We found 297887 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 297887 item(s)
    /page

Lot 301

Ca. 2000 - 1000 BC.An elegant Mesopotamian duck-shaped gold bead. The bead depicts an abstract sleeping duck, with its long-beaked head turned to rest upon its rounded body. The hole is placed lengthways through the bead.Size: 15mm x 8mm; Weight: 9gProvenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1970s on the UK art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Lot 101

Ca. AD 800 - 1100.A Viking solid gold ring with a round hoop, formed from four intertwined strands. The strands taper into a thinner solid, flat section. For similar see: Viking art, Thames and Hudson, fig. 73, 74.Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 14gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Lot 788

Ca. AD 100 - 300.A superb Roman gold ring with a carnelian intaglio depicting Cupid in a chariot pulled by swans. The hoop is adorned three ridges and the each shoulder has two gold pellets connecting them to the bezel. For similar see: El Legado de Hefesto, n. 303.Size: D:18.95mm / US: 9 / UK: R 1/2; Weight: 10gProvenance: Private UK collection; previously acquired on the UK art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece comes with an authentication report by Sami Fortune, ancient jewellery specialist.

Lot 257

Ca. 1200 - 900 BC.A a pair of cast Bronze Age axe heads. The first double axe head is characterised by a short cylindrical shaft hole with a collared rim, flattened top and a vertical crescent-shaped blade. A smaller horizontal blade is attached to the back. The second axe has a vertical blade and cylindrical hole for attachment to a handle. For similar see: Christie's, Live Auction 9482, The Art of Warfare, The Axel Guttmann collection of ancient arms and armour, part II, Lot. 34.Size: 330mm x 270mm; Weight: 4.4gProvenance: Property of a central London art gallery; previously in the private collection of Mr. R. Unger; acquired in the 1970s on the UK art market.

Lot 817

Ca. AD 100 - 200.A Roman gold hollow votive statuette depicting a standing goddess, dressed in a long tunic, with vertical folders and cloak on the shoulders. The statuette has stylised facial features, characteristic of the late Hellenistic style. It features a round hoop on the back. The gold of the statuette emits a red sheen. For similar see: MET Accession Number: 53.191.2.Size: 45mm x 16mm; Weight: 6gProvenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1970s on the UK art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Lot 749

Ca. 300 - 100 BC. A solid gold Celtic hair ring, moulded from a single rod of gold. The ring has a tubular body embellished with a long, continuing spiral. Both ends of the ring taper to a dull point. Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 20g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Lot 842

Ca. AD 100 - 300.A green stone intaglio depicting dextrarum iunctio, a Latin phrase meaning “joining right hands”. This was a solemn gesture of loyalty similar to the modern handshake which could be associated with the marriage pact. The act is taking place beneath a single star. The intaglio is set in a high carat, possibly later gold ring.Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 7gProvenance: Private UK collection; previously acquired on the UK art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Lot 810

Ca. AD 100 - 300.A Roman solid gold ring with a round hoop, with a D section enlarged on the shoulders to form a round bezel. The bezel is composed of a circular frame that secures a carnelian intaglio. The intaglio depicts a standing, winged Cupid, most likely stringing a bow. The figure is portrayed in a stylised manner, with short hair. For similar see: El Legado de Hefesto, n. 312.Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 6gProvenance: Private UK collection; From an old British collection formed in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Lot 522

Ca. 2055 - 1790 BC.A beautiful grey steatite scarab that is affixed on the top of a gold hoop, that is enlarged on the bottom. Inscribed atop the scarab are naturalistic features and underneath is a hieroglyphic inscription with a scarab at the centre. For similar see: MET Museum Accession Number: 20.2.9.Size: D:19.76mm / US: 10 / UK: T 1/2; Weight: 7gProvenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with Parthenon gallery; acquired in the 1970s on the UK art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Lot 763

Ca. 100 BC - AD 50.A Roman carnelian intaglio representing three figures. On the left is Paris Alexander and on the right is Venus seated on the throne dressed in a long tunic and wearing a large diadem. The Roman intaglio is set in a high carat, possibly later gold openwork ring.Size: D:18.95mm / US: 9 / UK: R 1/2; Weight: 17gProvenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1970s on the UK art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Lot 818

Ca. AD 100 - 200.A Roman gold hollow votive statuette depicting a standing crowned goddess, dressed in a long tunic with vertical folders and cloak on the shoulders. The statuette has stylised facial features, characteristic of the late Hellenistic style. It has a round hoop on the back. The gold of the statuette emits a red sheen. For similar see: MET Accession Number: 53.191.3.Size: 53mm x 16mm; Weight: 7gProvenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1970s on the UK art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Lot 114

Ca. AD 800 - 1100.A Silver Viking ring shaped from a hammered sheet of silver with a flat hoop. The front face of the ring is elaborately ornamented with an incised phytomorphic motif. Many Vikings did not have a standard minted currency available to them and instead kept their wealth in the form of jewellery made from precious metals. Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 11gProvenance: Property of a London gallery; previously acquired at the art market in Vienna; formerly in an Austrian collection formed prior to 2000.

Lot 20

Ca. AD 400 - 600.A Byzantine solid gold ring with a round hoop that widens at the shoulders into a triangular shape. The shoulders are connected to a high, round bezel, composed of a circular frame that secures a red garnet intaglio. The intaglio depicts the Holy Dove, portrayed with spread wings and a raised tail. For similar see: Byzantium and the West, Jewelry in the first Millennium, fg. 10.Size: D:17.73mm / US: 7 1/2 / UK: O 1/2; Weight: 5gProvenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with Parthenon gallery; acquired in the 1970s on the UK art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Lot 16

Ca. AD 500 - 700.A stunning openwork gold Byzantine cross pendant, embellished with a phytomorphic motif made in filigree. The cross is composed of four arms with finials, adorned with a cross. At the center is a filigree cross, framed with a gold circle. The five filigree crosses represent the five wounds of Christ. For a similar example, see MET Museum Accession Number: 2006.569.Size: 42mm x 33mm; Weight: 4gProvenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1970s on the UK art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Lot 64

Ca. AD 700 - 1100. A Byzantine silver ring with a round D-section hoop, which widens on the shoulders to form an oval bezel. This inscription would have been a personal seal and is inscribed with Greek letters which is framed by an incised line. Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 7.75g Provenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s.

Lot 164

Ca. AD 1400.A medieval British silver wedding ring embellished on the external surface with diagonal lines. The diagonal lines alternate between being polished metal and a dotted texture. The internal surface is blank and polished.Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 4.1gProvenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s.

Lot 135

Ca. AD 1600. An Elizabethan or Stuart gold posy ring with an internal inscription reading “Godes blesing is my pordion” (God’s blessing is my portion). The inscription is most likely a reference to Psalm 16:5. Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 7.2g Provenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Lot 783

Ca. AD 100 - 300.A Roman oval nicolo intaglio depicting a Roman galley, including the heads of its rowers and its oars. At the front of the galley is a figurehead with a head of a mythical creature, possibly a basilisk. The intaglio is set in a high carat, possibly later gold ring. For similar see: El Legado de Hefesto, n. 381.Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 12.8gProvenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Lot 41

Ca. AD 500 - 700.A beautiful Byzantine architectural gold ring. The ring features a round, flat hoop decorated with geometric and rope-shaped motifs. The bezel is raised with hexagonal open-work and is adorned with golden pellets. The top of the bezel showcases a gold dome framed by a circular gold rope, surmounted by a gold pellet at its center.Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 5gProvenance: Private UK collection; previously acquired on the UK art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Lot 492

Ca. 100 BC - AD 100. A superb late Hellenistic polychrome stone amphoriskos. This vessel boasts an exceptionally elegant form with a heart shaped body that rests upon a hemispheric foot. The vessel has twin handles and a narrow neck that gradually flares to the rim. The vessel is completed with a gold lid secured to the handles by chains. Size: 40mm x 32mm; Weight: 40g Provenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1970s on the UK art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Lot 149

Ca. AD 1400. A medieval silver merchant ring with an irregular octagonal bezel, depicting a coat of arms surrounded by a frame of dots. The arms feature a heart from which three flowers are growing. For similar see: El Legado de Hefesto, n. 652. Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 7.1g Provenance: Property of a London Ancient art collector, formerly in a Mayfair private collection of Mr. P. S., formerly acquired on the UK art market since the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Lot 13

Ca. AD 500 - 700.A beautiful Byzantine gold religious. The ring has a round hoop with two parallel ridges that divide at the shoulders. These ridges are adorned with two red garnet cabochons on each side. The ridged shoulders secure a bezel, bordered with four golden pellets. The round gold bezel depicts an empress, most likely St. Helena, with a halo and holding a cross in her left hand.Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 11gProvenance: Private UK collection; previously acquired on the UK art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece comes with an authentication report by Sami Fortune, ancient jewellery specialist.

Lot 723

Ca. 300 - 100 BC.A Greek silver ring composed of a round tubular hoop widening on the shoulders to form an oval bezel engraved with a running horse in a naturalistic manner. For similar see: EL Legado de Hefesto, n. 115.Size: D:18.95mm / US: 9 / UK: R 1/2; Weight: 8gProvenance: Property of a London gallery; previously acquired at the art market in Vienna; formerly in an Austrian collection formed prior to 2000.

Lot 524

New Kingdom, Ca. 1550 - 1069 BC.An Egyptian bronze ring adorned with hieroglyphic inscriptions, intricately detailed and decorated with an oval line. The ring comprises of a tubular round hoop enlarged to form an oval flat bezel. For similar see: El Legado de Hefesto, n. 75.Size: D:18.95mm / US: 9 / UK: R 1/2; Weight: 31gProvenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Lot 762

Ca. AD 100 - 200. A Roman gold ring depicting Caracalla. The ring has a round hoop enlarging on the shoulders to form a round bezel composed of a circular frame. This secures a red garnet intaglio depicting the Emperor Caracalla, facing right. The figure is depicted in a naturalistic manner, with short hair and a beard that frames a detailed face. For similar see: El Legado de Hefesto, n. 412. Size: D:17.32mm / US: 7 / UK: N 1/2; Weight: 13g Provenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1970s on the UK art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece comes with an authentication report by Sami Fortune, ancient jewellery specialist.

Lot 187

Wagin, Ben. Phönix. Bronze, patiniert. Berlin, 1959. Maße: 45 x 21 x 16 cm.Die frühe kubistisch inspirierte Bronze aus Ben Wa(r)gins Zeit an der Berliner Hochschule der Künste, wo er als Assistent von Hans Hartung tätig war. Die große Bronze wurde auf der Wanderausstellung "Berliner Bildhauer und Maler" der von Wargin 1962 gegründeten "Galerie S" gezeigt, die 1964/65 in der Berliner "galerie pro arte" sowie in Leverkusen, Saarbrücken, München, Wolfsburg, Oldenburg und Delmenhorst präsentiert wurde, begleitet von dem Wunsch des damaligen Berliner Bürgermeisters Willy Brandt, "dass die gezeigten Werke etwas vom Fluidum des Kunstlebens in der deutschen Hauptstadt vermitteln" (Grußwort im Begleitheft zur Ausstellung, in dem das vorliegende Werk abgebildet, betitelt und datiert ist). - Patinierung teils etwas berieben und kratzspurig, zwei kleine produktionsbedingte Löcher. - Provenienz: Aus dem Nachlass von Ben Wagin.

Lot 320

Yo, Yana. L/R. Diptychon. Acryl auf Leinwand. Verso je signiert, datiert sowie betitelt mit Bleistift. 1987. Bildmaße: je 30,5 x 30,5 cm.Beide Bilder in sehr gutem Zustand, minimal angestaubt, "L" mit kleiner Farbabplatzung. - Provenienz: Aus dem Nachlass von Jürgen Schweinebraden.

Lot 86

Janssen, Horst. Liebling/Milly/Nummi/Japanische Seide. Sammlung von 4 Aquatinta-Radierungen auf Velin. Alle Arbeiten signiert, datiert und nummeriert mit Bleistift. 1968-1970. Exemplare: 13/20, 21/22, 9/13, 26/27. Plattenmaße: 29,5 x 39 cm bis 48,5 x 39 cm. Blattmaße: 48,5 x 33,5 cm bis 55,5 x 56 cm.Frielinghaus 1970/8, 68, 83 und Brockstedt R 324. - "Liebling" auf Johannot im Randbereich minimal gebräunt, "Milly" mit Rahmungsspuren, insbesondere entlang der Kanten etwas gebräunt und mit kleineren Läsuren, die beiden anderen Radierungen sehr gut. - Provenienz: Aus dem Nachlass von Ben Wagin.

Lot 125

Lonas, Joseph Henry. R IV. Bronze, patiniert. Seitlich signiert, datiert, betitelt und nummeriert "1/-" sowie mit dem Gießerstempel von "H. NOACK BERLIN". 1966. Maße: 13,5 x 11 x 3 cm.Kleines Relief des US-amerikanischen Bildhauers Joseph Henry Lonas (1925-2011), der seit 1953 in Berlin lebte und später an der Hochschule für Bildende Kunst studierte. 1964 nahm er an Wagins Wanderausstellung "Berliner Bildhauer und Maler" teil, wo er mit einer kleineren Bronze sowie zwei monumentalen Arbeiten und einer Radierung vertreten war. Eine Einzelausstellung in der "Galerie S" hatte Wagin ihm bereits 1963 gewidmet, eine weitere folgte 1966. - Etwas angestaubt und partiell leicht kratzspurig. - Dabei: Ausstellungskatalog der Galerie S Ben Wargin, 1966.. - Provenienz: Aus dem Nachlass von Ben Wagin.

Lot 266

Penck, A.R. Ohne Titel. (Frauenportrait). Mischtechnik mit Aquarell und Pastell auf chamoisfarbenem Velin. Monogrammiert "R" und datiert rechts unten mit Bleistift sowie verso bezeichnet. 1966. Blattmaße: 70 x 52 cm.Im Randbereich schwach gebräunt und dort umlaufend leicht griffspurig, die obere rechte Ecke minimal bestoßen. - Provenienz: Aus dem Nachlass von Jürgen Schweinebraden.

Lot 1057

A late 19th/early 20th century Great Western Railway (G W R) railway station mahogany tambour-fronted ticket cabinet. 87.5 cm wide.

Lot 334

Two 9 ct gold wedding bands. 6.5 grammes. Ring sizes R and T.

Lot 959

A W R Speedia 4" wide drum fly reel in original box.

Lot 689

A vintage 1950s Hornby Dublo Electric Train box with original contents: a 2-6-4 Tank Locomotive and three Suburban Coaches, B.R., twelve boxed vintage Hornby Dublo goods rolling stock items for two or three rail running: 4305 Passenger Fruit Van (WR); 4311Goods Brake Van B.R. (SD6); 4625 20-Ton Bulk Grain Wagon (SD6); 4640 Goods Wagon Steel Type (SD6); Three off 4660 U.G.B. Sand Wagon (SD 6); 4665 Saxa Salt Wagon (SD6); 4670 13-Ton Standard Wagon; SD Goods Brake Van M.R.; R.098 L.M.S. Brake Van ( all of them made of plastic); Horse Box D1 (B.R.) ( made of tin) and four Hornby Dublo/00 Scale Model Railway Catalogues: 3rd Edition 1961; 4th Edition; 1977; 1980.

Lot 284

A silver dress ring. Ring size R.

Lot 248

An Eastern gold snake form ring. Ring size Q/R, 6.1 grammes.

Lot 244

An 18 ct gold sapphire and diamond ring. Ring size R.

Lot 641

Rene Lalique (French, 1860-1945), a "Druides" vase, no. 937, in cased and opalescent blue-stained glass, designed 1924, engraved "R. Lalique, France, No. 937". Height 17.5cm

Lot 223

Aubrey R. Phillips (British 1920 - 2005), "A Bridge near Widecombe, Devon", and "Falls on the River Teign", pastels, a pair, signed, bears gallery labels verso, 24cm x 35cm (9½in x 13¾in), framed and glazed (2) Provenance: At The Patricia Wells Gallery, Bristol, December 1987.

Lot 666

A 17th century and later carved oak hall Cupboard, the carved and moulded cornice over two large paneled doors with wrought iron hinges, concealing two contemporary shelves, one door carved with ''1669, P R M'', W 175 cm x H 190 cm x D 62 cm.

Lot 573

After R Varnier, a French patinated bronze model of a German Shepherd dog lying on its side, inscribed to the rectangular base ''R Varnier'', raised on marble base, W 36 cm x H 14 cm x D 17.5 cm.

Lot 96

René Lalique, a ‘Les Inseperables’ clear and blue opalescent frosted glass easel clock, model 765, circa 1926, the dial painted with birds upon branches, moulded R. Lalique mark and etched ‘France’ to the under edge, 11cm x 11cm, clock not working.

Lot 212

English School (19th century), "Eleanor" - b.1875, Daughter of Edward R. Fisher Rowe. Married to Hon. Mr. Archibald D. Ryder, oil on canvas, half-length portraying Eleanor as a girl hugging a tree, 76cm x 63.5cm, framed, with inscribed plaque.  Note: Eleanor Frederica Fisher Rowe (1875-1958), born Mayfair, London, England.  Archibald Dudley Ryder (1867-1950), was the son of Henry Ryder, 4th Earl of Harrowby and Susan Juliana Maria Hamilton Dent.

Lot 95

R D Sherrin, 1891-1971, coastal view of Devon, signed goauche, 33 x 79cm

Lot 512

R D Sherrin, view of Dartmoor, signed gouache

Lot 103

J R Griggs, 20th century, Low Tide at Maldon, signed watercolour, 26 x 49cm, together with a collection of pictures and prints

Lot 23

9ct rose gold stone set ring and earring set - Size R

Lot 64

9ct gold gents wedding band - Size R

Lot 42

Stone set silver ring - Size R

Lot 43

9ct gold stone set ring - Size R

Lot 27

Barges (J J L), and D B Goldberg, R Jehuda ben Koreisch Tiharetensis Africani, Epistola de Studii Targum Utilitate; with autograph letter from D B Goldberg, bound in full calf, Paris, 1857.Provenance: From the library of Exbury House (property of the de Rothschild's).

Lot 49

X-MEN #96, 97, 100 (3 in Lot) - (1975/1976 - MARVEL - UK Price Variant) - Includes the first appearance of Moira McTaggert, the first cameo appearance of Lilandra + the battle between the original and new X-Men - NB: Issue #96 has light staining to top R/H corner of cover

Lot 498

Rare CYMA Cymaflex cal.459 17 Jewels Manual Wind. Cyma Cymaflex 17 jewel cal R.459 mechanical working rare vintage gents watch stainless steel screw back and case. Silver face with gold baton markers and hands incl seconds. Working in the auction. Fixo Flex stainless steel expanding strap.

Lot 346b

Two cartridge shell propelling pencils. First, WWI Mk.VI .303 Rifle Cartridge Propelling Pencil Colonial Ammunition Company. Head stamped CAC VI 12 14 with CAC standing for the Colonial Ammunition Company in Australia & New Zealand. The lead holder stamped "MADE IN ENGLAND." Total length closed 8cm. Second, WWI Mk.VI .303 Rifle Cartridge & Silver Propelling Pencil. Head stamped R^L C II. The casing stamped 303. The silver bullet and propelling pencil stamped W.V & S for William Vale & Sons and STERLING. Total length closed 8.3cm and extended 10.1cm.

Lot 458

Gents 9ct Gold Signet ring Size R. 7.3g total weight

Lot 485

Alan Fearnley, The Duke on Camden Bank, limited edition print, signed in pencil by the artist lower right and further signed by R A Riddles, L T Daniels & J F Harrison, letter verso from 71000 (Duke of Gloucester) Steam Locomotive Trust Ltd, which states limited edition number 157/850, 56 x 81cm, framed and glazed, Holt, Great Western Railway train, oil on board, signed lower right, 49 x 74.5cm, framed, Holt, Duke Connaught train, oil on board, signed lower right and dated '85, 49 x 74.5cm, framed, John S Gibb, Bassenthwaite Lake, print, signed in pencil lower right, 20 x 27.5cm, framed and glazed, John S Gibb, Cart Lane Crossing, limited edition print, signed in pencil lower right and numbered lower left 156/850, 28 x 41cm, framed and glazed, B J Freeman, An Audience with King Edward VII, colour print, signed in pencil lower right, 41.5 x 59.5cm, framed and glazed and other railway related pictures and prints (10)

Lot 455

Alexander Edward Waite (British, 1888 - 1958), beach scene, watercolour, signed lower left and dated 1932, 31.5 x 44cm, framed and glazed, R King, Fernworthy, oil on board, signed lower left and titled on label verso, 49 x 39cm, framed, Jack Solomons presents The Heavyweight Championship of the World, Bruce Woodcock and Lee Savold advert from 1950, 27 x 20cm, framed and glazed and three other pictures and prints (6)

Lot 461

Phil Greenwood (British, b.1943), Going Home, etching and aquatint, titled lower left, signed lower right and numbered 29/150, 57 x 51.5cm, Wilfred R E Fairclough (1907 - 1996), two: Christ Church, Oxford, etching, signed in pencil lower right and dated 1961, 29 x 28cm and Magdalen Bridge & Tower, Oxford, signed in pencil lower right, 27.5 x 28.5cm, all framed and glazed

Lot 878

Picknick Tee Set im Lederkoffer Tee Set für zwei Personen, bestehend aus 2 Tassen, 2 Untertassen. Teekanne mit Stövchen, 1 Spiritusbehälter und zwei Metallboxen. 17 x 28 x 17 cm. Monogr. "R H".

Lot 544

Lalique, Art Déco Tischuhr um 1930 Farbloses Glas in Form gegeben, Relief mit Sittichpärchen, Brequet Uhrwerk / Handaufzug. H.: 15 cm, B.: 13 cm. Unter dem Stand sign. R. Lalique, France.

Loading...Loading...
  • 297887 item(s)
    /page

Recently Viewed Lots