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A set of four George III silver candlesticks, John Schofield, London 1798, each on square concave sided base with leaf cast border and rising to a tapering square collared column with honeysuckle cast lower section and shaped and reeded central column rising to leaf cast sconces and detachable nozzles, each candlestick engraved with the family crest and coat of arms of the Burrows, and two detachable three light candelabrum branches with reeded and leaf lappeted branches and detachable bell flower finials, one nozzle in two parts, candlesticks 12" high as candelabra, 21", approx. 204ozs of weighable silver (4)
A pair of near colourless and fancy colour diamond earrings, each surmount in the form of a near colourless, round brilliant diamond eleven stone cluster, the central stones approx. 0.55cts, suspending a further small diamond and either a fancy tinted greenish-yellow or a fancy tinted light yellowish-brown diamond, approx. 1.41 and 1.23cts respectively, in a Garrard and Co case
A Beauties of England & Wales series soup plate and a circular sauce tureen stand: the soup plateprinted in light blue with an unidentified ruined church, the stand with a distinctive rim ofmoulded triangles and a view identified as Byland Abbey in Yorkshire, both with the usual border of flowers and scenic vignettes, diameters 24.4 and 18.8cm, printed rock cartouche series title marks, circa 1820-35
A Davenport Muleteer series small dish, printed in light blue with a typical continental-style romantic scene featuring the muleteer near a watermill in front of a large cathedral, all within the usual series border of flowers and C-scrolls, length 28.5cm, printed title cartouche and impressed maker's upper-case anchor mark, circa 1835-50
A Dimmock Select Sketches series covered soup tureen, of ornate octagonal shape on a pedestal foot, the domed cover with looped twig knop, printed in light blue with a scene titled "New York" on either side of the body and an unidentified rural scene on the lid, overall length 34.8cm, printed mark with titles, "StoneWare" and maker's initial D, circa 1830-45 (mainbody discoloured, various chips)
A Middlesbrough Pottery Watteau Figures patternslop vase, of baluster shape with two loop handles, printed in light blue with typical groups of figures in romantic settings, with a broad net border and scroll edging around the rim and on the handles, height 30.1cm, printed title cartouche with maker's initials, circa 1835-50 (cover missing)
A small group of Riley earthenwares, comprising a supper segment dish printed in blue with a floral pattern, length 33.4cm, printed scroll cartouche mark with Opaque China, Riley (cracked); a teaplate printed in light blue with a cattle scene from the Union Border series, diameter 16.8cm, unmarked; a small dish printed in blue with the standard Willow pattern, length 24.8cm, printed belt mark with "Riley's Semi China"; and a plain pearlware dished plate with blue feather edge and rim moulded with flower groups, diameter 21.2cm, impressed maker's surname mark; generally between 1802 and 1828
Two Davenport Rural Scenery series plates, with ornately moulded rims, printed in light blue with different rural scenes featuring children in the foregrounds, comprising a tea plate, diameter16.4cm, and a dinner plate, diameter 26.4cm, printed floral cartouche marks with title and maker's surname, circa 1830-45
A blue-printed tankard, of cylindrical shape with turned base and strap handle, printed in light blue with a romantic landscape featuring a reclining goat herd and a mounted man talking to a workman and boy with a windmill in the background, all beneath a floral and geometric border, height 14.9cm, unmarked, circa 1830-50 (very minor chipping to turning)
An ornate blue-printed wash jug, of lobed form with wide flaring spout, flower-moulded rim, and moulded double-scroll handle, decorated in light blue on either side with a vase of roses, separated by a floral spray with a moth, and with similar sprays around and inside the neck, height 26.8cm, unmarked, circa 1830-45
A blue-printed jug, with moulded body on a pedestal foot, with wide flaring spout and moulded strap-type handle, decorated in light blue on either side with a rustic scene of a woman bidding farewell to a man and child at a cottage gate, with a border of scrolls and flower panels around and inside the neck, height 23.6cm, unmarked, circa 1835-50 (small crack in spout)
A pair of dessert dishes, of spade or shell shape with ornately moulded and gadrooned edges and handles, printed in light blue with a romantic-style design featuring birds, shells and a cornucopia of flowers, all within an open floral and scroll border, length of each 26.6cm, unmarked, circa 1835-50
A blue-printed dish lifter and three knife rests with floral border patterns: the dish lifter with Wedgwood's Chinese Vase pattern, length 6.9cm, impressed mark (chipped); one knife rest with a Wild Rose type border, another with the Tendril pattern, and the third of ornate moulded form with a light blue floral border design, lengths between 6.4 and 9.2cm, all unmarked, circa 1810-50 (some minor damage)
Two William Ridgway, Son & Co. Humphrey's Clock series dessert plates, printed in light blue with a rural scene with Dickens' characters within a border of scrolls and flower swags, diameters 20.3 and 20.9cm, one with printed clock cartouche with series title and maker's initials, the other with printed title only, circa 1840-48 (minor chips behind one rim)
A Minton Lace Border pattern meat dish, with wavy edge, printed in light blue with a wreath of flowers surrounding a lace centre and a similar border of lace panels, length 37.8cm, printed mark with title and cursive initial M, large impressed "Improved Stone China" seal mark, circa 1830-50 (rim chip)
A "Florentine" pattern large water jug, possibly by Minton, of ornate gadrooned form with additional scroll-moulded lifting handle beneath the spout, printed in light blue with a floral pattern, height 33.2cm, printed title cartouche mark, circa 1835-50 (section of neck riveted, cracks in base)
A Charles Meigh Bouquet pattern large water jug, of ornate form with additional lifting handle beneath the spout, printed in light blue with scattered formal flower sprays and a border of flowers, birds and butterflies, height 37.4cm, printed title cartouche with maker's initials, circa 1835-50 (foot missing, cracks, chips)
Two blue-printed children's teapots: one of circular form with recessed cover, printed in light blue with a boy out riding in a romantic landscape, length 14.7cm, unmarked, circa 1835-50(handle glued, chips to rim and inside cover); the other of rounded rectangular form decorated with a group of two girls and a lamb, length 14.6cm, unmarked, circa 1840-60 (spout restored)
A small group of blue-printed coffee cans, including a Wedgwood can in the Peony pattern with a matching small twiffler plate (can with hair crack, plate with small rim chip), a gilt-rimmed can in Spode's Leaf pattern (hair cracks), two cans with light-blue romantic-style border patterns (one with hair crack and rim chip), a Wedgwood can in the standard Willow pattern, and two cans with other chinoiserie designs (both damaged); all except Wedgwood items unmarked, all between 1800 and 1860
Four blue-printed cream jugs: one of semi-ball shape printed in light blue with a scene of cattle, height 9.1cm (handle crack, rim chips); a second printed with a typical romantic Chinese scene, height 10.5cm (cracks, rim chip); the third printed in darker blue with a floral design featuring a reserve with two love birds, height 10.5cm (cracked); and the fourth of ornate shape on small scroll feet, printed with a rural scene, height 12.3cm (hair crack, handle glued); all unmarked, between 1815 and 1860
A Bisley Closed Competition Shooting Trophy for the 'A Company 1st Volunteer Battalion Duke of Cornwall's Light Infantry 1894'. A Victorian silver trophy cup and cover, the vase-shaped base with two scroll handles, part fluted and embossed with a band of flowers and scrolls, on a knopped stem and round foot with a nulled band, engraved with the winners names and dates, the part fluted cover with finial in the form of Victory standing on a sphere, Sheffield 1891 by John Round and Son Ltd, and an ebonised socle, the cup and cover 49cm high overall (19 1/4in) - 48oz

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535422 item(s)/page