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Lot 57

Ɵ Antonius Azaro de Parma, Homilies, in Latin, decorated manuscript on paper [Germany (Ulm), dated 1393]To view a video of this lot, click here. 226 leaves (plus an endleaf at front and back), complete, collation: i-xvii12, xviii14, xix8, traces of occasional catchwords and quire signatures, double column of 38-40 lines of a series of late Gothic hands, opening words of each sermon in larger angular script, capitals touched in red in some sections, red paragraph marks, red rubrics, red underlining and simple red initials, red penwork boxes forming line-fillers between sermons, large opening initial in red strapwork enclosing trilobed design within its body, two leather tabs to mark major text openings, watermark close variant of Briquet 15021 (recorded Nuremberg in 1390; here 'tête de boeuf', but surmounted by a star rather than a cross), a few small spots and stains and a few wormholes, but overall in outstandingly fresh and crisp condition on heavy paper with wide and clean margins, 288 by 203mm.; fifteenth-century brown leather over bevelled wooden boards (bevelled in middle of board-edges in German fashion), tooled with diamond-shaped panels and various foliate stamps (one with Agnus Dei), remains of two brass clasps, small holes in leather on boards, losses of leather at top of spine and splitting at edges of boards, early monastic shelfmark on large paper label affixed to upper part of outer side of front board ("H19") in medieval fashion, with title in same place "Sermones dominicales fratris an-/ thony permensis R V I P", overall sturdy and robust condition; list of sermons and their corresponding reference nos. in Schneyer and Meersseman included with volume A large collection of some 95 Sunday and Lenten sermons in a manuscript with a precise date and provenance in the fourteenth century, in a fine medieval binding; the whole in an outstanding state of preservation Provenance:1. Additions to this book place it among the relatively small number of manuscripts for which we know almost all aspects of its creation. It was completed in 1393 for use by the Augustinian Canons of St. Michael's zu den Wengen in Ulm (founded as a pilgrim hospital and waystation from 1183 under the supervision of Augustinian Canons, closed briefly in the 1530s during the Reformation and reopened in 1549, and finally closed in 1803 and its goods sold): here with dated colophon "Anno domini Mocococolxxxxiii In vigilias Octave ma[u]ri" and a fifteenth-century ex libris on the front endleaf: "Iste liber est fratrum conventus monasterii in insulis vulgariter zü denWengen". Moreover, this second inscription continues, identifying the man who had it bound in the present binding as Petrus Rem, priest of the church at Hörvelsingen (a dependency of zu den Wengen), and perhaps it was in a temporary or loose binding for some decades after its creation. A further fifteenth-century inscription on the same endleaf supports this, stating: "Hunc librum legavit monasterio sancti Michaelis/ Ad insulis ulme dominus petrus dictus rem / Vicarius ecclesie nostre in Hervelsingen".2. By 1703, the book appears to have passed to nearby Wiblingen Abbey (Benedictine house, founded 1093, suffered greatly during Thirty Years' War, secularised in 1806 and then goods auctioned off), where the document that is loosely enclosed within this volume was written. The document attests to the death of A.P. Feliciano Müller in that year, during a siege by the French in the War of Spanish Succession, and is signed and sealed by Abbot Modestus of Wiblingen. If correct, then this volume sat for some time on the shelves in that abbey's celebrated Baroque library. Text:Antonius Azaro de Parma reached fame in the late thirteenth and early fourteenth century as a Dominican preacher with a flair for simple and clear sermons expounding Peter Comestor's Historia Scholastica. The first solid record of his works is a note of a copy of his sermons in the convent of San Domenico in Bologna in 1381 (that copy now Bologna, Archiginnasio, A.216), and a small number of extant manuscripts survive from the late fourteenth and fifteenth centuries. The texts here are a collection of his Sunday and Lenten Sermons, and like other early manuscripts of his sermons have a handful of variant texts and others otherwise unattributed to the author that suggest substantial variation in the earliest layers of the corpus (see G. Meersseman, 'Le opere di Fra Antonio Azaro Parmense, O. P. nella Biblioteca Nazionale di Monaco di Baviera', Archivum Fratrum Praedicatorum 10, 1940, pp. 20-47, at pp. 23-26). Neither Schneyer (Repertorium der lateinischen Sermones des Mittelalters, 1969-1990) nor Kaeppeli (Scriptores Ordinis Praedicatorum Medii Aevi, I, 1970) lists a sermon collection for this author in this form, and we have been unable to trace another copy. While the first group of sermons here have received some scholarly scrutiny (see M. Michèle Mulchahey in Dominican Education Before 1350, 1998, p. 430), nothing has yet been written on the second group, and there is no modern edition of these texts. Thus, this codex is deserving of much further careful study. 

Lot 40

9CT GOLD RING WITH RUBY (SIZE R)

Lot 495

Trevor Chamberlain (b.1933) British, 'Waterfront, R. N. College, Greenwich', three figures standing outside the Royal Naval collage with Greenwich dock in the background, oil on canvas, signed and dated '81. 9.5" x 13".

Lot 1007A

A 9 CARAT GOLD SMALL CIGAR PIERCER, hallmarked for London and with makers mark 'R&R'.

Lot 222

R. COOPER, SHEFFIELD A MASSIVE CUSTOM BOWIE-KNIFE, with 12in. clip-point blade false edged for the last 4 1/2in., scalloped back edge, the left hand side signed 'HAND MADE R. COOPER SHEFFIELD ENGLAND' and 'R. COOPER SHEFFIELD ENGLAND' on the ricasso, substantial clipped corner rectangular brass cross-guard with scalloped sides, natural stag scales held with five brass pins to the heavy brass coffin hilt, brass bolsters, scalloped edges to the squared brass pommel and geometric engraving to the tang edges, complete with a black leather scabbard, appearing unused. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

Lot 1467

WESTLEY RICHARDS A 12-BORE SINGLE-TRIGGER SIDELOCK EJECTOR, serial no. 18264, 28in. nitro reproved barrels, the rib engraved 'WESTLEY RICHARDS. 23 CONDUIT ST. LONDON. GUN MAKERS BY APPOINTMENT TO H.M. THE KING.' (faint), 2 3/4in. chambers, bored approx. 1/4 choke in both, treble-grip action with hidden third-bite, automatic safety with gold-inlaid 'SAFE' detail, gold-inlaid cocking-indicators, L.B. Taylor modified 'two pull' single-trigger, patent no. 26659 of 25th November 1909, use no. 888, best fine acanthus scroll and floral bouquet engraving, single-trigger selector switch stuck to the 'R' position, brushed and reblued finish overall, 14 1/2in. highly-figured replacement stock, weight 7lb., in its brass-cornered oak and leather case. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act

Lot 1204

AUG. LEBEAU-COURALLY A SMEETS-ENGRAVED .458 WIN. MAG. 'MOD. 101C' SIDELOCK EJECTOR DOUBLE RIFLE, serial no. 44377, 24 1/2in. nitro chopperlump barrels with finely engraved and matted sight rib, open sights with folding leaf sight, ramp-mounted bead fore-sight, the breech end with quickly-detachable telescopic sight mount bases, the tubes engraved 'AUG. LEBEAU-COURALLY ARMES DE GRAND LUXE A LIEGE', treble-grip action with hidden third bite and side-bolsters, removable striker discs, manual safety with gold-inlaid 'S' detail, gold-washed tumbler pivots and some internals, articulated front trigger, the action, lockplates and furniture finely engraved with acanthus scrollwork and floral bouquets, the triggerplate signed 'R. Smeets. Gravr. Inr. de S.m. Le Roi', the triggerguard tang engraved with the serial number and 'FAIT POUR E. CASCIANO - ROME', retaining much colour-hardening and finish overall, 14 5/8in. figured pistolgrip stock with cheekpiece, engraved steel pistolgrip-cap (with trap), sling swivels and including 1 1/8in. rubber recoil pad, weight 10lb. 8oz.. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act

Lot 706

W. R. LEESON A .450 (3 1/4IN.) BLACK POWDER EXPRESS ROTARY-UNDERLEVER DOUBLE-BARRELLED HAMMER RIFLE, serial no. 712 / 1268, 28in. black powder only damascus barrels, broad file cut rib with open sights and folding leaf sight, marked 150 and 250 and with white metal inlaid sight lines, bead fore-sight, the tubes engraved 'W. R. LEESON. ASHFORD. KENT', Henry patent rifling, Jones patent rotary-underlever, treble-grip action with carved percussion fences, manual tang safety with gold-inlaid 'SAFE' detail, rebounding back-action locks, triggerguard tang, barrel flats and fore-end iron numbered 712, barrel under rib and fore-end release catch numbered 1268, very fine acanthus scroll engraving with ornate scrolling decorative bordering, retaining very slight traces of original colour-hardening, 14 3/8in well-figured pistolgrip stock with cheekpiece, sling eyes, engraved steel pistolgrip-cap and buttplate, fore-end with grip-catch release, light damage to wood, weight 8lb. 15oz.. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

Lot 1202

H. MAHILLON AN 8X60RS BOXLOCK NON-EJECTOR DOUBLE RIFLE, serial no. 8391, serial number on under rib only, 25 1/2in. nitro barrels, raised matt rib with open sights and fitted with a high visibility fore-sight, the tubes engraved 'ANCIENNE Mon H. MAHILLON BRUXELLES. FABRICANT D'ARMES DE S.M. LE ROI', scroll-back treble-grip action with side-clips, removable striker discs, manual safety, set front trigger, border and acanthus scroll engraving, the underside with later engraving 'EMIL R MARTIN BONN A/RH', triggerplate screw replaced, 15in. figured semi-pistolgrip stock including 1in. ventilated rubber recoil pad, sling eyes, fore-end with central blank white metal escutcheon, weight 7lb. 15oz.. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act

Lot 535

A RARE .577 (SNIDER) SINGLE-SHOT CARBINE signed 'R.B.', MODEL 'CORNISH'S PATENT', no visible serial number, almost certainly by R. Blakemore and dated 1867 and conforming to Patent No. 1828 of 12th July 1866 and Patent No. 1100 of 1867with 19 3/4in. barrel, block and blade fore-sight, rear-sight of one standing notch with two additional folding leaves, swing open manual 'Soper-style' breech with sprung extractor and nipple (retaining chained protector), shaped loading ramp, borderline engraved military style lock stamped with a stylised tree bisecting the letters 'R.B', the tail with 'V.R.' crown device, walnut full-stock, brass furniture except short saddle bar between the sidenails, two barrel-bands and captive pan-head clearing-rod, traces of finish.

Lot 716

A .380 (L/R) SINGLE-SHOT ROOK & RABBIT RIFLE SIGNED 'W.F. & C. BREVETE', serial no. 9363, Belgian circa 1890, with blued octagonal 25 7/8in. barrel, matted top-flat with dove-tailed for-sight and standing notch rear-sight with two additional folding leaves, the top of breech fitted with a blued moulded spring-clip operated by a short thumb-lever on the right side of barrel allowing automatic ejection and opening of breech-block, rolling block breech with separate locking central hammer, chequered walnut half-stock, blued iron furniture and much original finish remaining. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

Lot 458

J.J. KUCHENREUTER, GERMANY A FINE PAIR OF 36-BORE FLINTLOCK HOLSTER-PISTOLS WITH GILT MOUNTS, no visible serial numbers, circa 1740, with 13in. slightly swamped iron barrels, blind moulded sighting ribs signed 'IOHANN IACOB KUCHENREUTER', three gold inlaid maker's poincons at breech, silver spider fore-sights, inlet silver scrolls and numbers for the pair at breech, the solid top-tangs fitted with a standing notch rear-sight with additional folding leaf, the tail of the tang of No1 pistol inscribed 'R', slightly curved brushed bright locks engraved with gamescenes of deer and hunting dogs, the forward section of the locks with bevel edges, the tails pointed and radiused, swan necked cocks with chisel engraving, lozenge pans and bridleless frizzens (refaced) with carved springs, highly figured walnut full-stocks with carved borders around the mounts, relief carved vine scrolls around the top-tangs and fore-ends, inlet wire scrolls to the wrists around complex moulded and relief carved escutcheons featuring further deer and hounds, gilded brass mounts all heavily carved and engraved including long side-spurred butt-caps and trigger-guard bows with integral finials, bevel-edged lower tangs and faceted pipes, set triggers, moulded horn fore-end tips and horn tipped wood ramrods.

Lot 20

C.G. BONEHILL, B'HAM A SCARCE .177 BREAK-BARREL AIR-RIFLE, MODEL 'THE BRITANNIA 'ANGLO SURE-SHOT MARK 1', serial no. 1022, circa 1907, with two stage 20 1/2in. barrel, dove-tailed front and adjustable rear-sights, the top-flat signed 'ANGLO SURE-SHOT MARK 1, MADE ONLY FOR R. RAMSBOTTOM, MANCHESTER' and 'COX'S PATENT', the side of breech stamped 'THE BRITANNIA' surrounding a seated figure of Britannia bisecting the legend 'REGD TRADE MARK', stirrup barrel locking latch, slanted air-chamber with applied walnut comb, cocking link housing the trigger-unit stamped 'RD394207', traces only of finish with some surface rust-spotting. Pre-1939

Lot 751

W. & J. RIGBY, DUBLIN A GOOD 80-BORE NEEDLE-FIRE SINGLE-SHOT ROOK & RABBIT RIFLE, serial no. 12058, circa 1860, with etched damascus 24in. octagonal barrel signed 'WM. & JN. RIGBY, DUBLIN' on the top-flat in gothic script, dove-tailed blade fore-sight, rear-sight of four folding leaves with platinum centre-lines, border engraved breech (traces of colour), borderline and scroll engraved action, the latter signed on the left side in gothic script within a banner 'WM & JN. RIGBY', the reverse 'DUBLIN', screw-breech, the rear face marked 'D121 R&N PATENT', central hammer with detachable needle, butter-knife bolt-handle with chequered tip, figured walnut straight-hand butt-stock with chequered wrist, engraved and stippled iron heel-plate, chequered walnut splinter fore-end, strong traces of original finish throughout. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

Lot 86

A CHINESE BLUE AND WHITE 'BAXIAN' YEN YEN VASE KANGXI 1662-1722 Painted to the exterior in underglaze blue with eight large cartouches, each enclosing one of the Eight Immortals standing in a fenced garden holding their attributes, the panels reserved on a carved ground of peony flowerheads blooming amidst scrolling foliage, with geometric bands encircling the rim, shoulder and foot, together with a reticulated wood stand, 43.8cm. (2) Provenance: from an English private collection, West Yorkshire, formed in the 1970s and 1980s, purchased from the Reverend G E Grime. Cf. Oriental Ceramics: The World's Great Collections, vol.7, Musée Guimet, Paris, pl.114 for a comparable Kangxi yen yen vase similarly painted with large cartouches enclosing the Eight Immortals on a diaper ground from the Grandidier Collection; see also R Chen, Qing Shunzhi Kangxi Chao Qinghua Ci (Qing Dynasty Shunzhi and Kangxi Blue and White Porcelain), pp.478-479, no.309 for another similar example also with the panels reserved on diaper in the collection of the Palace Museum.清康熙  青花開光八仙紋鳳尾尊來源:英國西約克郡私人收藏(1970-80年代),購於Reverend G E Grime。

Lot 108

A PAIR OF CHINESE FAMILLE ROSE 'EIGHTEEN LUOHANS' DISHES QIANLONG 1736-95 Each painted to the centre with a beauty and child watching another lady play the qin, all contained within borders of gilt-decorated flowers and panels enclosing birds, with the Eighteen Luohans to the rim of each, the details highlighted in gilt, the bases with paper labels, 22.3cm. (2) Provenance: from an English private collection, London, purchased from H R Hancock & Sons on 17th July 1957, and thence by descent. A copy of the invoice is available.清乾隆  粉彩吉慶如意十八羅漢碟  一對來源:英國倫敦私人收藏,1957年7月17日購於H R Hancock & Sons(附發票複印件)。

Lot 85

A CHINESE BLUE AND WHITE 'QILIN' SLEEVE VASE SHUNZHI 1644-61 The tall cylindrical body flaring at the rim, painted with a qilin seated in a landscape amidst rockwork and plantain, with pendant leaves and sprays of pomegranate and magnolia below, 40.6cm. Provenance: acquired in the 1980s. Cf. J Ayers, Chinese and Japanese Works of Art in the Collection of Her Majesty the Queen, vol.1, p.128, nos.247 and 248 for two vases with similar decoration; see also R Chen, Qing Shunzhi Kangxi Chao Qinghua Ci (Qing Dynasty Shunzhi and Kangxi Blue and White Porcelain), pp.100-101, no.53 for a related blue and white Shunzhi period sleeve vase decorated with a qilin and phoenix in a rocky landscape above scrolling lingzhi and pendant leaves.明順治  青花麒麟送子紋花觚來源:購於1980年代。

Lot 121

A RARE AND MASSIVE CHINESE GE-TYPE MOONFLASK, BAOYUEPING YONGZHENG 1723-35 The flattened body moulded to each side with a large circular central boss surrounded by nine ruyi-heads, decorated all over with a pale greenish-grey glaze suffused with dark crackles, the short cylindrical neck flanked by two applied scroll handles, all raised on a short gently flared foot, 50cm. Provenance: from the estate of Dikran Ouzounian (d.8th November 2011) and Seta Ouzounian (deceased), 79 Cadogan Square, London, and thence by descent. The glaze on this imposing moonflask is an active tribute to earlier Chinese Ge wares, which were notable for their deliberate irregular crackle. Whilst the exact location of the site remains unknown, the Ge kiln is regarded as one of the Five Great Kilns (Wu Da Ming Yao) of the Song dynasty, along with Ru, Jun, Guan and Ding wares. It is, however, interesting to note that no examples of Ge pieces have been discovered in Song dynasty tombs, and so their dating is still contentious amongst modern scholars. It is in fact possible that Ge pieces were not produced until the Yuan dynasty, perhaps as a copy of Song Imperial Guan wares. Imitations of Ge glazes applied to porcelain bodies first appeared during the Ming dynasty, and Imperial pieces of this type were produced during the reigns of the Xuande (r.1426-35) and Chenghua (r.1465-1487) Emperors. The later Ming saw the creation of only a few exceptional pieces of this type, and it was not until the reign of the Qing dynasty emperor Yongzheng (r.1723-35) that the imitation of Ge pieces was reinvigorated and reached new levels of sophistication. The Yongzheng Emperor is known to have been fascinated with the past and is remembered as a passionate collector of antiques. Under such a keen patron with great enthusiasm for works of art made for the Imperial Court, the potters at the Imperial Kilns in Jingdezhen carried out much research and experimentation during this period. The workers developed an extensive range of fine monochromes including reinventions of early wares, which reflected the Yongzheng Emperor's admiration of antiquity. Tang Ying (1682-1756), one of the most renowned supervisors of the Imperial Kilns, is particularly associated with the production of pieces imitating early wares during this period, and he writes about the production of imitation Ru, Guan and Ge wares in his Records of Ceramic Production (Taocheng jishi). For a more in-depth discussion on Yongzheng period copies of earlier Chinese wares, see Wang Qingzheng, Yongzheng Imitations of Guan, Ge, Ru and Jun Wares, Chinese Ceramics: Selected Articles from Orientations 1982-1998, pp.265-270. Cf. Bonhams Hong Kong, 26th May 2007, lot 220 for a similar vase; see also Sotheby's London, 8th November 2006, lot 173 for a comparable piece moulded with the Eight Trigrams; see also Sotheby's Hong Kong, 28th November 1978, lot 207 for a related Guan-type moonflask with the Eight Trigrams design.清雍正  仿哥窯抱月瓶來源:Dikran Ouzounian(逝於2011年11月8日)及Seta Ouzounian遺產,之後由其家族繼承。哥窯為宋朝五大名窯之一,其主要特征是釉面有大小不同的開裂紋片,是為南宋時期修內司官窯燒製的。早在宣德及成化年間的官窯已經開始在模仿宋代哥窯開片釉,這種技術發展到清代雍正時期可謂攀上新的高峰。這不僅是雍正皇帝憶古之情的體現,更要歸功於兩位著名督窯官年希堯與唐英。此種樣式源於波斯的金屬工藝品形狀,經改造以迎合漢人的審美。創燒於明永樂官窯,因成型時必須分別製作再粘合成器,故成品難度極大。由此件拍品可看出當時以異材器型和古代瓷釉所重新組合而成的仿古創新之作。

Lot 273

VINTAGE THEODOLITE WITH CASE SUPPLIED BY E R WATTS & SON OF LONDON

Lot 142

A collection of European ceramics to include: part Sevres pattern no: 5360, some pieces marks, part breakfast set white ground decorated with floral sprigs,including 5 various cups, 2 jugs, sugar bowl and cover, plates and saucers together with a set of five Union R Czechoslavian cabinet plates, painted with flowers; a Limoges Haviland & Co., coffee pot and cover; Limoges egg shaped vase and Rosen Hale (German) large tureen and cover; Sevres style three tier cake stand (Q) 

Lot 228

A Lalique Campanules pattern plate in neodymium glass, diameter 24cm, etched R Lalique, France to the base. This item appears to change colour under different light conditions and against different backgrounds. Note: A  rare piece as Rene Lalique made very few in neodymium glass.Condition: A few minor surface scratches to the bowl.

Lot 264

R Field & Sons of Birmingham,  Society of Arts Compound Student Microscope c1855. This is the de-luxe version with brass foot rather than standard cast iron foot. Good condition in wooden box.

Lot 272

R & J Beck The British Students Microscope c1899. In good condition in wooden case with key. 

Lot 293

R Field & Son Society of Arts Prize School Microscope c1855. In original wooden box with instructions.

Lot 295

Microscopes: R & J Beck star, 1908, Hartnack & Prazmowdki compound, c1875, C Baker improved nature c1919. (3)

Lot 318

Lionel D R Edwards R.I., R.C.A (1878-1966)The Quorn Lowesby (Hall)oil on canvas, 39 x 75cmsigned and dated 62 lower right, titled lower left Tyron Gallery Label verso  

Lot 424

A collection of table silver to include: a set of three Victorian circular salts, floral decoration on three hoof feet, London, 1883, maker's marks rubbed; pair of Modern pepper grinders, engine turned bodies, by Joseph Gloster, Birmingham, 1972 and Georgian style wine coaster, on turned mahogany base, by R&D, Birmingham, 1973 (Q) 

Lot 559

A diamond and sapphire 18ct white gold cluster ring, the central stone weighing approx 1.95carats, assessed colour L, assessed clarity SI1, with a  row of channel set tapered calibre cut sapphires, within a border of old cut grain set graduated diamonds, total diamond weight approx 3.5carats, assessed colours I, assessed clarities SI1, size R, unmarked assessed Platinum and 18ct white gold, total gross weight approx 7gms Condition report: good, all stones and setting intact, shank shows evidence of resizing CONDITION:centre stone measures approx 7.42mm x 7.94mm x 5.08mm

Lot 583

A pearl and diamond 18ct white gold ring, the cultured pearl set to the centre approx 13mm, white with pink overtone, within a border of thirty claw set tapered baguette cut diamonds, total diamond weight estimates as approx 3cts, setting diameter approx 20 x 24mm, size R, unmarked assessed as 18ct white gold, total gross weight approx 10.6gms  Condition report: good- all stones present and intact, minor wear and tear, shank has been modified with sizing balls, diamond weight estimated as unable to obtain depths of stones CONDITION:A pearl and diamond 18ct white gold ring, the cultured pearl set to the centre approx 13mm, white with pink overtone, within a claw set tapered baguette cut diamond border, total diamond weight approx????  setting diameter approx 20 x 24mm, size R, unmarked assessed as 18ct white gold, total gross weight approx 10.6gms  condition report: good- all stones present and intact, minor wear and tear, shank has been modified with sizing balls assessed clarities SI2/3-I1colours J/K south sea

Lot 614

A coral and diamond 18ct yellow gold ring, comprising an oval coral set to the centre within a border of small brilliant cut diamonds, setting approx 10mm x 15mm, size R, stamped 750, total gross weight approx 4gms,  Condition report: Good- minor wear and tear, all stones present and intactCONDITION:A coral and diamond 18ct yellow gold ring, comprising an oval coral set to the centre within a border of small brilliant cut diamonds, setting approx 10mm x 15mm, size R, stamped 750, total gross weight approx 4gms,  Condition report: Good- minor wear and tear, all stones present and intact

Lot 93

A 19th Century Coalport fruit comport / tazza, the centre painted with fruit signed A R Budd together with further ceramics to include: Coalport cabinet plate painted with "Loch Leven" and signed by P Simpson pattern no: 6592/2 in gilt; a Davenport Longport Staffordshire fruit plate with reticulated sections to border, the reserve painted with Chinese birds, pink mark; a Coalport S692 dinner plate and  Staffordshire case plate (5) CONDITION:Davenport plate: chip and loss to reverse border, crack to reverse border, wear to painted centreStaffordshire square plate- wear to gilding and wear to paintother plates appear to be in good condition

Lot 97

A collection of Royal Worcester cabinet plates to include: matched pair with central fruit decorations, with heightened gilt decoration the borders, one signed S Weston, the other Ashford? together with a smaller plate, similar decorated with peaches and grapes, signed R Lewis; with two further plates depicting villages - Wick signed S Weston and Offenham signed P Graham with a Coalport 10265 dinner / cabinet plate (6) CONDITION:overall condition good 

Lot 144

Three English Pewter Tankards to include, an Pewter tankard made in Sheffield with pistol handle, a "James Yates" tankard presented to R.D Hart from Tarmac Construction Ltd and a "Crown & Rose" tankard also presented to R. Hart from Tarmac.

Lot 1438

R Jamison of Glasgow mahogany stick barometer, 100cm long

Lot 1809

An extensive collection of vinyl LPs and 12 inch records, all Hip Hop, R & B, Rap, etc, artist include Busta Rhymes, Dr. Dre, Fat Joe, The Notorious B.I.G, Mary J Blige, Alisia Keys, Nelly, etc (approx 160 records)

Lot 1329

22ct wedding ring, size Q/R, 2.9g and a Victorian yellow metal coral mourning brooch (2)

Lot 59

AN EARLY 20TH CENTURY LINEN COVERED MANNEQUIN on a tripod base with turned support and stamped 'Buste Girard of Paris', and also 'R D Franks Sole Agent for UK 6 Oxford Mansion London', 34cm wide x 165cm high overall At present, there is no condition report prepared for this lot This in no way indicates a good condition Please contact the saleroom for a full condition report

Lot 8

A LATE 19TH CENTURY CONTINENTAL STYLE MICROSCOPE by R & J Beck Limited of London numbered 20939 (1897), with rack and pinion coarse and micrometer, thumbwheel fine focusing, four signed objective lenses: 1/4, 1/2, 1 inch, and 2 inches together with lacquered brass cans and two eye pieces, the square stage with slide clips and mechanical swing out substage holes with iris type stop and all standing on a Y shaped foot, with a case stamped 'Agents Brady & Martin Newcastle-on-Tyne', the case 29cm high Condition: spots, marks and minor scratches to the lacquer of the microscope, the case with some splits, minor marks, dents and scratches overall

Lot 1780

The Waverley Novels, published by Macmillan & Co in twenty four volumes, published 1925, The Works of John Galsworthy, Grove Edition, twenty six volumes published by William Heinemann Ltd, ten volumes of R L Stevenson, published by Macmillan, London 1931, etc (74 - on three shelves)

Lot 1073

A 19th century continental cabinet cup and saucer in the Meissen manner with painted bird, insect and tree detail and blue crossed swords marks to base, together with a further turquoise ground cabinet cup in the Meissen manner with Watteauesque style figure decoration, an early 19th century cup and saucer with painted floral detail and small R mark to base, and a Royal Copenhagen jug with floral detail number 9238 (6)

Lot 1808

A quantity of 78rpm records to include R-o-c-k by Bill Hayley And His Comets, Stranger In Paradise, by Tony Bennett, River Of No Return by 'Tennessee' Ernie Ford, Slaughter on Tenth Avenue by Ray Antony's Orchestra, Frankie Vaughan, etc, together with a boxed set of 33rpm vinyl records - The Ray Noble Orchestra, The HMV Sessions, 1930-34 (1)

Lot 187

R Pethick-Williams, three various paintings entitled "Winter Sunshine", "Quiet Backwater" and "Late September"

Lot 157

James R Taylor, oil on board study depicting moored boats in a winter landscape together with a watercolour study of a lock scene signed Paterson and Katharina Powlesland, watercolour landscape study entitled "Fishermen, Boats and Cliffs" 1999

Lot 106

An antique 18ct good diamond and sapphire 'daisy' ring, size R.

Lot 613

A 9ct gold signet ring, size R, 7.6g 

Lot 579

Two yellow metal rings set with paste, sizes R & U, 2.7g

Lot 606

A 9ct gold signet ring, size R, 4.6g

Lot 617

An 18ct gold signet ring, Chester 1912, size R, 3.5g

Lot 470

A 9ct gold ring set with sapphires and diamonds, size R, 2.7g 

Lot 2548

Four bottles of R. Renaudin Grand Reserve 1993 Brut Champagne 75cl 12% vol

Lot 411

A 9ct gold ring set with an amethyst, 2.6g, size R, and a 9ct gold ring, 1.3g, size K

Lot 488

Victorian ring set with a natural pearl surrounded by old cut diamonds, size R, 3.3g

Lot 366

An 18ct white gold ring set with five old cut diamonds, the centre stone approximately 0.5ct, in Goldsmiths & Silversmiths box, size R

Lot 385

A 9ct gold ring set with diopside, size R, 3.5g

Lot 432

An early 20thC 18ct gold ring set with old cut diamonds and rubies, size R, 1.9g

Lot 1195

Modern feature hallmarked silver wine coaster, London 1976, maker R Hodd & Son, diameter 13cm

Lot 312

An 18ct gold brooch in the form of 'R' (2g), 9ct gold brooch and a pair of 9ct gold earrings, 6.3g

Lot 1180

Hallmarked silver cigarette case, weight 166g, candlesticks marked sterling, Indian white metal tray with inscription 'General and Mrs W Kitching from Dr and Mrs R Wilson', possibly of Salvation Army interest, and similar smaller tray, length of larger 23cm, weight of both 213g, hallmarked silver compact, two hallmarked silver frames, hallmarked silver caster lid, costume jewellery, badges etc

Lot 427

A yellow metal ring set with a garnet and cubic zirconia, marked 800, size R, 1.9g

Lot 1600

19thC or early 20thC brass cased repeating carriage clock, the white enamel dial with Roman numerals and alarm dial below, the movement marked R&C Paris, height including handle 17cm 

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