A 12 Bore Over and Under Shotgun, by Lanber, 28ins blued steel barrel with elevated top rib, bright steel action bearing maker's name, hardwood stock and fore end with chequered grips, composite butt pad, 14.5ins pull, 45ins overall Note: You must be in possession of a current shotgun certificate to purchase this item The weapon presents in good overall condition showing wear commensurate with age and light usage. All of the bluing being 100% intact. No obvious signs of any damage, dents or signs of wear to the barrels. The action is bright and clean and showing no signs of previous damage of repair. The stock and fore end are in good condition showing no obvious signs of damage or previous repair. The weapon cocks, holds and fires. Overall a very nice example.
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A Flight & Barr Worcester Porcelain Mug, Circa 1810, painted in sepia with "On the Heights Near Matlock, Derbyshire", within gilt cartouche, with factory script mark and title of scene, possibly painted by John Pennington Some very light scattered wear to gilt detail on rim, but otherwise this mug appears to be in good condition with no obvious damage/loss/restoration
An Emerald and Diamond Ring, set with a centre emerald, approximately 3ct, surrounded by small brilliant cut white diamonds, approximately 1ct total, size M, gross weight 7.6g Note: Metal unmarked but tests as 18ct gold The ring presents in condition commensurate with age and moderate usage. There are light marks to the stone but no large cracks or chips and some minor nibbling to the girdle, again commensurate with age and moderate usage. All the stones are securely set and all the claws appear to be present. The small diamonds around the exterior are likewise in good condition with no obvious of damage or previous repair and are all securely set. The ring itself presents well but does show marks commensurate with age and moderate wear as previously stated. Potential bidders are strongly advised to study all images closely and please note we are not qualified to grade stones. The centre stone measures 10.54mm x 10.24mm, it is not possible to gauge the depth of the stone due to the gallery.
A Pair of George V Silver Oval Sauce Boats, by the Goldsmiths & Silversmiths Company, London 1928, with shaped rims, scroll handles and on shell capped hoof feet, 4ins high, weight 15ozsBoth of a good gauge of silver. One has a small split to the rim and a small dent further along the rim. Scattered light surface scratches. Hallmarks well struck on bodies near handles, and impressed makers mark to base - one a little rubbed.
A Pair of 19th Century Bohemian Ruby Glass and White Overlay Vases, each with scrolling foliate gilding and oval reserve panels with image of young woman and floral sprays, each 10.5ins highOne with very minor scattered wear to gilt details. The base of this example with small flat chip to underside at edge of rim. The other with some very light scattered wear to gilt detail, but otherwise these two vases appear to be on good condition with no obvious damage/loss/restoration.
An 18ct Gold Gentleman's Solitaire Ring, set with a brilliant cut white diamond, approximately 1ct, size T, gross weight 8.1g As per our terms and conditions all stones are gauged and all weights are approximate. The diameter of the stone measures 6.55mm. The item presents in condition commensurate with age and light usage, the collet set stone is securely set and appears to be free of any damage, there is no obvious sign of any previous repair or damage. Please note we are not qualified to grade stones and bidders are strongly advised to study images carefully prior to biddinghttps://www.dropbox.com/scl/fo/5kmul2p9wlbulzis5yczk/h?dl=0&rlkey=z31zmhh2efosysubqoysh5hh8 Buyers should be advised that the images within this Dropbox link constitute part of the condition report. Please inspect the images carefully.
Dugald Stermer - "The Art of Revolution, Ninety Six Posters from Cuba", published by Pall Mall Press, London, 1970, one soft back volumeThe size of this work is 17.75ins x 13.5ins. The posters are full page. The spine is partially broken and some pages are loose. The front cover has a sellotape repair to part of the right edge. Bumping to all four corners. Some creasing/light scratching to both covers. The posters appear to be in good condition generally.
A 19th Century Ebonised and Gilt Framed Rectangular Wall Mirror of "Rococo" Design, with sea scroll and leaf carved frame, inset with three plain mirror panels, 26ins x 69insAssumed originally to have been all gilt, large areas of this mirror have now been over painted in dark green. The frame is carved and there are losses. Some horizontal cracks. Mirror plate appears to be in reasonably good condition, although grey with some light breaking down of the silvering.
An Edward VII Silver Mounted and Leather Covered Stationery Slope and Mixed Silverware, the stationery slope by J Batson & Son, London 1905 with floral and scroll cast mounts and engraved with oval cartouche, floral garlands, scrolls and ribbon ornament 3.5ins x 4.5ins x 5.25ins high, an Elizabeth II silver mounted rectangular desk calendar, Birmingham 1953, 6ins wide x 4ins high and two silver capstan pattern inkwellsThe silver mounted and leather covered stationery slope - the floral and scroll mounts to the left corner of the top of the box are lifting. Some light rubbing to the engraved decoration and the hallmark which are struck on the top left corner. Hallmarks also struck on the lower left corner with the makers marks somewhat indistinct. General wear to the leather covering - small horizontal tear top left side and general stains and bubbling throughout. The interior has a simple wood lined compartment. The desk calendar - some scattered minor dents and light rubbing to mounts. Hallmarks struck to the side. This is on an ebonised casing the interior of which now has changeable cards. There are two capstan inkwells, one with reeded mounts which has a few minor dents. The other with reed and ribbon mounts which has two crease dents and slight movement to the hinge.
19th Century British School - Oil painting - Mountainous landscape, with horse-mounted figures exchanging greetings on a path, with terriers, 19ins x 23ins, in gilt swept frameThe frame shows signs of shrinkage with numerous cracks in the gesso all the way round and there are some gesso mouldings missing. The painting shows signs of extensive restoration when inspected under UV light. There are general signs of craquelure however there are obvious signs of damage or loss and the canvas appears to be in relatively good overall condition.
A Diamond Flower Head Ring, set with nine old European cut diamonds, approximately 1ct total, size L, gross weight 2.8g Note: Metal unmarked but tests as 18ct gold The item presents in a condition commensurate with age and light usage. All stones appear to be free from any obvious sign of damage, all claws are present, all stones are securely set. There is no obvious sign of any damage or previous repair. Please note we are not qualified to grade stones. Customers are strongly advised to study all images carefully prior to biddinghttps://www.dropbox.com/scl/fo/5kmul2p9wlbulzis5yczk/h?dl=0&rlkey=z31zmhh2efosysubqoysh5hh8 Buyers should be advised that the images within this Dropbox link constitute part of the condition report. Please inspect the images carefully.
A 16th Century Latin Bible - "Biblia Sacra", 1516 (one full leather bound volume) Slight bumping to all four corners of boards. Two printed owners plates, one dated 1831. Work begins with Tabula Tertia (2 pages - 4 sides), all pages up to Exodus XXV with tissue inserts to front edge where damage and loss has occurred. Some water damage (?) to bottom of pages. Acts of the Apostles 71(LXXI) to end. Some light scattered staining/discolouration to some pages, some scattered spotting. Some ink marginalia, mostly in the form of a pointing finger. End papers missing. This volume measures 10.125ins x 7.25ins x 2.75insImages are within the attached Dropbox linkhttps://www.dropbox.com/scl/fo/ppwnfvttb8ejjb97tzktw/h?rlkey=l8g0qyv7tlifu384l1rkazxl2&dl=0
Continental School (20th Century)Still life of flowers including tulips, peonies, lilac, on a ledge with a black beetleIndistinctly signed, oil on board, 59.5cm by 44.5cmGeneral light surface dirt in evidence. Sporadic surface imperfections including the odd brown spot, particularly in the lower half of the picture, and some minor nicks and scratches in evidence. Patch where the varnish appears opaque in the top left hand corner approx 8cm from top and 4cm from left hand edge, and a similar mark towards the right hand edge. Patch of abrasion with small amounts of associated paint loss approx 5cm from the top edge just left of the centre, and a further similar patch of abrasion approx 10cm to the right of this, with further tiny losses in the general vicintiy - possibly scraped against something? Very faint linear rub? marks running vertically down the right hand edge. Not examined under UV light.
John Carter (1922-2004) Gordon on the villa patio Signed and dated (19)85, oil on canvas, together with a further two oil portraits of Mr Fox seated in a chair and "Tom", 58cm by 71.5cm and 49.5cm by 39.5cm and 40cm by 32cm respectively (3) Provenance: From a friend of the artist Born in 1927, John Carter grew up in Poplar in the East End of London. Producing a panorama of the docks ablaze when working as ‘Lad Messenger’ in the Blitz, Carter’s lifelong love of painting was borne. In the early 1950s he had a joint exhibition with John Shepherd and Henry Moore, as well as exhibiting solo throughout his career. After moving around London and then Suffolk, John settled in Spain where he took advantage of the natural light to paint seascapes, landscapes and life studies.
D.M & E.M Alderson (20th Century)A day in the field, hunting sceneSigned and dated 1946, watercolour, 18.5cm by 26cmSome time staining to sheet. General dirt and debris trapped beneath glass, including the odd thunderfly and also an incongruous white flake of paint? above the head of the lady riding side saddle. Some light foxing spots visible within the central clouds in particular, but not exclusively, with evidence of light foxing within the sky and elsewhere. Possibly slightly mild fading but the landscape executed in a fairly muted palette, and good colour depth elsewhere. Not examined out of the frame.
Mike Wilks (b.1947)"The Acorn Dance"Signed and dated(19)96, inscribed verso, 37cm by 29cm; together with an exhibition catalogue including this picture (2)Some general surface dirt. The off tiny black spot to surface. A patch of incongruous small white patches, possible sticker residue, to the right of the head approx half way down the right hand side edge. Some faint linear marks running diagonally through the orange area to the right of the hot air balloon, and a couple of others elsewhere. Not examined under UV light.
Jonathan Briggs (b.1956)"White Nothe" Looking East from Redcliff Point, Near Weymouth, DorsetSigned, inscribed and dated 1993 verso, acrylic on canvas, 55.5cm by 70cmSome general dirt and debris to surface. White paint splashes/splatters sporadically across canvas (see images) Clusters of small brown spots, most notably in the green of the peninsula, but also sporadically over canvas. (see images). The odd brown stain/liquid mark (see image). Some frame rubbing to the edges. Not examined under UV light.
A Victorian Flame Mahogany, Boxwood and Ebony-Strung Circular Centre Table, circa 1900, the rosewood-crossbanded frieze within fluted moulding, on turned and acanthus tapering legs joined by a circular shelf and pierced brass gallery, 83cm diameter, 73cm highSome light scractches and water marks to the top, structurally sound, no signs of worm, repair to stretchers and to the top of one leg.
Mike Wilks (b.1947) City Jungle Initialled and dated (19)80, gouache, 47.5cm by 30cm Mike Wilks was born in London and studied at a junior art school before attending Croydon College of Art. After working as a graphic designer for several years he founded his own design company, which flourished and later allowed him to resign and concentrate on painting and drawing. After publishing a number of best-selling books, Wilks became the focus on an award-winning BBC arts documentary Mike Wilks - Making His Mark. Since then, he has continued to write, paint and draw, and his works can be found in public and private collections in the UK, Europe and the USA. Some general light dirt and debris beneath glass. Some very light time staining to sheet most evident around the edges of the sheet and the edges of the cut out sillouette of the skyline, but the work is executed on a cream medium. The odd tiny faint spot in the background. The cut out area has raised slightly, but this is possibly by design. In a generally good and bright overall state of preservation. Not examined out of the frame.
Follower of Edward Pritchett (fl.1828-1864)Venetian ViewSigned R.M Crompton, oil on board?, 33.5cm by 55cmLayer of light surface dirt. Patches of sporadic staining spots of varying sizes and strengths to the surface, most notable in the sky area but not exclusively. Notable staining down the right hand side edge. General dirt and debris trapped beneath the glass. Not examined out of the frame.
Paul J Attfield (b.1950)Picnic in the garden with teddiesSigned, oil on canvas, 49cm by 74.5cmSome general surface dirt. A slightly raised linear push mark (from back to front) running horizontally approx 30cm in length, situated approx 15cm from the top edge in the left hand side predominantly, with tiny amounts of associated cracking along the line. The odd small brown surface spot, with a cluster within the open book on the table, and other sporadically elsewhere. Slight buckle to the canvas in the lower right hand corner. Paint a little thin in places. Not examined under UV light.
Ronald Moseley (b.1931)Harvest SceneSigned, oil on canvas, 49.5cm by 74.5cmSome general surface dirt and imperfections in evidence, including a tiny loss along right hand edge approx 20cm from the bottom, and tiny nicks elsewhere. Quite a significant push mark from back to front within and to the left of the central tree above the haycart, with two evident points of contact that are further raised, but have not broken the surface. Not examined under UV light.
After Doug Hyde (b.1972) "Beware of the Dog" Signed, inscribed and numbered 172/495, giclee print, 56cm by 75cm Sold together with a signed and inscribed card from the artist With DeMontfort Art label about the artist to the reverse and sold together with an inscribed card from the artist. Not with a certificate of authenticity. In an overall good and presentable state of preservation. Some light dirt and debris beneath and to the glass.
Ethel Leontine Gabain (1883-1950)The Linen CupboardThe Silken Wrap Signed, etchings, 35.5cm by 28cm and 34cm by 27.5cm respectively (2)The Linen Cupboard: Time staining to sheet. Sporadic fairly heavy foxing spots, most notably clustered down the right hand side edge but in evidence to entire sheet. A light crease to the sheet to the white background in upper central portion. Light dirt and debris trapped beneath glass. Light cockle to sheet. Not examined out of the frame. The Silken Wrap: Light time staining to sheet but in a brighter state of preservation than other example. Some patches of yellow staining, mainly contained to the lower edge on the right hand side, but with small areas elsewhere. Light dirt and debris trapped beneath glass. Slight cockle to sheet. Small amount of vertical creasing along the bottom edge of the sheet.
S*Gowgill (20th Century)St. Mark's Square, Venice, from the lagoonSigned and dated 1930, oil on canvas, 49.5cm by 37cmGeneral surface dirt and discoloured varnish. Small spots of debris in evidence to surface. Small paint loss approx. 1cm from lower edge to left of centre (see image). Paint thin in places, most evident within the water in the central portion above the lower edge (see image), possibly by design. Not examined under UV light.
After Charles Frederick Tunnicliffe RA, RE, ARCA (1901-1979)Shoreland WadersLimited edition lithograph, signed and numbered 406/500; together with another of ducks swimming in a winter landscape, signed and numbered 415/500, 44cm by 82cm (2)Published by The Tryon Gallery Ltd.Shoreland waders: Light time staining to sheet, particularly around the edges. Colour depth remains broadly good. Some creasing to sheet, the most evident being positioned through the head of the bird just right of centre, and running horizontally approx. 4-5cm in length. Further small crease to the right hand edge in the lower section and also one running vertically approx. 5cm in from right hand edge from the top of the sheet, with further minor creasing elsewhere. General dirt and debris trapped beneath glass. Slight cockle to sheet. Not examined out of the frame. Swimming ducks: In a broadly comparable state of preservation, with some light time staining to sheet particularly around the edges. Some very light minor creasing but less evident than the other example. General dirt and debris trapped under the frame. Slight cockle to sheet. Not examined out of the frame.
Dorothy M Tilburn (b. 1930)Betty's chicksSigned, oil on canvas board, 39cm by 50cm; together with A* E* Wilson, "Magdalene", initialled, watercolour, a pair of prints after Robert Gemmell Hutchinson, a mezzotint after E. E. Milner, "Pinkie", and various other decorative prints (11)Betty's Chicks: In an overall good state of preservation. With some minor surface dirt and discolouration. The odd spot of debris to surface, for example a small patch of black deposit just below the nearest foot of the standing cockerel. Some small, incongruous brown spots including but not exlusively in the blue flowers on the left hand side, the feathers of the standing cockerel, and the foliage in the upper right hand corner, etc, but may be by design. Not examined under UV light.
Albert George Stevens (1863-1925)Playing with a dollSigned, watercolour, 33cm by 25cmNorth Yorkshire deceased estateIn an overall good state of preservation. Some possible very light reduction to original colour, and light time staining to sheet which is nominally evident within less worked areas i.e. window pane frames. Very minor crease to lower right hand corner, and further very minor crease within the tile directly below the seated lady's resting foot. No evidence of cockling. Not examined out of the frame.
After Doug Hyde (b.1972) "What a Catch" Signed, inscribed and numbered 270/395, giclee print, 41cm by 55cm Sold together with the certificate of authenticity With DeMontfort Art label about the artist and sold together with a certificate of authenticity. In an overall good and presentable state of preservation. Some light dirt and debris beneath and to the glass.
British School (19th century)Portrait of a seated gentleman holding a caneOil on canvas, 111.5cm by 86cm (unframed)Heavy surface dirt and discoloured varnish. Significant amount of white paint? splash/splatter marks, most notably concentrated to the lower right hand corner but not exclusively, which extend across the painting sporadically. Areas of significant craquelure within the gentleman's black clothing, some of which appears to have been filled in in extensive patches, and some where the background is showing through the cracks (see images). Finer craquelure within the flesh of his face and his hands (see images). Hole in the canvas to the left of his head with associated paint losses around the edges of the hole. Significant patch of paint loss as a result of a scrape to the forefinger of his hand on the cane, with depression to canvas in this area and linear scrape marks extending in an upwards arc away from this patch to the sitter's shoulder, and other similar scrapes and rubs in the vicinity and elsewhere on the canvas (see images). Losses around the entire edge of the canvas. Other surface imperfections including nicks, scratches and losses in evidence across the canvas. Not examined under UV light.
Miscellaneous Items, to include: a 9 carat gold goat pendant, a silver and leather key ring, ostrich feather fans, gentleman's evening suit accessories, a small quantity of costume jewellery, a cast iron money bank in the form of a jockey and horse, Victorian oil lamp, magic lantern, two branch desk light etc. (three boxes: medal and pendant in flat case)Provenance: Dutton Manor, Lancashire
A Pair of Aquamarine Drop Earrings, the cushion cut aquamarine surmounted by a rose cut colourless stone, in yellow claw settings and beadwork detailing, with hook fittings, drop length 3.0cmThe earrings are in poor condition with multiple chips to all stones. The aquamarines are eye visibly included and of a light greenish-blue colouration. Length inclusive of fitting, 3cm, exclusive1.7cm. Gross weight 3.2 grams.
A Set of Late 19th Century Benson Style Wall Lights and Shades; together with A Similar ChandelierShades in good order. Metal appears to be complete and free from any notable damage. General wear.Three branch light does not match but has some crossover elements, may have been assembled to match.
19th/20th Century Works of Art and Collectables, comprising a Chinese carved hardwood hinged box with key, two porcupine quill boxes and covers, a late 18th century glass tumbler with etched design, a handwritten letter and note headed 'King's Head Derby', three 5 shilling coins, University of Glasgow 1990 commemorative coin and Henry Tudor bronze Pembroke Museums coinChinese box - back left column missing, front left column with heavy loss, columns and one foot reglued, with a fuctioning lockGlass beaker - light wear and scratches onlyQuill boxes - some slight losses but overall good
Allard (Carolo), Regnorum Magnae Britanniae Sive Angliae Scotiae nec non Hiberniae..., no date, hand-coloured engraved map of Britian and Ireland, with cartouche and inset map of the Orkney Islands, framed and glazed; with an Elizabethan fine indenture, dated at Westminster, May 1568, ink on vellum (2)Somewhat browned, very light dust marking in places, creases in addition to central fold. Not examined out of frame.
Hand thrown clay wall plaque featuring ten abstracted, stick figure forms. Light lavender glaze over stoneware. L'atelier Dieulefit inscribed on bottom base. Jacques Pouchain has been featured in major art museums including the Museum of Modern Art of Paris and is well known for his abstract works. Artist: Jacques PouchainDimensions: 12.5"L x 9"W x 1.75"HManufacturer: Jacques PouchainCountry of Origin: FranceCondition: Age related wear. As found, previous repair evident.
This vibrant grouping comprises a light blue covered coffee pitcher measuring 8"L x 5"W x 10.25"H, accompanied by a set of six mugs in pairs of red, green, and bright blue, each measuring 5"L x 3.75"W x 3.5"H. Fiesta backstamp. Issued: 20th centuryManufacturer: Fiesta Tableware CompanyCountry of Origin: USACondition: Age related wear.
A delicately painted teacup and saucer set adorned with a light pink background and a charming rose motif for the design. Royal Albert backstamp. Dimensions of the teacup: 4.5"L x 3.75"W x 3"H. Dimensions of the saucer: 1"H x 5.5" dia. Issued: 2003Manufacturer: Royal AlbertCountry of Origin: EnglandCondition: Age related wear.
William Williams (1731-1811), signer of the Declaration of Independence from Connecticut. Approximately fifty-word ANS, on verso of partly printed and hand accomplished payment order from the State of Connecticut, March 17, 1783. Single sheet, with much additional manuscript on verso in addition to Williams text, which covers the reasons for the payment, to the town fathers of Lebanon, Connecticut, and which is signed within the text. Approximate Dimensions:h. 5.5", w. 6.75"Condition:A few light folds. Text and MS clear.
![Military Posts--Council Bluffs to the Pacific Ocean. 27th Congress, 2nd Session. House Document, no. 830. [Washington, D.C.],](https://cdn.globalauctionplatform.com/440e8d48-84c8-4d82-9c12-b103013acfb6/13f176c8-e68b-47a3-85e0-b103014d451f/468x382.jpg)
Military Posts--Council Bluffs to the Pacific Ocean. 27th Congress, 2nd Session. House Document, no. 830. [Washington, D.C.], 27 May 1842. Written by Nathaniel Greene Pendleton (1793-1861). Contains a map. Approximate Dimensions:h. 9", w. 5.75"Condition:Previously bound but has been unbound. Some wear to pages with light staining and yellowing. Pencil marks on front page.
The Life of George Washington by Jared Sparks. Published 1839 by Ferdinand Andrews. First edition. Book is finely bound in blue leather with marbled boards and gilt borders. The spine features raised bands with gilt titling and ornate decoration. 8vo. 562pp. Appears to have extra illustrations bound in. Approximate Dimensions:h. 9", w. 5.75", d. 1.5"Condition:Light wear to leather and boards. Some light toning and foxing to pages. Pencil notation about extra illustrations on front endpaper.
A strand of the hair of George Washington. Given by Martha Washington to Ann Caroline Baynard by his wish upon his death. Washington knew her personally as a girl. A limited edition numbered 21/300 with a Certificate of Authenticity from University Archives. Approximate Dimensions:Entire piece: h. 8.5", w. 11"Condition:Good condition. Light wear to certificate.
Official Letters to the Honorable American Congress, Written During the War Between the United Colonies and Great Britain, By His Excellency George Washington, Commander in Chief of the Continental Forces, Now, President of the United States. Volume 2. Published 1796 by Manning and Loring, Boston. Second Boston edition. Book is bound in tan leather with gilt titling on the spine on a label. 12mo. 356pp. Approximate Dimensions:h. 7.25", w. 4.25", d. 1.25"Condition:Light wear to leather from shelving. Some toning on pages, otherwise quite nice.
Journal of the First Session of the Senate of the United States of America, Begun and Held at the City of New York, March 4, 1789, printed in Washington by Gales & Seaton in 1820. Authorized May 1, 1820. Limited to 300 copies. Book is fully bound in tan leather. Gilt titling on a field of red on the spine. Book appears to be in original binding. Approximate Dimensions:h. 9", w. 5.75", d. 2"Condition:Wear, chipping, and loss to leather and boards. Hinges and joints are cracking. Some previous repair work to book. Pages have some light marking, particularly on the free end papers. Foxing and staining present.
The Laws of the United States of America, Volume 3 only. Published by Authority in 1796. Printed by Richard Folwell. Volume 3 of a very early printing of The Laws of the United States of America. Published while George Washington was still president. Brown leather binding. Gilt titling on a field of red on the spine. 8vo. 477pp with index. Approximate Dimensions:h. 8", w. 4.75", d. 2"Condition: Scuffing and wear to boards. Yellowing and light foxing on pages. Page 403-4 missing one leaf.
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534325 item(s)/page