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Click here to subscribeClifton Tomson (1775-1828)Bay hunter standing with a houndsigned, inscribed and dated 'Clifton Tomson/Pinxit Notts 1804' l.l., oil on canvas51 x 60.5cmFramed size: 76 x 86cm. Fine craquelure that is mostly stable, a small loss in central sky area where craquelure is more pronounced, a few areas of retouching to sky area especially to right edge and around horse's stirrup, under uv light bloom of varnish obscures light.
Charles Boland (Belgian, c.1850) A pug and a Griffon Bruxellois playing on the cushionssigned 'Charles Boland' l.r., oil on canvas 60 x 76.5 cmFramed size: 85 x 99cm.Shrinkage mainly to the cushion but also mildly in a other parts, see image, under uv light there are flecks and touches that fluoresce darker throughout including to the fur of the dogs, it is unclear the reason for this as no significant damage is apparent. The varnish is a little patchy which may result in some areas fluorescing darker than others. The work is well-presented, in a stable condition, and ready to hang.
Maud Turner (20th century)Pretty Girlsigned 'MAUD TURNER' l.r., and inscribed 'Pretty Girl' l.c., oil on canvas board18 x 23cmOverall: 19 x 24cmSome slight paint loss l.r., some surface dirt otherwise in apparently good order. Not examined under UV light, please contact the departmet for a full report.
*Allen William Seaby (1867-1953)New Forest ponies in a landscapewatercolour24 x 36cm*Artist's Resale Right may apply to this lot.overall 48.5 x 64cmNot viewed out of glazed frame, some cockling to paper in top corner and possibly a small tear top right, please refer to images, light time staining more so to sky area, however, these condition points are fairly minor and overall work appears to be fine. Well-presented.
Taxidermy: A rose-coloured pastor (Pastor roseus)full mount in a dome display, mounted on a branch with green foliage, the stand inscribed 'Southtown Farm, Aug 11th 1868'25cm high27cm longProvenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.The glass dome is loose and can be removed. There is a light layer of dust to the bird and foliage within, some loss of lustre of feathers, but generally no obvious condition issues.
*Andrew Beer (1862-1954)'Slow and Sure', portrait of a racing pigeonsigned 'Andrew Beer' l.l., inscribed with title and further inscribed 'Mealy Hen NU21 BPC19. Winner of 1st Banff. also Special for 2nd Best Average Old Bird races 1929, Flown Banff four times. Owners. Dando & Cox. Bristol Premier F.C.', oil on canvas31 x 41cm*Artist's Resale Right may apply to this lot.Framed size: 41 x 51cm. Very slight bulge from stretcher bars, otherwise in apparently good order, unexamined under uv light, please contact the department for a full report.
*Andrew Beer (1862-1954)'Oakdale Hero', portrait of a racing pigeonsigned 'Andrew Beer' l.r., inscribed with title, further inscribed 'Black Cheq Cock. NURP.28.HHD.323. Winner of 1st Welsh Hills South Rd Fed. 764 birds. Velocity 617 yards per minute and 1st Pontypridd South Rd Club, from Bordeaux, July 18th 1932. Owner Geo Cecil.', oil on canvas41 x 51cm*Artist's Resale Right may apply to this lot.Framed size: 51 x 61cm. Slight bulge from stretcher bars, light craquelure but is stable, otherwise generally appears to be in good condition, not viewed under uv light, please contact department for a full report.
A M Selfe, 20th centuryMares and yearlings out to grasssigned 'A M Selfe' l.l., also signed and inscribed indistinctly in pencil verso, oil on panel59 x 78cmFramed size: 67 x 85cm. A few very small knocks where paint has been lost, board has horizontal lines in it that give a lined effect to paint, generally appears to be in good condition, not viewed under uv light, please contact department for a full report.
English School, 19th centuryPony, cat and terrier in a stablesigned with a monogram l.l., oil on canvas41 x 49cmoverall: 58 x 66cmSurface dirt and craquelure throughout, slight stretcher marks are apparent. There is a patch to the canvas verso corresponding to the horse's flank. No obvious retouching or damage to the recto. Some cockling. Under UV light, there is a small amount of retouching to the straw beneath the dog's front feet.
English School, 19th centuryA chestnut hunter held by a groom in a landscapeoil on canvas62.5 x 70.5cmOverall: 72.5 x 85.5cmThe canvas is lined. There is soe unevenness to the surface, craquelure and stretcher marks apparent. Surface dirt, would benefit from a light clean. Under UV light, there are spots and flecks of retouching in places throughout with several larger patches that are possibly small repaired tears, most noticably to the foreground to the right of the figure and around the horse's legs.
*Nichola Theakston (b.1967)'Wildebeest', the pottery beast depicted at rest64cm long39cm highProvenance: A private collection. The Contemporary Fine Art Gallery, Eton.*Artist's Resale Right may apply to this lot.The hind left leg has been broken off from the main body previously and has been glued back together, this has been neatly done leaving a small crack but please refer to condition report images for detail. There is a small mark to front of the hind right foot. Light surface dust. No other obvious flaws.
*John Cox (1952-2014)Lying harebronze with brown patina, foundry stamped 75cm wide36cm high*Artist's Resale Right may apply to this lot.Hollow cast, some of the inside material has become loose making a noise when you move it. A few small patches of wear to the patina, and light superficial scratches on hare's breast, please see images. Small dent underneath but not noticeable from top. No other obvious condition issues.
*Rosemary Sarah Welch (b.1946)Two shire horses pulling a cart at twilightsigned 'Rosemary Sarah Welch' l.r., oil on canvas56 x 76cm*Artist's Resale Right may apply to this lot.Framed size: 72 x 92cm. In apparently good order, not viewed under uv light, please contact the department for a full report.
English School, 19th centuryMounted sportsmen with guns over pointers, a country house beyondoil on canvas46 x 61cmFramed size: 53 x 67.5cm.Some surface dirt to sky area, would benefit from a light clean, a few specks of white paint? to sky and to arm of furthest figure to the left, two specks of paint loss lower centre, canvas a little loose and is coming away from nails at the back, under uv light small patch of retouching to sky, and there is some fluorescing to horses's legs/chest where possibly a bit of retouching but this is not overly clear - please see images. Small losses to frame at corners. This is based on close observation under raking light, and when stood back looking at the work on a wall, in our opinion, these do not overly distract and it remains a pleasing image. Please refer to images for detail.
*Fritz Laube (German, 1914-1993)Lion and lionesssigned 'F Laube' l.r., also signed, inscribed and dated 1980 verso, oil on canvas50.2 x 70.5cm*Artist's Resale Right may apply to this lot.Framed size: 57.5 x 78cm. Some slight bulging to canvas at corners, generally appears to be in good condition, unexamined under uv light, please contact department for a full report.
Edward Benjamin Herberte (fl.1857-1893)The meet;Flushing outa pair, signed and dated 'E B Herberte/1883' l.r., oil on canvas25 x 35.5cm (2)overall: 32 x 42.5cmBoth canvases are lined, there is no sign of damage or restoration, not examine dunder UV light. For a full report please contact the department.
Edward Benjamin Herberte (fl.1857-1893)Approaching a fencesigned and dated 'E H Herberte/1883' l.r., oil on canvas30.5 x 25.4cmoverall: 43.5 x 38cmCanvas is lined. In general the work is well presented and ready to hang. Not examined under UV light, for a full report please contact the department.
George Wright (1860-1942)'Gone to Earth'signed 'G. Wright' l.r., oil on canvas56 x 92cmFramed size: 69 x 104cm. The canvas has been lined. There is a just visible fine craquelure in parts and faint stretcher mark to the right edge. There are several tiny abrasions with corresponding paint loss, one to the centre and a tiny one to the lower right, see illustration. The surface is covered with a thick layer of varnish which obscures much of the surface, however, occasional minor restorations are apparent in places, including a spot to the side of the right hand dog, and some strengthening to the edge of the standing rider's coat. With the naked eye in raking light, there are some small areas in places where the varnish looks a little patch, however, there are no significant signs of repaired damages and the paint is not thin. Generally, the work is presented ready to hang in a stable and clean condition, nicely framed in a suitable gilt composition frame.
J Clark (19th century)A bay hunter in a stablesigned 'J Clark' and dated '65 verso, oil on canvas33.5 x 48.5cmFramed size: 43.5 x 58cm.Canvas is unlined. Under uv light, layer of varnish fluoresces unevenly making any reading under uv difficult, however there are some flecks and spots that appear to be retouching to the background. Presented in a generally good and stable condition and ready to hang.
*Leesa Sandys-Lumsdaine (b.1936)Deer in heathersigned and dated 'L. SANDYS-LUMSDAINE '71' l.l., oil on canvas40 x 81cmProvenance: With the Tryon Gallery.*Artist's Resale Right may apply to this lot.overall size: 48.5 x 89cm.In generally good condition, under uv light no signs of damage or restoration.
*Lionel Dalhousie Robertson Edwards (1878-1966)Gentlemen Prefer Blondessigned 'Lionel Edwards' l.r., oil on canvas board30.5 x 41cmProvenance: Wth The Tryon Gallery.*Artist's Resale Right may apply to this lot.overall: 39.5 x 50cmPlease note this work has been examined under ultraviolet light but not outside of its frame. Examination under ultraviolet light reveals no obvious areas of fluorescence. A varnish has been applied which has slightly discoloured with age. There is some surface dirt and some very minor spots of dirt. Taking the above into consideration the work appears to be in very good condition.
*Peter Biegel (1913-1987)'Highland Evening'signed 'Peter Biegel' l.r., inscribed as titled verso, oil on canvas41 x 51cmProvenance: With The Tryon Gallery.*Artist's Resale Right may apply to this lot. Overall: 51 x 61cmIn generally good order, examination under uv light showed no signs of damage or restoration.
Emil Rozsay (1839-1891)A wooded landscape with deer by a poolsigned 'Rozsay' and dated (1)878.VI.10, l.r., oil on canvas100 x 82.5cm The painting is executed in oil on a canvas support which appears be unlined. The canvas tension is slightly slack and stretcher bar marks have formed in the paint layer. Two prominent stretcher bar marks run horizontally across the centre of the painting and the paint here is raised and flaking. There are a few scattered losses to the paint layer which have been retouched, but overall, the paint layers are stable and secure. The varnish has slightly yellowed and is even and semi-glossy with a light layer of surface dirt.
James Clark (1858-1943)'Bull-Dog, the Renowned Jumper'signed and dated 'James Clark 19' l.r., oil on canvas51 x 61cmFramed size: 72 x 82cm. Craquelure throughout, with a few specks of paint loss, stretcher marks visible and canvas bulges in places, varnish has discoloured a little, there are some dark flecks across the work, unexamined under uv light, please contact the department for a full report. Well-presented.
English School, early 19th centuryPortrait of a racehorse called Tawney with jockeyinscribed 'Tawney' l.l., oil on canvas63.5 x 76.5cmFramed size: 80 x 94.5cm. Canvas has been relined, generally appears to be in good order, unexamined under uv light, please contact the department for a full report.
J Goldsmith (c.1875)Over the water, a steeplechase; Over the jumpa pair, both signed and dated 'J Goldsmith/1875' l.r., the first indistinctly inscribed, oil on board15.2 x 20cm (2)overall 26.5 x 31.5cmSurface dirt, otherwies in apparently original condition. Unexamined under UV light, for a full report please contact the department.
*Peter Biegel (1913-1988)'Mackeson Gold Cup 1964'signed and dated 'Peter Biegel/ '64' l.r., inscribed with title verso, also inscribed 'The Water' verso, oil on canvas51 x 76.5cmProvenance: Col. William H Whitbread, no.SK970.The Mackeson Gold Cup was established in 1960. Run at Cheltenham, the course is more than 2 miles long with 16 fences to jump. In 1964, Super Flash ridden by Stan Mellor ran to victory. Mellor is famous for being the first National Hunt jockey to ride 1000 winning races.*Artist's Resale Right may apply to this lot.Framed size: 64 x 89cm. Slight indent from stretcher bars along top and bottom, and a few other raised lines below, generally in good order, not viewed under UV light, please contact the department for a full report.
UNITED KINGDOM. George III, 1760-1820. Silver halfcrown, 1816. Royal Mint. Large laureate bust of King George III facing right; date below; around, GEORGIUS III DEI GRATIA. Design by Benedetto Pistrucci. / Crowned shield bearing Royal arms within the Garter with motto, HONI SOIT QUI MAL Y PENSE; around, BRITANNIARUM REX FID: DEF: Design by Thomas Wyon. Edge milled.Very light friction on the highest points, extremely fine and attractively toned. Reference: S-3788; KM-667Weight: 14.138 g.Composition: 925.0/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.
Masonic interest - an Irish 18 carat yellow gold Masonic jewel, J.W., Dublin 1919, formed as a square and compass engraved with shamrocks, with suspended initial 'G', presentation inscription to back 'Presented to Samuel Kennedy Clarke, P.M., by the brethren of Ionic Lodge 429 on his vacating the chair. January, 1920', 8cm long including suspension loop, on light blue suspension cord with base metal clasp, in fitted box, 19.4g.
A diamond solitaire ring, the brilliant cut stone claw set in an all yellow metal mount ring size P, five baguette/square cut diamonds set into each shoulder, shank marked 18K 750, approximate weight of major diamond 1.00 carat,total weight of princess cut diamonds approximately 0.60 carat, Colour approximately J, Clarity VS2, gross weight 4.3g.Condition report:Please see further images uploaded to our website including an amended description including diamond details.The six claws are good and substantial, the princess cut diamonds are set well into the shoulders, 2.7mm gauge shank, slight light surface scratches to shank and shouders that would buff out.
A 1930's Art Deco "Philadelphia" Bangle, the green hinged clamper cuff supporting black, orange, green, red and yellow fins, 35mm wide at front, internal dimensions62x42mm.Condition report:Please see further images taken from all angles uploaded to our website.No cracks or damage very very light surface scratches, hinge functions.The jewellery is from the estate of a discerning gentleman collector accumulated over many years, purchased from antique fairs and dealers in good costume jewellery, further items will be offered at our next jewellery auctions.
An Art Deco Bakelite Five Band Philadelphia Bangle, 30mm wide half D shape formed from red, yellow, green, black, red bands, internal diameter 65mm.Condition report:Please see further images taken from all angles uploaded to our website.No cracks or damage, very very light surface scratches, one very small nick between a red and black band see last photograph.The jewellery is from the estate of a discerning gentleman collector accumulated over many years, purchased from antique fairs and dealers in good costume jewellery, further items will be offered at our next jewellery auctions.
Central Bank of Belize, $1 (4), 1 May 1990, prefix AC, $2 (6), 1 May 1990, prefix AB, 1 June 1991, prefix AC, $5 (3), 1 May 1990, $10, 1 June 1991, prefix AC, a few with a light corner bend otherwise uncirculated, some consecutive (14 notes) TBB B309a, B310b, B311a, B312b, Pick 51a, 52b, 53a, 54b £100-£150
Government of British Honduras, $1 (2), 1 November 1961, serial number G/4 125797, Porcher, Cottrell and Melhado signatures and 1 January 1969, serial number G/5 257108, Cain, Fonesca and Melhado signatures, original and fresh paper, both good extremely fine with only a few light folds each (2 notes) TBB B127a, Pick 28b £100-£150
‡Oona Campbell (b. 1967) Twilight by the River Thames 5; Evening Light on the Heath (Hampstead) 2 Two, both oil on canvasboard, 2007 Both 12.2 x 17.7cm (2) Provenance: 'Evening Light on the Heath (Hampstead) 2' with Thompson's Galleries, London Exhibited: 'Twilight by the River Thames 5', London, Mall Galleries, Discerning Eye
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