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Lot 1020
A large collection of vintage 20th century Jazz music CD's Buddys Best, Dexter, John Coltrane, Andrew Colman Quartet, Warne Marsh & Kenny Dew, Sonny Rollins, Chet Baker, Billie Holiday, Henri Textier, The Jazz Scene, John Coltrane, Cannonball Adderly, Woody Shaw, Grant Green, London Connect, Miles Davis, Bud Shank, Sonny Stitt, Joe Henderson, Gene Ammons, Bud!, J. R. Monterose, Thelonius Monk. Charlie Parker, Chet Baker Stan Kenton, Frank Rosolino, Eric Dolphy and more.
Lot 1063
A collection of British Railway onboard Memorabilia, to include: a mid-century water / wash jug, stamped on the base with the double arrow logo. An original stamped B.R (W) enamel wash bowl, some lose to enamel, diameter 37cm. And a beige woollen blanket centrally stamped B R. 208cm x 150cm.
Lot 1106
A late 18th century King George III .925 silver shilling having the bust of George III facing right with the inscription reading: GEORGIUS III DEI GRATIA to the obverse, the reverse having the cruciform shields with the legend reading M B F ET A REX F D B ET L D S R I A T E T E. Dated 1787. It measures 2.4cm in diameter & weighs 7.3g.
Lot 4
THREE GEM SET RINGS, the first a yellow metal half eternity ring set with four square cut emeralds and three round brilliant cut diamonds, polished yellow metal band, stamped 585, 14k, rubbed personal engraving to the inside of the band, ring size O, approximate gross weight 3.4 grams, the second a three stone diamond crossover ring, set with three round brilliant cut diamonds, estimated total diamond weight 0.20cts, white metal mount leading onto a polished yellow band, stamped 18ct & Plat, ring size P, approximate gross weight 2.5 grams, the third designed with three small single cut diamond clusters, in a white metal mount and shank, stamped 925, ring size R, approximate gross weight 1.8 grams (condition report: general light wear, would benefit from a gentle clean, overall condition good)
Lot 545
A LATE NINETEENTH/EARLY TWENTIETH CENTURY JAPANESE SATSUMA BOWL, painted with a basket of flowers, a tea pot and a butterfly within a gilt border, diameter 12.5cm x height 4.5cm, four character marks to base (chip to rim, crazing, slight staining), together with a bisque porcelain figure group, marked 'th R' to base, height 29cm, and a Solgor ladies watch (sd, untested) (3) (Condition report: bowl and watch as stated, otherwise good condition, figure group appears in good condition, dusty)
Lot 995A
A VINTAGE AMERICAN 'JOHNSON'S FOLDING GOOSE DECOY', the printed card decoy of a Canada Goose by Wm. R. Johnson of Seattle, trade labels to the insides, with wooden and metal stand, housed in a fabric draw string bag with printed lettering, length of goose 55cm, length of bag 71cm (Condition report: letter W written near tail feathers on both sides, some staining, in fair condition overall)
Lot 151
Schnell, R. (1. Hälfte 20. Jh.)Sommertag mit Wäsche am See. Öl auf Malpappe. Unten rechts signiert. In schwerem, goldgefassten Prachtrahmen. 75 x 103 cm (Ra). Sommerliche Landschaftsszene am See, im Vordergrund der von der Siedlung herüber führende Anleger. Sumemrday with laundry at the lake. Oil on cardboard. Signed bottom right. In heavy, gold coloured ornamental frame.
Lot 241
Janssen, Horst, Hamburg 1929 - 1995"VerlegenheitsTanz 10.10. 64". Schwarz/Weiß Radierung, rechts unten in Blei signiert, 1964. Erschienen in der Griffelkunst-Vereinigung, Hamburg. Brockstedt R 278. Im Passepartout, 41 x 49,5 cm (Bl), gerahmt, 68,5 x 75,5 cm (Ra) Janssen, Horst, black/white etching, signed, in a passepartout, framed.
Lot 224
Hildebrandt, Eduard (1818 Danzig - 1869 Berlin)"Whampoa" oder "Whampoa. Sonnenuntergang". Chromolithografie nach einem Aquarell von Hildebrandt. Verlag R. Wagner, Berlin, um 1870/75. Im Motiv unten rechts eingedruckt signiert, unten links betitelt. Blatt No. 18 der Serie "Reise um die Erde". 22,5 x 30,5 cm, 45,5 x 56 cm (Untersatz). Vollflächig montiert. Untersatz angeschmutzt und gebräunt, insgesamt stockfleckig. Whampoa or Whampoa at sunset. Chromolithograph after watercolour painting by Hildebrandt. Publisher: R. Wagner, Berlin, around 1870/75. Plate no. 18 of a series. Mounted on supporting cardboard, here tanned brownish and spotty, foxing allover.
Lot 87
ROBERTSONS JAM VINTAGE GUITARIST BADGE A scarce original circa 1965 'Robertson's guitarist badge', wearing a white waistcoat, light blue coat and displaying the advertising slogan 'Golden Shred', the reverse impressed with maker's details 'R E V Gomm Frederick Street B'Ham 1965 Good condition, complete with original pin fittings
Lot 143
Ca. 100 AD A bronze figurine of a young Eros, standing naked atop a spool-shaped base. He is striding forward with his right leg advanced, his left arm stretched holding a branch. His eyes articulated, his lips parted, and a cascade of wavy hair frames his chubby face. Item comes with a professional historical report from Ancient Report Specialists. Size: L:230mm / W:110mm ; 1.65kg Provenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market.
Lot 167
Ca. 100-200 AD A gold finger ring composed of a round hoop, flat inside and rounded on the outside, with decorative vertical ribs along the shoulders. The hoop expands to support a large oval bezel with a border decorated in the same fashion as the ribs on the shoulders. The bezel is set with an intriguing frontal image of a chalcedony cameo of a grotesque male head with exaggerated features carved with remarkable and detailed precision. The crown of his bald head is topped with a small lock of hair, the eyes are deep set, an arched browline leads to a prominent aquiline nose, the forehead bears a pair of deep diagonal wrinkles, lips in a grimace. A ring with a grotesque would have served to ward off bad luck. For a similar grotesque cameo, but depicted in profile see The Collection (Lincolnshire) - LCNCC : 1914.725. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: D: 19.1mm / US: 9 1/8 / UK: S; 16.38g Provenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market.
Lot 169
Ca. 200-300 AD A finely carved carnelian intaglio bearing a young male bust behind a bust of bearded old male, both in profile facing left, possibly co-emperors Macrinus and his son Diadumenian who rose to power after the death of Caracalla in 217AD. The intaglio is set in a heavy, possibly later gold ring of a round hoop with wide faceted shoulders. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements.Size: D: 18.8mm / US: 8 7/8 / UK: R 1/2; 9.47gProvenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1970s.
Lot 172
Ca. 1-200 AD A finely modelled terra sigillata beaker of a conical-shaped body finished with a rounded rim. The upper part of its body is decorated with alternating bands of beads and ridges. For a similar see The British Museum, Museum number 1997,0402.5. Size: L:90mm / W:90mm ; 105g Provenance: Formerly in a collection of L. R., Bayern, formed before 1970.
Lot 189
Ca. 100-300 AD An elaborate pair of gold earrings each comprising (from top to bottom): faux woven hoops from which close atop a central rondel into which is set a round garnet which is surrounded by gold baubles and granulations to form a solar motif. Below the garnets hang a second geometrically organized decorative cluster comprising a pillar with three heavy gold baubles, teardrop garnets with a granulated frame, and a final multi-tiered bauble These beautiful items probably belonged to a Roman noblewoman. Excellent condition. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements. Size: L:48mm / W:14mm ; 11.85g Provenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market.
Lot 190
Ca. 100-300 AD A pair of gold earrings, each comprising a suspension loop, circular upper plate with a raised central boss and filigree border. The lower part of each earring comprises a teardrop-shaped plate with a black glass setting flanked by filigree spiral rondels and rows of gold baubles. These beautiful pieces probably once adorned the ear of a Roman noblewoman. Excellent condition; wearable. Size: L:41mm / W:19mm ; 7.76g Provenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market.
Lot 40
Ca. 1-100 AD A pottery vessel in the form of a jug with a dome-shaped lower body. The vessel has a squat, cylindrical neck and everted rim. A single handle connects the shoulder to the lip. The base is sat on a narrow foot. ‘Terra sigillata‘ is a type of fine ware Roman pottery identifiable by its red glossy surface slip, which was made in specific areas of the Roman Empire, such as North Africa, Gaul, and Central Italy. Terra sigillata is also known for the relief decoration many of the vessels were decorated with which is usually modelled, embossed, or applied. Indeed, some vessels are impressed with stamps which give the type of ceramic its name - terra sigillata means ‘clay bearing little images'. For a similar see The British Museum, Museum number 1982,0729.59. Size: L:190mm / W:180mm ; 1.05kg Provenance: Formerly in a collection of L. R., Bayern, formed before 1970.
Lot 43
Ca. 1-100 AD A large bronze statuette of goddess Venus standing with her weight on her right leg, the left leg bent at the knee and slightly advanced, leaning into her right hip, her slender torso nude; her both arms bent as to adjust a necklace; her head turned to her right, her gaze slightly downturned; the pupils recessed, her hair arranged in an intricate coiffure. Venus was the god of love, beauty, desire, sex, fertility, prosperity and victory. She was an especially important god for the Romans as she was also the mother of Aeneas, their mythical ancestor. For a similar see The Getty Museum, Villa Collection, Object Number: 57.AB.13. Item comes with a professional historical report from Ancient Report Specialists. Size: L:200mm / W:70mm ; 350g Provenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market.
Lot 54
Hellenistic, Ca. 400-300 BC A beautiful pottery bowl of hemispherical body elegantly flaring out of tiny foot. The basin is deep with wide opening, decorated on the outer edge with a subtle band of punched dot motif. Size: L:80mm / W:140mm ; 240g Provenance: Formerly in a collection of L. R., Bayern, formed before 1970.
Lot 95
Ca. 100-300 AD A beautifully formed gold ring of a round hoop with dramatically expanded shoulders and a carnelian oval intaglio depicting a figure of left-facing winged Victory. Roman rings were often embellished with intaglios, cameos, and precious gemstones. Mythology and Roman history were used as a repertoire of decorative themes. For more information, see Higgins, R. (1980). Greek and Roman jewellery. London: Methuen. Size: D: 18.8mm / US: 8 1/4 / UK: R1/2; 17.9g Provenance: Property of a London private collector, acquired on London Art market pre-2000.
Lot 127
Red Bull Sauber C18 J Alesi, Arrows Asiatech 2001 E Bernoldi, Tyrell Ford 026 R Rosset, 2 x Minardi Ford M01 M Gene 1999, Red Bull Sauber C18 P Diniz, Benetton Renault 2001 G Fisichella, 2 x Ferrari F300 Michael Schumacher, Williams BMW J-P Montoya, Arrows Asiatech 2001 J Verstappen and BAR Honda 2001 J Villeneuve (all Excellent boxes Excellent) (12)
Lot 129
Ligier JS41 A Suzuki, FW21 A Zanardi 1999, Benetton B199 A Wurz 1999, Arrows Asiatech 2001 E Bernoldi, FW22 2001 Ralf Schumacher, BAR Honda 2000 R Zonta, FW21 R Schumacher 1999, Ferrari 1997 E Irvine, Minardi M01 1999, Arrows Asiatech J Verstappen and Red Bull Sauber 2000 P Diniz; together with Pauls Model Art McLaren MP4/6 G Berger (all Excellent boxes Excellent) (12)
Lot 100
Becher mit Futteral Meissen 1725 Walzenförmig, sich nach unten verjüngend, auf godronniertem wulstigem Standfuß. Wandung umlaufend bunt bemalt mit Kauffahrtei- und Figurenszenerien. Ränder gold gehöht, Lippenrand mit Spitzenbordüre. Porzellan, am Boden unterglasurblaue Schwertermarke. Malerei von Johann Gregorius Hoeroldt. Vgl. R. Rückert 1966, Tafel 52, Nr. 187. H=9,8 cm
Lot 116
Teedose „Ozierrelief“ Meissen 1745 Rechteckig, mit Korbflechtrelief und abgerundeten Schultern. Übergestülpter Deckel mit Blütenknauf. Beide Schauseiten bunt bemalt mit Bergmannszenerien, umgeben von Streublumen. Porzellan, am Boden blaue Schwertermarke. Malerei von Bonaventura Gottlieb Häuer. Vgl. R. Rückert 1966, Tafel 153, Nr. 653. H=13,2 cm
Lot 172
Hahnenkanne Meissen 1734 Naturalistisch modelliert und staffiert. Auf dem Rücken runder, eingelassener Deckel mit geducktem Hasen als Knauf. Porzellan, unterhalb des Henkels unterglasurblaue Schwertermarke. Modell von Johann Joachim Kaendler. Vgl. R. Rückert 1966, Tafel 277, Nr. 1126. H=10 cm
Lot 43
Fischer und Fischerin Meissen 1738-42 Je barfüßig auf unregelmäßigem Sockel mit aufbossierten Blüten und Blättern stehend. In den Händen Fische haltend. Porzellan, bunt bemalt, verso am Sockel unterglasurblaue Schwertermarke. Modelle von Johann Joachim Kaendler. Vgl. R. Rückert 1966, Tafel. 224, Nr. 917 ff. (best.) H=18 bzw. 19,1 cm
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297887 item(s)/page