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Roseberys London
Lot 278

Carlo Scarpa (Italian 1906-1978), a glass 'Conchiglia' bowl for Venini,1935-66, acid etched 'Venini / Murano / MADE IN ITALY' mark to base, A good Venini Murano glass dish in the form of a curved shell in light yellow and gold coloured glass with a gentle iridescence to the surface, 24.5cm long x 25.5cm wide Provenance : Sotheby's London: 20th Century Decorative Arts selected by Gordon Watson, 26 September 2006, Lot 40There is wear and scratches to the underside of the base on the flat areas were the marks are and also occasionally on the ribs and light wear to the interior. The ends of the shell feel sharp in some cases, but this is how it was made and is not damaged. Some bubbles in the glass and again this is how it was made.

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Roseberys London
Lot 28

A Secessionist opalescent glass vase in the manner of Koloman Moser,Early 20th Century, unmarked,The oviform with everted rim, decorated with vertical rows of spots in a dark aubergine colour against a milky ground exhibiting a nacreous hue,9.5 cm high, 12 cm wide,Provenance: John Jesse Gallery, London, c. 1990,  Property from a private collectionA small chip to the edge of the neck. A fairly large open bubble in the glass on the inside of the vase and a few smaller ones - this is from the making process. Light natural wear.

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Roseberys London
Lot 284

Christofle (French Est.1830), a Gallia metal Art Deco three piece coffee set with an associated tray by Viners of Sheffield,Marks of Christofle used from 1935 & 1937, pattern number 5938,Comprising: a coffee/tea pot, milk jug and sugar bowl with cover, having a wooden handle and finial and with part fluted ends; together with an oval plated tray, stamped Viners of Sheffield,Coffee pot 15.5 cm high; tray 35.5 cm long (4)Indentation to bottom of milk jug. Wear and some abrasions to surfaces in keeping with light use. Inside of coffee/tea pot is stained and the hinge wobbles a bit on the cover. Gilt on inside of sugar is a generally quite good but the milk is quite faded. Tray: scratches and abrasions to top and bottom.

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Roseberys London
Lot 288

Mark of A.V., a silver and black glass bead necklace with two pairs of earrings,Each with A.V maker's mark, London hallmarks, necklace 1988, matching earrings 1992, curl earrings 1988,Each silver element with hammered finish, the necklace with nine shaped, flattened drops, the earrings for pierced ears, necklace total open length 39.5 cm; matching earrings 4.8 cm long; curl earrings 3.9 wide; together with a pair of 'Niels From' silver earrings of inverted shield shape, stamped 'From 925s'; and a pair of tear-drop earrings; and a pair of metal spiral earrings and another spiral item, (12),Property from a private collection. A.V. silver necklace & earrings - with a few tiny marks and abrasions in keeping with age and light natural wear.From earrings: natural wear to surfaces.Tear drop earrings: natural wear to surfaces - the ends that go in the ear are a little bent. Not signed.Metal: some aging spots, old marks, tarnishing and wear.

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Roseberys London
Lot 297

Gabriella Binazzi, (Italian), a white metal parrot with a nautilus shell head, c.1960, marks to base ‘Binazzi Firenze’, Modelled as a parrot perched on a branch, mounted on a rectangular wooden plinth base,37cm highGeneral light surface wear to nautilus shell, metal ware with tarnishing / even patination and general light surface wear. metal base to stand slightly misshapen and lifting from wooden base.

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Roseberys London
Lot 298

A patinated bronze winged figural car mascot, c.1930, unsigned,Modelled and cast as a young woman running forward, with long hair and wings behind her, on a black slate base,14.5 cm highA few old marks and scratches on the top of her arms and wings, with light wear and rubbing to her face and sides in keeping with age. Base looks to be a replacement and has some scratches.

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Roseberys London
Lot 3

Loetz (Austrian), an iridescent Rubin Phaenomen glass saucer, c.1900, PG 7966, ground out pontil, The ruby glass covered with a gold iridescence on the top, the underside decorated with gold and blue wavy bands, 16.5 cm diameter, Property from a private collection Some abrasions/scratches on the top. A few speck inclusions and bubbles from the making process. A few tiny nicks to the bottom. Light natural wear.

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Roseberys London
Lot 301

Werkstätte Hagenauer Wien (Austrian), a cold-painted bronze model of an African woman,Mid-20th Century, stamped Hagenauer Wien, with maker’s wHw roundel, Handmade, Made in Austria,Modelled and cast as a woman adopting a stylish pose, on shaped base,26.5 cm highSome old marks and light wear to surfaces and colour and elbows rubbed. Natural wear to base.

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Roseberys London
Lot 309

A Swedish flatweave wool kilim,c.1960/70, signed in the weave - 'BLS',The light pink field with green, blue and claret geometric medallions set within claret border,199cm x 142cmPlease refer to department for condition report

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Roseberys London
Lot 312

A Swedish flatweave wool kilim,c.1960/70, signed in the weave - 'MF',In light brown, yellow and orange tones, with horizontal geometric motifs,198cm x 138cm Please refer to department for condition report

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Roseberys London
Lot 317

A French green enamelled aluminium ceiling light, c.1950,The adjustable ceiling light, with domed shade and counterweight, together with a black enamelled and brass wall applique, with adjustable brass arm and conical shade,Ceiling light - 100cm high, 39cm diameter,Wall applique - 32cm high, 20cm diameter (2)Please refer to department for condition report

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Roseberys London
Lot 318

A French yellow enamelled aluminium and brass desk lamp, c.1950, The domed shade enclosing two light fittings, on tapered cylindrical stand to circular base, 48cm high Please refer to department for condition report

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Roseberys London
Lot 319

A French two light floor lamp after a design by Mathieu Mategot,Second half 20th Century,with two cylindrical shades on yellow powder coated tubular metal stand,160cm highPlease refer to department for condition report

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Roseberys London
Lot 321

Uno and Östen Kristiansson (Swedish), a 'Cylindus' ceiling light for Luxus,c.1970,Of stepped cylindrical form, in white and orange lacquered plastic,25cm high, 35cm diameter Please refer to department for condition report

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Roseberys London
Lot 324

An Italian mottled glass aventurine table lamp,Second half 20th Century,The removeable domed shade on waisted stand with flared circular base,28cm high Overal general light surface wear throughout, there is a small blemish to glass on top of the shade. There is a small chip to the band of glass around the electrical aperture to base.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed

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Roseberys London
Lot 325

An Italian chromed and glass five light chandelier, in the manner of Fontana Arte,c.1960,With curved glass and chromed panels, having five internal chromed concave panels each with light fitting,67cm high, 50cm wide Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed

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Roseberys London
Lot 326

An Italian Murano glass and brass ten light chandelier,c.1970/80,With two tiers of curved brass arms terminating in white and translucent glass Calla lily shaped shades,49cm high, approximately 74cm wideElectrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed

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Roseberys London
Lot 328

Gino Sarfatti (Italian 1912-1985), a pair of ‘Model 121’ brass and painted aluminium wall lights, Designed in 1946 and produced by Arteluce, Milan, Shade adjusted with butterfly wing nuts, with brackets and light fitments, Fully extended 39.5 cm long, shade 17.5 x 16.8 cm diameter (2), Property of a Private Collector: purchased Tajan Paris 24th Nov 2015 Lot 174Some old marks, some scratches, general wear and tarnishing to brass. The shades have some small losses to colour around the rims and there are some finger marks, scuffs and light wear to colour in keeping with use. There is a Tajan label stuck on one shade.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed.

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Roseberys London
Lot 33

L.C. Tiffany (American), a set of four iridescent glass dishes,Early 20th century, engraved L.C.T, ground out pontil,Each with wavy rim and covered with a gold/orange iridescent surface dispersing on the rim,17.3 to 17.8 cm diameter (4) Light wear - overall good condition.

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Roseberys London
Lot 331

Max Ingrand (Italian 1908-1969), a model ‘2099’ pendant light for Fontana Arte, c.1960, Of cuboid form, the outer shade comprising four peach coloured glass panels, with brass supports and mounts, enclosing cylindrical white frosted glass diffuser, 83cm high, 20.5cm squarePlease refer to department for condition report

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Roseberys London
Lot 332

Gino Sarfatti (Italian 1912-1985) and Archimede Seguso (Italian 1909-1999), a ‘Bollocine’ glass pendant light,c.1950,The spherical bubble glass shade, suspended from brass arm with black enamelled housing,46cm highPlease refer to department for condition report

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Roseberys London
Lot 333

An Italian chromed desk lamp,c.1970, The tubular chromed and pierced light casing, on rectangular brown Perspex base,35cm high, 64cm wideElectrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed

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Roseberys London
Lot 334

Attributed to Romeo Rega (Italian 1904-1968), a pair of faux ostrich leather and brass lamps,c.1970,Each with square tapered shades, enclosing two light fittings, with brass and faux ostrich leather clad stands on stepped brass bases,Each 87cm high (2)Please refer to department for condition report

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Roseberys London
Lot 35

A Pink iridescent glass vase with pewter mounts, possibly by Otto Thamm for Fritz Heckert,c.1900, ground out pontil, The pink glass with quatre-foil neck decorated with fine pale blue pulled threads, having an iridescent sheen, held by a pewter mounts and feet,25.3 cm highA few tiny bubbles and speck inclusions from the making process. Light wear. Light wear to pewter.

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Roseberys London
Lot 36

An iridescent glass vase attributed to WMF 'Myra',c.1930, The vase with everted rim covered with an iridescent surface of pink tone that disperses on the edge; together with a blue glass vase with broad wavy rim, ground out pontil, decorated with a blue iridescence that disperses on the rim,10 cm high and 18 cm diameter respectively (2)Vase with pink: Small chip to edge of rim. Light wear and light wear to base.Blue: short fine hairline on the underside on the rim. Some tiny nibble to the rim which you can feel more than see. Light wear to base.

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Roseberys London
Lot 376

A 'Memphis' style side table, c.1980, With circular grey lacquered wood top on grey, pink and light grey powder coated metal stand, 60cm high, 34cm wide Condition Report:There is a crack to laminate on table top as well as some small chip losses to edges and to 'ball'. The stand with scratches, scuffs and losses to finish throughout.

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Roseberys London
Lot 38

Attributed to WMF, a 'Myra' iridescent glass dish,c.1930, ground out pontil,Decorated with orange, pink and green iridescence dispersing towards the rim,31cms diameter A few bubbles and speck inclusions from the making process. Light natural wear to underside.

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Roseberys London
Lot 384

Isamu Noguchi (American-Japanese 1904-1988), a 'Cyclone' dining table for Vitra, 2016, applied manufacturer's label to underside, With circular white laminate top, on chromed steel rod supports to circular black powder coated iron base, 73cm high, 90cm diameterCondition Report:Overall light surface wear to include minor scratches and scuffs, the laminate to top with one small loss to edge, otherwise in generally good overall condition.

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Roseberys London
Lot 39

Loetz (Austrian), an iridescent Papillon oviform vase,c.1900, ground out pontil,The clear glass vase with everted rim decorated with splashes of gold iridescence,23.5 cm high,Some dark speck inclusions and bubbles from the making process. Light wear. Some dirt to interior. Natural wear to base.

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Roseberys London
Lot 394

A Perspex and chromed four light lamp, c.1970, The cylindrical Perspex shade, with four internal chromed lights on cylindrical stand with circular base, 75cm high, 36cm diameterCondition Report:Screw thread where shade attaches to stand has broken, therefore the shade is currently balanced on top. Perspex surfaces with minor wear to include light scratches, chromed surfaces with light wear, otherwise in generally clean condition.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed

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Roseberys London
Lot 397

Amendment, please note, this lot does not come with the shades as originally cataloguedPorta Romana, a pair of 'coffee bean' lamps,c.2010, mark to base of light fitting - 'Porto Romana', Of 'coffee bean' form, in blown charcoal coloured glass, on faux slate rectangular base, with silk Porta Romana shades,Each 41cm high,Total height with shade 66cm high (2)Condition Report:Glass with very light general surface wear throughout, glass to both lamps with minor inclusions/defects and air bubbles from the manufacturing process.

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Roseberys London
Lot 398

Porta Romana, a near pair of 'Perfume bottle' lamps,c.2010, mark to base of light fitting - 'Porto Romana', Each of tapered form, with clear crystal casing, one lamp with black coloured ground, the second lamp with dark purple coloured ground, each with silk Porto Romana shade,Each 40cm high,With shade larger, 65cm high, With shade smaller, 62cm high (2)Please refer to department for condition report

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Roseberys London
Lot 4

Loetz (Austrian), an iridescent Phaenomen dimpled glass vase with everted rim,c.1900, PG 202, PN 11/888, ground out pontil engraved Loetz Austria,Pale glass body decorated with silvery-blue and blue shaped banding pulled to a point,17.2 cm high,Property from a private collectionA few spot and speck inclusions on the surface and some tiny bubbles in the glass - all from the making process. A few small marks and light natural wear. On the edge of the ground pontil there is a small slither/oyster blemish from the making that was not removed at the time. Overall good condition.

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Roseberys London
Lot 41

Loetz (Austrian), an iridescent Papillon glass vase with silver appliqué,c.1900, ground out pontil,The green body of waisted form with crimped neck rim, decorated with splashes of gold iridescence and overlaid with silver appliqué in a floral design, (losses to the silver),30 cm high There are large losses, and some lifting, to the silver, mostly on the lower half. There are some splashes and drips of paint on the vase and silver and some silver paint on the base. Some tiny bubbles from the making process. Light natural wear and wear to base.

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Roseberys London
Lot 43

Loetz (Austrian), an iridescent Papillon vase with dimpled sides,c.1900, ground out pontil,The clear glass vase with everted rim decorated with splashes of gold iridescence,20.7 cm high,A few scratches on the sides. A few speck inclusions and bubbles from the making process and a few anomalies on the edge of the rim, again from the making and not damage. Light natural wear. Some dirt to interior. The base with typical wear and a slither/oyster chip on the edge of the ground out pontil.

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Roseberys London
Lot 44

Loetz (Austrian), an iridescent Papillon vase with trefoil neck, c.1900, ground out pontil,The vase of twisted triangular section decorated with splashes of gold iridescence,20.7 cm high,A few scratches on the sides. A few speck inclusions and bubbles from the making process. Light natural wear. Some dirt to interior. The base with light typical wear.

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Roseberys London
Lot 45

Attributed to Otto Thamm and Fritz Heckert (German), an iridescent glass vase with ‘Jack in the pulpit’ neck,c.1901, ground out pontil,The yellow body decorated with green threads and an iridescent surface,34.5 cm high Stefania Zelasko, ‘Fritz Heckert - Kunstglas Industrie 1866-1923’, Glasmuseum Passau 2012, p. 230, Cat. Ref. 417 (similar design drawing of shape illustrated p. 194 & 196)Some bubbles and speck inclusions in the glass from the making process. A few fine scratches and some light wear. Light wear to underside of base. Some dirt to interior.

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Roseberys London
Lot 47

Otto Thamm for Fritz Heckert (German), an iridescent glass vase of compressed form,c.1901-1902, ground out pontil,The clear glass body of compressed form with dimpled shoulders and wavy rim, decorated with undulating threads and splashes of gold iridescence,10.5 cm high, 20.5 cm wideLiterature: Stefania Zelasko, ‘Fritz Heckert - Kunstglas Industrie 1866-1923’, Glasmuseum Passau 2012, p. 186, 187, and 189 (similar shaped vases in varying sizes and pattern illustrated)A few speck inclusions and bubbles from the making process. Light natural wear. Some spots and wear to interior. The base with light typical wear.

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Roseberys London
Lot 49

Gallé (French), a mould-blown double overlay ‘crocus’ vase, c.1925, cameo signature Gallé,The vase of flattened oviform and mould-blown, the yellow body overlaid in mauve and pale blue and acid-etched with crocuses,20.7 cm highTiny abrasion/inclusion near the signature. A few tiny abrasions and light natural wear. Some bubbles in the glass, but this is how it was made. Natural wear to base

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Roseberys London
Lot 51

Daum (French Est.1879), a cased and applied glass inkwell with cover,c.1902, engraved Daum Nancy with Cross of Lorraine,The square form with circular domed cover and opalescent interior, acid-etched with oak leaves and applied glass cabochons over foil and worked as acorns and beetles,12 cm high, 10 cm squareA small chip and nick of the relief decoration on the cover and some minute abrasions on the rim. Small chip on one acorn. Some light natural wear and to the underside of the base.

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Roseberys London
Lot 54

Daum (French Est. 1879), a double-overlay cameo and fire-polished glass vase,c.1900, wheel cut Daum Nancy with Cross of Lorraine,The opalescent body overlaid with orange and green and acid-etched with flowers with applied, raised centres, on slender stems, the base and neck with martelé finish, fire-polished,29.2 cm highA few scuffs and abrasions and light natural wear. Some tiny bubbles in the glass and on the surface, but this is how it was made. Natural wear to base with tiny abrasions on the edge.

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Roseberys London
Lot 56

Daum (French Est.1879), an enamelled 'Imperial Russian Commemorative' clear glass vase,Engraved Daum Nancy with Cross of Lorraine c.1890-1896,The vase of ribbed shouldered form decorated in black, red and gilt with three Imperial black crowned double-headed eagles with sceptre and orb, each separated with a gilt outlined pale blue cross,10 cm highNote: Daum made a number of commemorative items in the 1890s to commemorate both the Franco-Russian Alliance of 1894 and also the State visit of Tsar Nicholas II and Empress Alexandra in 1896.Some minute abrasions and nicks to the edge of the base and light natural wear to sides in keeping with age. Enamel generally good but with some loss and rubbing to the gilt.

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Roseberys London
Lot 63

An Art Nouveau silver and glass cayenne pepper pot with spoon,Mark of Levi & Salaman, Birmingham 1903,The silver mount with openwork sides decorated with sinuous tendrils, loop handle and three feet, having a green glass faceted liner, the slender silver spoon with openwork finial,9.5 cm high There is a large chip to the neck of the green glass liner and a nick on the rim and the shoulder and some wear, minute nicks and abrasions. Spoon slightly bent with light natural wear. The mount with natural wear and rubbing to surfaces. Rubbing to to the outer edges of the makers marks.

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Roseberys London
Lot 64

An Art Nouveau Chester silver card tray,Mark of William Neale, Chester 1901, Rd. 376331,Of shaped outline, embossed with sinuous tendrils and irises against a part textured ground,22.6 cm x 30.7 cm (10.2 oz)There are two shallow indentions at one end. Fine natural wear to surfaces with some scuffs, normal wear to back, light rubbing. Marks and Rd No clear.

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Roseberys London
Lot 66

Orivit (German), an Art Nouveau pewter twin-handled bowl with original glass liner,Stamped 'Orivit 2325',The pierced pewter with twin sinuous handles raised on a short ribbed stem and shaped foot and having the original external patina, original shaped clear glass liner,8.5 cm high, 17.2 cm wide,Light natural wear to external surfaces, slightly heavier wear to underside of foot and the inside on the metal 'bowl' - interior may have been polished and is now tarnished. Glass - some wear and fine scratches and some tiny nicks and abrasions to the rounded rim.

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Roseberys London
Lot 69

A French Art Nouveau silver Serpent head and Malacca cane,c.1900, boars head shaped French poincon for 800 standard, and maker's lozenge mark partly obscured but possibly for Charles Murat, Paris,The slender dark-stained and mottled-wood cane mounted with an open mouthed snake with snake-skin embellishment,93.8 cm long, handle 12.3 cm wide, Property of a GentlemanWood: Looks to have lost a cap on the end of the cane and with some typical old marks and light natural wear to the shaft. Silver: Some indentations on the sliver, with a few abrasions and natural wear. General detail with some rubbing but overall quite good.

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Roseberys London
Lot 70

Tiffany Studios (American 1902-1938), a patinated bronze and green marbled glass 'Grapevine' box and cover,c.1910, stamped Tiffany Studios, New York,Rectangular form, with openwork vine, leaves and grapes, with marbled glass top, sides and bottom, with beaded edges and ball feet,4.5 cm high, 11.3 cm wide, 8.7 cm deep, Property of a GentlemanSome Verdigris to bronze. No damages to the glass. Natural wear in keeping with light natural use and age.

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Roseberys London
Lot 71

A Tiffany Studios (American) 1902-1938), a small gilt bronze vide poche,Early 20th Century, stamped Tiffany Studios, New York, 1735,The shallow dish with reeded edge, having a textured surface and a gilt finish,12.5 cm diameter, Property of a GentlemanSome spots and old marks on the top and underside. Light natural wear.

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Roseberys London
Lot 8

Loetz (Austrian), an iridescent glass Formosa vase with silver appliqué,c.1900, ground out pontil,The green glass of shouldered oviform decorated with wavy and pulled bands in shallow relief and heightened with blue iridescence, further embellished with silver overlay,9.3 cm high,Property from a private collectionBase slightly uneven. Light natural wear. Some texturing and tarnishing on the silver. Overall good condition.

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Roseberys London
Lot 84

Hans Stotlenberg Lerche (1867-1920), a patinated bronze figural vase,Late 19th Century, signed H. St. Lerche and with Louchet Paris ciseleur seal,Modelled and cast as two children climbing the base of a tree,16.5 cm highSome old marks and light wear and rubbing in keeping with age.

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Roseberys London
Lot 86

Antoine Bofill (Spanish 1875 - date died unknown, but some time after 1925), a patinated bronze,c.1900, signed Bofill,Modelled and cast as a putti riding on the back of a turtle; together with another unsigned bronze of a putti sitting on a cushion,11 cm and 9,5 cm respectively (2)A few old marks and light wear and rubbing in keeping with age. Some dirt in the crevices.

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Roseberys London
Lot 87

Alfred Jean Foretay (Swiss 1861-1944), an Art Nouveau patinated bronze figure,c.1900, signed A. Foretay,Modelled and cast as a maiden sitting on a tree stump holding a flower in each hand, having a leaf halo behind her head,36.5 cm highA few old marks and light wear and rubbing in keeping with age. Some traces of green on her arms, hair and leaf behind her head – now mostly faded or rubbed away. Wear to base.

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Roseberys London
Lot 9

Loetz (Austrian), an iridescent glass ‘Papillon’ vase with handkerchief point rim, c.1900, ground out pontil,The pale green body decorated with silvery-blue splashes of iridescence, with pink tint on the rim,11.2 cm high,Property from a private collection Light natural wear. Overall good condition.

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Roseberys London
Lot 90

Jules Meliodon (French 1867 - date of death unknown but sometime after 1940), a patinated bronze figural lamp base, lacking bower and light fitment,c.1900, signed Modelled and cast as an art nouveau maiden, her long dress spreading out to form the base, there are apertures for the wiring and bower,29.5 cm highThe bronze is missing the bower and the light fitments that would attach under her arms and go overhead. Some old marks and wear and rubbing to high points in keeping with age. Some dirt in the crevices.

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Roseberys London
Lot 99

William De Morgan (British 1839-1917), a hand painted six-inch 'Galleon' tile, Late Fulham period 1898-1907, impressed DM 98 in a roundel, Painted in shades of green with a galleon with three sails and two dolphins swimming below,15.4 cm squareSome tiny nicks and nibbles to glaze at the edges and some light razing to the glaze.

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Lawrences Auctioneers of Crewkerne
Lot 298

AN ELIZABETH II THREE-LIGHT CANDELABRUM with reeded branches, decorative borders and detachable nozzles (loaded column) by the Barker Ellis Silver co. Birmingham 1966; 14.5" (37 cms) high; 26.9 oz weight of branches

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Lawrences Auctioneers of Crewkerne
Lot 118

A MISCELLANEOUS LOT: A cigarette box, initialled, a small quaich, a small sugar bowl, a mug, inscribed, a two-light dwarf candelabrum (loaded base), a pepperette and a cased set of six enamelled cocktail sticks; the mug 5.25" (13 cms) high; 17.3 oz weighable silver (lot)

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Lawrences Auctioneers of Crewkerne
Lot 178

AN EARLY VICTORIAN MOUNTED CUT-GLASS CLARET JUG with a vivid light green coloured, baluster body and a fruiting vine mount and handle, the cover & spout resembling an oyster shell, with a leafy finial, by Messrs. Barnard, London 1844; 11.25" (28.5 cms) high

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Reeman Dansie
Lot 947

Good quality light oak and leather table lamp, together with a pair of leather and brass table lamps (3)

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Reeman Dansie
Lot 991

Singer electric sewing machine in light oak cabinet and a similar needle work box with contents

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