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Lot 38
Pahari School early 19th CenturyRomantic couple on a balcony with musicians below, in a decorative borderGouache28 x 19.25cm; 11 x 7½inProvenance:Private collection++A few nicks and light knocks to margins, a small tear to lower margin right, possibly some restoration generally good condition
Lot 427
Carlo Coppini (Italian)Two chicks nesting in a clog in front of a sunsetSignedOil on board, oval in a pierced, ivy decorated Oxford style frame17.5 x 21.5cm; 6¾ x 8½in++Board slightly bowed, some light craquelure to the top left and top right and above signature, a few minor blemishes including two larger marks to the chick standing on the clog
Lot 120
Eugène Devéria (French 1808-1865)Portrait of Mrs Elizabeth Copeland, sister of John George Housefield and aunt of Dora de Blaquière, head and shouldersSignedPastel, oval 51 x 44cm; 20 x 17¼in.Provenance:Inscribed on a label verso by previous owner, M. Tuker++A fox mark on her right shoulder on the white scarf with some evidence of previous restoration, and a few other scattered similar marks mainly in the background, a few light abrasions, some light speckling in the paler areas of the background, frame with quite a few cracks, old restoration and one or two minor losses
Lot 163
Continental School 18th CenturyFigures by a ruin in an Italianate landscapePen, sepia ink and wash22.5 x 31cm; 9 x 12inProvenance:From the collection of Michael and Justina Ryan ++Paper marked and grubby in places, some light foxing in sky and quite a few sundry marks and blemishes, possibly some old restoration
Lot 171
Francis Place (1647-1728)Zaffia in BarbariaPen, ink and wash11 x 31cm; 4¼ x 12inProvenance:Ingram CollectionR. E. S. WillisonSotheby's, London, 19th November 1987, Lot 85From the collection of Michael and Justina Ryan ++One mark centre right sky, a few light fox marks and blemishes in the sky, one or two in the water and lower margin, possibly some restoration
Lot 174
Joshua Cristall RA (1768-1847)Seated Boy with a BookSigned with initials and dated 1818Watercolour24 x 19.25cm; 9½ x 7½inProvenance:Melbourne Gallery, DerbyshireFrom the collection of Michael and Justina Ryan ++A long line through his waist and beyond, possibly a restored repair, quite a bit of further restoration in the background, a little light staining right margin, a small puncture near his foot, possibly also something restored by his lapel, a few marks and blemishes
Lot 231
Thomas Baker of Leamington (British 1809-1869)A view of Kenilworth Castle with cows in the foregroundSigned and dated 1862Oil on panel 21 x 32.5cm; 8¼ x 12¾inProvenance:Sold January 1863 per Mr Bamford, Mr Hughes (Thomas Baker's diaries)From the collection of Sir Jeremy Lever KCMG, QC, MA, FRSA++Panel stable, some light, fine paint separation, some surface dirt apparent in the sky, otherwise good condition
Lot 259
English School 18th CenturyPortraits believed to be William Seton of Mounie (1750-1781) and his sister A pair, both oil on copper, ovalEach 16 x 12.5cm; 6¼ x 5in (2)Provenance:Woolley & Wallis, Salisbury, 23rd September 2015, Lot 374++The gent with a few small blemishes and tiny pinpricks paint loss, the lady with a little light flaking and small flecks of paint loss
Lot 5152
Vinyl records - 12" LPs, Punk/New Wave, The Sex Pistols, Never Mind the Bollocks; The Clash, London Calling; Sandinista!; Damned, The Captain's Birthday Party; The Light at the End of the Tunnel; UK Subs, Brand New Age; Crash Course; Ramones, Rocket to Russia; 12" single, Sex Pistols, The Biggest Blow (32)
Lot 85
Angela Bulloch (b.1966); Michael Joo (b.1966); Tim Lewis (b.1961)Open Pixel Print; Consumables; page 2 Digital pigment print in colours, 2006, signed, dated, inscribed, and numbered in silver ink verso, on Fujicolor Professional glossy paper; together with two lithographs printed in blacks, 2006, each signed, dated, inscribed and numbered in pencil, each one of twenty-nine artist's proof aside from the edition of 50, each on wove paper, one with a transparent overlay, as included in the In the Darkest Hour There May Be Light portfolio, co-published by the Serpentine Gallery and Other Criteria, London, each the full sheet, each 420 x 295mm (16 1/2 x 11 5/8in) (unframed) (3)
Lot 104
δ Nicholas Lumb (b.1969); Jim Lambie (b.1964); Tom Ormond (b.1974)Public Place; ArthurLeeLove; Plan for a New Beginning Two digital pigment prints in colours, 2006, each signed, dated, inscribed and numbered in ink verso, each on Fujicolor Professional gloss paper; together with a lithograph, 2006, signed, dated, inscribed, and numbered in pencil verso, on wove paper, each one of twenty-nine artist's proofs aside from the edition of 50, as included in the In the Darkest Hour There May Be Light portfolio, co-published by the Serpentine Gallery and Other Criteria, London, each the full sheet printed to the edges, each sheet 420 x 295mm (16 1/2 x 11 5/8in) (unframed) (3)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 324
MODERN WEIGHTED SILVER TRIPLE LIGHT TWIN BRANCH CANDELABRUM, Birmingham 1968, a George III SILVER OLD ENGLISH PATTERN DESSERT SPOON, later embossed and chased with fruit, with foliate scrollwork chased handle and a PAIR OF LATE VICTORIAN ELECTROPLATED NUTCRACKERS with diamond registration symbol (3)
Lot 371
ELECTROPLATE, MIXED LOT, to include: TWO HANDLED OBLONG TEA TRAY, with nulled border and scroll capped shaped corners, 19" x 14" (48.3cm x 35.6cm), TWO DISH STANDS, THREE LIGHT CANDELABRUM, OVAL ENTRÉE DISH AND COVER, OBLONG ENTRÉE DISH AND COVER, TEAPOT, TWO SWING HANDLED CAKE BASKETS, WINE COASTER, etc
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534325 item(s)/page