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Eddison (E. R.) Mistress of Mistresses: A Vision of Zimiamvia, first edition, signed presentation inscription from the author on front free endpaper, light scattered spotting to endpapers, 1935; The Worm Ouroboros, new edition, 1924, illustrations by Keith Henderson, original cloth, spie ends bumped, otherwise excellent, 8vo (2)
Mastin (John) The Autobiography of a Picture, ink ownership inscription on endpapers, 1910 § Carling (John R.) The Weird Picture, 1905 § Baerlein (Anthony) Daze, the Magician, signed presentation inscription from the author on front free endpaper, dust-jacket, torn with portion of loss to upper panel and spine, tears and fraying to edges, 1936, first editions, lightly foxed or spotted, original cloth, lightly faded; and c.50 others, horror and mystery fiction, v.s. (c.50)
Mayor ([Flora McDonald]) The Room Opposite, first edition, presentation copy with ink inscription "Lily | in memory of the author" on front free endpaper, pages lightly toned at margins with the odd spot, original cloth, light strip of fading to upper edge, spine ends a little creased, overall excellent, 8vo, 1935. *** A curious inscription, though written 3 years after the author's death in 1932. Her masterpiece, The Rector's Daughter, was published by Leonard and Virginia Woolf at the Hogarth Press in 1924. This collection includes several traditional ghost stories after the manner of M. R. James, who reviewed the pieces "which introduce the supernatural commend themselves to me very strongly." - front flap of dust-jacket.
Sabatini (Rafael) The Snare, light toning and foxing, 1917 § England (George Allan) The Flying Legion, cloth spine ends frayed, dust-jacket, broken, lacking spine and lower panel, edges rather chipped and nicked, Chicago, 1920 § Proctor (H.B.) The Mummy's Deam, light foxing, original wrappers, split along joint, spine browned and chipped, a little frayed, 1898 § Stockton (Frank R.) The Great Stone of Sardis, ownership name on pastedown, front free endpapers a little browned, 1898 § Markwick (Edward) The City of Gold, ownership inscription on front free endpapers, frontispiece and plates, few finger-soiling marks, 1896, first editions, all but the last original cloth, light fraying to extremities; and c.75 others, mostly late 19th and early 20th-century adventure fiction, v.s. (c.80)
Burnett (W. R.) Captain Lightfoot, lengthy signed presentation inscription from the author to a friend on front free endpaper, New York, 1954; Mi Amigo, ownership names on rear endpaper, 1959, first editions, original boards, dust-jackets, very minor nicks to spine ends, otherwise fine copies, 8vo (2)
Benson (A. C.) & others. The Book of the Queen's Dolls' House [Queen's Dolls' House Library], 2 vol., limited edition, presentation copy from Queen Mary, with signed presentation inscription "For Mrs Richards from Mary R. February 1931" on vol. 1 front free endpaper, plates, some colour, endpapers very lightly toned, original cloth-backed boards, uncut, corners rubbed, vol. 2 with a few spots to spine and a couple light marks to upper cover, dust-jackets, spines sunned, little rubbed with a few small chips to joints and edges, vol. 1 joints strengthened with tape to verso, housed together in slipcase (wear to extremities), 4to, 1924.
Freeman (R. Austin) The Mystery of 31 New Inn, light foxing to endpaper and half-title, 1912; A Silent Witness, endpapers lightly browned, variant cloth with gilt blind-stamping, 1914, first editions, original pictorial cloth, spines very lightly faded, extremities a little scuffed, but overall remarkably crisp copies, 8vo (2) *** A pair of quite scarce Freeman detective volumes, with the first edition of The Mystery of 31 New Inn invariably rare at auction, published a year before the Philadelphia published American edition.
MÄRKLIN Zugpackung, Spur 0, mit B-Dampflok R 12970, rot/schwarz, elektr., Tender, 2 Personenwagen 1872 und Gepäckwagen 1873. mit Schienen und Trafo, Wagendächer LS, Führerhausdach an 1 Ecke verdellt, mit Schienen und Trafo, Alterungs- und Gebrauchsspuren, OK geklebt, Deckelbild an den Rändern besch., Z 3
HILL WILLIAM, Watchmaker. Account of Sale of Furniture, Stock in Trade &c of the Late William Hill, Watchmaker. Detailed manuscript pocket account book, the sale totalled £12 15/3. No evidence as to the auctioneer & location. January 1857; also a manuscript pocket account book of William Heskett & Son, Land Agents, Penrith, relative to Holmegate Farm (Aglionby), c.1877-1899 with pasted-in Inland Revenue one penny receipt stamps; another with jotted entries relative to R. Dundas Esq. of Arniston, 3 others similar & another in leather. (7).
BILLINGS R. W. Architectural Illustrations, History & Description of Carlisle Cathedral. Eng. frontis, title vignette, plates & plans. Quarto. Orig. dark cloth, recased. 1840; also R. W. Billings, Carlisle Cathedral, eng. plates, Parts I & II, orig. brds., one with publisher's adverts, 1839; & R. W. Billings, Illustrations of Geometric Tracery from the Paneling Belonging to Carlisle Cathedral, 1842. (4).
ACKERMANN R. (Pubs). The History of the Abbey Church of St. Peter's Westminster, Its Antiquities & Monuments. 2 vols. Subscriber's list. Eng. port. frontis & plan & 81 good hand col. aquatint plates as per the plate list. Large quarto. Nicely rebacked mottled calf gilt. 1st ed., 2nd issue, 1812.
MILLER R. (Pubs). The Lyre, A Selection of Popular Psalm & Hymn Tunes with Appropriate Vignettes. Eng. title & each leaf fully engraved with vignette & music, three being double page. 12mo. Old calf backed marbled brds. N.d. but c.1820's; also The Illuminated Scripture Text Book with Descriptive Verses, chromolitho frontis, chromolitho illus. for each day, a few manuscript entries to the ruled leaves, rubbed red morocco, Frederick Warne & Co., n.d. (2).
(SMITH ROBERT CROSS). Raphael's Witch or The Oracle of the Future by the Author of the Prophetic Messenger. Eng. title, 2 large fldg. eng. plates by R. Cruikshank & the author (uncoloured), text diags. & illus. Orig. cloth, a good copy. 5th ed., 1850's; also Robert R. Knott, The New Aid to Memory, Part the Third, Adapted to Scripture History, 13 eng. plates (as called for), orig. green cloth, a good copy, 2nd ed., 1843. (2).
(PYNE WILLIAM HENRY). The Twenty-Ninth of May, Rare Doings at the Restoration, by Ephraim Hardcastle. 2 vols. Half title to vol. 1. Half calf, marbled brds., some rubbing & wear, internal foxing & spotting. Book label of Mr. William Phipson, 2nd ed., 1825; also G. P. R. James, Philip Augustus or The Brothers in Arms. half calf, 1851.
BENNET WILLIAM. A Sermon Preached Before the Society in Scotland for Propagating Christian Knowledge, at Their Anniversary Meeting. Edinburgh, 1800. Bound in rubbed & worn half calf with an Appendix relative to the affairs of the Society; also R. A. Smith, The Sacred Harmony of the Church of Scotland, worn cond., Edinburgh, n.d. & another copy of the same in prntd. card wrappers. (3).
COOKE CAPT. EDWARD. A Voyage to the South Sea and Round the World Perform`d in the Years 1708, 1709. 1710 & 1711. Title relaid. Fldg. dbl. globe eng. map of the world & 8 eng. single page plates (thus 9 plates only of 20 but textually complete). Defective bdgs., lower brd. det. but present, worn cond. & some leaves tending loose. Printed by H.M. for B. Lintot & R. Gosling, 1st. ed., 1712. On this voyage they discovered castaway Alexander Selkirk on Juan Fernandez island: the real-life story that inspired Daniel Defoe to write Robinson Crusoe. The map plate of Juan Fernandez is present (p.99).
JACKSON JOHN. The History of the Scottish Stage from its First Establishment to the Present Time. Half title, appendix & errata. Tree calf extra, gilt back. Bookplate of Jacobi P. R. Lyell. Edinburgh, 1793. James Lyell, the former owner, bequeathed the residue of his estate to Oxford University for the foundation of a Lyell Readership in Bibliography.
CLARKSON THOMAS. A Portraiture of Quakerism As Taken from a View of the Moral Education, Discipline, Peculiar Customs ... of the Society of Friends, by Thomas Clarkson MA, Author of Several Essays on the Subject of the Slave-Trade. 3 vols. Reverse calf, tending to split. R. Taylor & Co. for Longman, Hurst, 1806.
Doctor Who - Limited edition mounted prints in presentation boxes with decorated tissue paper and certification of authority. Prints measure approx 30cm x18cm within mounts which measure approx 40cm x 30cm. Includes Cyber Spaceship Int drawn by R S Williams, Song's Sonic drawn by Peter McKinstry, ESB Office drawn by Peter McKinstry, Davros' Chair drawn by Peter McKinstry, Stain Glass (TARDIS) drawn by Lee Bryan. (5)
Cult Movies, Exploitation, Censorship and Filmmaking: twenty-two related books- mostly first editions within pictorial soft covers, includes, PEARY (Danny). Cult Movies, Vermillion, 1982; McCARTY (John). The Sleaze Merchants: Adventures in Exploitation Filmmaking, New York: St.Martins Griffin, 1995; BRODE (Douglas). Money, Women and Guns, New York: Carol, 1995; ATKINS (Robert R.). Graphic Violence on the Screen, New York: Monarch Press, 1976; MILLER (Frank). Censored Hollywood: Sex, Sin and Violence on Screen, Atlanta: Turner, 1994; MATTHEWS (Tome Dewe). Censored: What they didnt Allow you to See, And Why: The Story of Film Censorship in Britain, Butler & Tanner, 1994; MARTIN(John). Seduction of the Gullible: The Truth Behind the Vide Nasty Scandal, Stray Cat, n.d; NAHA (Ed). The Films of Roger Corman: Brilliance on a Budget, New York: Arco, 1982; McDONAGH (Maitland). Filmmaking on the Fringe: The Good, The Bad, and the Deviant Directors, New York: Carol, 1995; NEIMES (Jill, editor). An Introduction to Film Studies, second edition, Routledge, 1999; together with, LUCAS (Tim). The Video Watchdog Book, 1992; KEREKES (David) and David Slater. See No Evil: Banned Films and Video Controversy, 2000; QUARLES (Mike). Down and Dirty: Hollywoods Exploitation Filmmakers and Their Movies, 1993; MARTINEZ (Gerald). What It Is . . . What It Was!: The Black Film Explosion of the 70s, 1998; Creative Screenwriting, 1998; The Armchair Detective, Volume 21, No. 3, 1988; JAWORZYN (Stefan, editor). Shock Press 2, 1994; JONES (Stephen). The Illustrated Dinosaur Movie Guide, 1993; FRENCH (Karl). Cult Movies, 1999; Screen Violence, paperback edition, 1997; BOORMAN (John, editor). Projections 3; and FIGGIS (Mike, editor). Projections 10, Film-makers on Film-making, two volumes, Faber and Faber, 1994-1999, 4to, 8vo.(22) Condition Report: overall good conditions.
Doctor Who - Limited edition mounted prints in presentation boxes with decorated tissue paper and certification of authority. Prints measure approx 30cm x18cm within mounts which measure approx 40cm x 30cm. Includes Tardis Concept drawn by R S Williams, Library Reception drawn by Peter McKinstry, Ironside Dalek drawn by Peter McKinstry, Davros' Chair drawn by Peter McKinstry, Speeder Bike drawn by Richard Hardy. (5)
Doctor Who - Limited edition mounted prints in presentation boxes with decorated tissue paper and certification of authority. Prints measure approx 30cm x18cm within mounts which measure approx 40cm x 30cm. Includes Genesis Device drawn by Matthew Savage, Cyber Spaceship Int drawn by R S Williams, Song's Sonic drawn by Peter McKinstry, ESB Office drawn by Peter McKinstry, Davros' Chair drawn by Peter McKinstry, Stain Glass (TARDIS) drawn by Lee Bryan. (6)
Doctor Who - Limited edition mounted prints in presentation boxes with decorated tissue paper and certification of authority. Prints measure approx 30cm x18cm within mounts which measure approx 40cm x 30cm. Arcadia street scene elevation drawn by Richard Hardy, Tardis Concept drawn by R S Williams, Ood Cold Colours drawn by Peter McKinstry, Speeder Bike drawn by Richard Hardy. ESB Office drawn by Peter McKinstry. (5)
Autographs: Earth, Wind & Fire Autograph album page Signed by nine members of the R&B/funk group, including, Ralph Johnson, Philip Bailey, Maurice White, Andrew Woolfolk, Al McKay, Larry Dunn, and others, further annotated in another hand, Earth Wind & Fire, LPool Empire, September 13, 1975.
Bill of Fare: Gropius Dinner, March 9th, 1937 - Original menu the Walter Gropius farewell dinner held at the Trocadero restaurant, London, hosted by Julian Huxley; The menu, designed by László Moholy-Nagy, printed by Lund Humphries, patterned parchment in three-colour, three column alphabetical list of guests, black and white portrait photograph of Gropius, list of the toasts and menu. Everyone from the design community attended the event to bid farewell to Gropius and his wife Ise, (nicknamed Pia) who had decided to move to the United States, the guest list included Noel Carrington, Serge Chermayeff, Wells Coates, Geoffrey Faber, E. Maxwell Fry, Siegfried Giedion, John Gloag, V. H. Goldsmith, Ashley Havinden, R. S. Lambert, Henry Moore, László Moholy-Nagy, Christopher Nicholson, Nicholas Pevsner, J. Craven [Jack] Pritchard, Herbert Read, Arthur Upham Pope, J. M. Richards, Gordon Russell, P. Morton Shand, and H. G. Wells and others, 9 x 23 .5 cm. (1)Walter Adolph Georg Gropius (1883-1969) was a German American architect and founder of the Bauhaus School in Weimar, Germany (1919). He is regarded as one of the pioneering masters of modernist architecture along with Alvar Aalto, Ludwig Miles van der Rohe and Frank Lloyd Wright. Walter Gropius was also a leading architect of the International Style. László Moholy-Nagy (Hungarian 1895-1946) joined the staff of the Bauhaus in 1923, and in 1937 accepted an invitation of a group of Midwest business leaders to set up an Industrial Design school in Chicago. The New Bauhaus opened in the Fall of 1937 financed by the Association of Arts and Industries as a recreation of the Bauhaus curriculum with its workshops and holistic vision in the United States.Provenance: by descent from the family of Richard Carr (1935-2018) Journalist and Design Historian. Condition Report: light marks to front cover with some darkening to part of the rear cover, otherwise overall bright and clean condition.
* KATE ROBINSON BA (Hons) MRBS, THE ANNIVERSARY (THE MAQUETTE) bronzed composite 30.5cm high Note: Kate Robinson is perhaps best known in Glasgow for several public art commissions including the statues of Jimmy Johnstone and the founder of Celtic football club, Brother Walfrid at Celtic Park, Glasgow. The "Brother Walfrid Veil" covered the sculpture at the unveiling ceremony printed with hundreds of drawings of footballers by children from different faith communities.Recent & Upcoming projects: 2023-24 Zmina international arts evaluator, Izolyatsia, Kyiv, Ukraine; 2022-23 Swimming in the black sea, Tblisi Architecture Biennial; Thomas Donohoe Memorial, Busby 2021, Hidden Doors, Traquair House Maze, Peebles; Goddess of Noon, London, Royal Society of Sculptors 2020 Embodied Memory Connected Arts Network; Adam Lay YBounden, Glasgow University Memorial Chapel. 2019 Moot, Now & Next, commission BBC/LUX; Lentfest, exhibition tour, Glasgow; Culture Counts, writing, Federation of Scottish Theatre 2018 Deep Green, Dovecote Gallery, Edinburgh; An Sgàileadair|The One that Shades, sculpture, Tramway, Glasgow; Theneu finding light in darkness, exhibition, Glasgow Cathedral 2017 Perceived Identities residency/exhibition, Yermilov Centre, Kharkiv, Ukraine 2016 Uainead|Degree of Greenness, Gaelic Arts, National Theatre of Scotland, Tramway, Glasgow. 2014-15 European Association of Archaeologists, Artist in Residence. Awards: 2020 Hope Scott Trust Award 2019 LUX Bursary 2018 Robert Graves Poetry Award shortlist Words and Women National Writing Competition shortlist Sense Over Sectarianism Award for Brother Walfrid Veil Guardian/Modern Painters’ Prize for Writing on Art. Scotland Year of the Artist Award. Yorkhill Hospital Award, Scotland Year of Architecture Award Sciart Shortlist: Strengths and Difficulties Questionnaire. McColl Arts Foundation, 1st Prize. John Keppie Award for Sculpture. Weir Pumps Centenary Award.Public Art Commissions: Thomas Donohoe Memorial, Busby 2021Tracing Stories, film for EAA Glasgow 2015; Gie Me ae Spark o' Nature's Fire, artworks integrated into new Johnston Town Hall 2014 Via VeritasVita, for Bishop of Paisley 2013 The Govan Timeline, Langlands Path, Govan, Glasgow 2011 Woman Man Sun Moon, Newhouse, M8; The Very Atom is Light Energy, Govan Cross 2008 Jimmy Johnstone, Celtic Park, Glasgow; Ramshorn Engravings, Ingram Street, Glasgow. 2007 The Symphony of the Trees, Newbury, Berkshire. 2006 Processional Crosses,St Mary’s Church, Calton, Glasgow. 2005 Brother Walfrid, Celtic Park, Glasgow. 2000 Light Cross, National Seminary for Scotland.Recent Solo Exhibitions: 2019 Angels Advent, exhibition, Archdiocese of Glasgow , 2012 For Brass I Will Bring Gold...Glasgow University Memorial Chapel 2011 The Boardroom, Fairfields Ship Yard, Govan 2008 Prism, Museum of Contemporary Art, Tallinn, Estonia 2007 Fruit, Landertinger Wagner Gallery, Salzburg, Austria 2005 Colours, Hughson Gallery, Glasgow 2001 Theatre of Memory, Collins Gallery, University of Strathclyde, Glasgow. 2000 The Foot Washing, Glasgow Gallery of Modern ArtRecent Group Exhibitions: 2022 Altered States, Newbury; 2015-2016 Cradle of Scotland, Hunterian Art Gallery, Glasgow, Stirling Smith Art Gallery and Museum 2014 CARA Arts of Resistance, London; Experiencing Bronze, Milton Art Gallery 2012 National Library of Scotland 2011 National Library of Scotland 2009 Nidaros Cathedral, Trondheim, Norway 2008 Ricefield, Glasgow; Stations of Grace, St Mary's Episcopal Cathedral, Glasgow. 2007 New Hall Biennial, Cambridge; Paradise, Berlin, Germany. 2006 The Magic of the Ball, Berlin, Germany. 2005 Wild Dogs, Copenhagen, Denmark; The Lighthouse Gallery, Glasgow. 2004 Art: 2004, London; Cyril Gerber Fine Art, Glasgow; De Spelerij, Dieren, The Netherlands; Reciprocal Earth, Fold Gallery, Kirkby Steven. 2003 Flight, East-side Gallery, Berlin; Snowcase, Fold Gallery, Kirkby Steven. 2002 Ice sculpture, Nice, France; Jesus 2000,Gallery of Modern Art, GlasgowCuratorial: 2015 Wandering Home: Following in the Footsteps of the Celtic Peregrinatti, Photographs, Thomas Joshua Cooper, Govan Old Parish, Glasgow Cathedral & The Pilgrim’s Crozier, sculpture, John Creed, University of Glasgow for the European Association of Archaeologists 2014 Grounded, photographs by Judith Parrott Commonwealth Games, Airc II (Australian tour 2015-2017) 2005 Brother Walfrid Veil, schools inter-faith project, Celtic Park 2001-04 New Lanark Multidisciplinary Art Project, Lanarkshire schools 2000 International Sand Sculpture Festival, Glasgow, Audience of over 80,000. Seedbed Press) 2013 Robertson, Kate, Ed., The Art of Resistance, CARA. Tate, Britain 2012 Between Us a Phoenix Arises, Seedbed Press 2011 Andenken (Memory Attunements) Seedbed Press 2009: Hidden Cities 5. 2007:‘Overlapping Worlds’, Textualities 2: Science and Intuition, ed. Jennie Renton (Edinburgh, Main Point Books).‘On the Pillars…’ and ‘The Ballad of Anton and Lynne’, Hidden Cities 3, ed. Rachel Jury, (Dancing Rabbit Productions, Glasgow). ‘Real Streams: Hildegard of Bingen’,The State of the Real, ed. Damian Sutton, Ray Mackenzie and Sue Brind,(London: Tauris) 88-97. 2006: A Search for the Source of the Whirlpool of Artifice(Edinburgh: Dunedin Academic Press, 2006). 154pp. 2005: ‘Making Brother Walfrid’, (Celtic Football Club Supporters’ Association, 2005). ‘The Celestial Streams of Giulio Camillo’, History of Science, 43 (2005) 321-41. 2004: Reciprocal Earth, poems and images published as a set of 6 postcards; Fold Gallery, Kirkby Steven. ‘The Psalmist’ (short version) The Guardian Review, 18.09.04.‘The Psalmist’, Modern Painters, Autumn: 22-23. ‘Power and Persuasion in the Theatre of Camillo’, Power and Persuasion: Sculpture in its Rhetorical Context,ed. Urszula Szulakowska(Warsaw: Institute of Art of the Polish Academy of Sciences, 2004) 37-48.2003: ‘Fame with Tongue’, Reformation and Renaissance Review, 6 (2004) 107-123.2003: Truman, J.; Robinson, K., Evans A.L., Smith, D.; Cunningham, L.;Millward, R.; Minnis, H.: ‘The Strengths and Difficulties Questionnaire: A pilot study of a new computer version of the self-report scale’, European Child and Adolescent Psychiatry, 12: 9-14.; ‘Giulio Camillo and L’idea del Theatro’, E-Sharp: Online Journal. 1999 ed., Tall Ships, Short Stories, (Greenock: Greenock Tall Ships, 1999). 1997 Jacobsen, Fay W., ed., Living with Loss, (London: Jessica Kingsley Publishers, 1997). 1995 ed., Ae Fon Kiss, (Glasgow: Project Ability, 1995). 1990 In Ms. Aristotle’s Garden, (Glasgow: Glasgow Museum & Art Gallery).Work in Collections: Blackfriars College, University of Oxford; Celtic Football Club; Collins Gallery, University of Strathclyde; University of Glasgow; Contemporary Art Society, London; Glasgow Gallery of Modern Art; Glasgow Museum and Art Gallery; Glasgow Royal Concert Hall; National Seminary for Scotland; National Space Science Centre, Leicester; New Hall, University of Cambridge; Southampton City Art Gallery; St Mary’s Calton, Glasgow; Strathclyde University Chaplaincy; Taylor Clarke Partnership; Private collections in UK, Europe and USA. Associate of Royal British Society of Sculptors.
K&R Replicas & Classic Supercars, a boxed pair of white metal models comprising of K&R Replicas Triumph Dolomite along with Classic Supercars AC Cobra 427. Although not checked for completeness, conditions generally appear Good to Excellent with the Cobra appearing to have the windscreen missing in generally Fair to Good boxes. See photos.
Minichamps (Paul's Model Art) a boxed group of 1/43 scale Porsche 911 GT sports/racing models in various liveries to include WAP0200160B 911 GT3 'R', WAP02012316 911 GT3 "CUP" and others. Conditions although unchecked generally appear to be Near Mint to Mint in generally Excellent rigid Perspex cases with Good outer slip sleeves. See photos.

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297893 item(s)/page