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Lot 1
Barns (T. Alexander). The Wonderland of the Eastern Congo, the Region of the Snow-Crowned Volcanoes, the Pygmies, the Giant Gorilla and the Okapi, with an Introduction by Sir H.H. Johnston, 1st ed, 1922, forty-five photographic plts, incl. frontis, mostly two-sided, light foxing, bookplt. of John R. Barker, free endpapers foxed, t.e.g, remainder rough trimmed, orig. brown linen gilt, spine darkened, large 8vo. (1)
Lot 1
South America. Bernard (R.), Carte du Detroit de Magellan dans Laquelle on a Insere les Observations et les DŽcouvertes du Capne. Byron du Capne. Wallis, et du Capne. Carteret, [1774], uncoloured chart with four land profiles and a large compass rose, a little creased where previously folded, not laid down, approx. 460 x 760 mm. (1)
Lot 1
Parley (Peter, ie Samuel Griswold Goodrich). Peter Parley's Tales About China and the Chinese, 1843, hand-col. eng. map frontis. (some ink spots with contemp. inscription to verso), addn. eng. title, numerous wood eng. vignettes throughout, orig. green gilt dec. cloth, repaired at head & foot of spine, sq. 8vo, together with Pinnock (William), A Comprehensive Grammar of Modern Geography and History, for the use of Schools and for Private Tuition, pub. Simpkin, Marshall & Co, [1838], eng. title with hand-col. vignette, hand-col. eng. frontis. with volvelle, seven eng. folding maps & twelve eng. plts. (some hand-col.), contemp. green sheep gilt, slight wear to spine, 12mo, with Turner (R.), An Easy Introduction to the Arts and Sciences: being a Short, but Comprehensive System of Useful and Polite Learning, 18th ed, 1821, eng. map frontis, two eng. plts. (inc. 1 map), wood eng. vignette illusts, tissue repairs to half-title, recent endpapers, contemp. marbled sheep, modern reback, 12mo, and Edgeworth (Maria), Frank, A Sequel to Frank in Early Lessons, 3 vols, 1822, occ. scattered spotting, qtr. green sheep, worn, 12mo, plus three others. (9)
Lot 1
Ackermann (R, publisher). Rudiments of Cattle, Drawn and Engraved by Villiers Huet, 4 orig. parts bound in one vol, n.d, c.1805, twenty-four eng. plts, occasional old marginal waterstaining, contemp. calf-backed marbled boards with orig. pubs. printed wrappers bound-in, some wear, esp. to spine ends and corners, ties lacking, oblong 4to. Scarce. (1)
Lot 1
Cipriani (Giovanni Battista). A Collection of Prints, after the Sketches and Drawings, of the late Celebrated Giovanni Battista Cipriani, Esqr. R. A. Engraved by Mr. Richard Earlom, pub. March 25th 1789 by Jn. & Josiah Boydell, comprising a coloured stipple-engraved portrait of Cipriani after Rigaud, a stipple-engraved title-page, and forty-nine aquatint or stipple-engraved plates being either plain, tinted, or printed in colours, the printed "Catalogue of the Prints", one leaf, present at the end, some soiling or trivial staining in the wide margins, a few plates with short marginal tears, the plates all captioned in pencil, recent qtr. calf binding, unlettered, marbled board sides, some plates becoming loose, folio. Abbey, Life, 199 "The first book printed in England in which aquatint is to be found as a method of rendering wash drawings, with plates in imitation of ink and chalk drawings". Prideaux p. 55. (1)
Lot 1
Pugin (A.). Pugin's Gothic Furniture, pub. R. Ackermann, [c.1828 or later], uncoloured aquatint title and twenty-six plts. (inc. frontis.), bound without text, ink library stamp to verso of title-page, blind embossed library stamp to lower margin of title-page & one plt, front blank leaf with library ink stamps and bookplate to front endpaper, 20th c. library buckram covered boards, slim 4to. (1)
Lot 1
Schiff (Gert). Johann Heinrich Fussili, 1741-1825, 2 vols. (text/plts.) Zurich & Munich, 1973, numerous b&w illusts. from photos, orig. cloth in slightly torn d.j.s, with slipcase, together with Nicolson (Benedict), The International Caravaggesque Movement. Lists of Pictures by Caravaggio and his Followers throughout Europe from 1590 to 1650, together with Bissell (R. Ward), Orazio Gentileschi and the Poetic Tradition in Caravaggesque Painting, 1981, and Maccari (Patrizia Giusti), Pietro Paolini Pittore Luccese, 1603-1681, pub. Lucca, 1987, col. and b&w illusts, all orig. cloth in d.j.s, 4to, plus three others related, and Clark (Nicholas), Melozzo da Forli, Pictor Papalis, Sotheby's Publications, 1990, together with Briganti (Giuliano, Trezzani, Ludovica and Laureati, Laura), I Bamboccianti. Pittori della vita quotidiana a Roma nel Seicento, pub. Rome, 1983, and Briganti (Giuliano), Pietro da Cortona, o della Pittura Barocca, 2nd ed, Firenze, 1982, and others related, all 4to. (15)
Lot 1
Richard Sebastian Bond, (1908-1886), 'An extensive wooded river landscape with old water mill', oil on canvas, signed and dated 1882, 36" x 52" . Footnote: R S Bond was born in Liverpool where he studied with marine artist Samuel Austin. He lived at Bettws-y-Coed where he often worked with David Cox and William James Muller. He exhibited frequently in Birmingham and the Liverpool Academy.
Lot 1
A mahogany and ormolu-mounted bureau a cylindre, French, 19th century, by Paul Sormani, in Louis XV style,the tambour fall enclosing a fitted interior with drawers, pigeonholes and a sliding writing surface, the brass lock plate signed Paul Sormani,10 R. Charlot, Paris. This lot is sold with an original photograph of the desk supplied by Paul Sormani. h.108cm., w.99cm., d.66cm. W
Lot 1
CIRCLE OF THOMAS HICKEY A portrait of a lady, half length, oval, oil on canvas, 11.5" x 9.25", in the original beaded and gadrooned giltwood frame. The reverse of the stretcher bears two labels. One for R & W Clarke of 40 & 41 Grand Parade, Cork and the other identifying the sitter as "Mrs Rice (nee Burnnett)".
Lot 1
Victorian Friendly Society medals (5), in silver, one with gilt centre, all presented to Brother R. Metcalf, 1886-90, and comprising Hand & Heart Lodge or John Plato Lodge, all but one with original ribands and those four with elaborate suspension devices, riband clasps etc., all profusely engraved with both emblems as well as inscriptions, generally extremely fine and scarce (5) Whilst Victorian Friendly Society medals are relatively common, they are rarely as elaborate or impressive as those offered here.
Lot 1
British War Medal (34146 Pte. W.H. Davis, Midd'x. R.), and a good brass-cased pocket compass; Imperial Service Medal, Eliz. II (Margaret Prizeman Todd), mint state, in case and box of issue with official forwarding letter; H.M.S. 'Excellent', 9ct. gold and enamel prize medallion for 'Revolver 1924' (C.P.O. Mackie), 11gms., extremely fine; sundry base metal coins, including a boxed 1951 crown and a 1953 ÒplasticÓ set, and various world banknotes (lot)
Lot 1
Pair to 26067 Pte. H. Stone, Ox. & Bucks. L.I., late Royal Berks. Regt.: British War & Victory Medals, with bronze Memorial Plaque, and original letters and packaging etc.; a similar pair to 50894 Pte. C. Stone, Devon R., all practically mint state; and sundry coins etc., mixed grades; and two Great War propaganda prints (lot) Pte. Herbert Stone was killed in action in France & Flanders, 13th November 1916, as a member of the Ox. & Bucks. L.I. despite his medals being named to the Royal Berks.
Lot 1
A pair of Art Deco silver sauceboats, of angular elliptical section with a cast border of swags, an angular spout, wicker-covered handle and supported on long hexagonal foot, 9cm high, maker's 'R&D' Birmingham 1935 and a Mappin & Webb plated ice-pail, with twin handles and reeded decoration, 14cm high.
Lot 1
A lacquered brass and japanned monocular microscope by 'R&J Beck Ltd, London, 30460', early 20th century, with coarse and fine focus adjustment, pivoted frame and adjustable aperture to the stage with angled mirror beneath, on Y-shaped foot, in original mahogany box with accessories, 33cm high.
Lot 1
An oak cased eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch white painted Arabic numeral dial with arched calendar aperture, subsidiary seconds dial and signed 'R. Foot' to centre, the angles with rose painted spandrels beneath gilt rosette and festoon decorated arch, in a later break-arch pedimented case with break-arch door and canted angles to trunk, on plinth base, 197cm high.
Lot 1
A George II three-division cruet stand of trefoil shape with a pair of silver-mounted and cut-glass oil and vinegar bottles, and an associated baluster caster, the base with leaf capped scroll handle and vacant cartouche panel, on four shell feet, 23cm. high overall, the stand-maker's mark S W, probably Samuel Wood, London 1752, the caster-maker's mark T R, London 1747, total weighable silver 866gm., 27.85oz.
Lot 1
A George III five-division cruet stand of cinqfoil shape supporting three various baluster casters, each monogrammed and with rope-twist edging and wrythen finial, together with two silver-mounted and cut-glass oil and vinegar bottles engraved with initials, the base with central carrying handle, on four shell feet, monogrammed, 25cm. high overall, maker's mark R P, possibly R Peaston, London 1764/65, total weighable silver 1324gm., 42.57oz.
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297893 item(s)/page