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1914-19 $1 Booklets, two with light blue covers for booklets containing 25 4c stamps, no stamps remaining but the remaining stamp edging showing one contained 4c dull purple stamps, the other 4c carmine stamps; and grey cover booklet containing 4c dull purple part pane of six (a further six removed), 3c red pane of twelve and part pane of three (one removed) and 1c green pane of four, some toning to interleaving and stamps, all with rusted staples but presentable examples of these rare booklets. S.G. 16 (+ S.G. 1, 1a covers), all unpriced. (3). Photo on Page 166.
1894-96 Official Post Cards posted within Singapore, large royal arms at right, the cards with differing size fount for "The Address only to be written on this side", both with printed Corps Orders from the Singapore Volunteer Artillery, the 1894 card (120x90mm) with minor staining, the 1896 card (110x90mm) with light corner crease but otherwise fine. A good pair, the 1896 card with violet cachet of the Acting Commandant, S.V.A. (2).
Uniform 4d Post. 1839 (Dec 9) Entire letter from Dublin to the Royal Hospital Chelsea with Dublin "4" charge mark, crossed out upon arrival in London and replaced by a red Free datestamp, with "T.P / Rate 2d". The writer asks for another copy of his discharge and pension documents which were burnt with his clothes after he caught cholera. Light file folds, otherwise fine, rare and unusual. Photo on Page 24.
Spanish/French Currencies. 1925-31 Spanish Currency 25c on 2½d block of six, and 1925-34 French Currency 50c on 5d single and block of four, all with watermark inverted, all unmounted mint, the block of six with light crease through lower row, otherwise all very fine. S.G. 147w, 207w, £765. (11).
1791 (Feb 3) Entire from Grantham to London with straight line "GRANTHAM" and red "FREE / P" framed within laurel leaves (LF5, Jay 774), an unusually good strike of this very scarce handstamp used by Inspector of Franks John Palmer, only recorded in 1791, thirteen examples recorded of which four are fronts only, light file folds. Photo on Page 28.
1791 (Feb 19) Entire to Banff with unusually fine red circular framed "FREE / C" with laurel leaves below, used by Inspector of Franks Charles Coltson, a second very light and inverted strike at left, unusually endorsed "Came in the Elgin Bag this day by mistake 1 March 91, P.D", London and Edinburgh (Feb 22) backstamps. Scarce, about a dozen examples recorded.
1864 Cover to England bearing 1856 imperf 6d blue pair (just touched at right, large margins on all other sides) each cancelled by two pen strikes, light oval St. Helena datestamp and red "LONDON / PAID" arrival c.d.s (Feb 23) alongside, backstamped at Lowestoft. Two pressed folds, otherwise fine, this first imperf 6d scarce on cover. With B.P.A Certificate (2007), which states "adhesives treated to reduce sulphurisation and corner crease (to left stamp) is genuine". Photo on Page 226.
1877 (May) Newspaper wrapper to England "per mail steamer Caldera", franked at the 1d newspaper rate, the 1d stamp (S.G. 21) with light cancel, red "1", reverse inscribed by the recipient "R. 4 June 1877 ex. Caldera, from G.H.H Broadway, the St. Helena Guardian". Minor staining and vertical fold at left but scarce, very few 1d printed matter rate items surviving. Photo on Page 230.
1826 (July 14) Entire from Edinburgh to The Marquis of Bute in London with black octagonal framed "ABOVE / PRIVILEGE" (EP2) applied in Edinburgh and red "ABOVE / WEIGHT" (LW4) in London, charged 4/4 with two "Addl / ½" handstamps, light file folds. The only recorded example of this Edinburgh Above Privilege handstamp, an exceptional item. Photo on Page 32.
1840 Fores Pictorial Envelopes, the complete set of ten envelopes comprising No. 1 - Courting, No. 2 - Musical, No. 3 - Dancing, No. 4 - Hunting, No. 5 - Racing, No. 6 - Coaching, No. 7 - Shooting, No. 8 Civic, No. 9 - Military, No. 10 - Christmas, number 9 with a few light tone marks, otherwise fine. A rare complete set, the Christmas Envelope predating the first Christmas card, which was produced a year later. (10). Photo on Page 36.
1919 (Nov 12) England to Australia first Aerial Post, cover addressed to "Mrs A. Bertram, Moonya, Patey Street, Cheltenham, Victoria, Australia" carried in the Vickers Vimy G-EAOU flown by Ross Smith, Keith Smith, J.M Bennett and W.H Shiers (which won the £10,000 prise for the first flight from England to Australia), bearing the blue flight vignette tied by the oval "FIRST AERIAL MAIL / RECEIVED / 26 FEB 1920 / GREAT BRITAIN TO AUSTRALIA" applied on the day the aeroplane reached Melbourne, a second strike alongside, with light violet "PER / VICKERS "VIMY" AEROPLANE / TO AUSTRALIA". The cover with "THACKER & Co LIMD BOMBAY" embossed on the inner flap, therefore almost certainly originating en route in India (or possibly Iraq or the Persian Gulf), a small portion of the original letter enclosed, written by the addressees son, mentioning Ross Smith and the first aerial service to Australia from England. An unusually fine cover from this famous flight. Photo on Page 52.
1864-80 Specimen stamps, the selection including 1864 1d red plate 146, 1867 9d straw, 1876 2½d rosy mauve plate 6, 1877 4d sage-green plate 16 and 1880 2½d blue plate 18 with type 9 overprint all fine mint; 1876 4d vermilion plate 15 and 1880 1/- orange brown type 9 overprint and 1878 1/- green plate 12 type 8 overprint, all with light crease but otherwise fine mint; 1870 1½d type 9 overprint and 1867 9d straw type 10 overprint without gum; several others with faults (including 1870 unissued 1½d rosy mauve, torn and repaired). (17). Photo on Page 6.
1881 1d Lilac, die I (14 dots) imperforate imprimatur, large margins, superb colour and full original gum, very light crease, otherwise unusually fine; also 1d pale lilac "SPECIMEN" overprint type 9 fine mint, and the issued stamp in pale lilac (2) both fine mint. S.G. £940. (4). Photo on Page 12.
Bombay G.P.O. 1857 (June 29) Entire letter to Shanghai bearing 1854 4a (S.G. 19, cut square, just touched at left) cancelled by "1" in a diamond of nine parallel bars, endorsed "Per Steamer Ganges", red manuscript "4" and circular "BOMBAY / B.P.P / Paid" on the front, backstamped at Bombay and Hong Kong. Light vertical and light horizontal folds, otherwise fine and an attractive 4a entire to China. With B.P.A Certificate (1987). Photo on Page 92.
Katapahar. 1917 Stampless cover to Switzerland endorsed "Prisoner of War Service, no stamp required, Civil Detenus Letter" with violet boxed "Passed by / G. RYLE SMITH / Supervising Officer / KATAPAHAR", Bombay censor cachet and label, light backstamp. Very scarce, very few covers recorded from this camp, which held just 36 people in a census of March 1916.
1932 Unissued Children's Welfare Association, identical to the Annas issue first proposed in 1928, comprising perforated 1f deep blue, 10f red (2), 20f green (2) and 50f light blue (2) unmounted mint, 50f light blue fiscally used, and 1f sepia block of six each with "WATERLOW & SONS LTD / SPECIMEN" overprint and a small punch hole affixed to a piece from a sample book. Also a similar 20f surcharge on undenominated stamp in green fiscally used. This issue, originally printed with values in annas, later reprinted with the new currency in fils, apparently remained unissued as postage stamps but were used for revenue purposes. Very unusual. (15). Photo on Page 134.
*JOHN NORTHCOTE NASH (1893-1977) 'Britannia in Winter Quarters' signed and dated 1938 lower left, watercolour, 38cm x 55cmExhibited: Contemporary Exhibition, 1939, Thomas Agnew & Sons Ltd., Old Bond Street, LondonProvenance: Purchased from the above by Michael B. Harman Esq. and thence by direct descentJohn Nash first visited Bristol in the 1920s after a recommendation from Edward Wadsworth, who had been sent there during World War I to supervise the painting of ships with 'dazzle camouflage'. Nash then returned in November of 1938, bringing with him friend and fellow artist Eric Ravilious (1903-1942). The pair sat side by side at Bristol Docks painting the paddle steamers laid up in winter berths. On one occasion where Ravilious had ventured out alone drawing outside after dark, and was working intently on his picture of a paddle steamer, he had suddenly heard a grinding noise and a voice calling out, 'lucky for you I saw you, old cock, or you'd have been a box of cold meat.' Eric had set up his easel, without noticing it was on the tracks of one of those light railways that are used in the docks (Helen Binyon). Both Nash and Ravilious produced views of P & A Campbell's steamer Britannia, seen from the same spot on Mardyke Wharf, giving fascinating insight into the methods of each artist, both the similarities in understated colour and tonal range, and the differences in composition and choice of detail.The paddle steamer Britannia depicted in the present work was stationed at Bristol Quay, and was requisitioned by the Royal Navy at the outbreak of the war and renamed HMS Skiddaw. She was a fast ship and she still holds the Bristol Channel speed record for a trip to Ilfracombe to Weston with a time of one hour and fifty six minutes. She was sold for scrapping in 1956 after sixty years as a favourite steamer.Framed dimensions: 68cm x 83cm
*ROBYN DENNY (1930-2014) 'For John Constable' From the 'For John Constable' portfolio, 1976, signed, dated, titled and numbered 45/100 in pencil to the margin, screenprint in colours with collage on paper, published by Bernard Jacobson Gallery, London, the sheet 62cm x 102cm (unframed)This work was published to coincide with the Tate's major Constable exhibition in 1976. Bernard Jacobson commissioned 19 artists to contribute a print to the portfolio. Several of the selected artists chose to respond directly to individual works (or series of works) by Constable in the V&A collection. Robyn Denny's print is characteristically more opaque and conceptual. He incorporates a postcard image of one of his own paintings, and explores ideas of framing. The characteristic structure of his work suggests openings, thresholds and framed vistas and is reminiscent of the device of the two trees which 'frame' the view of the cathedral in Salisbury Cathedral from the Bishop's Grounds (V&A FA.33 [O]) and of the way the viewer is enticed into the cornfield by a bright lane and field bordered by dark trees. Like Constable, Denny was also interested in using colour to express light and as an indicator of time of day.
*ALEXANDRE LOUIS JACOB (1876-1972) 'Le Vieux Moulin - Bords de la Marine' French river landscape with cottages and a figure fishing from a boat, signed lower right, oil on board, 32cm x 39.5cm Provenance: Private collection, Dorset.Note: Jacob was a pupil of Eugene Claude. He was noted for his effects evoking the light of dawn and dusk. From 1899, he exhibited in Paris at the Salon des Artistes Francais, of which he became a member in 1902. He received an honourable mention in 1908, a gold medal hors concours in 1914 and a gold medal at the Exposition Internationale in 1937. He exhibited there until 1950. He also showed at the Salon d'Hiver, the Salon des Aquarellistes, as well as in private galleriesFramed dimensions: 47cm x 55cm
*VIRÉN SAHAI (1933-2014) 'Evening Light' abstract composition, signed and dated 1966 lower left, mixed media on paper, 31cm x 50.5cmVirén Sahai, a distinguished artist and architect, was born in Shahjahanpur in Uttar Pradesh, India. After leaving school, he worked as a draughtsman in Delhi and then in Rangoon, Burma. He arrived in Britain in 1955 with nothing but a letter of introduction to an architectural practice in London. He worked during the day and finished his architectural training in the evenings. Once fully qualified, he worked for many of the leading lights of British architecture, including Edwin Maxwell Fry and Jane Drew.Moving to England opened new cultural horizons for Virén. He was deeply moved by European classical music and artists such as Henry Moore and Henri Matisse. He became an accomplished artist in diverse media, with one-man shows in Paris, London, Oxford and Cambridge. Although he initially immersed himself in abstract expressionism, he later moved to greater realism and sought to incorporate aspects of his Indian heritage into his art.Framed dimensions: 56cm x 75cm
*KATHLEEN MURIEL SCALE (MURIEL HARDING-NEWMAN) 'Girl in pink jacket' 1937, bust-length portrait study of a woman standing before a mountainous landscape with shafts of light breaking through the dark clouds, signed "K.M. Scale" lower left, later further signed "Harding Newman", oil on board, 64cm x 55.5cmExhibited: K M Scale/Harding-Newman - A Retrospective, Dorset Museum, 1995, no. 55.Framed dimensions: 76cm x 67.5cm
Christopher Ward - A titanium 'C60 Elite 1000' wristwatch, circa 2020, serial number AAM-995, circular black dial with white batons and hands, centre sweep with red tip and day/date windows at 3H, tandem signed mechanical automatic chronometer rated Sellita movement, calibre SW220-1, case, 42mm diameter, black uni-directional rotating bezel with helium escape valve at 9H, verso with exhibition back, to a titanium link bracelet, the fold over clasp with ratchet wetsuit extension, presented in the original wooden case with outer card sleeve, owner's handbook, guarantee booklet, cleaning cloth and guarantee card dated 11/03/2020 Crystal - In good condition with no obvious sign of scratches or damage. Dial - In excellent condition with no sign of damage or deteriorationMovement - In working order, but not tested for timekeeping or endurance.Case - In good condition with just some very minor scuffs as to be expected and commensurate with age. Some light scuffing to the clasp.
A George V silver, enamel and rock crystal writing set, mark of Asprey & Company, London 1910, comprising a dip pen and propelling pencil each with facetted rock crystal barrels and green guilloché enamel grips, together with a paper knife with (originally) silver gilt blade and pen rest of similar construction, presented in the original gilt tooled fitted case lined in cream satin and velvetDip pen - A very minor nick to the handle. Evidence of a minor repair to the enamelling, more visible under reflected light, but not obvious. Some staining to the nib, holder and collar.Pencil - Evidence of a minor repair to the enamelling, more visible under reflected light, but not obvious. Some staining to the holder and collar.Paper knife - Extensive wear to the gilding on the blade. Hallmark clear. Some evidence of repair and staining to the enamelling.Rest - Wear and staining to the gilding on the terminals. Some evidence of repair and staining to the enamelling.Case - Exterior in good condition, Interior in fair to good condition, with some intends to the satin in the cover, the velvet a bit dirty.
Longines - A steel and gold plated 'Conquest' wristwatch, circa 1999, model number L1.620.3, circular white dial with gold coloured batons and hands, centre sweep and date window at 3H, tandem signed 21 jewel mechanical automatic ETA movement calibre 2892A2, V8B63, L619.2, case, 35mm diameter, gold-plated textured bezel, verso with exhibition back, to a two-tone link bracelet terminating in a deployant clasp, presented in the original case with outer card box, service booklet, warranty card and booklet dated 25/8/1999Crystal - Complete. One or two very minor surface scratches visible under reflected light.Dial - In excellent condition with no sign of damage or deterioration.Movement - In working order, though not tested for timekeeping or endurance.Case - In good condition. some minor scratches and scuffs, as to be expected and commensurate with age and use.
A pair of early 20th century German metalwares silver 5 light candelabra, mark of Gebrüder Kühne, Schwäbisch Gmund, circa 1920, stamped with Halbmond & Reichskrone (crescent & crown) and 800, each with octagonal stepped and loaded base and double knopped column, detachable upper with four scrolled branches each terminating in a sconce and wax pan, the fifth light in the centre, 33cm diameter across the branches, 46cm high, 1295.9g (41.7ozt) weighable silver (2)Overall in fair to good condition. Some surface scratches and minor dents and dings as to be expected and commensurate with age and use. Evidence of splitting and repair work to the rim of the sockets of both of the sticks. Branches of all a little out of shape, but not obviously so. Would benefit from professional polishing.
A silver plated Highlander's dress dirk together with a plaid brooch, the dirk with decorative handle featuring four oval cabochon cut foil backed smoky quartz above a cartouche featuring two hounds, and below four recesses containing alternate soldiers and maidens and a row of coloured foil backed hardstones, the pommel with circular faceted foil backed smoky quartz, steel tapering blade, 32.5cm long with clipped rear edge, decorative scabbard featuring the crest and ribboned motto of CLAN ANDERSON with helmet above, the subsidiary fork and knife similarly designed, verso with simple fitting, overall length 54cm; the base metal brooch of circular form, 10cm diameter, outer pierced section over a plain ground featuring eagles and balls on a foliate field, central raised section similarly decorated, with a circular brown facetted smoky quartz, 4.5cm diameter, verso with simple pin and hook fitting, 10cm diameter (2)Dirk - Overall in fair to good condition with no obvious sign of repair. The scabbard has some loss to the material exposing the wood under the crest and motto area. Some very minor loss of plating to the high exposed areas. Would benefit from being cleaned. The fork, knife and dirk all in good condition with just some staining to the steelwork.Brooch - Overall in good condition with no obvious sign of repair. Some light surface scratches and nicks, as to be expected and commensurate with age and use. Verso missing 6 of the 12 retaining nuts.
A mid 20th century German metalwares silver 3 light candelabra together with a single candlestick, the candelabra, with mark of Gebrüder Deyhle, Schwäbisch Gmünd, struck with Halbmond und Reichskrone (crescent and crown) and additionally marked 830S, oval scalloped base with metal infill and swirled repoussé decoration, baluster column supporting two scrolled branches each with a swirled sconce, column top supporting the third light, 28cm across the branches, 26cm high; the single stick of very similar decoration and construction, with mark of Kurz Gottlieb, Schwäbisch Gmünd, struck with Halbmond und Reichskrone and additionally marked 830, 8cm diameter across the base, 16.5cm high (2)
Omega - A 9ct gold wristwatch, circa 1962, model 131.5405, serial number 19805936, circular silvered dial with gold coloured batons, hands and centre sweep, signed 17 jewel mechanical crown wind movement calibre 286, case, 34mm diameter, with Birmingham hallmarks for 9ct gold, to a brown strap with pin buckle Crystal - Complete. Some light surface scratches and minor nicks, as to be expected and commensurate with age and use.Dial - In fair to good condition. Spotting all over, more obvious in reflected light.Movement - In working order, though not tested for timekeeping or endurance.Case - In generally good condition. Some surface scratches and minor dents and nicks as to be expected as commensurate with age and use.
A George V silver christening tankard. mark of the Goldsmiths' & Silversmiths' Company Ltd., London 1932, straight sided with flared rim and scroll handle, raised on a spread foot, signed to the underside, presented in the original signed and gilt tooled fitted case, lined in cream satin and green baize, 200.5g (6.4ozt)Overall in good condition with no obvious sign of damage or repair. Some light surface scratches as to be expected and commensurate with age and use. Stands well on a flat surface with just a very slight wobble. Hallmarks clear and readable. No personal engraving.
Charles Frodsham, London - A fine George V 18ct gold half hunter pocket watch, circa 1910, outer cover with blue enamel Roman numerals and inner chemin de fer chapter ring around the circular glazed aperture, signed white dial, additionally marked '09380', with black Roman numerals, blued hands and subsidiary seconds register at 6H, gilt three-quarter plate crown wind mechanical movement with diamond end stone, top plate marked CHAS FRODSHAM BY APPOINTMENT TO THE KING 115 NEW BOND STREET LATE OF 84 STRAND LONDON NO 09380, the raised going barrel engraved with foliate decoration and hand setting button at 4H, case, 48mm diameter, interior with casemaker's mark of Harrison Mill Frodsham and London hallmarks for 18ct gold, numbered 009380, the cuvette similarly marked and additionally engraved TO ROBERT SINCLAIR FROM SIR VICTOR AND LADY HORSLEY IN GRATEFUL RECOLLECTION OF HIS PROMPT AND KIND ACTION ON THE 22ND AUGUST 1911, 115.7g gross, presented with a copy of the purchase receipt, analysis sheet from Charles Frodsham and rating certificate from June-July 1914 Provenance:Purchased back by Charles Frodsham from a descendant of the Sinclair family, and subsequently sold to the present owner in 2014 Charles Frodsham was a distinguished English horologist, founding his business in the 1840s. From 1884, he traded as Charles Frodsham & Co, which remains in existence as the longest continuously trading firm of chronometer manufacturers in the world. Lot 354 & 355: A ‘fine gold watch and albert’ presented for an act of bravery. Sir Victor A.H. Horsley (1857-1916) was an accomplished scientist and professor, and the first neurosurgeon appointed to the National Hospital for Neurology and Neurosurgery in London. Known as 'the father of neurosurgery', he was the first surgeon in the world appointed to a hospital post as a 'brain surgeon'.In August 1911 he was on holiday with his family in Rousay - one of the largest of the Orkney Islands - off the north coast of Scotland. His son, Siward Myles Horsley, who suffered from epilepsy, went fishing in a boat just offshore, but suffered a fit and fell overboard. The local newspaper - the 'Orcadian' - of Saturday August 26th, 1911, carried the following report on the incident:'BOATING ACCIDENT AT ROUSAY - A serious boating accident occurred off Sourin, Rousay on Tuesday. From information to hand it appears that a son of Sir Victor Horsley was fishing from a small boat...when he fell into the sea. Fortunately, the accident was observed from the shore and a rescue party set off. By this time the young man had sunk, and it was only after some difficulty that he was picked up from the bottom. He was...in a serious condition...and was only restored after great difficulty’.Two months later, the 'Orcadian' carried a further report:BOATING ACCIDENT AT ROUSAY - Sir Victor Horsley has presented fine gold watches and alberts to the (two) boys who recently saved his son from drowning. The names of the boys are Alfred Hermisgarth and Robert Sinclair. The inscription on the watches is "To (name of recipient) from Sir Victor and Lady Horsley in grateful recollection of his prompt and kind action on 22nd August 1911" Crystal - Complete. Some extremely minor scratches visible under reflected lightDial - In good condition. No obvious signs of damage or crackingMovement - In working order, though not tested for timekeeping or endurance. Hand adjusting button operational and the hands move freely in both directions, though there is a little play. Crown winds satisfactorilyCase - In good condition with no obvious sign of damage or repair. Cover opens and closes satisfactorily, and the hinges do not appear strained. Verso with some light scratches and scuffs as to be expected and commensurate with age and use.
A pair of silver plated 3 light metamorphic candelabra, each with decorative scalloped and fluted filled base, pear shaped knopped column and fluted campana sconce, stamped inside 4994, supporting a detachable foliate scrolled branch each end terminating in a matching sconce, stamped inside 5330L, with detachable wax pans, the centre of each branch with a threaded raised section supporting the third light with detachable flame finial, underside with green baize table protector, height of the stick, 36cm, maximum height including the branches, 68cm, 43cm wide across the branches (2)
A Victorian silver vinaigrette commemorating the Great Exhibition, mark of Nathaniel Mills, Birmingham 1850, of rectangular form with scrolled and scalloped edge, underside with engine turned engraved decoration around a vacant scroll edged cartouche, piano hinged cover with a finely engraved depiction of Crystal Palace on a sunburst background, gilded interior with hinged and pierced grille, 5 x 3cm 26.4gOverall in good condition with no obvious sign of damage or repair. Some light surface scratches and scuffs, as to be expected and commensurate with age and use. Both hinges very, very slightly strained, but both covers open and close satisfactorily. A little staining to the underside of the grille and inside the body, probably from the sponge, which is still in place. Hallmarks readable.
An Edward VII silver wire fruit basket, mark of Harrison Brothers & Howson (George Howson), London 1905, of oval form, wired side with applied cast trailing vine swagged decoration and scalloped reed and tie rim, raised on an oval base with four applied cast trailing vine feet, 26 x 20cm, 11cm high, 713.2g (22.9ozt)Overall in good condition with no obvious sign of damage or repair. Some light surface scratches and nicks, as to be expected and commensurate with age and use. Hallmarks clear and readable
Unsigned - A Swiss silver 'Trench' style wristwatch, circa 1917, circular white dial with Arabic numerals, skeleton hands and subsidiary seconds register at 6H, mechanical crown wind movement, cushion shaped case, 32mm wide, interior with London import hallmarks for Sterling silver and sponsor's mark of Stockwell & Company (George Stockwell), fixed wire lugs to a brown strap with silver pin buckle Crystal - Complete. Some minor surface scratches and nicks, as to be expected and commensurate with age and use. Dial - Overall in good condition. Some light spotting all over and a minor scratch at 5. Some deterioration to the lume on the numbers and losses of lume to the minute handMovement - In working order, but not tested for timekeeping or enduranceCase - In good condition. Some light surface scratches, nicks and scuffs as to be expected and commensurate with age and use.
Omega - An 18ct gold 'de Ville Prestige' wristwatch, circa 2007, model 46003102, serial number 81372517, circular silvered dial with slightly recessed inner, gold coloured batons and hands, centre sweep and date window at 3H, signed 23 jewel mechanical automatic chronometer rated movement, calibre1120 V8XH5 H1, case, 34mm diameter, verso with Swiss mark for 18ct gold to the 11H lug and convention mark to the 2H lug, interior with Swiss mark for 18ct gold, Le Noiremont, together with convention mark for 18ct gold and Poinçon de Maître: Hammer Head number 365 for Louis Lang S.A., additionally marked HAE 18K 750 GX, to a brown strap with pin buckle, presented in the original case with outer card box, chronometer certificate, photograms card, warranty card dated 19/5/2017 and instruction bookletCrystal - Complete. One or two very light surface scratches visible under reflected lightDial - In excellent condition with no sign of damage or deterioration.Movement - In working order, though not tested for timekeeping or endurance.Case - In good condition. Some minor surface scratches and nicks, as to be expected and commensurate with age and use.
Omega – A steel and 18ct rose gold ‘Speedmaster 1957 Broad Arrow Co-Axial’ chronograph wristwatch, circa 2006, model number 321.93.42.50.13.001, serial number 78492668, circular brown dial with rose gold coloured batons and hands with ‘broad arrow’ hour hand, centre chronograph sweep and subsidiary dials for running seconds at 9H, minutes at 3H and hours at 6H, signed 37 jewel mechanical automatic movement number 78492668, calibre 3313B HO509W6/04 with start/stop and reset pushers above and below the crown, case, 42mm diameter, brown outer tachymetre bezel, verso with exhibition back, to a brown strap with steel fold over clasp numbered 94521853, presented in the original outer card box along with instruction booklet, warranty card dated 7/7/2010, chronometer certificate, pictogram card and swing tagCrystal - Complete. Some very light surface scratches as to be expectedDial - In excellent condition with no sign of damage or deterioration.Movement - In working order, including the chronograph function, but not tested for timekeeping or endurance.Case - In good condition, with just some very light dust scratches
A pair of early 20th century German metalwares silver twin light library candlesticks, Mark of Jakob Grimminger, Schwäbisch Gmund, circa 1920, stamped 800, each square, loaded and stepped base with turned corners, double scrolled upper section each end terminating in a sconce, 16cm across the upper section, 12cm high (2)
A Victorian silver engraved 'Castle Top' card case, mark of Nathaniel Mills, Birmingham 1850, of rectangular form with scalloped edge, the front with engine turned decoration around an engraved scene, probably of the Old Bridge at Perth, Scotland, verso with engine turned decoration around a monogrammed scroll edged cartouche, piano hinged cover, 10 x 7cm, 72.6gOverall in good condition with no obvious sign of repair. Some light surface scratches and nicks, as to be expected and commensurate with age and use. Both sides very, very slightly concave. Hinge in good order and does not appear strained, and the cover opens and closes satisfactorily. Hallmarks readable. Retailer signed opposite side to the hallmark (ROE & JACOB * LIVERPOOL)
Longines - A steel 'Master Collection' triple calendar with chronograph and moonphase wristwatch, circa 2005, model L2.773.4, serial number 38687177, circular engine turned silvered dial with black Arabic numerals, blued hands, centre sweep and date indicator with subsidiary dials for hours and moonphase at 6H, 24 hour/GMT at 9H, and minutes, day and date at 12H, outer date and seconds tracks, tandem signed 25 jewel automatic ETA movement number V6DP1 calibre L678.2, with start/stop and reset pushers above and below the crown and recessed adjusting pusher at 10H, case, 42mm, verso with exhibition back, to a brown strap with deployant clasp, presented in the original wooden case, with adjusting toolCrystal - Complete - Some very minor surface scratches and nicks, visible under reflected light. Dial - In excellent condition with no signs of damage or deterioration.Movement - In working order, though not tested for timekeeping or endurance.Case - One or two minor surface scratches, as to be expected and commensurate with age and use.
An Elizabeth II limited edition silver commemorative goblet, mark of John Cussell, London 1977, Jubilee and display marked, number 103 of a limited edition of 200, in the style of an Elizabethan chalice, the flared bowl with a band of foliate engraving, raised on a circular pedestal foot, gilt washed interior, the underside engraved 103 LINCOLN CATHEDRAL, 8cm diameter at the rim, 14cm high, 202.7g (6.5ozt) accompanied by a signed certificate from the Dean of Lincoln Cathedral.Overall in good condition with no obvious sign of damage or repair. Some light surface scratches and nicks as to be expected. Stands well on a flat surface with no wobble.

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534325 item(s)/page