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Delicate small square pendant of sterling silver with green turquoise inlay and a double loop for the sterling silver cable chain. The sides connecting the silver tone Timex quartz watch to the twist o flex back are sterling silver plaquettes with inlay of green turquoise and a decorative edging. The vibrant green is striking. Pendant is backstamped Sterling with the makers mark. The watch band is backstamped R. Francisco Sterling. Pendant without loop: 0.66"L x 0.66"W. Chain: 9"L. Watch plaquettes: 1.29"L x 0.54"W. Band: 5.75" dia. slightly adjustable. Issued: 20th centuryCountry of Origin: United StatesCondition: Age related wear. Functionality not guaranteed.
ROBERT RAUSCHENBERG (1925-2008)SLING-SHOTS LIT #3From Sling-Shots Lit Series (Gemini G.E.L. 1175) 1985Signature incisée, titre et date sur une plaque de métal apposée sur le côté gauche.Lithographie et sérigraphie en couleurs sur feuilles de mylar et toile à voile, placées dans un caisson en bois avec lumière fluorescente et stores amovibles.Tirée à 25 exemplaires (sept épreuves d'artiste), publiée par Gemini G.E.L., Los Angeles.Ingekrast met handtekening, titel en datum op een metalen plaatje aan de linkerzijdeLithografie en zeefdruk in kleur op mylar vellen en zeildoek, geplaatst in een houten lichtbak met fluorescerend licht en beweegbare vensterluikenUit een oplage van 25 (er waren ook zeven proefdrukken), uitgegeven door Gemini G.E.L., Los Angeles.Incised with signature, titled and dated on a metal plaque affixed to the left sideLithograph and screenprint in colours on mylar sheets and sailcloth, set into a wooden lightbox with fluorescent light and moveable window shadesFrom the edition of 25 (there were also seven artist's proofs), published by Gemini G.E.L., Los Angeles214,6 x 129,5 x 31,1 cmFootnotes:Provenance / HerkomstGuy Pieters Gallery, KnokkeCollection privée / Privécollectie, Belgique Depuis 1962, Robert Rauschenberg expérimente avec des images photographiques sérigraphiées, qu'il applique à des toiles tendues ou non, à des panneaux de plexiglas coulissants et à des disques rotatifs motorisés. Une variation sur ce thème est la série des 'Sling Shots'. Chacune consiste en un cadre rectangulaire en bois magnifiquement travaillé, comme une fenêtre, mais avec des images photographiques imprimées sur du Mylar (film en polyester) et recouvertes de toile à voile à l'endroit où le verre devrait se trouver. Deux couches supplémentaires de Mylar transparent sont suspendues devant ce cadre, avec d'autres images sérigraphiées et lithographiées, certaines en noir et blanc, d'autres dans des tons électriques de bleu, de vert, d'orange et de rouge. L'ensemble est éclairé par l'arrière par des ampoules fluorescentes, donnant l'effet d'une boîte à lumière surdimensionnée, et les feuilles de Mylar suspendues peuvent être levées ou abaissées, comme des stores, en tirant sur le cordon situé sur l'un des côtés de la boîte.Les éléments individuels de chaque 'Sling Shot' - médias mixtes, imagerie de style pop et participation du public - constituent la base de l'art révolutionnaire de Rauschenberg depuis plusieurs décennies. Mais ici, l'artiste va plus loin, utilisant les ombres mobiles non pas comme un gadget, mais comme un moyen de réaffirmer son engagement envers le hasard et le changement dans son propre art.Bien qu'elles n'aient pas le contenu ouvertement politique de certaines œuvres antérieures de Rauschenberg, les 'Sling Shots Lit' démontrent toujours son flair pour la satire sociale et sa capacité à trouver des juxtapositions visuelles surprenantes, souvent pleines d'esprit.Nancy G. Heller, Shades of Pop Art at B. R. Kornblatt, Robert Rauschenberg's Sling Shots, Washington Post, 28 mars 1985.For further information on this lot please visit Bonhams.com
GEORGE II ENGLISH DELFT MARRIAGE PLATE, dated 1728, centre painted with initials 'R+M M' within laurel wreath, the border with Chinese style diaper and foliate band, 21.5cms diamProvenance: private collection Swansea.Comments: cracked/damaged and restored latterly over former rivetted repair, expected fritting and crazing, reverse with stilt marks.
Twaalf tafelcouverts, hoofdzakelijk Dordrecht 18e eeuw, rond model met kam en versiering bij steelaanzet, mt. Hermanus van Eysden Dordrecht 1786...jrl. A 1776 of 1795, klimmende leeuw, belangteken gekroonde O, één couvert mt. Jacobus van Trigt 1745-1783 Dordrecht jrl. R, twee vorken waaronder een stadskeur Dordrecht één lepel diverse meestertekens, stad en jaarletters, ca. 1338 gr. [20]
Zes tafelcouverts, Amsterdam en één vork Delft, 18e eeuw, model Hollands glad met kam diverse meestertekens, waarbij R. Helweg, Amsterdam, provinciale leeuw, verschillende jaarletters o.a. 1780/1794/1795, een vork met lettergravure, mt. Dirk van Goorberg Delft 1774, 1e gehalte, enkele met afgesleten tanden 740 gr. [12]
T. R. Williams Stereocard, Scenes in Our Village, Angling in the Stream, T. R. Williams Stereocard, Scenes in Our Village, No.49, text to reverse reads SCENES IN OUR VILLAGE, ‘ANGLING IN THE STREAM. Not a ripple stirs over the face of the stream, Not a sheltering cloud from the sun's darting beam Is abroad in the sky-not a nibble is made, Yet all, save the angler, creep into the shade.’, with a stamp for ‘London Stereoscopic Company’ Condition: card good and clean slight finger marks Note: These 1850's views are of the village of Hinton Waldrist in Oxfordshire and are considered to be Williams's masterpiece. They were the subject of the book 'A Village Lost and Found', by Brian May & Elena Vidal, published 2009.
T. R. Williams Stereocard, Scenes in Our Village, Rick Making, T. R. Williams Stereocard, Scenes in Our Village, No.27, text to reverse reads SCENES IN OUR VILLAGE, ‘RICK MAKING. The produce of the earth How bountiful it pours, Even from our birth, Its riches to our doors! The granaries are filled And the rick-yard has its store, For the earth that has been tilled May now be tilled once more.’ Condition: card with minor finger marks, corners bumped. Note: These 1850's views are of the village of Hinton Waldrist in Oxfordshire and are considered to be Williams's masterpiece. They were the subject of the book 'A Village Lost and Found', by Brian May & Elena Vidal, published 2009.
T. R. Williams Stereocard, Scenes in Our Village, The Straw Yard, T. R. Williams Stereocard, Scenes in Our Village, No.52, text to reverse reads SCENES IN OUR VILLAGE, ‘THE STRAW YARD. Now that at length his harvest work is done, His straw-yard yielding shelter from the sun Of summer, and of winter's frost and snows; His shed, his pump, his barrow, and his ground, The worth of each, how well the farmer knows, And well they harmonize with all around. Condition: card good and clean, minor foxing. Note: These 1850's views are of the village of Hinton Waldrist in Oxfordshire and are considered to be Williams's masterpiece. They were the subject of the book 'A Village Lost and Found', by Brian May & Elena Vidal, published 2009.
T. R. Williams Stereocard, Scenes in Our Village, Little Mary and her Magpie, T. R. Williams Stereocard, Scenes in Our Village, No.37, text to reverse reads SCENES IN OUR VILLAGE, ‘LITTLE MARY AND HER MAGPIE. All must love something-it is nature's will, And nature ever will be nature still; Men love their dogs, and, at a certain age, Maidens love cats, and parrots in their cage; Why, then, should not our little Mary set Her heart upon her pretty magpie pet. Condition: card finger marks minor foxing , images good & strong. Note: These 1850's views are of the village of Hinton Waldrist in Oxfordshire and are considered to be Williams's masterpiece. They were the subject of the book 'A Village Lost and Found', by Brian May & Elena Vidal, published 2009.
T. R. Williams Stereocard, Scenes in Our Village, Done for To-Day, T. R. Williams Stereocard, Scenes in Our Village, No.51, text to reverse reads SCENES IN OUR VILLAGE, "DONE FOR TO-DAY." None but the wearied know how rich the draught At evening's close, by honest labour quaffed. When wheresoever our lot on earth be cast, We find a flavour in a plain repast.’ Condition: card with minor finger marks, images good. Note: These 1850's views are of the village of Hinton Waldrist in Oxfordshire and are considered to be Williams's masterpiece. They were the subject of the book 'A Village Lost and Found', by Brian May & Elena Vidal, published 2009.
T. R. Williams Stereocard, Scenes in Our Village, A Cottage on the Banks of the River, T. R. Williams Stereocard, Scenes in Our Village, No.43, text to reverse reads SCENES IN OUR VILLAGE, ‘A COTTAGE ON THE BANKS OF THE RIVER. How peacefully the quiet streamlet glides, Yet ripples gently on the shelving sides, Or slumbers where the sunbeam never glows, Beneath the cottage walls in calm repose.’, with a stamp for ‘London Stereoscopic Company’ Condition: card good and clean slight finger marks Note: These 1850's views are of the village of Hinton Waldrist in Oxfordshire and are considered to be Williams's masterpiece. They were the subject of the book 'A Village Lost and Found', by Brian May & Elena Vidal, published 2009.
T. R. Williams Stereocard, Scenes in Our Village, The Wear-Another Way, T. R. Williams Stereocard, Scenes in Our Village, No.46, text to reverse reads SCENES IN OUR VILLAGE, ‘THE WEAR-ANOTHER VIEW. There fishermen resort, for there 'tis thought, The choicest produce of the stream are caught; And there, like those in Isaac Walton's book, Are fishes found, they say, who "love the hook.", stamp for ‘London Stereoscopic Company’ Condition: card good and clean,. Note: These 1850's views are of the village of Hinton Waldrist in Oxfordshire and are considered to be Williams's masterpiece. They were the subject of the book 'A Village Lost and Found', by Brian May & Elena Vidal, published 2009.
T. R. Williams Stereocard, Scenes in Our Village, Dame Edmund’s Talkative Daughter, T. R. Williams Stereocard, Scenes in Our Village, No.29, text to reverse reads 'SCENES IN OUR VILLAGE. DAME EDMUNDS' TALKATIVE DAUGHTER. “Stranger or neighbour, which it matters not, But whosoever nears the well-known spot Is caught-forsooth a gossip ever will, Morning and noon and evening gossip still."with stamp for London Stereoscopic Company Condition: card with minor finger marks, images good. Note: These 1850's views are of the village of Hinton Waldrist in Oxfordshire and are considered to be Williams's masterpiece. They were the subject of the book 'A Village Lost and Found', by Brian May & Elena Vidal, published 2009.
T. R. Williams Stereocard, Scenes in Our Village, My Summer Haunt, T. R. Williams Stereocard, Scenes in Our Village, No. 4a, label to reverse reads 'My Summer Haunt, "So sweet a spot of Earth, you might I ween, Have guessed some congregation of Elves,To sport by summer moons had shaped it for themselves.", stamped 'The London Stereoscope Company' Condition: slight foxing to card image good. Note: These 1850's views are of the village of Hinton Waldrist in Oxfordshire and are considered to be Williams's masterpiece. They were the subject of the book 'A Village Lost and Found', by Brian May & Elena Vidal, published 2009.
T. R. Williams Stereocard, Scenes in Our Village, The Last Load-Gleaners Waiting at the Gate, T. R. Williams Stereocard, Scenes in Our Village,No.20, text to reverse reads 'SCENES IN OUR VILLAGE. THE LAST LOAD-GLEANER'S WAITING AT THE GATE. No rake takes here what heaven to all bestows Children of want! for you the bounty flows, And every cottage from the plenteous store Receives a burden nightly at its door.’ Stamp for ‘London Stereoscope Company’ Condition: card good, images clear and strong . Note: These 1850's views are of the village of Hinton Waldrist in Oxfordshire and are considered to be Williams's masterpiece. They were the subject of the book 'A Village Lost and Found', by Brian May & Elena Vidal, published 2009.
T. R. Williams Stereocard, Scenes in Our Village, The Turnpike to the Hamlet, T. R. Williams Stereocard, Scenes in Our Village, No.41, text to reverse reads 'SCENES IN OUR VILLAGE. THE TURNPIKE TO THE HAMLET. None pass unchallenged! so thro' life can none Without a sorrow hope their race to run; Each has some weight that presses on his soul, Each hour its trouble-here, it is the toll!." Condition: card stained, corners chipped, slight foxing, images ok but a little faded . Note: These 1850's views are of the village of Hinton Waldrist in Oxfordshire and are considered to be Williams's masterpiece. They were the subject of the book 'A Village Lost and Found', by Brian May & Elena Vidal, published 2009.
A Regency pollard oak pole screen attributed to George Bullock The circular adjustable screen, now with a later needlework, on a brass shaft with a giltwood spear finial, on a tri-partite base with scroll feet, 40cm wide, 160cm high. With close similarities to a pair of pole screens supplied to M. R. Boulton (d. 1842) and by descent to Major Eustace Robb, Tew Park, Great Tew, Oxfordshire, sold Christie's house sale, 27-29 May 1987, lot 33.
A collection of books on Country Houses & Interiors: British & Irish Bristow, Ian C.: Architectural Colour in British Interiors 1615-1840 Roberts, Hugh: For The King's Pleasure: The Furnishing and Decoration of George IV's Apartments at Windsor Castle Worsley, Giles: England's Lost Houses: From the Archives of Country Life Cornforth, John: The Inspiration of the Past, Country House Taste in the Twentieth Century Cornforth, John: London Interiors, from the Archives of Country Life Cornforth, John: English Interiors 1790-1848, The Quest for Comfort Fowler, John & Cornforth: English Decoration in the 18th Century Wood, Martin: John Fowler, Prince of Decorators Jones, Chester: Colefax & Fowler, The Best in English Interior Decoration Ypma, Herbert: Irish Georgian Cooper, Nicholas: The Jacobean Country House, from the Archives of Country Life Wainwright, Clive: The Romantic Interior, The British Collector at Home 1750-1850 Gow, Ian: Scottish Houses and Gardens, from the Archives of Country Life Pfeiffer, Walter & Heron, Marianne: l'Art de Vivre, En Irlande Service, Alastair: Edwardian Interiors, Inside the Homes of the Poor, the Average and the Wealthy Jourdain, M.: English Interiors in Smaller Houses, from the Restoration to the Regency, 1660-1830 Todd, Pamela: William Morris and the Arts and Crafts Home MacDonnell, Randal: The Lost Houses of Ireland, A Chronicle of great houses and the families who lived there O'Brien, Jacqueline & Guinness, Desmond: Dublin, A Grand Tour James, C. H. & Yerbury, F. R.: Moderne Englische Hauser und Innenraume Phillips, R.: Englische Raumkunst von Heute Yerbury, F. R.: Englische Klein Hauser (English Small Houses) Pfeiffer, Walter & Heron, Marianne: In The Houses of Ireland McBride, Simon & Howes, Karen: Private Ireland von Einsiedel, Andreas & Mackemzie, Nadia: Historic Interiors, A Photographic Tour, The National Trust Maroon, Fred J.: The English Country House, A Celebration Campbell, Peter: A House in Town. 22 Arlington Street, Its Owners and Builders Pearce, David: London's Mansions: The Palatial Houses of the Nobility Snodin, Michael & Styles, John: Design & the Decorative Arts: Britain 1500-1900 (V&A Publication) Watkin, David: The Royal Interiors of Regency England - From watercolours first published by W.H. Pyne in 1817-1820 Girouard, Mark: The Victorian Country House Lees-Milne, Alvilde & Moore, Derry: The Englishman's Room Jackson-Stops, Gervase,: National Trust Studies 1979 Beard, Geoffrey: Craftsmen and Interior Decoration in England 1660-1820 Jackson-Stops & Pipkin, James: The English Country House, A Grand Tour Gibbs, Jenny: The Country House: Classic Style for an Elegant Home Guild, Robin: The Victorian House Book Hall, Michael: The English Country House from the Archives of Country Life 1897-1939 Forman, Sheila: Scottish Country Houses & Castles Aslet, Clive & Moore, Derry: Inside The House of Lords Edwards, Jane: London Interiors Miller, Judith & Martin: Victorian Style Seebohm, Caroline & Sykes, Christopher Simon: The English Country, Living in Englands Private Houses Moore, Derry & Pick, Michael: The English Room Astaire, Lesley: Living in London Astaire, Lesley: London Living Style Banham, Joanna, et al: Victorian Interior Design Spencer-Churchill, Henrietta: Classic English Interiors Dutton, Ralph: The English Interior, 1500 to 1900 Together with: A collection of books on Country Houses & Interiors: European & Russian Ballot, Marie-Juliette: Le Décor Interieur au XVIIIe Siecle a Paris et dans l'Ile de France Les Habitations Modernes et Leur Decoration, Cent planches en couleurs (100 plates) Ottillinger, Eva B. & Lieselotte Hanzl: Kaiserliche Interieurs, Die Wohnkultur des Wiener Hofes im 19. Jahrhundert und die Wiener Kunstgewerbereform - Band III Garzya, Chiara: Interni Neoclassici a Napoli Parissien, Steven: Neo-Classique: Le Style Adam Thornton, Peter: Seventeenth-Century Interior Decoration in England, France, and Holland Schmitz, Hermann: Vor hundert Jahren, Festraume und Wohnzimmer des Deutschen Klassizismus und Biedermeier Baer, C. H.: Deutsche Wohn- und Festraume aus 6 Jahrhunderten Schmitz, Hermann: Wohnzimmer und Festraume Berliner Baumeister vom Ausgang des 18. Jahrhunderts Beissel von Gymnich, Countess Jeanette: Luxury Houses, Schlosser - Castles - Chateaux Hunyady, Etienne: Luxury Houses, Toscana Gregory, Alexis: The Great Family Houses of Europe Sangl, Sigrid: Biedermeier to Bauhaus Sjoberr, Lars & Ursula: Det Svenska Rummet Slesin, Suzanne, et al: Spanish Style Brosio, Valentino: Ambienti Italiani dell'Ottocento Friedman, Joe: INSIDE PARIS, Discovering the Period Interiors of Paris Sauveur, Daphne De Saint: The French Touch: Decoration and Design In the Most Beautiful Homes of France Boyer, Marie-France: Paris Style, The Private Apartments of Paris Lovatt-Smith, Lisa: Paris Interiors Interieurs parisiens Fregnac, Claude & Andrews, Wayne: The Great Houses of Paris Bourgeois, Helene: Les Grandes Heures du Style Francais Gaynor, Elizabeth/Haavisto, Kari/Goldstein, Darra: Russian Houses. (72)
Three very rare English poured wax Aaronic Kohen (Jewish) dolls circa 1900, comprising Kohen Gadol (High Priest), Kohen (Priest) and Levite, each with poured wax head with inserted white hair, beards, eyelashes and brows, stitched through the wax neck to a stuffed white cotton body with poured wax limbs, each in original robes, the Kohen Gadol with white robe, a tunic heavily embroidered with light blue, red and purple wool with gilt thread trim, a ‘Priestly Breastplate’ applied with twelve different colour bead ‘gems’, a blue sleeveless robes the hem with brass bells and pom-poms and a ‘Priestly Headplate’ and turban inscribed with the words ‘Holy unto YHWH’ —23in. (58.5cm.) high; the Kohen in similar white robes and turban with embroidered crossing breast and waist sash and leather sandals and the Levite in simple white robes and turban and one shoe, two in original boxes and one with box lid only, three inside lid labels state ‘This Model is the property of Mrs John R Whyberd’, 308 Crystal Palace Rd, S.E. 22.’ and another printed label on one lid for ‘Copsend, 56 Chipstead Lane, Lower Kingswood, Tadworth, Surrey’ (Gadol with bruised nose and three shoes missing, some ageing) - these are most probably exhibition pieces
ITALY. Gold 100 lire (100 itl), 1931 R. Vittorio Emanuele III. King Vittorio Emanuele III facing left; below the Savoy Knot and the names of the author Romagnoli and the engraver Motti. / Italia holding a torch and an olive branch, standing on a bow of a ship; value and the date right, together with the year of the Fascist regime: IX·E·F.Reference: KM-72Mintage: 22,925.Diameter: 23.5 mm.Weight: 8.8 g. (AGW=0.2547 oz.)Composition: 900.0/1000 Gold.PLEASE NOTE: 10% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.
A Worcester 'The Milking Scene' No. 1 trumpet shaped vase, printed in monochrome with an engraving after Robert Hancock, with a boy leaning on a tree talking to a girl milking a cow, the base with standing and reclining cow, the ground with scattered birds in flight, 15cm high, c.1765 Provenance: R. H. Marshall Collection. The Gladys L. Robertson Collection. The Robert & Celia Morris Collection.
A 17th century style brass lantern timepiece, 16cm silvered chapter ring inscribed with Roman numerals, the clock dial engraved to the centre with a Tudor rose and scrolling leaves, eight-day movement, the case with turned finial, shaped arched spandrels pierced and engraved with dolphins, turned feet, 41cm high, retailed by R Stewart Ltd, Buchanan Street, Glasgow, first half 20th century
Sir Joshua Reynolds (1723-1792) (after), John Raphael Smith (1751-1812) (by), the honourable Francis Ingram, engraving, published June 23rd 1780 by J R Smith, 30 x 40.5cm; Sir Joshua Reynolds (1723-1792) (after), **Hodges (by), Mrs Williams Hope of Amsterdam, engraving, published January 1st 1788 by John & Jofiah Boydell, 28 x 40cm; H Hysing (1978-1752) (after), Her Highness Princess Carolina, third daughter to his majesty King George 2d, engraving, 24.5 x 34cm; Sir Joshua Reynolds (1723-1792) (after), Joseph Grozer (1750–1798) (by), Viscountess Duncannon, engraving, published December 1785 by W Austin, 25.5 x 37cm; Jean Simon (1675-1751) (by), Her Royal Highness Princess Louise, youngest daughter to his majesty King George II, engraving, 25.5 x 35.5cm (5)British Mezzotinto Portraits / by John Chaloner Smith, London 1884 – JCS III p.1098: 90Royal Collection Trust RCIN 604078
CARRERAS: History of Naval Uniforms, 1937, full set of 50; CARRERAS: History of Army Uniforms, 1937, full set of 50; CARRERAS BLACK CAT: TYPES of London, 1919, part set: 18/80; CARRERAS BLACK CAT: British Costumes, full set of 25; CBT KANE PRODUCTS: Cricket Clubs & Badges, 1957, full set of 25; CHURCHMAN: Famous Cricket Colours, 1928, full set of 25; BARRATT & Co. (Gum): Test cricketers by E.W. Swanton, Series A, part set: 20/35; B. Morris & Sons: Australian Cricketers, 1925, full set of 25; LAMBERTS of Norwich: Before Our Time, 1961, full set of 25; LAMBERT & BUTLER: Coronation Robes, 1902, full set of 12; GODFREY PHILLIPS: Famous Cricketers, 1926, part set: 14/32; GALLAHER: FAMOUS CRICKETERS, 1926, part set: 20/100; R & J HILL (Sunripe): Caricatures of Famous Cricketers, 1926, full set of 50; R & J HILL (Sunripe): Famous Cricketers incl. S. African team, 1924, part set: 18/ 50; OGDENS: Australian Tesk Cricketers 1928-9: 33 un-numbered cards; OGDENS: (St Julien): British Costumes 100 BC - 1904, 1905, part set: 5/50; PLAYERS: History of Naval Dress – large, 1929, full set of 25; PLAYERS: History of Naval Dress, 1930, set but lacking No 30; PLAYERS: Ceremonial & Court Dress, 1911, full set of 25; PLAYERS: Dandies, 1932, full set of 50; PLAYERS: Cries of London, 1st series 1913, full set of 25; PLAYERS: Cries of London, 2nd series 1916, full set of 25; WILLS: English Cricketers, 1926, full set of 25; WILLS: English Period Costumes, 1929, full set of 50; Various part sets, odd cards, comic issues, etc.

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297893 item(s)/page