After Emile Picault (1839-1915) - a bronze figural lamp, early 20th century, modelled as a warrior, holding a torch, a Roman pennant and spear over his shoulder, a helmet and sword at his feet, signed in the# maquette and "Made in France", 76cm high, on a rouge marble circular plinth, 87cm overall, fitted for electric light
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An Edwardian silver plated and cut glass oil lamp of neo-classical design, early 20th century, the geometric and strawberry cut hemispherical reservoir on a square reeded tapering pillar, the vase shaped sconce embossed with rosettes, beading and husk swags, the spreading stepped square cavetto moulded base with beaded borders, ribbon tied swags and acanthus clasped angles, 60cm high, by Walker & Hall, fitted for electric light
Model Railway - Bachmann N gauge - 17 x American locomotives and 1 x GWR locomotive - 4-8-4 Norfolk & Western Class J, 4-8-4 Northern (AT and Santa Fe) x 2, 4-8-4 Northern (Reading), 0-6-0 AT & SF, 2-6-2 Union Pacific, 4-4-0 The American (Jupiter), 6-0-6 Santa Fe, 2-8-0 Reading, 4-8-2 Light Mountain (Nashville, Chattanooga & St. Louis, 4-4-0 The American (Chicago, Burlington & Quincy), 2-6-2 Prairie (NYC), 4-0-4 GP50 - Southern, 4-4-0 The American (Pennsylvania), 4-0-4 u36-B-Burlington Northern, 8-0-8 Santa Fe, 4-8-4 Loco 810 and 0-6-0 GWR Pannier Tank
A pair of gilt and patinated metal five light candelabra fitted as table lamps, late 19th /early 20th century, the sockets in foliate cast scrolling arms issuing from urns, each held aloft by a standing putto on a waisted socle, on spreading, circular bases, 61cm high excluding electrical fitments, (adapted, one with damaged branches); and a Victorian bronze three light candelabra, circa 1870, with two sockets on scrolling arms issuing from a reeded stem with further socket above, the dished base on three legs with paw feet, 42cm high excluding electrical fitment
A pair of French bronze four light figural wall appliquŽs, early 20th century, cast as a male and female Bacchante, each holding aloft two serpentine branches in each hand, with lobed urn sockets and foliate cast drip pans, the busts rising from foliate cast backplates, 96cm high, 45cm wide, 31cm protrudence
A gilt metal and green enamelled three light table lamp, of recent manufacture, the sockets and drip pans on scrolling arms with avine head terminals, above an enamelled sphere mounted with five point starts, on a triform foliate cast base with three paw feet, on an ebonised composition base, 47cm high excluding fitments
A gilt bronze four-light gasolier, third quarter 19th century, the foliate cast sockets and drip pans on scrolling foliate cast arms with strapwork terminals, the stem with four cavorting amorini around fluted, lobed and foliate cast elements, the terminal cast with adorsed dolphins, 79cm high, 112cm wide
Graff (Reinier De) OPERA OMNIA, second edition, engraved portrait frontispiece, engraved title with contemporary ink signature, 41 engraved plates, many folding, marginal worming to quires H and K, some very slight loss, light damp staining throughout, title defective at inner margin, contemporary sprinkled sheep, spine gilt, paper label on spine, joints repaired, worn, [Wellcome III p.142], Lyon, J. A. Huguetan & Cie, 1678.
Mauriceau (Francois) DE MULIERUM PRAEGNANTIUM PARTURENTIUM, ET PUERPERARUM MORBIS TRACTATUS, FIRST LATIN EDITION, 31 engraved illustrations in text, contemporary ownership signatures on title, a little damp staining, some light browning, contemporary mottled sheep, rebacked, corners bumped, [Wellcome IV p.86 - imperfect copy], 4to, Paris, apud auctorem, 1681.
Mauriceau (Francois) TRACTAT VON KRANCKHEITEN SCHWANGERER UND GEBAERENDER WEIBSPERSONEN, FIRST GERMAN EDITION, additional engraved title, 20 engraved plates, corner of B3 torn with loss of catchword, damp stained, uniform light browning and spotting, endpapers replaced, later ink ownership inscription on front free-endpaper, contemporary vellum, m.s. title on spine, professional repair to spine, 4to, Basel, J. Bertsch, 1680.
Mauriceau (Francois) TRAITE DES MALADIES DES FEMMES GROSSES AT DE CELLES QUI SONT NOUVELLEMENT ACCOUCHEES, second edition, additional engraved title, engraved illustrations in text, some light browning, contemporary sprinkled sheep, rubbed, spine gilt, [Garrison & Morton 6147 - first edition, Wellcome IV p.85], 4to, Paris, for the author, 1675.
Naldi, (Matteo) Pamphilia. Mundi iniversi amicitia cui dissidentes philosophorum opiniones conciliantur, woodcut initials, headpieces and vignettes, title lightly soiled, very light damp staining in some lower margins, top joints cracked but holding firmly, head and tail of spine chipped, rubbed, [Krivatsy 8257], Sens, Bonettos, 1647; Lorry (Anne Charles De) Tractatus de morbis cutaneis, half title, some leaves browned, a few upper margins damp stained, occasional spotting, bookplates on front pastedown and fornt free-endpaper, rebacked and recornered with old spine laid down, [Garrison & Morton 3983]Paris, Guillaume Cavelier, 1777; FIRST EDITIONS, contemporary calf, 4to, (2). "Lorry is regarded as a the founder of French dermatology. A pupil of Jean Astruc, his most important work is his Tractatus, in which he attempted the classification of diseases on the basis of essential relations, their physiological, pathological, and etiological similarities. It is the first modern text on the subject, and the last major work on dermatology to be published in Latin" (G & M).

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