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Two early 20th century coloured etchings, comprising 'The Sword Dance', Dorsey Potter Tyson (American, 1891-1969), a hand coloured etching, signed to the plate, and dated '29, with pencil signature lower right, and numbered 'Imp 8/100' lower left, with two labels verso, one with title, the other for William Simpson Aberdeen picture framers, 32 by 27cm, framed size 57 by 40cm, together with 'Two Oriental ladies sitting beneath cherry blossom', Elyse Ashe Lord R. I. (British, 1885-1971), a hand coloured drypoint etching, signed in pencil lower right, numbered 35/75 lower left, 34 by 30cm, framed size 58 by 48cm. (2)
Cruden, Robert Pierce: The History of the Town of Gravesend in the County of Kent and of the Port of London, William Pickering, London, and James Johnston, Gravesend, 1843, large 8vo, with engraved plates and illustrations to text, git-edged, bound in half-green morrocco with gilt tooled banded spine and marbled boards, with bookplate for John R Lambert and further notes/stamps. (1)
Three silver christening tankards, being a George III example, of cylindrical form with reeded decoration and shaped scroll handle, maker AB/R, London 1799, h.9.5cm, base dia. 7.75cm; a similar George IV miniature example, having gilt-washed interior, maker Edward Barton, London 1827, h.7.5cm, base dia.6.5cm; and a Victorian example by Elkington & Co Ltd, London 1864, h.9.5cm, base dia.7.5cm, all three with engraving to the fronts, gross weight 18.6ozt (3)
Descharnes, Robert and Neret Gilles: Dali The Paintings Vol I 1904-1946 Vol II 1946-1989, Printed and bound by Neue Stalling, Oldenburg, hardback with dust jackets, in slip-case, folio, together with Gerard, Max. (ed): Dali, Translated by Eleanor R. Morse, Abradale Press, Harry N. Abrams, Inc., Publishers, New York, 1986, red cloth with embossed dust jacket, 4to and Raeburn, Michael. (ed:) Salvador Dali: The Early Years, South Bank Centre, 1994, 4to. (3)
Mores, Edward Rowe: The History and Antiquities of Tunstall in Kent, from the series Bibliotheca Topographica Britannica, J. Nichols for The Society of Antiquaries, London 1780, with frontis and advertisement bound to the rear, containing fold-out pedigree and 6 engraved plate illustrations, bound in quarter red Morocco and marble boards with gilt title to spine, with bookplate for John R Lambert and stamp for Rochester Public Libraries, medium 4to. (1)
An 18ct yellow gold diamond set signet ring, having a round brilliant cut diamond flush set within a domed head, diamond dimensions approx 4.6 x 3.15mm, weight estimated as 0.40 carats, assessed mounted colour G to H and clarity VS1 to VS2, ring width 11.8 to 5.2mm, size R, gross weight 10.8g, hallmarked 18ct, Birmingham 1991, sponsor AFJ
A modern emerald and diamond half-hoop ring, arranged as four rows of 29 trap-cut channel set emeralds, total weight estimated as 0.58 carats, opposing 18 pavé set round brilliant cut diamonds, total diamond weight estimated as 0.22 carats, colour H-I and clarity SI1-SI2, head dimensions 11.9 x 19.2mm, stamped 750, 6.9g, size R/S
Debrett, John - Debrett's correct peerage of England, Scotland, and Ireland with the extinct & forfeited peerages of the three kingdoms a list of their family names second titles, &c. And a translation of their mottos, vol 1, printed for F & C Rivington, T Egerton, I Stockdale, Clarke & Sons, W Miller, Cuthall & Martin, Crosby & Co, R Lea & John Harding, further frontispage dated 1808, printed by S Gosnell of Little Queen Street, illustrated section detailing coats of arms and heraldic badges, worn calf covered card boards,
Shaw, William Francis: Liber Estriae: Or Memorials of the Royal Ville and Parish of Eastry, in the County of Kent, John Russell Smith, London 1870, with dedication to the Archbishop of Canterbury and list of subscribers, with 14 monochrome illustrations throughout, with John R Lambert bookplate, in original gilt tooled cloth binding, medium 4to. (1)
Somner, William, A Treatise of Gavelkind, both Name and Thing.: Shewing The True Etymologie and Derivation of the One, the Nature, Antiquity, and Original of the Other. With sundry emergent Observations… second edition… to which is added The Life of the Author by the Lord Bishop of Peterborough, F. Gyles, J. Woodman and D. Lyon, and C. Davis, London 1726, rebound in tooled calf with gilt to banded spine, bearing bookplate for John R Lambert, 8vo.
Furley, Robert: and Mackeson, Henry B.: A History of the Weald of Kent, with an outline of the early history of the county…Also, a Sketch of the Physical Features of the District (2 volumes bound in 3 books). Henry Igglesden, Ashford, John Rusell Smith, London, 1871-1874, with 6 folding maps, in original tooled green cloth with gilt illustrations to front cover and detailed to spines, each with bookplates for John R Lambert and Henry Gontran Redman Goulden dated 1933 (the Goulden family were booksellers in Canterbury from c.1830), medium 8vo. (3)
Ireland, William Henry: England's topographer, or A new and complete history of the county of Kent; from the earliest records to the present time, including every modern improvement. Embellished with a series of views from original drawings by Geo. Shepherd, H. Gastineau, &c. with historical, topographical, critical, & biographical delineations, four volumes (the frontispages for vols. I and IV appear to have been transposed during re-binding), George Virtue, London 1829, the first volume with dedication to the Nobility, Gentry and Clergy of the County of Kent, with engraved plates but apparently lacking folding maps, in brown morroco with marbled boards and banded spines gilt tooled IRELAND’S HISTORY OF KENT VOL…, all with bookplates for John R Lambert (4 vols)
A yellow metal multi-stone dress ring, comprising an oval ruby, emerald and sapphire all in bezel settings, with a trefoil of white stones in each shoulder, ruby dimensions approx 4.7 x 3.4 x 2.4mm, weight estimated as 0.36 carats, emerald dimensions approx 4.9 x 4 x 2.25mm, weight estimated as 0.27 carats, sapphire dimensions approx 4.7 x 3.55 x 2.9mm, weight estimated as 0.46 carats, white stone diameters each 1.7mm, untested as very worn, size R, gross weight 3.2g, stamped and tested as 18ctAll stones are worn.
An 18ct white gold diamond abstract cocktail ring, featuring eleven round brilliant and twelve baguette cut diamonds, all in tiered claw settings, brilliant cut diamond dimensions each approx 3.25 x 1.85mm, total weight estimated as 1.32 carats, baguette cut diamond dimensions between approx 3.25 x 1.85 x 1.45mm and 4.1 x 2.25 x 1.9mm, total weight estimated as 1.66 carats, assessed mounted collectively colour H to I and clarity SI1 to SI2, size R, gross weight 6.9g, hallmarked 18ct, London 1975
Ducarel, Andrew Coltree: A Repertory of the Endowments of Vicarages in the Dioceses of Canterbury and Rochester, J Nichols, London 1782, quarter leather with marbled boards and gilt tooled banded spine, with bookplate for John R Lambert and previous owners notes, 8vo, together with Boys, John: A General View of the Agriculture of the County of Kent…,second edition, McMillan, London 1805, with fold-out map and table of principal woodland, in quarter morroco with marbled boards and gilt tooled to spine, marble edged, 8vo. (2)
Cruden, Robert Pierce: The History of the Town of Gravesend in the County of Kent and of the Port of London, William Pickering, London, and James Johnston, Gravesend, 1843, with engraved plates and illustrations to text, embossed tan cloth with gilt title to spine, John R. Lambert bookplate, 4to. (1)
Gillow & Co: An Exhibition Quality Victorian Specimen Wood, Marquetry, Parquetry and Gilt Metal-Mounted Side Cabinet, 3rd quarter 19th century, the timbers including kingwood, tulipwood, amboyna, gonçalo alves, pearwood, burr yew and harewood, the mirrored superstructure with scrolled brackets above a breakfront frieze, the doors richly inlaid with marquetry panels of birds in a nest, flanked by column supports, the glazed doors enclosing a velvet-lined interior, on a platform base with compressed feet, acanthus gilded metal mounts throughout, the door stamped Gillow & Co, R and HP206cm by 50cm by 156cm Five of the gilt metal circular mounts are missing to the doors (as photographed). Overall in very good condition. Some general scratches on the shelf. Some bruising consistent with age, mainly around the top section (ie. below the mirror plate).
An 18 Carat Gold Opal and Diamond Cluster Ringthe oval cabochon opal within a border of round brilliant cut diamonds, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 1.20 carat approximately finger size RThe ring is in good condition. It is hallmarked with sponsor's mark 'PS', Birmingham, 1996. The opal measures 9.91mm x 7.09mm x 3.96mm approximately. The approximate qualities of the diamonds are; colour I/J/K, clarity I1/I2/I3. Gross weight 6.7 grams. CR made 06.02.23.
An 18 Carat Gold Emerald and Diamond Ringthe emerald-cut emerald in a yellow claw setting, to a broad plain polished shank, with two rows of round brilliant cut diamonds flanking the shoulders in white claw settings, total estimated diamond weight 0.55 carat approximatelyfinger size T1/2The ring is in good condition. It is hallmarked with sponsor's mark 'R&C', Birmingham. The emerald measures 8.68mm x 6.39mm x 3.83mm = 1.50 approximately. The approximate qualities of the diamonds are; colour I/J/K, clarity SI1/SI2/I1. Gross weight 10.3 grams. CR made 25.01.22.
A George V Silver Mug, by Viners Ltd., Sheffield, 1930 tapering cylindrical and on spreading foot, with loop handle and glass base, engraved with initials above an inscription 12.5cm highThe inscription reads 'No 5 B. D. Coy R. E.'.Fully marked near handle. Further part marked underneath. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The mug was filled with liquid and does not appear to leak however it is being sold as decorative and not functional. The capacity is approximately one pint. The gross weight is 541gr.
Zwei Radierungen Hans Steinbrenner1928 Frankfurt - 2008 Frankfurt "o. T. (Rad H)" 1968 u. re. monogr. H.St. u. li. bez. u. dat. "Rad H" 1968 o. li. in der Platte bez. "H" Exemplar 16/40 16 x 23,3 cm (Plattenmaß), o. R. und "o.T. (Rad T)" 1969 u. re. monogr. u. dat. H.St. 1969 u. li. bez. "Rad T" u. li. in der Platte bez. "T" Exemplar 33/70, 24 x 16 cm (Plattenmaß), o. R.
Lithografie Antoni Tàpies1923 Barcelona - 2012 Barcelona "o. T." 1962 u. re. sign. Tapies verso mit dem Stempel der Kestner Gesellschaft Exemplar 263/300 56,5 x 75 cm (Blattmaß), o. R. Wkvz.: Galfetti 74 Insges. gebräunt und leicht braunfleckig, obere rechte Ecke mit Knittern, minimaler Einriss am unteren Rand.
Satz von 12 Eisbechern, London um 1913.Sterlingsilber, teils innen vergoldet. Beschau London, Jahresbuchstabe "g" (f. 1902) bzw. "r" (f. 1912), 2 versch. Meistermarken f. Edward Barnard & Sons. Halbkugelige Kuppa auf schlankem Schaft u. ausschwingendem Rundfuß. Dieser 6 x m. Gravur "Jan. 24th. 1913". Ober- fläche leicht berieben (Vergoldung innen versch. stark erhalten), minim. variierende Höhen/ Durchmesser, 1 x Kuppa leicht verzogen, 1 x Kuppa minim. gestaucht, 1 x minim. Delle. H 11,8 - 12 cm zus. 1.200g24 Jan 1913, Edward Barnard & Sons Ltd., glatt, Gravur, schlicht, Sterlingsilber, vergoldet
Vier Grafikblätter Theo Garve1902 Offenbach - 1987 Hamburg Lithografie "Selbstbildnis" 1981 u. re. im Stein monogr. u. dat. T. G. 7.3.81 u. re. sign. T. Garve sowie mit Widmung 42 x 30 cm, o. R. Insgesamt leicht gebräunt u. mit kleineren Verschmutzungen. Holzschnitt "Selbstbildnis mit Gerda" 1979 u. re. sign. u. dat. T. Garve 79 sowie m. Widmung Handabzug, Exemplar 1/XVII Japanpaier, 39 x 31 cm, o. R. Teilweise braunfleckig. Holzschnitt "Theo und Gerda" 1962 u. re. sign. u. dat. T. Garve 1962 sowie m. Widmung 54 x 37 cm, o. R. Insgesamt gebräunt u. braunfleckig. Holzschnitt "Selbstbildnis beim Schreiben" 1963 u. re. sign. u. dat. T. Garve 1963 u. li. bez. "Selbschrift" Holzschnitt 54,5 x 43 cm, o. R. Insgesamt gebräunt u. braunfleckig.
Kohlezeichnung Louis Eysen1843 Manchester - 1899 München "Portrait Louise Schütz" 1895 u. re. sign. u. dat. Eysen 95 verso bez. von Otto Eysen: "Louise Schütz, Pflegerin von Emma Eysen" festes Papier/Japan, 47,5 x 31 cm, o. R. Provenienz: Familienbesitz Eysen; Kunsthandlung J. P. Schneider, Frankfurt; Privatsammlung Hessen Wkvz.: Vogel Nr. 223, Abb. S. 153 Lit.: AKL
Zwei Druckwerke Leo Maillet1902 Frankfurt - 1990 Bellinzona "Franz Kafka. Die Brücke." um 1960 im Titelumschlag sign. Léo Maillet Exemplar 26/39 Mit 1 Orig.-Holzschnitt von Léo Maillet (Leopold Mayer), dieser u. re. sign. Léo M. Privatdruck. 2 gefaltete Blätter (8 S.). 32,6 x 25,8 cm, o. R. und "Franz Kafka. Die Kreuzung." 1956 im Vorsatz sign. Léo Maillet Exemplar 10/30 Mit 6 Radierungen im Eigendruck je sign. Léo M., insges. 8 lose Blätter, Zerkall- Bütten, Privatdruck, Zürich 1956. 24,5 x 32,2 cm, o. R.
Konvolut Walter Stöhrer1937 Stuttgart - 2000 Taarstedt Radierung/Aquatinta "o. T." 1976 u. re. sign. u. dat. Stöhrer 76 Exemplar e. a. 39,5 x 49,5 cm (Darstellung), 53 x 70,5 cm, o. R. Radierung/Aquatinta "o. T." 1976 u. re. sign. u. dat. Stöhrer 76 verso an den oberen Ecken mit Montageresten Exemplar 33/50, 41 x 29 cm, o. R. Radierung/Aquatinta "o. T." 1976 u. re. sign. u. dat. Stöhrer 76 Exemplar e. a. verso an den oberen Ecken mit Montageresten 30 x 21 cm, o. R. Tuschpinsel- u. Tuschfederzeichnung "o. T." 1962 u. li. sign. u. dat. Stöhrer 62 sowie mit Widmung verso mit Trockenstempel "Schoeller Turm" u. bez. 50 sowie punktuell an den oberen Ecken auf einen Auflagekarton montiert 21,5 x 31,5 cm, o. R. Insgesamt leicht gebräunt. Mischtechnik "o. T." 1976 u. mittig sign. u. dat. Stöhrer 1976 u. li. mit Widmung verso an den oberen Ecken auf einen Auflagekarton montiert Fettkreide, Filzstift u. Aquarell, 29,5 x 21 cm Lit.: AKL
Mischtechnik Claus Burygeb. 1946 Gelnhausen-Meerholz "Pendulum" 1997 u. re. sign. u. dat. Bury 1997 u. li. mit dem Titel bez. 86,5 x 64,5 cm (Blattmaß), o. R. Darstellung der architektonischen Skulptur von Claus Bury, Standort Mainzer Landstraße, Frankfurt. Recto an den vier Ecken mit zarten Montagespuren.
Farbholzschnitt Georg Heck1897 Frankfurt - 1982 Frankfurt "Rhythmische Zeichen" 1958 u. li. sign. u. dat. Georg Heck 58 sowie bez. "farbiger Holzschnitt, Falzbeinabzug" und mit dem Titel bez. Exemplar 1/15, 62 x 67 cm (Blattmaß), o. R. Insgesamt leicht braunfleckig, die Ränder mit Knittern, obere linke Ecke defizitär.

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297893 item(s)/page