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Lot 374
Medals of 856 Private William Grant of the 10th Battalion Highland Light Infantry including WWI war medal, Victory medal and 1914-15 star [856 PTE W GRANT HIGH LI] and WWI death plaque or dead man's penny [WILLIAM GRANT] with research paperwork showing that he was Killed in Action KIA on 25th September 1915 on the first day of the battle of Loos. Ribbons look bright and fresh.
![WWI Victory medal of 43621 Private J Bell of the Highland Light Infantry [43621 PTE J BELL HIGH LI], a WWI Princess Mary bras](https://cdn.globalauctionplatform.com/513810e6-3ab3-425d-be7a-ae7e01071f44/a1c4f56c-8e34-4772-aa60-ae7f00de6b59/468x382.jpg)
Lot 413
WWI Victory medal of 43621 Private J Bell of the Highland Light Infantry [43621 PTE J BELL HIGH LI], a WWI Princess Mary brass tobacco tin, a silver and enamel Highland Agricultural Society of Scotland Long Service medal [35 Years William Bell 1939] in Kirkwood fitted case, a silver card case, a Vest pocket cup, and a collection of coins.
Lot 600
EDWARDIAN MAHOGANY AND BRASS MOUNTED MANTEL CLOCK,by Maple & Co Ltd London, the circular dial set with Roman numerals, on stepped bracket feet, 29cm high excluding handleCondition good to fair. Clocks ticks at time of testing. Pin missing from hand, also a section of the cornice moulding from top right missing, and the griLle is lose from the back. Light Age and use related wear throughout. Additional images now available.
Lot 614
PAILLARD BOLEX H16-40 CINE CAMERA,serial no. 148680, with a Berthiot Tele-Cinor 1:4.5 F=145 lens, housed in a Paillard Bolex branded leather caseCondition of camera and lenses appears to be good. All mechanisms appear to be in good working order, though we offer no guarantee in this respect. Camera surface may benefit from a light clean.
Lot 618
LATE 19TH CENTURY MARBLE AND BRASS CLOCK GARNITURE,with two train eight day movement, striking on a bell, the white enamel dial inscribed 'A. GREVOISIER, A BOURGES', with Arabic numerals interspersed with floral swags, the drum head with flaming urn finial, raised on two columns mounted with a floral festoon, on an oblong base on four feet, 41.5cm high, with a pair of side urnsIn generally good cosmetic condition, with light wear including tarnish and gilt rub.No key or pendulum, so unable to confirm working order.
Lot 633
EDWARDIAN REGULATOR LONGCASE CLOCK,with deadbeat escapement, the silvered dial with outer minute ring, subsodosrybsecpmds and chapter dials, with flat top, the glazed trunk revealing a pendulum with time compensating mercury bob, panelled block base, 195cm highClock good to fair. Clock winds, but currently isn't ticking and will likely require some attention. The dial has been cleaned with some form of fluid that has discoloured it. The hood is missing its glass. The pendulum bob must be treated carefully as the mercury cover is moveable, therefore some minor balling appearing around the exterior of the bob. Case is subject to light age related wear. No makers mark. Additional images now available.Back of hood door would likely have had some component keeping glass in pace, though no longer.
Lot 667
EARLY 20TH CENTURY ELECTROMAGNETIC WALL CLOCK,with silvered Arabic numeral outer minute ring, subsidiary dial, contained in a glazed mahogany caseDial is silvered with printed markers.Condition of case with light age related wear, though also with some water marks to top, though these do not compromise structural integrity.The pendulum is included, though is missing a component so cannot be hung.Additional images included.Provenance: From same collection as the Eureka electromagnetic clock (lot 662)
Lot 673
MINIATURE CARRIAGE CLOCK BY P. ORR & SONS OF MADRAS,mid-late 19th century, in gilt gorge case with exposed lever escapement, the dial set with Roman numerals and signed, 9.4cm high including swing handle, with key and housed in original case bearing 'P. Orr & Sons Madras' gilt-tooled stamp to lid interiorCondition good to fair. Hairlines and minor chips running across the dial, also losses to inscription.Not ticking at present. Light wear including gilt rub. Additional images now available.The travel case is well worn.
Lot 153
Michael Spinks signed Gold Personalised boxing glove. Michael Spinks (born July 13, 1956) is an American former professional boxer who competed from 1977 to 1988. He held world championships in two weight classes, including the undisputed light heavyweight title from 1983 to 1985, and the lineal heavyweight title from 1985 to 1988. As an amateur he won a gold medal in the middleweight division at the 1976 Summer Olympics.Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 167
Cary Grant signed 10x8 black and white vintage photo. Cary Grant (born Archibald Alec Leach; January 18, 1904 – November 29, 1986) was a British-American actor. Known for his transatlantic accent, debonair demeanour, light-hearted approach to acting, and sense of comic timing, he was one of classic Hollywoods definitive leading men from the 1930s until the mid-1960s.Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 192
Peter Reid and Gordon Strachan signed FDC Sunderlands 100th League Game in the Stadium of Light PM 23rd March 2002.Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 248
RAF FltLt B A H Hitching collection includes over 20 items such as Pilot licenses from each of his postings from around the world and RAF instrument pilot rating cards from his career. Bryan Albert Harold Hitchings was born on 5th February 1919 and joined the RAF on a short service commission on 4th March 1939. He joined 111 Sqdn from 5 OTU on 29th September and was posted to 3 Squadron on the 30th. He then went to 605 Sqdn on 21st December 1940 and on to 96 Squadron at the end of the month. He later served with 106 Squadron and 680 (PR) Squadron. Hitchings survived the war and post-war stayed in the RAF, retiring on 1st October 1963 as a Squadron Leader. He then worked in aviation in the Middle East. He died in July 1989. He only came to the attention of the monument committee in 2005 when his logbook came to light, it showed an operational sortie flown on 31st October 1940 through this does not appear in the 3 Squadron ORB.Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 56
Gene Tunney signed 4x4 white card. James Joseph Gene Tunney (May 25, 1897 – November 7, 1978) was an American professional boxer who competed from 1915 to 1928. He held the world heavyweight title from 1926 to 1928, and the American light heavyweight title twice between 1922 and 1923. A highly technical boxer, Tunney had a five-fight light heavyweight rivalry with Harry Greb in which he won three, drew once, and lost once, though many ringside reporters believed Greb should have won the decision in their second meeting. Tunney also knocked out Georges Carpentier and defeated Jack Dempsey twice; first in 1926 and again in 1927. Tunneys successful title defence against Dempsey remains one of the most famous bouts in boxing history and is known as The Long Count Fight. He retired undefeated as a heavyweight after his victory over Tom Heeney in 1928, after which Tunney was named Fighter of the Year by The Ring magazine.Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 91
Archie Moore signed 10x8 colour photo. Archie Moore (born Archibald Lee Wright; December 13, 1913 or 1916- December 9, 1998) was an American professional boxer and the longest reigning World Light Heavyweight Champion of all time (December 1952 - May 1962). He had one of the longest professional careers in the history of the sport, competing from 1935 to 1963. Nicknamed The Mongoose, and then The Old Mongoose in the latter half of his career, Moore was a highly strategic and defensive boxer, with a strong chin and unusual resilience. As of December 2020, BoxRec ranks Moore as the third greatest pound-for-pound boxer of all time. He also ranks fourth on The Rings list of 100 greatest punchers of all time. Moore was also a trainer for a short time after retirement, training Muhammad Ali, George Foreman and James Tillis.Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 102
Joseph Meeker (American, 1827-1887). Oil on canvas titled "Morning on the Upper Mississippi" depicting riverboats steaming along Lake Pepin in the dawn light. Signed and dated 1878 along the lower left. There is a label from Richard York Gallery, New York, New York, affixed to the verso, indicating the artwork was included in the 1983 "Sunset to Dawn" exhibition; there are additionally labels from Hirschl & Adler Galleries, Inc., New York, New York, and the Greenville County Museum of Art, Greenville, South Carolina.Joseph Meeker grew up in New England, and studied under Hudson River School painter Asher B. Durand at the National Academy of Design in New York City. As Meeker began working independently as an artist, he worked creating landscapes heavily influenced by the Hudson River School and by Luminism. MeekerÃs relationship with the Mississippi River began during the American Civil War, when he served as a paymaster for the Union Navy on a gunboat sailing up and down the Mississippi River. He was enchanted by the scenes of the bayous, and did extensive sketches of river scenes during this period. Following the war, Meeker made paintings from these sketches, which proved to be extremely successful. Although he is best known for his landscapes of the southern Mississippi, Meeker also traveled up his cherished river to explore its northern reaches.This artwork is the result of one of those journeys. It depicts Lake Pepin as it was in the late 1870sñan important stopover point for the industry and travel steaming up and down the Mississippi. All this industry, however, is overshadowed by the natural beauty of the location: the tall bluffs looming over the water, touched by the first pink of the morning light, the lush trees reaching down to the edge of the lake; and the gulls swooping across the rippled surface of the river, up toward the cloud-studded sky. It is MeekerÃs eye for the unique beauty of a place that makes his work exceptional; more than just the landscape, he captured the spirit of the locations he painted.Unframed; height: 25 in x width: 30 in. Framed; height: 34 in x width: 39 in.
Lot 128
Joseph Paquet (American, b. 1962). Oil on board titled "Last Light View of Mounds Park," depicting the last gleams of evening sun against Mounds Park in St. Paul, Minnesota. Signed along the lower left. Further signed, titled, and inscribed, "Started outside, winter of 2000, below zero conditions" along the verso.Provenance: from the collection of an important Minnesota institution.Unframed; height: 10 in x width: 30 in. Framed; height: 17 1/2 in x width: 37 3/4 in.
Lot 165
Richard "Dick" Huss (American, b. 1946). Glass bowl in a graduating shade of light blue to clear with abstract applied decorations.As one of the most accomplished glass artists hailing from St. Paul, Minnesota, his works can be found in collections worldwide including the Art Institute of Chicago and the Corning Museum of Glass in New York.Height: 11 1/4 in x diameter: 11 1/2 in.
Lot 150
Martyn Richardson Mackrill (born British 1962)Light airs and a flowing tide. Candida and Shamrock V running off Portsmouth, 1934 signed 'Martyn R Mackrill-' (lower left)watercolour50.5 x 70.5cm (19 7/8 x 27 3/4in).Footnotes:ProvenanceWith Royal Exchange Art Gallery, London.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 457
1897-1932 imperforate Mint selection with 1897 2c scarlet SG87a horizontal pair, 1911 15c lake top marginal single, 1929 3c red-brownSG 181a vertical pair, 1932 3c orange-brown SG211a horizontal pair, 6c light blue SG 214 horizontal pair, 1c grey SG 222a horizontal pair, 2c green SG 223a horizontal pair, mostly fine, first two items with no gum. (7 items)
Lot 204
ALEXANDER JAMIESON ROI (SCOTTISH 1873 - 1937),ON THE SEINE PARIS, VIEW OF THE PONT NEUFoil on board, titled versoimage size 17cm x 27cm, overall size 24cm x 34cm Framed.Note: Alexander Jamieson was born in Glasgow and studied at the Haldane Academy before winning a scholarship to Paris. It was there, in 1898, that he came into contact with the work of the French Impressionists, whose bravura brushwork and preoccupation with the effects of light and atmosphere were to be his chief painterly concerns for the remainder of his life. It was also in Paris that he met the painter Gertrude (Biddy) Macdonald who he married in 1907. In his foreword to Jamieson's memorial exhibition, Sir John Lavery wrote, ''He dipped his brush in light and air … Many a time I have been struck by his wonderful perception and clear judgement, his keen sense of colour and composition, allied with a masterly technique, which enabled him to convey his impression in the simplest language.'' Some 33 of Jamieson's paintings are held in UK public collections.
Lot 107
GUILLAM FORCHONDT THE OLD (Antwerp, 1608-1678)."The Assumption of the Virgin.Oil on copper.Signed in the upper left corner.Size: 70 x 85 cm; 85 x 100 cm (frame).In this majestic copper by Guillam Forchondt the Elder is shown the Assumption of the Virgin, taken in body and soul to Heaven, in a triumphal and scenographic way. Behind her opens the Glory, represented by the golden divine light, an elaborate break in the margins of which we see a multitude of angels in different positions, some looking down to earth and others upwards. On the earthly plane, clearly differentiated from the heavenly plane by the line of clouds, the figures gather around the Virgin's open tomb. They are the apostles and other women who, having witnessed Mary's death, marvel at her Assumption. Some of them are depicted with their backs to the tomb, closing a circular composition defined around the tomb, classical and orderly despite the apparent crowding of the figures in favour of the theatricality and, above all, the dynamism of the scene. Most of the figures are shown looking up towards the sky, with their hands raised in surprise as well as veneration, a skilfully narrative aspect. We see how Mary does not ascend to heaven by her own means, like Christ, but is raised to Paradise by the angels. As is customary in Western art, the artist depicts her bodily Assumption outside the tomb where the apostles had buried her.Guillam Forchondt the Elder was a Flemish painter and art dealer. He captained a successful painting workshop that spread throughout Europe through his sons' offices in Vienna, Lisbon and Seville. Through the port of Cadiz, works were shipped to Mexico and sold to local convents. He played a very important role in the dissemination of Flemish Baroque art in Europe and South America, even changing the dealer-artist relationship by involving himself in the organisation of the artistic production process. His lucrative business was continued by his son, Guillam Forchondt the Younger (1645-after 1677), who turned it into an international art and luxury goods enterprise. Among his numerous clients were prominent personalities of the time, such as the Emperor of Austria and the Princes of Liechtenstein. As a painter, Forchondt worked in the Flemish Baroque style of Rubens, Jan Brueghel the Younger, Joos de Momper and David Teniers the Younger, clearly adapting his production to market demand. Many of his works can be considered pastiches or reduced copies of works by Rubens. At that time there was a great demand abroad, and particularly in Spain, for paintings in the style of the great Flemish masters, such as Rubens and Anthony van Dyck. Art dealers such as the Forchondts, who had local representation in several foreign countries, facilitated the trade in these paintings.
Lot 126
Northern European school of the 18th century."Saint Ioanna".Burin engraving illuminated by hand on vellum.Measurements: 17 x 12 cm.Devotional image of Saint Joan engraved with burin and later polychromed by hand. It represents the Saint crowned, with a halo of light and holding a crucifix. At her side, the Child appears to her and gives her a ring, which she delicately places in her right hand. The piece resembles the drawings on parchment that came from miniated codices, types of manuscript and illustrated books that were produced in the "Scriptorium" or specialised workshops of the monasteries by monks of great artistic and doctrinal qualification for the monasteries themselves, the churches and the kings.
Lot 2
Sevillian school, 18th century."Immaculate surrounded by angels".Oil on canvas.Cracked in the painting.Frame with slight chipping.Measurements: 80 x 60 cm; 92 x 71 cm (frame).This successful representation of the Immaculate Conception is part of the Spanish Baroque, and more specifically, it derives from the Murillesque school. This model of the Immaculate Conception emerging from a gilded background and surrounded by cherubs was initiated by Murillo, who used this same theme in dozens of paintings, creating his own iconography. In it, he wished to eliminate the superfluous in order to focus on the enveloping effect of the golden atmosphere illuminating the Virgin. The present painting inherits Murillo's teaching: the softness of the features and their ethereal appearance, thanks to a skilful play of light. Mary, dressed in white and blue (symbols of purity and the concepts of truth and eternity, respectively), appears surrounded by child angels, who have been skilfully modelled in foreshortened and varied poses, playing amidst cottony clouds. The Virgin's mantle is fluttering in a gentle breeze, draped beautifully. The angels carry symbols of litanies, such as bunches of flowers and palms. The Holy Spirit (the symbol of the dove traditionally associated with this theme) has been omitted, but the ascending movement of the figure is conveyed by the subtle chromatic shifts. This painting clearly corresponds to "The Immaculate Conception of the Venerables", painted by Murillo around 1660 and now in the Museo del Prado.
Lot 22
Italian school of the 18th century."Portrait of Michelangelo Tamburini".Oil on canvas. Re-framed.The frame of the 19th century is damaged.Measurements: 43 x 33 cm; 50 x 39,5 cm (frame).We see in this canvas a bust portrait of a gentleman with a severe look, fixed on the spectator, without more symbols of his rank than the dignity that his face gives off. His vividly illuminated face is modelled precisely through the magnificently worked contrast of light and shade, which allows us to relate him to Michelangelo Tamburini, General of the Society of Jesus. Technically, the technique is notable for the use of precise, defined brushstrokes. In addition to the use of light that falls on the flesh tones, highlighting the gaze, of great psychological depth. This was a fundamental aspect of portraiture of the period, the intention of which was to convey the personality and mood of the sitter, which was not expressed in earlier periods that focused exclusively on external appearance. Other portraits by Michelangelo Tamburini are housed in important international museums, such as the one in the Museo Nacional del Virreinato in Tepotzotlán, State of Mexico.Michelangelo Tamburini (1648-1730) was a general of the Society of Jesus. He was successively professor of philosophy and theology, rector of colleges, Venetian provincial, secretary general, vicar general and superior general from 31 January 1706 until his death.
Lot 100
Ɵ DAHL, Roald. (1916 - 1990). The Witches. 1983. first edition, 8vo, (241 x 163mm), publisher's cloth, gilt lettering to spine, dust-jacket unclipped, illustrations by Quentin Blake, 208pp; LEWIS, C.S. (1898 - 1963). The Lion, the Witch and the Wardrobe. The Illustrated Chronicles of Narnia. 1991. first edition, 4to, (262 x 200mm), publisher's green cloth, gilt lettering to spine, pictorial dust-wrapper unclipped, colour pictorial e/ps., half-title, frontispiece and 18 full-page newly created colour plates for each chapter, in-text illustrations, by the original illustrator Pauline Baynes, 175pp; (Qty. 2)Condition Report: 1. The Witches - clean bright cloth, spine bumped head/tail, light marks to dust-jacket, toning to edges and pages, a clean copy.2. The Lion, the Witch and the Wardrobe - clean bright cloth, corners a little scuffed to cloth, dust-jacket lower corner scuffed , o/w. a near fine copy.Condition Report Disclaimer
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