home and studio in Scottsdale, Arizona, is a prime example of his organic architecture philosophy, blending into the desert landscape and utilizing local materials.4. **Robie House:** Located in Chicago, this Prairie-style house is known for its horizontal lines, flat roofs, and integration of interior and exterior spaces.Wright's influence extended beyond architecture to furniture design, interior design, and urban planning. He believed in creating a complete aesthetic experience, often designing everything from the structure itself to the furniture, fixtures, and even the landscaping.Despite challenges and controversies throughout his career, Frank Lloyd Wright's legacy remains profound. His innovative ideas, distinctive architectural style, and emphasis on harmony between architecture and nature continue to influence architects and designers worldwide.Measures 38 x 25.
Lot 1002
1920s silver twin-handled pedestal bowl, of navette form with twin bifurcated acanthus capped scroll handles, engraved with initial R to body and upon spreading oval foot, hallmarked Hawksworth, Eyre & Co Ltd, Sheffield 1925, including handles H21.8cmCondition Report: Approximate total weight 48.65 ozt (1513.1 grams)General wear commensurate with age and use, in the form of surface scratches, nicks and small knocks. Couple of larger indentations to body, inner bowl and an area of deeper scratching verso. Hallmarks with wear particularly to maker's mark.
Lot 1006
1920s five-piece silver tea service, comprising teapot, coffee pot, hot water pot, twin handled open sucrier and milk jug, each of squat circular form with shaped rim, the teapot, coffee pot and hot water pot each with ebonised handle and finial, the sucrier and milk jug with acanthus capped scroll handles, all upon circular foot, hallmarked R F Mosley & Co, Sheffield 1926 & 1927, tallest H24cmCondition Report: Approximate total weight 85.66 ozt (2666 grams)General wear commensurate with age and use in the form of surface scratches, nicks and small knocks. Hallmarks with some wear but generally legible.
Lot 2013
Langley, Batty & Thomas; The Builder's Jewel: Or, the Youth's Instructor, and Workman's Remembrances. Explaining Short and Easy Rules, Made Familiar to the Meanest Capacity, for Drawing and Working, London 1757, printed for R. Ware at the Bible and Sun on Ludgate Hill, engraved Masonic frontispiece of Doric, Tuscan and Corinthian columns marked W for wisdom, S for strength, and B for beauty, 99 further engraved plates as called for, small 4to, recovered in calf with gilt-edged ridged spine, 18th century owners hand-written inscriptions to frontispages
Lot 2129
A pair of George II silver sauceboats, each of plain oval form with shaped rims and scrolling acanthus leaf capped handles, each standing upon three shell cast and mounted applied feet, maker Fuller White, London 1753, with further journeyman initials G T-R*M, length 18.5cm, gross weight 17.8ozBoth stand well.No splits, dents or repairs.Heavy gauge silver.Marks with some wear but all visible.Excellent examples.
Lot 2119
A Victorian silver mounted glass claret jug, having a plain low baluster glass body with applied glass handle, the deep silver mount with bands of shell and line decoration, the domed hinged cover with beaded rims and squat finial, with further applied scallop edge silver footrim, maker R & S Garrard & Co (Robert Garrard), London 1862, h.30cmWould benefit from a good polish.Otherwise no apparent faults.
Lot 2302
JW Benson: A 9 Carat Gold Wristwatch, retailed by J.W.Benson, London, 1959, (calibre R.458) manual wound lever movement signed Cyma and numbered 609409, silvered dial with Arabic numerals, seconds dial, unusual shaped curved lugs, snap-on back with an engraved presentation inscription, inside back cover with maker's mark ALD and numbered 13851 984881, Birmingham gold hallmark for 1959 34mm wideCase with surface scratches, case back with an engraved presentation inscription "Presented to Wm W Lambe by the directors of John Wyeth & Brother Limited on the occasion of his retirement after 18 years service with the company 31.7.61", later crown is worn, dial with small scratches and very fine spotting staining marks which are only visible under an eyeglass, later strap and buckle, hand setting correctly and winding smoothly, movement in going order.
Lot 2166
A Sapphire and Diamond Cluster Ringthe square step cut sapphire within a border of eight-cut diamonds, in white millegrain and rubbed over settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.60 carat approximately finger size RThe ring is in fair condition with abrasion to the facet edges of the sapphire. It is stamped '18CT PLAT' and in our opinion would test as gold and platinum. The sapphire measures 5.19mm x 5.13mm x 2.39mm approximately. The ring head measures 12.08mm x 11.86mm. The approximate qualities of the diamonds are; colour H/I/J, clarity SI1/SI2/I1. Gross weight 3.3 grams. CR made 18.07.23.
Lot 2027
A Sapphire and Diamond Broochrealistically modelled as a butterfly, set throughout with round cut sapphires and round brilliant cut diamonds, in white and oxidised pavé settings, total estimated diamond weight 1.05 carat approximately measures 5.1cm by 4.0cmThe brooch is in good condition. It fastens with a pin and trombone catch. It has an applied plaque stamped '750 R' and in our opinion would test as gold. The approximate qualities of the diamonds are; colour I/J/K, clarity SI2/I1/I2. Gross weight 10.3 grams. CR made 01.08.23.
Lot 2143
A Sapphire and Diamond Ringthe spray motif set throughout with oval cut sapphires and round brilliant cut diamonds, in white claw and pavé settings, to a tapered shoulder triple row plain polished shank, total estimated diamond weight 0.30 carat approximately finger size RThe ring is in good condition. It is stamped '14K' and '585' and in our opinion would test as gold. The cluster measures 2.7cm by 2.0cm. The approximate qualities of the diamonds are; colour H/I/J, clarity SI1/SI2/I1. Gross weight 9.4 grams. CR made 31.07.23.
Lot 290
Antiquarian Books.Anon. Of Education. Especially of Young Gentlemen ..., Oxford: Amos Curteyne, 1683, worn calf binding;Anon, A Discoverie of the True Causes Why Ireland Was never entirely Subdued, nor brought under Obedience ...., A. Millar, 1747, worn calf binding;Buchan (William), Domestic Medicine. A Treatise on the Prevention and Cure of Dieases. Smith, no date, worn binding, board detached;Anon. Mary Denby, or the Victim of Rage, in words of two syllables. R. Miller, no date, hand coloured engravings, original boards (well worn);with four others. (8)
Lot 195
Of Royal Interest: A Gilt and Ebonised Wall Plaque, of oval form, carved and applied in high relief with a fleur de lys and star burst within an integral moulded frame border, the reverse inscribed Poplak - HIGHGROVE D/R and No Charles 70cm by 57.5cm Together with a Thank You Card from Highgrove Provenance: Bought by Dudley Poplak for the 1981 refurbishment of the interiors at Highgrove but rejected
Lot 527
Owen Bowen ROI, PRC am (1873-1967)Figures traversing extensive heather covered moorlandSigned, oil on canvas, 28cm by 41.5cmExhibited T B & R Jordan 3rd Harrogate Staithes Group Exhibition 2005Big Picture Show, Harrogate 2009In an overall fairly good and original state of preservation. Covered in a layer of dirt and discoloured varnish. Paint slightly thin in places, likely by design. Intermittent areas of mostly horizontal stable craquelure across the sky. Other areas of minor stable craquelure elsewhere. Fairly coarse weave of the canvas is detectable beneath the paint surface. Otherwise appears sound.
Lot 654
John Henry Mole VPRI (1814-1886)The Faggot GatherersSigned and dated 1876, watercolour, 28cm by 44cm Provenance: R H Spurr, SouthportDirt and debris under glass. Fairly pronounced time staining to sheet giving overall yellow tone to work. Work also slightly faded and down on colour. No evidence of cockling. Not examined out of the frame.
Lot 530
Richard Marshall (1944-2006) Staithes - Fishermen bringing in a coble Signed, oil on board, 22.5cm by 30cm Exhibited: TB and R Jordan "A Century of Working Life in Yorkshire and the North East" April 2007, no.197 Overall good state of preservation. Some light surface dirt and discoloured varnish. Patches of pooled varnish. The odd brush bristle trapped in paint surface. Some areas of thin paint (likely by design). The odd scuff. Sporadic areas where board is visible. Otherwise appears sound.
Lot 518
Frederick (Fred) William Mayor IS (1865-1916)Landscape with treeSigned, mixed media, 31cm by 38cmProvenance: The Mayor Family until 2003With certificate of authenticity fixed to reverse my James Mayor, the artist's grandson, 10.4.2003Exhibited: T B & R Jordan 3rd Harrogate Staithes Group Exhibition, 2005
Lot 519
Frederick (Fred) William Mayor IS (1865-1916)Study of a WindmillMixed media, 39cm by 31cm Provenance: The Mayor family until 2003With certificate of authenticity fixed to reverse by James Mayor, the artist's grandson, 10.4.2003Exhibited: TB & R Jordan 3rd Harrogate Staithes Group Exhibition, 2005
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297893 item(s)/page