λ John de Pauley (British b.1963)Archaic Form III, 2009Polished blue lias sculpture on unpolished blue lias baseHeight including base 62.5cm (24 5/8in.)Provenance:The Summerleaze Gallery, Salisbury Private Collection, Keith William Sleeman (1941-2020) (purchased from the above in 2010)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces. Condition Report: Very light surface scratches throughout. A few holes, most notably one to the left edge, one to the top and one to the front flat surface. These are part of the stone itself. Condition Report Disclaimer
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λ Andrew Hemingway (British b. 1955)The OrchardWatercolour on boardSigned lower right96 x 150cm (37¾ x 59 in.)Please Note: this work is watercolour and not egg tempera as stated in the printed catalogue. Condition Report: Very light undulation to the sheet. Otherwise in original condition. Condition Report Disclaimer
λ Henri Matisse (French 1869-1954) Tete de jeune fille aux sourcils rectangulaires (Duthuit 222) Etching, 1930 Signed in pencil and numbered 8/25 12.5 x 10cm (4¾ x 3¾ in.)Provenance: Sale, Sotheby's London, 27 March 2007, lot 92 The Collection of Jo Wood (acquired from the above) Condition Report: Sheet has slipped in its mount. Light handling creases to the framing edges. Otherwise the work appears to be in good condition. Unexamined out of glazed frame.Condition Report Disclaimer
λ Erté (French 1892-1990)Lady with pearlsGouache on Canson & Mongolfier paper, with their blindstampSigned in white; stamped with signature, 'Erte Romain de Tirtoff' and 'Composition originale' verso and numbered 6/14374 in pencilSheet: 37.5 x 27.5cm (14¾ x 10¾ in.)Condition Report: In generally good condition. Some light staining to edges of sheet and some light surface dirt noticeable to the black paint. Mounting tape adhered to edges of sheet verso and old tape along the upper edge verso. Framed under glass.Condition Report Disclaimer
λ John Emanuel (British b. 1930)Seated figure with bookInk and watercolourSigned lower right40.5 x 29cm (15¾ x 11¼ in.)UnframedProvenance:Sims Gallery, St. IvesJohn Emanuel's natural creativity is inspired by a love of his subject - the figure and the figure embraced by the landscape, has developed into a consistent style. His drawings exhibit a clear, classical form and a simplicity of line which strengthens the relationship between the contours of the figure and the contours of the land. He loves the singular beauty of the Cornish coastline and the extraordinary light. The notion of forms sleeping beneath the earth are a recurring theme. Emanuel works in a variety of media: charcoal, gouache, oils and, more recently mixed media and lino-types, a method he learned from John Wells. His preferred medium is oil paint using hand and mould made papers laid down on archive quality board.
Robert Fogel (British b.1963)Open Edge, 2017Bronze on slate baseStamped with artist's initials and numbered 3/530 x 30cm (11¾ x 11¾ in.)Provenance:Paisnel Gallery, London Private Collection, Keith William Sleeman (1941-2020) (acquired from the above in 2017)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces. Condition Report: The work is in need of a light surface polish but otherwise, in good original condition.Condition Report Disclaimer
λ Michael John Crook (British 21st century)Spiral formLacquered wood Signed with initials to underside of base Height including base 89cm (35 in.)Provenance:Private Collection, Keith William Sleeman (1941-2020)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces. Condition Report: There are a few light surface scratches to the veneer. Please refer to extra images for further details. Otherwise, in good original condition.Condition Report Disclaimer
λ Michael John Crook (British 21st century)Spiral formLacquered wood Signed with initials to underside of base Height including base 71cm (28 in.)Provenance:Private Collection, Keith William Sleeman (1941-2020)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces. Condition Report: A couple of very small surface scratches to the light wood veneer. Otherwise in good original condition.Condition Report Disclaimer
λ Victoria Crowe (Scottish b.1945) On ReflectionOil on linenSigned lower left150 x 150cm (59 x 59 in.)Condition Report: The canvas has not been lined. This work appears to be in good original condition with no evidence of retouching or restoration when examined under UV light. Condition Report Disclaimer
λ Bill Jacklin (British b. 1943) Cherry Tree with Dog, Great Lawn Oil on canvas Signed, titled and dated 99-00 verso 198 x 244cm (77¾ x 96 in.)Provenance: Marlborough Fine Art, London Acquired from the above by the current ownerTo view a video of this lot, click here.Royal Academician Bill Jacklin initially studied graphic design before going back to painting, firstly at Walthamstow School of Art and then the Royal College of Art between 1964 and 1967. Whilst his early work centred on abstraction, from the mid-1970s onwards Jacklin moved towards figuration with a particular pre-occupation with the interplay between light and shadow and movement. The present work depicts Great Lawn, Central Park in New York. Jacklin moved to New York in 1985 where he focussed on producing 'urban portraits' of city life in all its different forms. Jacklin's depiction of Great Lawn owes as much to classical painting and influence of the French impressionists as it does to late the 20th century. His flowing, almost dreamlike figures, so reminiscent of Seurat's pointillist figures from over a century before, endow the work with a timeless quality. The artist captures a moment in time, the blurred figures suspended momentarily, the artist an unseen observer capturing that moment before the characters move along. In her essay from 1999, Phoebe Hoban asserts that Jacklin is "obsessed with the choreography of the moment; its blurred geometry of motion, its fleeting waltz of time." (from The Connected Vision, Marlborough, New York catalogue). The scale of the canvas in Cherry Tree with Dog, Great Lawn serves to envelop the viewer in the scene, inviting us to immerse ourselves for a moment in their world, whilst always remaining an observer. Jacklin was elected Royal Academician in 1991. Condition Report: There is a small concentrated area to the lower right corner where there are four or five isolated spots of flaking, the largest being approx. 2cm long. Also visible along the lower right corner edge are very light traces of uneven varnish. Otherwise, the work appears to be in good original condition with no evidence of retouching or repair when examined under ultra violet light. Condition Report Disclaimer
λ Mildred Bendall (British 1891-1974)Still life with jugs, fruit bowl and fanOil on boardSigned lower left58 x 69cm (22¾ x 27 in.)Condition Report: Executed on a thin board, backed with canvas. There is some light craquelure to the lower left corner and to the upper edge and upper right corner. Otherwise in generally good original condition.Condition Report Disclaimer
λ Raoul Millais (British 1901-1999)Figures by a fountain in a parkOil on canvasSigned lower right18 x 24cm (7 x 9¼ in.)Condition Report: Light surface dirt. Very light rubbing to the edges. One small loss to the right hand lower edge. Canvas taught which is causing a slight bulge to along the right edge. Condition Report Disclaimer
λ Manuel Colmeiro (Spanish1901-1999)Fisherfolk unloading the catchOil on canvas Signed lower right115 x 146cm (45¼ x 57¼ in.)Provenance:The Broadway Gallery Purchased from the above in 1964Thence by descent to the present owner Condition Report: Light surface dirt throughout. Horizontal crease running along the lower edge. Stretcher marks visible. Horizontal shaded line running the length of the canvas about 1/3 from the top edge. A few scattered pools of varnish. Inspection under UV reveals no evidence of restoration or repair. Condition Report Disclaimer
MODERN ERCOL CORNER CABINET a large light elm corner cabinet, with a glazed top section and carved rosettes to each side. With shelf underneath and cupboard below with internal shelf. Ercol label on the back, Design 935, Finish SL, 181cms high. Also with an Ercol light elm magazine rack. (2)
INDIAN REGIMENTAL CARVED TABLE - MAHRATTA LIGHT INFANTRY an interesting carved hardwood table, the octagonal top heavily carved with various flowers and foliage, the centre carved with an inscription 2nd Battalion, Mahratta Light Infantry, 103, and with the regimental crest. With a folding square base also heavily carved with flowers and foliage. Top 67cms across, 61cms high
STEFAN DAKON (1904-1992); an Art Deco silvered bronze figure with ivory head and hands on onyx socle base, height 25cm. (D)Additional InformationChipping to the fingers on each hand, minimal wear, light scratches to the body, minor chipping to the foot rim. Postage would be a small box. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
EARLY 19TH CENTURY DUTCH SCHOOL; a pair of oils on metal panels, coastal landscapes with figures and vessels, unsigned, each 8.25 x 15.5cm, one with remnants of green wax seal to the reverse and both in period gilt frames (2).Additional InformationIn good original untouched condition, a few surface marks and staining to the varnish, both would transform with a light clean. There are a few tiny losses to the original gilt frames.
A late 19th century French brass carriage clock, the white enamel dial set with Roman numerals inscribed 'Boodle & Dunthorne, Lord St. Liverpool', the movement inscribed 'R & Co. Made in Paris', the door numbered 69, height 15cm with handle flat.Additional InformationSold with winding key, there is a small chip to the front panel of glass towards the lower right, there is a very fine hair line crack running through the lettering beneath Boodle and Dunthorne, general surface wear to the case. It ticks when wound but no guarantee of working order, some light tarnishing to the metal ware and other areas.
An Edwardian mahogany and marquetry banjo thermometer and barometer with silvered dial, unsigned, length 109cm.Additional InformationSome dents to the brass surrounds of the dial, some light general wear and some marks and tarnish to both the thermometer and barometer dials. Some small repaired or filled splits, some small nibbles and losses to the marquetry and inlaid decoration. Not tested, no guarantee of working order.
A late 19th/early 20th century mahogany banjo barometer and thermometer with silvered dials and carved bone knob, length 97cm.Additional InformationSome marks and tarnish to dials, some scratches and impacts to case, general light wear throughout, not tested, no guarantee of working order. Some slight misshaping to the outer veneer at the very bottom of the barometer where it has slightly come away from the body.
A brass lantern form ceiling light with opaque glass shade, length approx 37.5cm, and a gilt metal rose motif wall light, length 50cm (2).Additional InformationScratches and general wear, some rubbing and tarnishing throughout, both will need to be rewired, The brass casing of the lantern light with some knocks and misshaping.
A gilt metal ceiling light modelled as Eros suspended by ropes carrying opaque floral moulded shades, length 65.5cm (one af).Additional InformationSurface scuffs, scrapes, rubbing to gilt detail and casting flaws, one shade with large chip, and both with further small chips, nibbles and fritting.
A gilt metal pendant light with moulded tapered shade, length approx 40cm, and a domed ceiling light with frosted shade, diameter at top 36.3cm (2).Additional InformationRubbing, scratches and some knocks to mounted metal sections, the ceiling light in particular with some scuffs to the shade, further general wear throughout, some slightly loose sections, with need to be rewired.
A collection of Scandinavian glassware including a Stromberg vase engraved with a Viking boat, height 10.5cm, a Kosta Boda miniature jug designed by Bertil Vallien, a Holmegaard glass vase designed by Perlutken, height 6cm, paperweight, etc, together with a Czechoslovakian glass vase, height 16cm (7). Additional InformationLight wear and scratches to base.
HANS OLSEN FOR FREM ROJLE; an extending teak dining table, diameter unextended 105.5cm, and a set of four original chairs with upholstered seats, all items stamped 'Frem Rojle Made in Denmark' to undersides (5). Additional InformationLight general wear throughout, minor chipping to veneer very small amount to one corner where table joins, minor indentations to table and chair tops and back,.
ROY ALDERSON; an unusual two tiered Formica topped dumb waiter with central brass column surmounted with a hand gripping a bar and with lower section of a foot, height 80cm, diameter of largest platform 61cm.Additional InformationSome surface wear, some scuffing to the metalwork and a few small dents to the metalwork, light surface scratches throughout.
WILHELM RENZ; a mid-20th century Scandinavian teak partner's desk, the front with three drawers and a single panelled cupboard door with removable filing tray, the reverse with two fixed shelves, raised on tapering block supports, height 73cm, length 149cm, depth 77cm.Additional InformationMinimal wear, numerous heat/water rings to the top, light scratches, scuffs.
V.B. WILKINS FOR G-PLAN; a Fresco teak 'Long John' sideboard with four central drawers flanked on either side by two panelled cupboard doors, raised on block supports, height 80cm, length 213cm, depth 45.5cm. Additional InformationLight scratches throughout, minor impact dents especially to the drawer fronts, minor colour fading to the front, but generally good condition.
G-PLAN; a Fresco oval teak dining table of with extra leaf, height 72cm, length unextended 162cm, and a set of six Scandinavian teak dining chairs in the manner of A.M. Mobler 501 dining chairs (7).Additional InformationLight scratches and scuffs to the table top, the chairs are generally good and solid with minimal wear.
G-PLAN; a Fresco teak dining suite comprising oval extending dining table with extra leaf, length unextended approx 162cm, and six dining chairs (4+2) (7).Additional InformationLight scratches, scuffs to the table, the leatherette coverings on the chairs is in poor condition and is peeling off.
ERCOL; a medium elm sideboard with three panelled doors and single base drawer, raised on column supports, height 81.5cm, length 114cm, depth 44cm.Additional InformationLight scratches and wear, small area of water damage/lifting to the top. The damage is not very noticeable, we are unabel to offer an opinion regarding how easy or otherwise it might be to fix.
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534338 item(s)/page