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Click here to subscribeAn amethyst and split pearl brooch, the oval shape amethyst within a split pearl surround, length 2.7cm, gross weight 5.8g.Condition report: Overall condition good to fairAmethyst facet edges wornReplacement pinBrooch unmarkedAmethyst a light to medium pinkish purple with fair saturation and typical inclusions, some visible with the unaided eye
An 18ct gold diamond single-stone ring, the brilliant-cut diamond collet with crossover shoulders, estimated diamond weight 0.45ct, estimated colour I-J, estimated clarity VS2-SI1, hallmarks for Sheffield, ring size K, gross weight 4.1g.Condition report: Overall condition good to fairOnly light scratches and discolouration in keeping with general wearGraded within collet setting, may vary when unset
A diamond five-stone ring, the old-cut diamond line with shared claw settings and tapered shoulders, estimated total diamond weight 0.90ct, estimated colour I-J, estimated clarity SI2-P1, stamped 18ct, ring size N, gross weight 2.4g.Condition report: Overall condition good to fairScratches, discolouration and abrasion in keeping with age and wearMarks to the inside of band wornDiamonds with scattered light and dark inclusions, visible with magnification
An 18ct gold ceramic and diamond ring by Gavello, the cushion shape white ceramic panel with pavé set diamond claws, estimated total diamond weight 0.40ct, signed Gavello, Italian assay marks, ring size L1/2, gross weight 22.6gms. Condition report: Overall condition goodOnly light scratches in keeping with general age and wearCeramic panel in good conditionDiamonds are drawing colour face up, well matched and livelyApprox dimensions of ring setting 2.7 x 3cm
A suite of 18ct gold and stainless steel jewellery by Bulgari, comprising a bangle and earrings of bi-colour polished design, Italian assay marks, Signed Bulgari, length of bangle 6cm, length of earrings 2.4cm, gross weight 118.4g.Condition report: Overall condition goodLight scratches and discolouration in keeping with light wearEarrings with clip fittings for non pierced earsBangle terminals rest just slightly skew from one anotherNo box or papers included - all pieces signed Bulgari
A selection of opal jewellery, to include an opal single stone pendant, an opal single stone ring and two pairs of opal stud earrings, pendant stamped 9ct, length of pendant 4cm, length of chain 40cm, ring size N, gross weight 14.9g.Condition report: Overall condition good to fairScratches, discolouration and abrasion in keeping with occasional wearPendant - with integral chain, approx dimensions of opal 18.8 x 16.2 x 6.25mm, with a green, blue, purple, orange, pink play of colour, minor scratches to surface visible with magnificationRing - resized, opal with minor scratches to surface visible with magnification, repair work to setting visible from inside of setting, approx dimensions of opal 12.6 x 9.5 x 2.85mm, with yellow, orange, green, purple, pink play of colourEarrings with fixed post fittings for pierced earsEarrings (larger) - approx dimension of opals 15.65 x 11 x 3.6mm/15.61 x 11.15 x 3.85mm, whitish body colour with faint play of colour green, blue, orange, light scratches and crazing to surface visible with magnification, one with crack to side, posts slightly misshapen, with butterfliesEarrings (smaller) - hallmarked for 9ct gold, length1.2cm, opals with blue, green, purple play of colour, with butterflies
A mid 20th century Wittnauer Watch Company diamond cocktail watch, the circular silvered dial with gold tone Arabic hour markers, within a single cut diamond case, to the similarly cut diamond brick link sides and later folding clasp, signed 15 jewel movement, estimated total diamond weight 1.20cts, length 18.5cm, gross weight 18.6g.Condition report: Overall condition good to fairWatch not currently working at time of cataloguingScratches and discolouration in keeping with ageStainless steel expandable bracelet and folding clasp later additionsDiamonds bright and well matchedSome discolouration to dial and light scratches to glass
An 18ct gold Favre Leuba automatic wristwatch, the circular signed dial with baton hour markers, movement signed and numbered PL503 within an 18ct gold case and textured fancy link bracelet, Swiss assay marks, case diameter 15mm, gross weight 25.6g.Condition report: Overall condition good to fairPeter Wilson does not guarantee the working accuracy of any timepiece offeredClasp in working order but top section deficientScratches and discolouration in keeping with light wearWatch working at time of cataloguingCase numbered 171
A mid 20th century stainless steel Tudor wristwatch, the circular signed dial with Arabic hour markers, subsidiary seconds dial to 6 and outer minutes track, 17 jewel signed movement, within a stainless steel case numbered 2280, 247565, case diameter 30mm, with later leather strap and maker's box.Condition report: Overall condition fairBack does not fit onto watch anymore, has been forced open at some stageScratches to case and glass - one heavier scratch to bezel - see imagesSome light foxing to dialWatch working at time of cataloguingPeter Wilson does not guarantee the working accuracy of any timepiece offeredScratches to case backWith Tudor Oyster tag
A Longines Presence quartz watch, the circular white signed dial with Roman numeral hour markers and date aperture to 3, within a stainless steel case numbered 24814538, to the black leather strap, case diameter 32mm, with maker's booklet and certificate of origin.Condition report: Overall condition good to fairWatch working at time of cataloguingPeter Wilson does not guarantee the working accuracy of any timepiece offeredSome light scratches to glass
An 18ct gold half hunter fob watch, the white dial signed Russells Ltd, 18 Church Street, Liverpool, with Roman numeral hour markers, outer minutes track, and subsidiary seconds dial to 6 within an 18ct gold case numbered 35698 bearing Swiss assay marks, monogrammed to reverse, case diameter 34mm, within an accompanying fitted case.Condition report: Overall condition goodVery light scratches in keeping with minimal wearWorking at the time of cataloguingPeter Wilson does not guarantee the working accuracy of any timepiece offered
An early 20th century citrine bracelet, designed as a series of oval shape citrine collets, with double trace-link chain spacers and push piece clasp, length 18cm, gross weight 10.6g.Condition report: Overall condition fair to goodOne part of chain deficientWith safety claspAbrasion and discolouration in keeping with age and wearCitrines well matched, a medium orange with good saturation and clarityApprox dimensions of citrines 10.5 x 8.5mmA couple of citrines with chips, a couple with nicks to facet joins, otherwise light abrasionClasp in working order
A selection of silver and enamel jewellery by Aksel Holmsen, to include a brooch designed as an orchid together with a pair of scrolling earrings, stamped 'Norway Sterling 925S,' maker's marks for Aksel Holmsen, length of brooch 6.9cm, length of earrings 2.5cm, gross weight 29.9g. Condition report: Overall condition goodSome light scratches and very slight discolouration in places in keeping with age and light wearPlease note that the timed auction will be concluding today
A natural saltwater pearl and diamond stickpin, the off-round natural saltwater pearl within an old cut diamond surround, estimated total diamond weight 0.50ct, length 7cm, gross weight 3g.Condition report: Overall condition good to fairScratches abrasion and discolouration in keeping with age and wearPearl a slightly off-round shape, with light scratches to nacreVerbal obtained from GCS 9.7.20Diamonds bright and well-matched, a couple with nicks to facet joinsLength of stickpin setting 11.5mmDiameter of pearl approx. 6.9mm
A pair of brilliant-cut diamond stud earrings, estimated total diamond weight 1.10cts, one with copy of GIA cert no. 12869888, stating that the stone is 0.56ct, F colour and VS2 clarity, the other estimated colour F-G, estimated clarity VS, gross weight 1.2g.Condition report: Overall condition goodDiamonds bright and well matched, with light inclusions difficult to see with 10x magnificationOne diamond with girdle inscription: GIA 12869888The other with 'Canada' girdle inscriptionWith fixed post fittings for pierced earsDiamonds very slightly loose in settings, secure.
A pair of emerald and diamond earrings, each designed as an oval emerald cabochon within a bi-colour convex hoop with single-cut diamond duo accents and raised sides, stamped 585, length 2cm, gross weight 8g.Condition report: Overall condition good to fairLight scratches and abrasion in keeping with occasional wearMaker's marks DSEmeralds with some light nicks visible with magnificationEmeralds a medium slight bluish green with good saturation and typical inclusionsWith fixed post fittings for pierced ears, clip backs
A pair of emerald and diamond earrings by Vourakis, each designed as a pear shape emerald and marquise-cut diamond drop, suspended from a marquise and brilliant-cut diamond line, with square shape emerald and brilliant-cut diamond cluster surround, approx. emerald weight 12cts, estimated total diamond weight 6.50cts, signed Vourakis, length 5.9cm, gross weight 23.6g.Condition report: Overall condition goodOnly very light scratches and abrasion in keeping with occasional wearDiamonds bright and well matched, good clarity and colour - size and setting prevents estimated gradingWith clip fittings for non pierced earsEmeralds a medium slight bluish green with good saturation and typical inclusionsApprox dimensions of pear shape emeralds 17.6 x 9.8 / 17.5 x 9.85 (closed back settings prevents depth measurement)Approx dimensions of square shape emeralds 6.15 x 5.6 / 5.55 x 5.75
A Georg Jensen collar, pattern no. 464, designed by Regitze Overgaard for Georg Jensen, the series of polished disc and hoop links with partially concealed sliding clasp, maker's marks for Georg Jensen, stamped 925S, length 44cm, weight 238.3g. With maker's box.Condition report: Overall condition goodOnly light scratching in keeping with occasional wear
A set of 9ct gold cultured pearl and diamond jewellery, to include a cultured pearl and diamond pendant, together with a cultured pearl and diamond dress ring, estimated total diamond weight 0.10ct, hallmarks for Birmingham, ring size N, length of pendant 2.7cm, gross weight 6.7g.Condition report: Overall condition good to fairScratches and abrasion in keeping with light wear
A cultured pearl and diamond necklace, the triple row of graduated cultured pearls with a brilliant cut diamond foliate push-piece clasp, estimated diamond weight 0.20ct, estimated colour I-J, estimated clarity SI, length 40cm, gross weight 32.1g.Condition report: Overall condition good to fairSome discolouration and abrasion in keeping with age and wearPossible repair work to tongue of clasp, in working orderDiamond bright, with small light inclusions visible with magnificationCultured pearls mostly in good condition although a couple are crackedCultured pearls with a creamy slight yellowish white lustre, varying in diameter from 3.5 to 7.15mm
An 18ct gold vari-gem chain necklace, designed as a series of oval gem cabochon collets to include sapphire, amethyst and paste, with flat curb link chain spacers and spring clasp, Italian assay marks, length 45cm, gross weight 18.8g.Condition report: Overall condition goodOnly very light scratching and abrasion in keeping with occasional wear
MEYER H. L. Coloured Illustrations of British Birds & Their Eggs. 6 vols. (of 7 but part of vol. 7 bound in with vol. 6). 281 hand col. plates of birds, 88 hand col. plates of eggs & 7 uncoloured plates. Half green morocco, rubbed, 1853. Condition report:Rubbed bindings. Erased inscription in each volume.Vol 3 - Has some splitting in spine at back and Vol 4 - has page 135 - 138 loose. Some sporadic light foxing and browning throughout all volumes and paper undulates.Extra plates and text at end of Vol 6, not listed in contents - "Illustrations of British Birds", plate CCLXXI - CCLXXXII.
Gill Watkiss (b.1938) ''Tregerset Chapel, Winter'' Signed, signed and inscribed on a label verso, oil on canvas, 48.5cm by 48.5cm See Illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Condition Report: Some light surface dirt. Otherwise in good overall condition.
Sally Arnup FRBS, ARCA (1930-2015) Toad Signed and numbered II/X, bronze, 4cm high See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Condition Report: Some light surface dirt. Crack to outer toe of the toad's right foot all around the edge. The back right outer two toes are also bent upwards. See additional images. Overall dimensions 9.5cm by 7cm by 4cm
Quentin Bell (1910-1996) Seated Goddess Teracotta, 19cm high Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Condition Report: Some light surface dirt. Clip to back edge of the plinth. Slight damage to the tip of the surface to the reverse within the robe. Some minor surface fritting, especially to the lower robe around the feet and her knee. Hairline crack to the base running up underneath. Possible restoration within her outstretched right arm above her elbow and above her wrist. crack that runs up her shoulder on her left arm and up the other side. Different coloured textured base. Green glaze spots, especially to the front of base and down the right of the plinth. See additional images.
Claude Weisbuch (1927-2014) French ''Berceuse'' Signed, inscribed verso, oil on board, 33.5cm by 25.5cm Provenance: Galerie Gantois, Cannes See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Condition Report: Some light surface dirt. Otherwise in good condition.
Allen Tortice (b.1948) ''Fair Scene'' Signed, inscribed verso and dated 1997, oil on canvas, 39.5cm by 29cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Condition Report: Some light surface dirt. Canvas loose on stretcher. Feint stretcher shadow. Otherwise in overall good condition.
Allen Tortice (b.1948) ''The Beach'' Signed and inscribed verso, oil on canvas, 50cm by 29cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Condition Report: Some light surface dirt. Slight stretcher shadow and canvas slightly buckling in places - possibly loose on stretcher. An area of very fine craquelure to the right edge below the wall and two small areas to the sky- upper left and left of centre in addition to an arc shape approximately 3cm to the left of the left bird. Otherwise in good overall condition.
Bernard Dunstan RA, PPRWA (1920-2017) ''Girl Dressing'' Initialled, inscribed to label verso, oil on board, 18.5cm by 19.5cm The sitter is reputedly the artist's wife See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Condition Report - Framed but not glazed. Some light surface dirt and paint thin in places by application causing the texture of the board to show through. Sporadic tiny paint flecks throughout in particular three tiny areas above her elbow right hand side, by design. Small scratch approximately 1cm in length to left of top edge. Otherwise in good order.
Mary Fedden OBE, RA, RWA (1915-2012) ''David's Lilies'' Signed and dated 1989, inscribed to artist's label verso, oil on board, 75.5cm by 59cm Provenance: Christie's South Kensington, Modern British and Irish Art, 9th December 2015, lot 48 See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Condition Report - Some light surface dirt and sporadic specks of dirt throughout. Otherwise in good overall condition. Chips, scratches and minor losses to frame.
Manuel Álvarez Bravo (1902-2002) Mexican ''La Buena Fama Durmiendo'' (Good Reputation, Sleeping) Initialled verso, later gelatin silver print, 17cm by 23.5cm Provenance: The Photographer's Gallery, London, August 2000 ''La Buena Fama Durmiendo'' is a Mexican proverb, to earn a good reputation then rest on your laurels A copy of the original purchase invoice is available See illustration Condition Report: Some light surface dirt trapped under the glass. Paper slightly cockling. Otherwise appears in good overall condition. Not examined out of the frame.
Édouard Boubat (1923-1999) French ''Bethlehem'' Signed, inscribed verso and dated 1984, later gelatin silver print, 35.5cm by 23cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Condition Report: Some light surface dirt and debris trapped under the glass. Small sized foxing spot to sky upper right . Hair trapped under the mount within the margin. Cockling to paper. Not examined out of the frame.
John Wells (1907-2000) Untitled Signed and dated 1950, numbered 8/25, etching, 22.5cm by 15cm See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Condition Report: Slight time staining to paper. Light surface dirt and some debris trapped under the glass, particularly to the mount. Mount also time stained with sporadic foxing spots in places. Slight creasing to paper. Small sized foxing spot to upper left of left margin and tiny blue mark next to this. A number of small sporadic foxing spots to the reverse. Some very slightly evident within the image. Water stain to bottom edge of the mount and upper edge, these do not appear to affect the print as they are below the margins. See additional images
Bridget Riley CH, CBE (b.1931) ''Coloured Greys III'' Signed, inscribed and dated (19)72, numbered 55/125, silkscreen, 70cm by 68cm (framed, un glazed) Provenance: The Open Eye Gallery, Edinburgh See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Condition Report - Unglazed. Light cockling to paper. Some light surface dirt and time staining to paper. Handling crease left hand side edge to margin. Grey mark within the lower left of the image approximately 4cm in length, a blue mark below centre of image, one right of centre, a brown mark upper left of image, approximately 2cm in length. (see additional images). A number of very minor, tiny sporadic marks to lower margin. The odd thumb mark and smudge to margin, especially lower left.
After Joan Miró (1893-1983) Spanish ''Le Chat Heureux'' / The Happy Cat, 1975 Signed and numbered X/LXXX, lithograph, 44cm by 61.5cm Provenance: Open Eye Gallery, Edinburgh See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Condition Report: Some light surface dirt and the odd thunder fly trapped under the glass - mostly to the mount but one to upper right approximately 3 cm above the cat's tail. Paper cockling, hinged at the four corners. The print has a deckled edge. Two feint foxing spots to centre of right hand side edge and a tiny cluster to the upper right corner. Brown mark bottom right corner - may be by design. Not examined out of the frame.
After Laurence Stephen Lowry RBA, RA (1887-1976) ''Huddersfield'' Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, published by Henry Donn in 1973, a colour reproduction, 47cm by 58cm See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Condition Report - Light cockling to paper. Otherwise appears in good overall condition. Not examined out of the frame. Scratches and chips to frame.
Francis Newton Souza (1924-2002) Indian ''Crucifixion of Christ'' Signed and dated 1952, ink, 30cm by 15cm Provenance: England & Co, London Reverend Dr Richard Davey See illustration Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Condition Report: Time staining to paper. Some light surface dirt. Drawn on lined paper however the lines are barely visible to the exposed areas of paper and more noticeable where they have been covered by the mount. Minor creasing throughout. Hinged to the backboard at the two left corners. Top edge tatty with losses to centre of outer edge and stain where old tape has been removed, brown mark approximately 1cm to the left of this. Sporadic tiny sized foxing spots evident throughout. Brown mark to the right of Christ's left leg and brown mark right hand side edge, just above the centre. Signature slightly faded. See additional images
Anne Isabella Brooke ATD (1916-2002) ''The Washburn Valley'' Signed, inscribed to artist's label verso, oil on canvas, 34.5cm by 54cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Condition Report: Some light surface dirt. Otherwise in good overall condition.
1926 Château Leoville Las Cases Grand Cru Classé St-Julien, [750ml], label scuffed but fair and easily discernible, seal intact with some light losses of embossed red wax, level at shoulder, later green presentation case accompanied by a vintage report from the Antique Wine Company of Great Britain and a copy of the Times from the same year as this vintage, [1]
Spirits - Johnnie Walker Green Label Blended Malt Scotch Whisky, Aged 15 Years, 43% 70cl, labels good, seal intact, level at shoulder, boxed, (1); Martell VS Cognac, 70° proof, 24 fl ozs, labels good, seal intact, level at shoulder, (1); other brandy, various, (2); Smirnoff Vodka, 50%, 100cl, labels good, seal intact, level at base of neck, (1); Bacardi Superior Rum, Light-Dry, 40%, 1l, labels good, seal intact, level at neck, (1); Booth's Finest Dry Gin, [c. 1970], 70° proof, 26.6 fl ozs, labels good, seal intact, level within shoulder, (1), [7]
A large collection of motoring memorabilia and trophy cups, formerly the property of W.A. Cleave, mainly dating between 1937 and 1971 including silver two handled Plymouth Motor Club Beverley Trophy 1937 - 1948; silver Plymouth Motor Club Chard Trophy Cup, silver W.C.M.C. Vintage Car Cup 1955; N.W.L.M.C. Gloucester Trial 1949 silver plated presentation tray; a selection of over 70 various silver plated motoring trophy cups including V & HMC Speed Trials 1963, Hagley & District Light Car Club Speed Trials 1959, BARC 1950, BMC & LCC Fedden Trial 1947, various Plymouth Motor Club cups, West of England Motor Club 1950 cup, TDMC Easter Hill Climb 1971, Plymouth Motor Club Ho cup 1939; various copper and plated motoring tankards including seven-fifty Blandford 1960 tankard, Hants & Berks Motor Club, Trengwainton 1947 tankard and others, three motoring related ash trays including TMC 1949, West of England Motor Club 1949 & Plymouth Motor Club 1948; Bugatti Owners Club Ladies Compact, pair of Mercury Club cuff links, silver & enamelled West Cornwall Motor Club medallion, various relating photographs of Motor cars; books including Fangio - My Twenty Years of Racing, May - Speed Hill Climb, BRM - The Story of Britains Great Racing Car, various pamphlets and related items; 8 small silver trophy cups including Plymouth Motor Club 1937, TMC 1946, Plymouth Motor Club 1938, PMC Speedwell Cup 1937 and others; chromium plated desk calendar "PMC Motor Trophy 1948"; various presentation shields including ACU Cornwall Trial 1949, Daily Express 1000 miles Car Rally 1950, Blandford Camp Speed Hill Climb 1958; Bristol MC & LCC 1949 and 1950, BARC Brunton 1959 and others.
Photography - Militaria, Boer War, Scots Guards - Captain Cecil Fife Pryce Hamilton (1879-1914), later MiD in World War One and fell at Ypres, three of his photograph albums, each numbered and/or dated: 1901, Volume 2: 1898-1904 & Volume 3: 1905-, 1) the first album is illustrated and annotated with photographs (usually official but a few leisurely taken) of the 3rd Batallion Scots Guards officers on General Inspection at Hythe, are dated 1901-1902 and include Lord Roberts' Inspection in 1902, Sir Morgan Crofton's 8 H.P. Argyle (sic, Argyll motor car), post-Boer War 1st Battallion inspections after South Africa including the Duke of Connaught's address and presentation of medals, the Return of Lord Kitchener, "Jock" the dog - presumably the battalion or regiment's mascot, Marshall Roberts' Leaving Dinner, Col. Fludyer's Farewell June 1903, then the battalion at ease and on parade at Windsor, NCOs in parade dress, Col. Harboard's Farewell April 19004, Minstrel Troup 1903-4, Scots Guardsmen with early motorbikes flying the Royal Standard of Edward VII, manoeuvres, Pipe Major Ross, sporting competitions and trophies, S.S. "Drayton Grange", the London District School of Instruction at Chelsea Barracks, etc; 2) the second album is again illustrated and annotated with photographs (usually official but a few leisurely taken), Hamilton notes that of the 683 images 650 were taken by him and the remaining 33 by others, they illustrate the life a typical Edwardian gentleman-officer with summers spent yachting in the Solent full of fun on pleasure yachts, with further shots of Royal Navy warships and H.M.S. Victory, military camping accompanied by the regimental servants with some occasional shooting (sport), the Victoria Barracks at Southsea, Chum the dog and the 85th's cat, all before and including the steamship off to South Africa and the Boer War, ?via St. Vincent showing scenes of domestic and native real life, and then Cape Town, Simonstown - with its prisoner of war camp and illustrating their recreational bathing, Bloemfontein, Kaffirfontein, the war images showing scenes of action, including battle and artillery, as well as informal 'behind the scenes' shots of their domestic arrangements and comradery, then back for summer 1902 in Hythe with a subsequent naval review, stay at Cheveley Park Stud, Newmarket - showing the race horses and the country house's interior, Villa Beaumeville at Nice and Hatley Park, Sandy, Bedfordshire, snapshots of motoring friends with their cars (19), some light British and French topography, General French and life with comrades at Victoria Barracks, Cowes, the Brigade Regatta 1903, a house party at Farnborough Hall, Warwickshire, further motoring, manoeuvres and training, etc; 3) the third and final album is again illustrated and annotated with photographs of early motoring (both chauffeurs and gentleman drivers, manoeuvres at Southampton and sea in 1904, further country house visits and their interiors, the Daily Telegraph and Dewar Cup Teams, 1905, the Guard Mounting, Chelsea Barracks, Wroxhall Abbey, Trooping the Colour, Cowes Week and the French Fleet's visit 1905, Nice Carnival 1906, Kirtlington Park, Oxfordshire - architectural elevation and interior views, battalion training and drill, further motor cars, Nice and Rome holidays, winter sports and skiing, medals and regimental colours, etc., each bound in a harlequin half or quarter-leather over cloth album, rebacked and some repairs, the covers monogrammed C.P.H., all edges gilt, oblong folios (28cm x 40cm & 28cm x 38.5cm), [3] Provenance: Purchased from Tony Martin Antiques, East Looe, Cornwall, in 1981 for £115, loosely inserted receipt of sale.
François David Soiron (1764-1793), after Henry William Bunbury (1750-1811), a pair of military studies, Light Infantry Man and A Drummer, London: Thomas Macklin, 1791, sepia stipple engravings with contemporary wash, 40cm x 27cm, later 19th century Irish giltwood rectangular frames with verre églomisé mounts, by William Rodman & Co Limited of Belfast, labels to verso, 58cm x 45cm, [2]
James II, the Seven Bishops, Seditious Libel and the Glorious Revolution - The Proceedings and Tryal (sic) in the Case of The Most Reverend Father in God William [Sancroft] Lord Archbishop of Canterbury, And the Right Reverend Fathers in God, William [Lloyd] Lord Bishop of St Asaph, Francis [Turner] Lord Bishop of Ely, John [Lake] Lord Bishop of Chichester, Thomas [Ken] Lord Bishop of Bath and Wells, Thomas [White] Lord Bishop of Peterborough, And Jonathan [Trelawny] Lord Bishop of Bristol, In the Court of the Kings-Bench at Westminster, in Trinity-Term in the Fourth Year of the Reign of King James the Second [...], London: Printed for Thomas Bassett [...] and Thomas Fox [...], 1689, pp: [vi], 138 only (57-58 translated and paginated in ink MS), some repairs and light losses, folio (30.5cm x 20cm), [1]
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